Gouache Landscape Paintings

This came from the collection of the Horace Richter Gallery These were done in the 1990's Hand signed and dated by the artist. Old Jaffa Jay Milder (born 1934) is an American artist and a figurative expressionist painter of the second generation New York School. Old Testament themes such as Jacob's Ladder and Noah’s Ark, and the Jewish mystical beliefs of the Kabbalah, are recurring themes in Milder’s paintings which are presented as archetypal images that recur in the basic karma, make-up and need of human nature. Internationally exhibited, Milder is included in the collections of many national and international museums. He has been the subject of two, recent retrospectives in Brazil in 2007 at the National Museum Brasilia and, in 2006, at the Museum of Modern Art, in Rio de Janeiro. He is renowned in Sao Paulo, one of the major international centers for street and public art, as a seminal influence on graffiti artists. Jay Milder was born in Omaha, Nebraska, in 1934. His grandparents, who came from the Ukraine, were descendants of the Hasidic mystic, Rabbi Nachman. As he listened to family stories his interest in spiritualism and mysticism increased, and became an important influence on his philosophy of life and art. Later, when he arrived in New York, he was drawn to the Theosophical Society and the teaching of Helena Blavatsky. In 1954 Milder visited Europe where he studied painting with André L’Hote, and sculpture with Ossip Zadkine. He spent much time studying at the Louvre Museum, and at the studio of Stanley Hayter. During his Paris years the paintings of the Jewish painter Chaim Soutine, primarily influenced him. Milder returned to the United States in 1956, and he began studying painting at the Chicago Art Institute. He exhibited with the Momentum Group, an alliance of artists who were particularly dedicated to the progression of figurative art and its global origins. In 1957, Milder spent the summer in Mexico for a summer where he exhibited in Puebla. That year he received the Mexican Government’s Honor Award for artists. In the summer of 1958, Milder studied with Hans Hofmann in Provincetown, Massachusetts. He exhibited his work at the Sun Gallery, with his contemporaries, including Mary Frank, Red Grooms, Bob Thompson...

Simka Simkhovitch (Russian/American 1893 - 1949) This came with a small grouping from the artist's family, some were hand signed some were not. These were studies for larger paintings. Simka Simkhovitch (Симха Файбусович Симхович) (aka Simka Faibusovich Simkhovich) (Novozybkov, Russia May 21, 1885 O.S./June 2, 1885 N.S.—Greenwich, Connecticut February 25, 1949) was a Ukrainian-Russian Jewish artist and immigrant to the United States. He painted theater scenery in his early career and then had several showings in galleries in New York City. Winning Works Progress Administration (WPA) commissions in the 1930s, he completed murals for the post offices in Jackson, Mississippi and Beaufort, North Carolina. His works are in the permanent collections of the Dallas Museum of Art, the National Museum of American Art and the Whitney Museum of American Art. Born outside Kyiv (Petrograd Ukraine) into a Jewish family who owned a small department store. During a severe case of measles when he was seven, Simcha Simchovitch sketched the views outside his window and decided to become an artist, over his father's objections. Beginning in 1905, he studied at the Grekov Odessa Art School and upon completion of his studies in 1911 received a recommendation to be admitted to the Imperial Academy of Arts. Though he enrolled to begin classes in architecture, painting, and sculpture at the Imperial Academy, he was dropped from the school roster in December because of the quota on the number of Jewish students and drafted into the army. Simchovitch served as a private in the 175th Infantry Regiment Baturyn [ru] until his demobilization in 1912. Re-enrolling in the Imperial Academy, he audited classes. Simka Simkhovitch exhibited paintings and sculptures in 1918 as part of an exhibition of Jewish artists and in 1919 placed 1st in the competition "The Great Russian Revolution" with a painting called "Russian Revolution" which was hung in the State Museum of Revolution. In 1922, Simkha Simkhovitch exhibited at the International Book Fair in Florence (Italian: Fiera Internazionale del Libro di Firenze). In 1924, Simkhovitch came to the United States to make illustrations for Soviet textbooks and decided to immigrate instead. Initially he supported himself by doing commercial art and a few portrait commissions. In 1927, he was hired to paint a screen for a scene in the play "The Command to Love" by Fritz Gottwald and Rudolph Lothar which was playing at the Longacre Theatre on Broadway. Art dealers began clamoring for the screen and Simkhovitch began a career as a screen painter for the theater. Catching the attention of the screenwriter, Ernest Pascal, he worked as an illustrator for Pascal, who then introduced him to gallery owner, Marie Sterner. Simkhovitch's works appeared at the Marie Sterner Gallery beginning with a 1927 exhibit and were repeated the following year. Simkhovitch had an exhibit in 1929 at Sterner's on circus paintings. In 1931, he held a showing of works at the Helen Hackett Gallery, in New York City and later that same year he was one of the featured artists of a special exhibit in San Francisco at the California Palace of the Legion of Honor in Lincoln Park. The exhibit was coordinated by Marie Sterner and included four watercolors, including one titled "Nudes". He is of the generation of Russian Soviet artists such as Isaac Pailes, Serge Charchoune, Marc Chagall, Chana Orloff, Isaac Ilyich Levitan, and Ossip Zadkine. In 1936, Simkhovitch was selected to complete the mural for the WPA Post office project in Jackson, Mississippi. The mural was hung in the post office and courthouse in 1938 depicted a plantation theme. Painted on the wall behind the judge’s bench, “Pursuits of Life in Mississippi”, a depiction of black workers engaged in manual labor amid scenes of white professionals and socialites, was eventually covered over in later years during renovations due to its stereotypical African American imagery. Simka painted what he thought was typical of Jackson. His impression of pre-civil rights Mississippi was evidently Greek Revival column houses, weeping willow trees, working class families, and the oppression of African Americans. He painted African American men picking cotton, while a white man took account of the harvest and a white judge advised a white family, calling it Pursuits of Life in Mississippi. Though clearly endorsed by the government and initially generally well-received, the mural soon raised concerns with locals as the climate toward racial segregation began to change. The main concern was whether depictions that show African Americans in subjugated societal roles should be featured in a courtroom. The following year, his painting "Holiday" won praise at an exhibition in Lincoln, Nebraska. In 1940, Simkhovitch's second WPA post office project was completed when four murals, "The Cape Lookout Lighthouse and the Orville W. Mail Boat", "The Wreck of the Crissie Wright", "Sand Ponies" and "Canada Geese" were installed in Beaufort, North Carolina. The works were commissioned in 1938 and did not generate the controversy that the Jackson mural had. The main mural is "The Wreck of the Crissie Wright" and depicts a shipwreck which had occurred in Beaufort in 1866. "The Cape Lookout Lighthouse and the Orville W. Mail Boat" depicted the lighthouse built in 1859 and the mail boat that was running mail during the time which Simkhovitch was there. The boat ran mail for the area until 1957. "Sand Ponies" shows the wild horses common to the North Carolina barrier islands and "Canada Geese" showed the importance of hunting and fishing in the area. All four murals were restored in the 1990s by Elisabeth Speight, daughter of two other WPA muralists, Francis Speight...

The Autumn Equinox with its Hunters by Rosie Phipps [2022] The Autumn Equinox with its Hunters is an original watercolour and gouache painting by artist Rosie Phipps, sold mounted. ...

Artist/ School: Norman A.Olley (British, 20th century) dated 1995 and inscribed verso Title - Tresmeer Cornwall, Roads To Grom Mill Road & Cottage Medium: gouache/watercolour/ ink/...

Artist/ School: Norman A.Olley, inscribed verso Title - October Manor Farm Surrey Medium: gouache/watercolour/ ink/ pencil on thin board, unframed Painting : 9.75 x 13.75 inches ...

These series of paintings by Natalia Roman gather their inspiration from geometric, minimalist shapes and paintings from the beginning of Modernism, with a special emphasis on Art De...

French Landscape by Bernard Labbe (French mid 20th century) original gouache on paper size: 12 x 14 inches condition: very good and ready to be enjoyed provenance: the artists ateli...

Bo Bartlett Untitled, 2020 Gouache on paper 22 1/2 x 30 1/4 inches 57.2 x 76.8 cm Signed "Bo" (lower right recto) and dated (lower middle recto) -- Bo Bartlett is an American rea...

French Landscape by Bernard Labbe (French mid 20th century) original gouache on card, mounted on card size: 12 x 16 inches condition: very good and ready to be enjoyed provenance: t...

Noble nautical scene of a small rowboat coming to shore from a larger sailing vessel by George A. Robbins (American, 1918-2010). In the foreground, sever...

The Bawdy Wind that Kisses All it meets by Rosie Phipps [2022] original and hand signed by the artist Watercolour and Gouache on Paper Image size: H:10 cm x W:26 cm Complete Size of...

These series of paintings by Natalia Roman gather their inspiration from geometric, minimalist shapes and paintings from the beginning of Modernism, with a special emphasis on Art De...

FROM A VANISHED GREEN is a multilayer oil, gouache and acrylic painting on paper, with additional use of tyvek and polyester mesh. Through layered silhouettes of hand cut tyvek shape...

Work on paper Beige wooden frame with glass pane 48 x 67.3 x 3.3 cm

Artist/ School: Norman A.Olley ( British, 20th Century) and inscribed verso Title - Cornish WaterMill Medium: gouache/watercolour/ ink/ pencil on artist paper, unframed Painting ...

These series of paintings by Natalia Roman gather their inspiration from geometric, minimalist shapes and paintings from the beginning of Modernism, with a special emphasis on Art Deco shapes of the 30's, 40's and 50's. The subtle but chic color combinations will combine beautifully with both vintage and modern furniture without overtaking spaces that are carefully crafted by designers. Natalia Roman was born in 1984 in Girona, Spain. She has exhibited in galleries across Europe and her colorful, abstract paintings are part of private collections all over the world. Details: Title: Art Deco Pastel...

Gouache on paper Paper size: 14.25 x 8.75 inches Framed size: 20 x 14.25 inches Signed lower left

Artist/ School: Norman A.Olley (British, 20th Century) dated 1994 and inscribed verso Title - Snowy Woodland Sunrise Medium: gouache/watercolour/ ink/ pencil on artist paper, unfra...

Artist/ School: Norman A.Olley (British, 20th Century) dated 1992 and inscribed verso Title - September Pastures On Arentish Farm Medium: gouache/watercolour/ ink/ pencil on artis...

French Landscape by Bernard Labbe (French mid 20th century) original gouache on card, mounted on card size: 15.5 x 20.5 inches condition: very good and ready to be enjoyed provenanc...

Artist/ School: Norman A.Olley (British, 20th Century) dated 1993 and inscribed verso Title - The Shepherd and his flock Medium: gouache/watercolour/ ink/ pencil on artist paper, u...

Industrial illustration of a smokestack by Charles Ross Kinghan (American, 1895-1984). A large tower and holding tanks are rendered in exquisite detail, especially considering the size of the illustration. The smokestack towers above the landscape, with stairs running up the outside. Two large green holding tanks sit next to the tower. At ground level, there are a few small figures, indicating the enormous scale of the refinery. possibly a sketch for Colliers or The Saturday Evening Post Magazine. Unsigned, but was acquired with other signed estate works by the artist. Presented...

French Landscape by Bernard Labbe (French mid 20th century) original gouache on card size: 19 x 10.5 inches condition: very good and ready to be enjoyed provenance: the artists atel...

CHROMASEEDS is a multilayered composition created with paper and tyvek cut-outs painted with oil, acrylic, and gouache, sealed with polyester mesh layers. The plants represented in the piece are Gaillardia flowers, commonly known as blanket flowers, native to North America and often bred for their decorative, ornamental shape. In her creative process, Hartman anthropomorphizes the flowers, paying attention to their dance-like growth movement. Here, their shadows dance in the prismatic light of the rainbow, while the wind catches their seeds, cultivating the garden. The vibrant, rainbow light was achieved by painting a prismatic shape on tyvec and black paper, creating a reverse silhouette...

3935 Antique gouache Indian painting on paper Image size 9x6"

VOID is a multilayered composition created with paper, painted tyvek and silkscreen cut-outs. The panel was initially created as part of the “Kudzu Season” series, exhibited in the C...

Artist/ School: Norman A.Olley dated 1994 and inscribed verso Title: By The Thames At Hampton Middlesex Medium: gouache/watercolour/ pencil on artist paper, unframed Painting : ...

"Acoma Pueble (New Mexico) is a gouache on paper painting by Wolfgang Pogzoba (1936-1982) from 1978 of a landscape and an adobe home over a cliff side in the town of Acoma Pueblo, NM. Presented in a custom frame, outer dimensions measure 22 ⅜ x 25 inches. Image size is 12 x 15 inches. The Acoma Pueblo is located approximately 60 miles west of Albuquerque, New Mexico. Painting is clean and in good condition - please contact us for a detailed condition report. Expedited and international shipping is available - please contact us for a quote. About the Artist: Wolfgang Pogzeba...

Artist/ School: Norman A.Olley (British, 20th Century) dated 1989 and inscribed verso Title - The Thames Off Tagg’s Island , East Molesey Surrey Medium: gouache/watercolour/ ink/ p...

Artist/ School: Norman A.Olley and inscribed verso Title - Mannor Farm in Thames Ditton, Surrey Medium: gouache/watercolour/ ink/ pencil on thin board, unframed Painting : 8.25 x...

These series of paintings by Natalia Roman gather their inspiration from geometric, minimalist shapes and paintings from the beginning of Modernism, with a special emphasis on Art De...

"Vivid Looping Lines on Turquoise" is an abstract painting diptych by Spanish artist Natalia Roman. It is a beautiful series of rhythmic brushstrokes combined with subtle tones and u...

French Landscape by Bernard Labbe (French mid 20th century) original gouache on card, mounted on card size: 16.5 x 19.5 inches condition: very good and ready to be enjoyed provenanc...

Artist/ School: Norman A.Olley ( British, 20th Century ) dated 1993 Title: Feeding the ducks on a Kentish Farm Pond Medium: gouache on artist paper, unframed Painting : 10 x 14 i...

Artist/ School: Norman A.Olley (British, 20th century) dated 1995 and inscribed verso Title - The Afternoon By The Old Mill Medium: gouache/watercolour/ ink/ pencil on thin board, ...

"Red Lipstick Curves" is an abstract painting diptych by Spanish artist Natalia Roman. It is a beautiful series of rhythmic brushstrokes combined with subtle tones and unique shapes ...

Gorgeous watercolor/gouache painting of a family of ducks swimming in a lake at dawn by Bill Reynolds (American, 1918-2008), 1970. The foreground is...

'Winter in Provence', gouache on art paper, by Raymond Debiève (circa 1970s). There is both beauty and melancholy in this delightfully charming artwork. The artist's naive style is at odds with the refinement, poise and sophistication of the painting. Perhaps the artist was making a statement as well with the broken wall...

Artist/ School: Norman A.Olley and inscribed verso Title - Between Two Haystacks - Mannor Farm in Thames Ditton, Surrey Medium: gouache/watercolour/ ink/ pencil on thin board, unfr...

Artist/ School: Norman A.Olley (British, 20th century) dated 1993 and inscribed verso Title - Feeding The Swans By River Mole, Surrey Medium: gouac...

French Landscape by Bernard Labbe (French mid 20th century) original gouache on card mounted on card size: 18.5 x 10 inches condition: very good and ready to be enjoyed provenance: ...

French Landscape by Bernard Labbe (French mid 20th century) original gouache on card, mounted on card size: 20 x 14.5 inches condition: very good and rea...

Witold Gordon (1885 – 1968) The painter and muralist, Witold Gordon, was born in Warsaw, Poland. He moved to Paris as a young man and studied there at the Ecole de Beaux Arts before moving to the United States. He had a distinguished career including the production of two major murals at Radio City Music Hall in 1932. These were coordinated by the prominent American designer, Donald Deskey, and included Witold Gordon among the periodʼs foremost avant-garde artists along with Stuart Davis and William Zorach, among others. Gordon was later commissioned to conceive a 6000 square foot mural for a building at the New York Worldʼs Fair in 1939 and this amazing feat is captured in postcards from the fair as well as commemorative film footage and color photographs. His modernist aesthetic is evident in his illustrations for The Travels of Marco Polo and his fine poster for the 1932 Olympics...

This very modern drawing presents a view of Ariccia, a small town 25 kilometres south-east of Rome. The Palazzo Chigi (in which the film-maker Luchino Visconti would film a large part of The Leopard a century later) and the adjoining church are seen from the bottom of the ravine that surrounds the town. This drawing is a moving testimony to the attraction of the city for artists of the Romantic period, who established in Ariccia a vivid artists' colony. 1. Achille Bénouville...

Artist/ School: Norman A.Olley dated 1992 and inscribed verso Title: By The Mill Pond Medium: gouache/watercolour/ ink/ pencil on artist paper, unframed Painting : 12 x 16 inches...

Artist/ School: Norman A.Olley (British, 20th century) and inscribed verso Title - A relaxing day by the river Medium: gouache/watercolour/ ink/ pencil on thin board, unframed Pa...

Antique American modernist landscape oil painting. Oil on canvas, circa 1940. Signed illegibly lower left. Image size, 36L x 24H. Housed in a period modern frame.

Jack Hooper "Fruit Still Life" 10-1996 Conte crayon and gouache on paper 19.75"x14.25" cherry wood frame with white sides 24.25"x18.25" Signed and dated in...

Artist/ School: Norman A.Olley ( British, 20th Century) dated 1995 and inscribed verso Title - Haycart At The Ford Of The Old Packhorse Bridge Medium: gouache/watercolour/ ink/ pen...

Artist/ School: Norman A.Olley (British, 20th century) dated 1994 and inscribed verso Title - The Keels Game, traditional English village tavern scene...

Artist/ School: Norman A.Olley (British, 20th Century) dated 1992 and inscribed verso Title: Mallards dropping on a back wager of the Ember - East Molesy Surrey Medium: gouache/wa...

Bo Bartlett Untitled, 2020 Gouache on paper 22 1/2 x 30 inches 57.2 x 76.2 cm Signed "Bo" and dated (lower right recto) -- Bo Bartlett is an American realist painter with a modern...

French Landscape by Bernard Labbe (French mid 20th century) original gouache on artist paper, mounted in a card frame size: 25.5 x 21 inches condition: very good and ready to be enjo...

These series of paintings by Natalia Roman gather their inspiration from geometric, minimalist shapes and paintings from the beginning of Modernism, with a special emphasis on Art De...

Wonderful abstracted painting of New York's George Washington Bridge with Manhattan skyline in background. Signed "Bing" lower right corner. P...

Gouache on paper signed en verso Throughout his sixty-year artistic career, David Hayes created sculptural forms abstracted from organic forms encountered in daily life. He first studied with American sculptor David Smith, who was among the first to work with welded steel. Hayes' sculptures have affinities to Alexander Calder's playful stabiles (Hayes met Calder in Paris) and to the shapes and colors of Matisse's late paper cutouts. Hayes works are firmly rooted in modern artists' interests in industrial materials and in commercial fabrication processes. He has had more than 400 exhibitions of his work. His work is in more than 70 museum collections, including MOMA and the Guggenheim. Throughout his career, Hayes painted models for his sculptures and sculptural-like landscapes of the geography surrounding his home in Northwestern Connecticut. In these landscapes, the gently rolling hills become modernist forms and shapes, recognizable as landscapes but also as explorations of shape and color. These are intriguing works of art in and of themselves. Lawrence Fine Art...

Work on paper

Artist/ School: Norman A.Olley (British, 20th Century) dated 1990 and inscribed verso Title - Chapel In The Flinders Ranges Medium: gouache/watercolour/ ink/ pencil on artist paper...