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Georgia O'KeeffeCottonwood Tree (Near Abiquiu), New Mexico1943
1943
About the Item
A painting by Georgia O'Keeffe . "Cottonwood Tree (Near Abiquiu), New Mexico" is a modern art oil on canvas by American female artist Georgia O'Keeffe. Georgia O’Keeffe was among the most influential figures in Modernism, best known for her large-format paintings of natural forms, especially flowers and bones, and for her depictions of New York City skyscrapers and architectural and landscape forms unique to northern New Mexico.
Provenance:
An American Place, New York
Mr. and Mrs. Max Ascoli, New York, 1944
Descended in family
Harold Diamond, New York, c. 1975
Gerald Peters Gallery, Santa Fe, New Mexico
Elaine Horwich Gallery, Scottsdale, Arizona, 1978
Collection of Mr. and Mrs. E. Parry Thomas, Las Vegas, Nevada, 1978
Private Collection, United States
Exhibition:
New York, New York, An American Place, Georgia O’Keeffe, Paintings – 1943, January 11 – March 11, 1944, no. 8
Literature:
Lynes, Barbara Buhler, Georgia O’Keeffe, Catalogue Raisonné Volume Two (New Haven and London: Yale University Press, 1999), cat. no. 1066, p. 670.
- Creator:Georgia O'Keeffe (1887 - 1986, American)
- Creation Year:1943
- Dimensions:Height: 36 in (91.44 cm)Width: 30 in (76.2 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Palm Desert, CA
- Reference Number:
Georgia O'Keeffe
Georgia Totto O'Keeffe (November 15, 1887 – March 6, 1986) was an American modernist painter and draftswoman whose career spanned seven decades and whose work remained largely independent of major art movements. Called the "Mother of American modernism", O'Keeffe gained international recognition for her meticulous paintings of natural forms, particularly flowers and desert-inspired landscapes, which were often drawn from and related to places and environments in which she lived. In 2014, O'Keeffe's 1932 painting Jimson Weed/White Flower No. 1 sold for $44,405,000. After her death, the Georgia O'Keeffe Museum was established in Santa Fe. Early years: She moved to New York in 1918 and began working seriously as an artist. O'Keeffe created many forms of abstract art, including close-ups of flowers, such as the Red Canna paintings, that many found to represent vulvas, though O'Keeffe consistently denied that intention. The imputation of the depiction of women's sexuality was also fueled by explicit and sensuous photographs of O'Keeffe that her husband had taken and exhibited. O'Keeffe and Stieglitz ( her Husband) lived together in New York until 1929, when O'Keeffe began spending part of the year in the Southwest, which served as inspiration for her paintings of New Mexico landscapes and images of animal skulls, such as Cow's Skull: Red, White, and Blue (1931) and Summer Days (1936). later years: After Stieglitz's death, she lived in New Mexico her Home and Studio in Abiquiú until later years of her life, when she lived in Santa Fe. Edited from Wikipedia
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