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William AndersonMarine painting sea shore smugglers boat scotttish 19th1817
1817
About the Item
William ANDERSON (1757- 1837) Oil on wooden panel 25.5 x 34.5 cm (40x50cm with frame) Signed and dated lower left "W. Anderson / 1817" Collector's stamp on the back
Scottish painter specializing in the marines, inspired by the Dutch masters of the 17th century. He exhibited for the first time at the Royal Academy in 1780 and continued to exhibit every year until 1811 and until 1834. His finest works date from the years 1790-1810, during the French Revolution. Our painting belonged to the Fussey family established in Côte d'Or, France (a wax seal with the family coat of arms on the verso).
- Creator:William Anderson (1757 - 1837, British)
- Creation Year:1817
- Dimensions:Height: 9.65 in (24.5 cm)Width: 13.98 in (35.5 cm)
- More Editions & Sizes:40 x 50 cm with the frame Price: $2,934
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:PARIS, FR
- Reference Number:1stDibs: LU2524214105082
William Anderson
William (or Wiliam) Anderson (1757 – 27 May 1837) was a Scottish artist specializing in maritime and patriotic themes. He was well-regarded for his detailed and accurate portraits of ships under sail, exhibiting his works annually in London between 1787 and 1811 and then occasionally until 1834. Anderson influenced other artists, notably John Ward and others of the Hull school. Anderson's early life is obscure, but he is known to have trained as a shipwright before moving to London to become a maritime painter when he was about 30. His training served him well as a painter, providing "a practical nautical knowledge" of his subjects. He earned a reputation for "accuracy and refinement of detail" and was admired for his bright, clear colours. He worked in both oils and watercolours. He based his style on that of well-known Dutch maritime painters of the 17th century. He first exhibited at the Royal Academy in 1787 and the Royal Institution in 1810, and continued to exhibit annually until 1811. He then exhibited intermittently until 1834.[6] His best work was executed in the years 1790–1810, during the French Revolutionary and Napoleonic Wars, at which time the demand for naval paintings was high. His painting was not restricted to marine subjects and included an exhibit in 1822 of a painting depicting the Battle of Waterloo. Like other artists of the time, Anderson's paintings of marine incidents were often based on sketches by participants and were bought by individuals who had risen in social standing and wealth during the wars. Commissions that took Anderson back north introduced him to the Hull school of painters, notably influencing the young John Ward (1798–1849), who copied at least one of Anderson's paintings. He was also a friend and possibly a collaborator of the painter Julius Caesar Ibbetson (1759–1817). His work was influenced by his travels in the North, which led to depictions of Berwick-on-Tweed and Tynemouth. His last exhibit was of Lord Howe's fleet at Spithead at the Royal Academy in 1834, the last of 45 paintings that he exhibited there. He died in London on 27 May 1837.
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