Daniel Sherrin

Mountain landscape with watering cattle

early 20th century

Impressionist/Post impressionist style painting 'Kirkton Bridge, Balquhidder' by Scottish contemporary artist JD Henderson, is a Monet-like image of a Scottish bridge in Balquhidder, the Clan homeland of McLaren in central Scotland. Dated 1995 (verso) and signed by the artist in the lower right corner, the painting is on canvas with oil paint in a new gold frame. JD Henderson is described as a 20th century Scottish Colourist and a landscape artist, using impressionism and post impressionism styles. 'Kirkton Bridge' demonstrates the Colourist trend, but also broader brushstrokes and thick applications of paint from post impressionism that gives the subject matter priority over fleeting naturalistic color and light. The actual bridge and water...

Springtime, 'In the Meadow' by Cornelis Bouter (1888-1966) is a Dutch painting with figures and landscape in an impressionist style with early spring blossoms. Idyllic scene by a river under tree blossoms, this fine oil on canvas painting is very well presented in an original frame. Children play while mother peels apples in a pleasant afternoon setting. Sure to please this Easter! Imported by Saltire...

Impressionist oil painting of arching trees, titled 'Path Through Willow Trees, Summer' is by Sir James Lawton Wingate (1846-1924), President of the Royal Scottish Academy and knight...

'The River in October' is a lovely impressionist rendering of Scottish autumn color by Joseph Morris Henderson, (1863-1936). Early in his career Henderson exhibited in the Royal Scottish Academy and the Royal Academy. His work is represented in the Kelvingrove gallery and in galleries and museums in the UK and abroad. Paintings by JM Henderson remain popular and collectible today. Provenance verso shows this painting was a gift to John Stewart, Architect. JM Henderson is Glaswegian, born in Glasgow and died in Glasgow. He grew up in a family of artists. Two brothers and his father Joseph Henderson were all known artists of the period. Henderson studied art in the Glasgow School of Art, and graduated from Glasgow University. Henderson excelled in Scottish landscapes, many in the softer colors of the countryside, rivers, seascapes and lochs. In contrast to the mountainous Highlands he found exceptional beauty in local scenery, farms, waters, and figures in the rural landscape. 'The River, October' is in oil paint on canvas, clearly signed lower right. It is presented in the likely original period gilded frame in good condition. The painting is in very fine condition with no noted faults or past restoration. The colors and brushstrokes are clear and distinct. Collected by Saltire Gallerie, 'The River, October' was imported from Scotland to the USA. It is now ready for your very special place! Henderson was closely connected with the Glasgow Art Club, and was a member of the Committee of Management of the Paisley Art...

'Harvest Time' with Croft and Haystacks Impressionist oil on canvas painting is by popular Scottish artist Joseph Morris Henderson, RSA (1863-1936) known for Landscapes and Seascapes. Henderson exhibited in the London Royal Academy, the Royal Scottish Academy, Glasgow Institute of Fine Art, and in galleries across the UK. This painting is especially bright, of golden fields and haystacks, and impressionist figures by a rural white croft house...

Impressionist oil painting of Scotland's Pittenweem harbor at twilight, title 'Pittenweem Evening' East Neuk of Fife, by Scottish artist John McGhie. Signe...

Signed lower right: Irving R. Wiles

Signed Lower Right Cyprien-Eugène Boulet (1877 - 1927)

Original Period Frame Hayley Lever (1876 - 1958) Hayley Lever's exceptional career path took him from the shores of his native Australia to those of England, and then the United S...

Jim’s of Lambertville is proud to offer this artwork by: John R. Grabach (1886 - 1981) John Grabach was a highly regarded New Jersey artist, teacher, and author of the classic text...

Signed lower right. Complemented by a hand carved and gilt frame. Exhibited at the National Academy of Design, 1928

Signed lower right. Complemented by a period frame. William L. Lathrop (1859-1938) Deemed “Father of the New Hope Art Colony”, William Langson Lathrop was born in Warren, Illinois. He was largely self-taught, having only studied briefly with William Merritt Chase in 1887, at the Art Students League. Lathrop first moved east in the early 1880s, and took a job at the Photoengraving Company in New York City. While there, he befriended a fellow employee, Henry B. Snell. The two men became lifelong friends and ultimately, both would be considered central figures among the New Hope Art Colony. Lathrop's early years as an artist were ones of continuing struggle. His efforts to break through in the New York art scene seemed futile, so he scraped enough money together to travel to Europe with Henry Snell in1888. There he met and married an English girl, Annie Burt. Upon returning to New York, he tried his hand at etching, making tools from old saw blades...