Gouache Landscape Paintings

These series of paintings by Natalia Roman gather their inspiration from geometric, minimalist shapes and paintings from the beginning of Modernism, with a special emphasis on Art De...

The artist: Henri Aime Duhem (1860-1941) French *see notes below, signed Title: Sunset at Sea Medium: signed gouache on paper, loosely laid over card,...

The artist: Henri Aime Duhem (1860-1941) French *see notes below, signed Title: The Park Fountain Medium: signed gouache on paper, loosely laid over c...

The artist: Henri Aime Duhem (1860-1941) French *see notes below, signed Title: Winter Medium: signed gouache on paper, loosely laid over card, unfram...

The artist: Henri Aime Duhem (1860-1941) French *see notes below, signed Title: The French Landscape Medium: gouache on paper, loosely laid over card, unframed card: 9.75 x 12...

The artist: Henri Aime Duhem (1860-1941) French *see notes below, signed Title: The Diving Board Medium: gouache on paper, loosely laid over card, unframed card: 12.75 x 9.75 ...

In this Series, Shizico delves deep into the intricacies of form and contrasts the bold interplay of yellow and black. She then introduces a third element, adding layers of complexit...

The artist: Henri Aime Duhem (1860-1941) French *see notes below, signed Title: The Blue Sea Medium: gouache on paper, loosely laid over card, unframed card: 9.75 x 12.75 inch...

The artist: Henri Aime Duhem (1860-1941) French *see notes below, signed Title: The Flower Garden Medium: gouache on paper, loosely laid over card, unframed card: 9.75 x 12.75...

The artist: Henri Aime Duhem (1860-1941) French *see notes below, signed Title: The Country Landscape Medium: signed gouache on paper, loosely laid ov...

The artist: Henri Aime Duhem (1860-1941) French *see notes below, signed Title: The Old Chateau Medium: gouache on paper, loosely laid over card, unframed card: 9.75 x 12.75 i...

The artist: Henri Aime Duhem (1860-1941) French *see notes below, signed Title: On the River Medium: gouache on paper, loosely laid over card, unframed card: 9.75 x 12.75 inch...

Signed impressionist gouache on board circa 1890 by sought after French painter Eugene Galien-Laloue. The piece depicts a depicting a bustling city scene at the Place de Bastille in ...

The artist: Henri Aime Duhem (1860-1941) French *see notes below, signed Title: The Pontoon Medium: gouache on paper, loosely laid over card, unframed card: 9.75 x 12.75 inche...

The artist: Henri Aime Duhem (1860-1941) French *see notes below, signed Title: The Canal Path Medium: gouache on paper, loosely laid over card, unframed card: 9.75 x 12.75 in...

The artist: Henri Aime Duhem (1860-1941) French *see notes below, signed Title: The River Path Medium: gouache on paper, loosely laid over card, unframed card: 9.75 x 12.75 in...

The artist: Henri Aime Duhem (1860-1941) French *see notes below, signed Title: Boats at Sunset Medium: gouache on paper, loosely laid over card, unframed card: 9.75 x 12.75 i...

What makes this work important? It's not that it's a commissioned artwork for a men's 60s pulp adventure magazine depicting the instant a soldier is shot. The big point of the painting is how brilliantly the formal elements are thought out, designed, and executed. John McDermott tells a story using a complex figural composition in an unexpected wide-angle vision. The work is as abstract as it is representation. His use of light is significant because it creates a high-contrast two-color style that bears the mark of its creator. This is a work done by a master artist/illustrator without peers compared to artists living today. If the contemporary art world gave awards for draftsmanship, painting technique, and graphic design .... John McDermott would win the highest accolades. Initialed lower left - unframed John McDermott (August 30, 1919 – April 20, 1977), also known under the pen names J.M. Ryan and Mariner, was an American illustrator and author noted for action and adventure illustrations.[1] McDermott worked as an in-between and effects animator for Walt Disney Studios and as a US Marine combat artist,before establishing himself as a cover illustrator for 1950s paperbacks and pulp magazines such as Argosy, American Weekly, and Outdoor Life. Under his J.M. Ryan pen name, he wrote the novels The Rat Factory (1971), a derogatory satire of Walt Disney and the Disney studio; Brooks Wilson Ltd (1967), on which the 1970 film Loving was based; and Mother's Day (1969) about Ma Barker. Under his own name, he novelized director-writer Bo Widerberg's screenplay for the 1971 film Joe Hill, which would be his final published book. Early life John Richard McDermott was born 30 August 1919 in Pueblo, Colorado, the younger of two sons of Henry McDermott, an oil broker. McDermott was a young child when his father committed suicide.[4] The family eventually moved to Los Angeles where McDermott's mother, Hazel, worked in a beauty parlor. He graduated from Hollywood High School in 1936. Although he had had no formal art education, he took a job as an artist at Walt Disney Animation Studios. Career Disney At Disney, McDermott worked as an in-betweener and effects animator on Brave Little Tailor, Pinocchio, The Reluctant Dragon and Fantasia. His experiences while working at Disney, particularly during the time of the 1941 Disney animators' strike, would later become the basis for his 1969 satirical novel The Rat Factory. McDermott left Disney to fight with US forces during World War II. US Marines McDermott World War II sketch titled "Buddy is Wounded" On September 29, 1942, McDermott enlisted with the US Marine Corps. He served as a "pistol and palette" combat artist assigned to the map-making section. As a sergeant with the III Amphibious Corps, McDermott was involved in battles in the South Pacific theater of war, documenting the Guam, Okinawa and the Guadalcanal Campaigns. McDermott considered his wartime years to be his art education. "In the Marines, as a combat artist, I traveled with the troops and for three years got all the drawing opportunity anyone could want. My work changed enormously during this time and I’m sure it was due to constant drawing, every single day, from life, just putting down what I saw around me. In a few instances it was a dangerous kind of scholarship." According to the Marine Corps history journal Fortitudine, McDermott was so prolific that his contemporary style pen-and-ink sketches became easily recognizable to both Marines, from published work in Leatherneck Magazine, and civilians, from glossy copies supplied by the Marine Corps to the nation's press.His wartime art appears in World War II history books and is displayed at the Pentagon and the National Museum of the Marine Corps. Illustration Following the end of World War II, McDermott moved from California to New York City to work as a freelance illustrator. McDermott made his reputation drawing modern action, war and adventure scenes. His work adorned the covers and inside story pages of popular pulp magazines of the 1950s such as Argosy, Adventure, Blue Book, Outdoor Life and American Weekly. McDermott's illustrations appeared on numerous covers of 1950s paperback novels published by Dell, Fawcett Gold Medal, Bantam Mystery and others. His action graphics were geared toward thriller and detective genres, such as Donald Hamilton's Matt Helm books Murderers' Row and The Betrayers. He also created covers for science fiction comic titles such as Voyage to the Deep[citation needed] and horror-themed paperbacks such as the classic 1955 science fiction novel The Body Snatchers...

Francis Hopkinson Smith paints a watercolor rendering of the famous canal in Venice in his artwork entitled, “Venetian Afternoon.”

Vintage abstract composition by John W. Hatch (1919 - 1998, American). Exhibited work with a tag lower left. Gouache and watercolor on paper. Signed. Framed.

A fine large full-length portrait of an English Setter stud in a landscape. Painted by J C Wilson in 1921, this oil gouache oil on canvas is a beautiful depiction of the breed. The...

A spotted fawn, blue dragonfly, yellow butterflies and birds are surrounded by brightly colored flowers. The colorful birds and lush hues of the flowers are bright and lively against...

Gouache on paper, signed in the bottom left corner His father was a lace designer and set him up to work in adecoration workshop. Later, he became heavily influenced by impressionis...

Landscape by Geza Somerset-Paddon (British 20th century) gouache painting on board, unframed size: 10.5 x 11.5 inches inscribed verso condition: overall very good provenance: all th...

Landscape by Geza Somerset-Paddon (British 20th century) gouache painting on board, unframed size: 10.5 x 11 inches inscribed verso condition: overall v...

Landscape signed by Geza Somerset-Paddon (British 20th century) gouache painting on board , unframed board: 17 x 7 inches condition: overall very good provenance: all the paintings w...

Brenda Horowitz’s continuing focus on the outer Cape landscape has allowed her to develop a deep understanding of the land, water, sky, and the relatio...

Landscape by Geza Somerset-Paddon (British 20th century) gouache painting on board , unframed board: 24 x 19 inches inscribed verso condition: overall very good provenance: all the p...

Landscape signed by Geza Somerset-Paddon (British 20th century) gouache painting on board, unframed size: 8.25 x 6 inches condition: overall very good inscribed verso provenance: all...

A highly decorative pair of Italian 19th Century gouache paintings of sailors on the Bay of Naples before Vesuvius erupting by day, and another s...

Landscape by Geza Somerset-Paddon (British 20th century) gouache painting on board, unframed size: 10.5 x 11.25 inches inscribed verso condition: overal...

Brightly colored autumn leaves float on the surface of a vibrant teal blue pond in this rich, highly detailed landscape. The many shades of golden, pink and yellow fall leaves are of...

Rich, warm earth-toned brown trees line the forest floor in March in this rich, highly detailed landscape. The many shades of brown are offset by shades of luminous verdant green and...

Landscape by Geza Somerset-Paddon (British 20th century) gouache painting on board, unframed size: 7.25 x 8.25 inches inscribed verso condition: overall very good provenance: all th...

Landscape by Geza Somerset-Paddon (British 20th century) gouache painting on board, unframed size: 7.25 x 12 inches inscribed verso condition: overall ...

Landscape by Geza Somerset-Paddon (British 20th century) gouache painting on board, unframed size: 6.5 x 8 inches condition: overall very good inscribed verso provenance: all the pai...

LAPRADE Pierre. (1875-1931). « Le forum Romain ». Gouache sur papier signée vers 1910. H.24 L.39.

Charles Sovek (1937-2007) was an American painter known for his contributions to the world of plein air painting and his expertise in teaching art. He wa...

St, Louis River Mural Study American Scene Social Realism Mid 20th Century WPA Jo Cain (1904-2003) The Drama of the St. Louis Great River 23 1/4 x 25 ½ inches Gouache on board c. 19...

A purple peacock and the silhouettes of three female figures in a garden surrounded by brightly colored flowers and a blue butterfly fluttering in the air. The palm tree in the backg...

A beautiful and soft feminine gouache painting by French artist Jean Pierre Guiot. With a soft dark color palette of dark green, yellow, red, and blue, this piece exudes an emotional...

"Second Spring" is an abstract landscape featuring hues of blue, green and purple. This work is framed in a simple white frame behind Museum Glass measuring 37 by 49 inches. Carlyle is inspired by the works of Claude Monet, Edouard Vuillard, Henri Matisse, Walter Inglis Anderson...

'Signs and Lights on Broadway' 2005 by American artist, Lawrence Kelsey. Gouache, 7.5 x 10 in. / Frame: 16.5 x 20.5 in. Depicting a night view of New York City, this impressionistic...

"Spring at Home" is an abstract landscape featuring hues of pink, purple, blue and yellow. This work is framed in a simple white frame behind Museum Glass measuring 41 by 60 inches. Carlyle is inspired by the works of Claude Monet, Edouard Vuillard, Henri Matisse, Walter Inglis Anderson...

Frank Duffield (British, 1908-1982) signed original gouache painting on board, unframed size: 10 x 15 inches condition: overall very good, minor wear to the edges as is normal for an...

Stephen Mueller (American, 1947-2011) Southwest Spirit, 1973 Mixed media on paper Signed 'Stephen Mueller 4 '73 NYC' on the reverse Full sheet: 36 x 24 inches In vintage wood frame. Over all dimensions 39.75 X 27.75 Inches Provenance: William Talbot...

This superb vibrant British Abstract painting is by noted artist John Piper. It was painted 27th October 1965 at Mendham and is a watercolour and gouache composition. The stunning palette and brushwork make this a really colourful and engaging painting. It is in excellent condition as it is behind glass. A lovely example of Piper's work with echoes from the sixties. Signed lower right. Inscribed lower middle 'Mendham 27 X 65'. Provenance. Illustrated in black and white on the back cover of Marlborough/Aldeburgh Festival show catalogue 'John Piper, Suffolk Churches and Landscapes', 1966. Condition. Watercolour and gouache, 21 inches by 14 inches and in good condition. Frame. Housed in a generous surround float mounted frame and behind glass, 28 inches by 21 inches and in good condition. John Egerton Christmas Piper CH (1903-1992) was an English painter, printmaker and designer of stained-glass windows and both opera and theatre sets. His work often focused on the British landscape, especially churches and monuments, and included tapestry designs, book jackets, screen-prints, photography, fabrics and ceramics. He was educated at Epsom College and trained at the Richmond School of Art followed by the Royal College of Art in London. He turned from abstraction early in his career, concentrating on a more naturalistic but distinctive approach, but often worked in several different styles throughout his career. Piper disliked the regime at the Royal College of Art and left in December 1929. Piper and his wife lived in Hammersmith and held a joint exhibition of their artworks at Heal's in London in 1931. Piper also wrote art and music reviews for several papers and magazines, notably The Nation and Athenaeum. One such review, of the artist Edward Wadsworth's work, led to an invitation from Ben Nicholson for Piper to join the Seven and Five Society of modern artists. In the following years Piper was involved in a wide variety of projects in several different media. As well as abstract paintings, he produced collages, often with the English landscape or seaside as the subject. He drew a series on Welsh nonconformist chapels, produced articles on English typography and made arts programmes for the BBC. He experimented with placing constructions of dowelling rods over the surface of his canvases and with using mixtures of sand and paint. With Myfanwy Evans, Piper founded the contemporary art journal Axis in January 1935. As the art critic for The Listener, through working on Axis and by his membership of the London Group and the Seven and Five Society, Piper was at the forefront of the modernist movement in Britain throughout the 1930s. In 1935 Piper and Evans began documenting Early English sculptures in British churches. Piper believed that Anglo-Saxon and Romanesque sculptures, as a popular art form, had parallels with contemporary art. Through Evans, Piper met John Betjeman in 1937 and Betjeman asked Piper to work on the Shell Guides he was editing. Piper wrote and illustrated the guide to Oxfordshire, focusing on rural churches. In March 1938 Stephen Spender asked Piper to design the sets for his production of Trial of a Judge. Piper's first one-man show in May 1938 included abstract paintings, collage landscapes and more conventional landscapes. His second in March 1940 at the Leicester Galleries, featuring several pictures of derelict ruins, was a sell-out. Piper had first met Myfanwy Evans in 1934 and early the next year, when his wife Eileen left him for another artist, Piper and Evans moved into an abandoned farmhouse at Fawley Bottom in the Chilterns near Henley-on-Thames. The farmhouse had no mains electricity, no mains water and no telephone connection. They married in 1937. They gradually converted the farm's outbuildings to studios for their artworks, but it was not until the 1960s that they could afford to modernise the property. Piper was an official war artist in World War II and his wartime depictions of bomb-damaged churches and landmarks, most notably those of Coventry Cathedral, made Piper a household name and led to his work being acquired by several public collections. Piper collaborated with many others, including the poets John Betjeman and Geoffrey Grigson on the Shell Guides, the potter Geoffrey Eastop...

Arabian Nights, Sea Monster - The Thousand and One Nights Gustaf Tenggren - Attributed - unsigned, unframed. Good condition with very slight toning.

"August Wildflowers II" is a colorful naturalist landscape featuring hues of purple, pink, orange, blue and green. This work is framed in a simple white frame behind Museum Glass measuring 60 by 41 inches. Carlyle is inspired by the works of Claude Monet, Edouard Vuillard, Henri Matisse, Walter Inglis Anderson, Charles Burchfield, Ellsworth Kelly, Alexander Calder and Mary Delany. This piece is part of a collaborative series by Carlyle and her husband Thad Lee. This body of work was made in tandem, through painting and photography, that explores their mutual delight in the natural world and within their own marriage. Carlyle Wolfe’s paintings & works on paper are about an awareness of the natural world—becoming progressively, cyclically more present to its rhythms, gaining deeper understanding of its design, & acquiring direct experiential knowledge of its mysterious beauty. For the last 15 years, Wolfe has been making contour line drawings of plants form observation. From her drawings, she isolates silhouettes into paper stencils which she uses to create oil paintings & works on paper – or cut out of metal to make sculptures. Her work is cumulative in nature – gradually marking time & seasonal change, unity & variety, individual & collective beauty. Wolfe grew up in Canton, Mississippi, & earned a BFA in painting from the University of Mississippi & an MFA in painting & drawing from Louisiana State University. She has also studied in Cortona, Italy, & at the University of Georgia. Wolfe has exhibited work throughout the South, including Spalding Nix...

"Spring Beauties" is an abstract landscape featuring hues of green, purple and blue. This work is framed in a simple white frame behind Museum Glass measuring 28 by 36 inches. Carlyle is inspired by the works of Claude Monet, Edouard Vuillard, Henri Matisse, Walter Inglis Anderson, Charles Burchfield, Ellsworth Kelly, Alexander Calder and Mary Delany. This piece is part of a collaborative series by Carlyle and her husband Thad Lee. This body of work was made in tandem, through painting and photography, that explores their mutual delight in the natural world and within their own marriage. Carlyle Wolfe’s paintings & works on paper are about an awareness of the natural world—becoming progressively, cyclically more present to its rhythms, gaining deeper understanding of its design, & acquiring direct experiential knowledge of its mysterious beauty. For the last 15 years, Wolfe has been making contour line drawings of plants form observation. From her drawings, she isolates silhouettes into paper stencils which she uses to create oil paintings & works on paper – or cut out of metal to make sculptures. Her work is cumulative in nature – gradually marking time & seasonal change, unity & variety, individual & collective beauty. Wolfe grew up in Canton, Mississippi, & earned a BFA in painting from the University of Mississippi & an MFA in painting & drawing from Louisiana State University. She has also studied in Cortona, Italy, & at the University of Georgia. Wolfe has exhibited work throughout the South, including Spalding...

Commercial illustration depicting happy California framers for California Prunes. The work is rendered in a charming and highly stylized manner. Unfr...

Frank Duffield (British, 1908-1982) original gouache painting on board, unframed size: 13 x 12.75 inches condition: overall very good, minor wear to the edges as is normal for an unf...

The fame, notoriety, and monetary value of an artist's work in today's market are not based on one's talent and vision. Factors such as marketing and media momentum play a defining r...

Jean La Forgue (French 1901-1975) gouache on paper, unframed painting: 14.5 x 11 inches provenance: the artists estate, France condition: very good and sound condition; there are min...

Frank Duffield (British, 1908-1982) signed original gouache painting on paper stuck on board, unframed size: 12 x 16 inches condition: overall very good, minor wear to the edges as i...

Original hand-painted Neapolitan gouache entitled "Eruz de Gennajo 1839." An excellent example of the classic Neapolitan School view. Unsigned. Displayed in an archival mat with an o...

"Anniversary Wildflowers II" is a colorful naturalist landscape featuring hues of purple, pink, orange and green. This work is framed in a simple white frame behind Museum Glass meas...

Here I’m selling a very interesting work by an Important female American impressionist painter Lee Lufkin Kaula (1865-1957). Painting has Four Different EXHIBITION Labels: 1. Boston Art Club Exhibition 2. Pennsylvania Academy Fine Arts 1907 Exhibition 3. Poland Spring Gallery Exhibition 1908 4. The Arts Student League Of New York I Purchased this painting a few weeks ago as an unsigned impressionist...