Abstract Photography
ABSTRACT STYLE
Beginning in the early 20th century, abstract art became a leading style of modernism. Rather than portray the world in a way that represented reality, as had been the dominating style of Western art in the previous centuries, abstract paintings, prints and sculptures are marked by a shift to geometric forms, gestural shapes and experimentation with color to express ideas, subject matter and scenes.
Although abstract art flourished in the early 1900s, propelled by movements like Fauvism and Cubism, it was rooted in the 19th century. In the 1840s, J.M.W. Turner emphasized light and motion for atmospheric paintings in which concrete details were blurred, and Paul Cézanne challenged traditional expectations of perspective in the 1890s.
Some of the earliest abstract artists — Wassily Kandinsky and Hilma af Klint — expanded on these breakthroughs while using vivid colors and forms to channel spiritual concepts. Painter Piet Mondrian, a Dutch pioneer of the art movement, explored geometric abstraction partly owing to his belief in Theosophy, which is grounded in a search for higher spiritual truths and embraces philosophers of the Renaissance period and medieval mystics. Black Square, a daringly simple 1913 work by Russian artist Kazimir Malevich, was a watershed statement on creating art that was free “from the dead weight of the real world,” as he later wrote.
Surrealism in the 1920s, led by artists such as Salvador Dalí, Meret Oppenheim and others, saw painters creating abstract pieces in order to connect to the subconscious. When Abstract Expressionism emerged in New York during the mid-20th century, it similarly centered on the process of creation, in which Helen Frankenthaler’s expressive “soak-stain” technique, Jackson Pollock’s drips of paint, and Mark Rothko’s planes of color were a radical new type of abstraction.
Conceptual art, Pop art, Hard-Edge painting and many other movements offered fresh approaches to abstraction that continued into the 21st century, with major contemporary artists now exploring it, including Anish Kapoor, Mark Bradford, El Anatsui and Julie Mehretu.
Find original abstract paintings, sculptures, prints and other art on 1stDibs.
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Style: Abstract
Dahlia on Ink #3 - Floral film photography, Limited edition of 30.
Located in London, GB
'Dahlia on Ink #3' 2023
Black and white floral film photography combination with ink painting. Made using a large format 4x5 film camera, developed in the studio by the artist.
P...
Category
21st Century and Contemporary Abstract Photography
Materials
Photographic Film, Ink, Archival Ink, Photographic Paper, Giclée
Space Field, Digital Iris Print Muse X Large Photograph on Heavy Paper
Located in Surfside, FL
These are from the 1990s printed at Muse X and never framed. they are unsigned and unnumbered but from a very small edition. they are quite beautiful.
Victor Raphael was born in Los Angeles, California, in 1950. He studied art and theater at California State University Northridge and graduated from UCLA. He has exhibited throughout the nation and abroad. In 1996, his work was among the 50 best examples of Polaroid photography included in Polaroid 50: Art and Technology, an international touring exhibition commemorating the company’s 50th anniversary. He works in a wide range of media spanning painting, photography, filmmaking, printmaking, and digital technology. He creates complex and beautiful images that expand conventional views of time and space. For the past three decades, Raphael has produced a unique body of work by merging traditional media such as painting, photography and printmaking with modern electronic media, including video, digital printing and interactive technologies. In addition to his central themes of the exploration of the cosmos and aspects of travel–through space or time–and their visual records, the artist has developed an important body of paintings, in which water, for instance, and its protean and timeless qualities, form an important part. His photography process of digitally manipulating NASA photographs of planets and other natural celestial phenomena into Polaroid prints, and next altering them by hand with metallic paints and gold and metal leaf.
Education: University of California, Los Angeles, B.A., 1973, Magna Cum Laude
California State University, Northridge, 1968-1970
SELECTED ONE AND TWO-PERSON EXHIBITIONS
Griffin Museum of Photography, Winchester, MA, From Lead Into Gold
Oregon Jewish Museum, The Heavens Spread Out Like A Prayer Shawl
Skirball Cultural Center, Illuminated Reflections: A Bill Aron and Victor Raphael Collaboration.
Cypress College, Victor Raphael & Clayton Spada Collaboration: From Zero to Infinity
Karpeles Manuscript Library and Museum, Santa Barbara, CA, Jean-Pierre Hebert & Victor Raphael: Illuminated Collaboration
Cypress College, Paris Polaroids: Art In The City Of Lights
Frederick R. Weisman Museum of Art, Pepperdine University, Victor Raphael: Envisioning Space
(20-year survey with catalogue)
Santa Monica College, Space Fields, Abstractions and Jackson Pollock 1980-1991 (catalogue)
Richard Green Gallery...
Category
1990s Abstract Photography
Materials
Archival Pigment, Digital Pigment
Space Field, Digital Iris Print Muse X Large Photograph on Heavy Paper
Located in Surfside, FL
These are from the 1990s printed at Muse X and never framed. they are unsigned and unnumbered but from a very small edition. they are quite beautiful.
Victor Raphael was born in Los Angeles, California, in 1950. He studied art and theater at California State University Northridge and graduated from UCLA. He has exhibited throughout the nation and abroad. In 1996, his work was among the 50 best examples of Polaroid photography included in Polaroid 50: Art and Technology, an international touring exhibition commemorating the company’s 50th anniversary. He works in a wide range of media spanning painting, photography, filmmaking, printmaking, and digital technology. He creates complex and beautiful images that expand conventional views of time and space. For the past three decades, Raphael has produced a unique body of work by merging traditional media such as painting, photography and printmaking with modern electronic media, including video, digital printing and interactive technologies. In addition to his central themes of the exploration of the cosmos and aspects of travel–through space or time–and their visual records, the artist has developed an important body of paintings, in which water, for instance, and its protean and timeless qualities, form an important part. His photography process of digitally manipulating NASA photographs of planets and other natural celestial phenomena into Polaroid prints, and next altering them by hand with metallic paints and gold and metal leaf.
Education: University of California, Los Angeles, B.A., 1973, Magna Cum Laude
California State University, Northridge, 1968-1970
SELECTED ONE AND TWO-PERSON EXHIBITIONS
Griffin Museum of Photography, Winchester, MA, From Lead Into Gold
Oregon Jewish Museum, The Heavens Spread Out Like A Prayer Shawl
Skirball Cultural Center, Illuminated Reflections: A Bill Aron and Victor Raphael Collaboration.
Cypress College, Victor Raphael & Clayton Spada Collaboration: From Zero to Infinity
Karpeles Manuscript Library and Museum, Santa Barbara, CA, Jean-Pierre Hebert & Victor Raphael: Illuminated Collaboration
Cypress College, Paris Polaroids: Art In The City Of Lights
Frederick R. Weisman Museum of Art, Pepperdine University, Victor Raphael: Envisioning Space
(20-year survey with catalogue)
Santa Monica College, Space Fields, Abstractions and Jackson Pollock 1980-1991 (catalogue)
Richard Green Gallery...
Category
1990s Abstract Photography
Materials
Archival Pigment, Digital Pigment
Changing Moods 1- Floral landscape apple green contemporary abstract photo
Located in New York, NY
Belgian photographer Isabelle Menin creates portraits of flowers that are not only gorgeous in form and color, but also uniquely expressive. Fresh blossoms and withering blooms melt ...
Category
2010s Abstract Photography
Materials
Photographic Paper
Changing Moods pink 2- Floral landscape pink color contemporary abstract photo
Located in New York, NY
Belgian photographer Isabelle Menin creates portraits of flowers that are not only gorgeous in form and color, but also uniquely expressive. Fresh blossoms and withering blooms melt ...
Category
2010s Abstract Photography
Materials
Photographic Paper
Eden. 2004, photography, 44x29 cm
Located in Riga, LV
Eden. 2004, photography, ice/sun/water, 44x29 cm
Category
Early 2000s Abstract Photography
Materials
Photographic Paper
Space Field, Digital Iris Print Muse X Large Photograph on Heavy Paper
Located in Surfside, FL
These are from the 1990s printed at Muse X and never framed. they are unsigned and unnumbered but from a very small edition. they are quite beautiful.
Victor Raphael was born in Los Angeles, California, in 1950. He studied art and theater at California State University Northridge and graduated from UCLA. He has exhibited throughout the nation and abroad. In 1996, his work was among the 50 best examples of Polaroid photography included in Polaroid 50: Art and Technology, an international touring exhibition commemorating the company’s 50th anniversary. He works in a wide range of media spanning painting, photography, filmmaking, printmaking, and digital technology. He creates complex and beautiful images that expand conventional views of time and space. For the past three decades, Raphael has produced a unique body of work by merging traditional media such as painting, photography and printmaking with modern electronic media, including video, digital printing and interactive technologies. In addition to his central themes of the exploration of the cosmos and aspects of travel–through space or time–and their visual records, the artist has developed an important body of paintings, in which water, for instance, and its protean and timeless qualities, form an important part. His photography process of digitally manipulating NASA photographs of planets and other natural celestial phenomena into Polaroid prints, and next altering them by hand with metallic paints and gold and metal leaf.
Education: University of California, Los Angeles, B.A., 1973, Magna Cum Laude
California State University, Northridge, 1968-1970
SELECTED ONE AND TWO-PERSON EXHIBITIONS
Griffin Museum of Photography, Winchester, MA, From Lead Into Gold
Oregon Jewish Museum, The Heavens Spread Out Like A Prayer Shawl
Skirball Cultural Center, Illuminated Reflections: A Bill Aron and Victor Raphael Collaboration.
Cypress College, Victor Raphael & Clayton Spada Collaboration: From Zero to Infinity
Karpeles Manuscript Library and Museum, Santa Barbara, CA, Jean-Pierre Hebert & Victor Raphael: Illuminated Collaboration
Cypress College, Paris Polaroids: Art In The City Of Lights
Frederick R. Weisman Museum of Art, Pepperdine University, Victor Raphael: Envisioning Space
(20-year survey with catalogue)
Santa Monica College, Space Fields, Abstractions and Jackson Pollock 1980-1991 (catalogue)
Richard Green Gallery...
Category
1990s Abstract Photography
Materials
Archival Pigment, Digital Pigment
Willowherb. 2004, photography, 81x51 cm
Located in Riga, LV
Willowherb. 2004, photography, ice/sun/water, 81x51 cm
Category
Early 2000s Abstract Photography
Materials
Photographic Paper
Tulips. 2004, photography, 44x29 cm
Located in Riga, LV
Tulips. 2004, photography, ice/sun/water, 44x29 cm
Category
Early 2000s Abstract Photography
Materials
Photographic Paper
Spring. 2004, photography, 44x29 сm
Located in Riga, LV
Spring. 2004, photography, 44x29 сm
Category
Early 2000s Abstract Photography
Materials
Photographic Paper
Dahlia on Ink #2 - floral film photography, Limited edition of 20
Located in London, GB
'Dahlia on Ink #2' 2023
Black and white floral film photography combination with ink painting. Made using a large format 4x5 film camera, developed in the studio by the artist.
P...
Category
21st Century and Contemporary Abstract Photography
Materials
Photographic Film, Ink, Archival Ink, Photographic Paper, Giclée
Space Field, Digital Iris Print Muse X Large Photograph on Heavy Paper
Located in Surfside, FL
These are from the 1990s printed at Muse X and never framed. they are unsigned and unnumbered but from a very small edition. they are quite beautiful.
Victor Raphael was born in Los Angeles, California, in 1950. He studied art and theater at California State University Northridge and graduated from UCLA. He has exhibited throughout the nation and abroad. In 1996, his work was among the 50 best examples of Polaroid photography included in Polaroid 50: Art and Technology, an international touring exhibition commemorating the company’s 50th anniversary. He works in a wide range of media spanning painting, photography, filmmaking, printmaking, and digital technology. He creates complex and beautiful images that expand conventional views of time and space. For the past three decades, Raphael has produced a unique body of work by merging traditional media such as painting, photography and printmaking with modern electronic media, including video, digital printing and interactive technologies. In addition to his central themes of the exploration of the cosmos and aspects of travel–through space or time–and their visual records, the artist has developed an important body of paintings, in which water, for instance, and its protean and timeless qualities, form an important part. His photography process of digitally manipulating NASA photographs of planets and other natural celestial phenomena into Polaroid prints, and next altering them by hand with metallic paints and gold and metal leaf.
Education: University of California, Los Angeles, B.A., 1973, Magna Cum Laude
California State University, Northridge, 1968-1970
SELECTED ONE AND TWO-PERSON EXHIBITIONS
Griffin Museum of Photography, Winchester, MA, From Lead Into Gold
Oregon Jewish Museum, The Heavens Spread Out Like A Prayer Shawl
Skirball Cultural Center, Illuminated Reflections: A Bill Aron and Victor Raphael Collaboration.
Cypress College, Victor Raphael & Clayton Spada Collaboration: From Zero to Infinity
Karpeles Manuscript Library and Museum, Santa Barbara, CA, Jean-Pierre Hebert & Victor Raphael: Illuminated Collaboration
Cypress College, Paris Polaroids: Art In The City Of Lights
Frederick R. Weisman Museum of Art, Pepperdine University, Victor Raphael: Envisioning Space
(20-year survey with catalogue)
Santa Monica College, Space Fields, Abstractions and Jackson Pollock 1980-1991 (catalogue)
Richard Green Gallery...
Category
1990s Abstract Photography
Materials
Archival Pigment, Digital Pigment
Space Field, Digital Iris Print Muse X Large Photograph on Heavy Paper
Located in Surfside, FL
These are from the 1990s printed at Muse X and never framed. they are unsigned and unnumbered but from a very small edition. they are quite beautiful.
Victor Raphael was born in Los Angeles, California, in 1950. He studied art and theater at California State University Northridge and graduated from UCLA. He has exhibited throughout the nation and abroad. In 1996, his work was among the 50 best examples of Polaroid photography included in Polaroid 50: Art and Technology, an international touring exhibition commemorating the company’s 50th anniversary. He works in a wide range of media spanning painting, photography, filmmaking, printmaking, and digital technology. He creates complex and beautiful images that expand conventional views of time and space. For the past three decades, Raphael has produced a unique body of work by merging traditional media such as painting, photography and printmaking with modern electronic media, including video, digital printing and interactive technologies. In addition to his central themes of the exploration of the cosmos and aspects of travel–through space or time–and their visual records, the artist has developed an important body of paintings, in which water, for instance, and its protean and timeless qualities, form an important part. His photography process of digitally manipulating NASA photographs of planets and other natural celestial phenomena into Polaroid prints, and next altering them by hand with metallic paints and gold and metal leaf.
Education: University of California, Los Angeles, B.A., 1973, Magna Cum Laude
California State University, Northridge, 1968-1970
SELECTED ONE AND TWO-PERSON EXHIBITIONS
Griffin Museum of Photography, Winchester, MA, From Lead Into Gold
Oregon Jewish Museum, The Heavens Spread Out Like A Prayer Shawl
Skirball Cultural Center, Illuminated Reflections: A Bill Aron and Victor Raphael Collaboration.
Cypress College, Victor Raphael & Clayton Spada Collaboration: From Zero to Infinity
Karpeles Manuscript Library and Museum, Santa Barbara, CA, Jean-Pierre Hebert & Victor Raphael: Illuminated Collaboration
Cypress College, Paris Polaroids: Art In The City Of Lights
Frederick R. Weisman Museum of Art, Pepperdine University, Victor Raphael: Envisioning Space
(20-year survey with catalogue)
Santa Monica College, Space Fields, Abstractions and Jackson Pollock 1980-1991 (catalogue)
Richard Green Gallery...
Category
1990s Abstract Photography
Materials
Archival Pigment, Digital Pigment
Psalm. 2005, photography, 44 x 54, 5 cm
Located in Riga, LV
Psalm. 2005, photography (ice/sun/water), 44x54,5 cm
Category
Early 2000s Abstract Photography
Materials
Photographic Paper
Changing Moods pink 2- Floral landscape pink color contemporary abstract photo
Located in New York, NY
Belgian photographer Isabelle Menin creates portraits of flowers that are not only gorgeous in form and color, but also uniquely expressive. Fresh blossoms and withering blooms melt ...
Category
2010s Abstract Photography
Materials
Photographic Paper
Combination Orange (Abstract Photography)
Located in London, GB
Combination Orange (Abstract Photography)
C print - Unframed.
"Edition of 5 + 2AP, next 1/5
Richard Caldicott is most well known for this earlier work series which used Tupperware c...
Category
Early 2000s Abstract Photography
Materials
C Print
Three nudes in masks
Located in New York, NY
Lucille Khornak (American), "Three nudes", Black and White print on Harmon paper, 20 x 16, Late 20th Century
Hand signed by Lucille Khornak
Available sizes:
Paper Size 11 x 14, Im...
Category
1980s Abstract Photography
Materials
Photographic Paper
Untitled #89 (Abstract Photography)
Located in London, GB
Untitled #58 (Abstract Photography)
C print - Unframed.
"Edition of 5 + 2AP, next 1/5
Richard Caldicott is most well known for this earlier work series which used Tupperware contain...
Category
Early 2000s Abstract Photography
Materials
C Print
Water Reflection of Fish Under Water, Pool Monotype Cyanotype in Blue Tones
By Kind of Cyan
Located in Barcelona, ES
This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes.
It's made by layering paper cutouts and different exposures using uv-...
Category
2010s Abstract Photography
Materials
Photographic Film, Emulsion, Printer's Ink, Watercolor, Photographic Pap...
Untitled #58 (Abstract Photography)
Located in London, GB
Untitled #58 (Abstract Photography)
C print - Unframed.
"Edition of 5 + 2AP, next 1/5
Richard Caldicott is most well known for this earlier work series which used Tupperware contain...
Category
Early 2000s Abstract Photography
Materials
C Print
Chrysantemum on ink -floral film photography in composition with ink abstraction
Located in London, GB
'Chrysantemum on ink' 2023
Black and white floral film photography combination with ink painting. Made using a large format 4x5 film camera, developed in the studio by the artist. ...
Category
21st Century and Contemporary Abstract Photography
Materials
Photographic Film, Ink, Archival Ink, Photographic Paper, Giclée
Red Box (Abstract Photography)
Located in London, GB
Red Box (Abstract Photography)
C print - Unframed.
"Edition of 5 + 2AP, next 1/5
Richard Caldicott is most well known for this earlier work series which used ...
Category
Early 2000s Abstract Photography
Materials
C Print
W.T.C: Concrete Abstract#10 (panorama)
By Shai Kremer
Located in New York, NY
Shai Kremer lives and works in New York. He completed his MFA studies at the School of Visual Arts (S.V.A) in Manhattan.
For many years, Kremer's eye has been drawn to themes of urban destruction and reconstruction and to landscapes evidencing trauma. These concerns merged in his ambitious series W.T.C: Concrete Abstract, which explores the impact of the 2001 attacks on the World Trade Center. For more than a decade, Kremer made periodic visits to Ground Zero, focusing his camera on the efforts towards recovery, repair, and renewal. As a collection, Concrete Abstract conveys the gradual progression from tragedy towards healing.
Each large-scale archival pigment print in the series is composed from as many as sixty to 100 overlapping images, resulting in a subtle collage that invites closer inspection while also reading as a unified whole.
W.T.C: Concrete Abstract series was shown in the following venues:
9.11 Memorial Museum New York
Museum of the City of New York
The Bronx Museum of the Arts
The Brooklyn Academy of Music
Photolux Festival. Lucca, Italy
FMoPa. Tampa, USA
Julie M. Gallery, Tel Aviv
Julie Saul Gallery, New York
Robert Koch Gallery...
Category
2010s Abstract Photography
Materials
Archival Pigment, Archival Ink, Archival Paper
Untitled #58 (Abstract Photography)
Located in London, GB
Untitled #58 (Abstract Photography)
C print - Unframed.
"Edition of 5 + 2AP, next 1/5
Richard Caldicott is most well known for this earlier work series which used Tupperware contain...
Category
Early 2000s Abstract Photography
Materials
C Print
'Baltic freeze' - black and white analogue landscape photography 100 x 67 cm
Located in London, GB
'Baltic freeze' 2022
A photograph captured with a 35mm camera showcases the winter landscape of Lithuania in black and white.
Printed on the finest archival paper, these limited ed...
Category
21st Century and Contemporary Abstract Photography
Materials
Ink, Photographic Film, Archival Ink, Photographic Paper, Giclée
Untitled #2 (Abstract Photography)
Located in London, GB
Untitled #2 (Abstract Photography)
C print - Unframed.
"Edition of 5 + 2AP, next 3/5
Richard Caldicott is most well known for this earlier work series which used Tupperware containe...
Category
Early 2000s Abstract Photography
Materials
C Print
Untitled #2 (Abstract Photography)
Located in London, GB
Untitled #2 (Abstract Photography)
C print - Unframed.
"Edition of 5 + 2AP, next 3/5
Richard Caldicott is most well known for this earlier work series which used Tupperware containe...
Category
Early 2000s Abstract Photography
Materials
C Print
The search - Signed limited edition still life pigment print, Contemporary
Located in Barcelona, Barcelona
The search - Signed limited edition archival pigment print, Edition of 3
Signed + numbered by artist with certificate of authenticity , unframed
This is an Archival Pigment print on...
Category
Early 2000s Abstract Photography
Materials
Archival Paper, Photographic Paper, Color, Archival Pigment, Digital Pig...
GENTRIFICATION: Door #1
By Shai Kremer
Located in New York, NY
Ancient Parlor floor door converted into a contemporary light box. The door opens to the viewer a unique point of view.
Images from the series Gentrification were shown at:
Brooklyn Historical Society Museum, Brooklyn NY, U.S.A
during 2017 AT the show: "Shifting Perspectives".
A sculpture from the project GENTRIFICATION (Part II) reflects my personal story. I lived in Bushwick through the course of a decade, from poor immigrant art...
Category
2010s Abstract Photography
Materials
Archival Ink, Archival Pigment
Window - Polaroid colour photography of window in London, Limited edition of 20
Located in London, GB
'Window'
Detail of Christ Church by architect John Peter Darvall.
2023
Printed on 30 x 30cm Hahnemühle Photo Rag fine art paper.
Photograph is signed front and back and comes wi...
Category
21st Century and Contemporary Abstract Photography
Materials
Film, Photographic Film, Color, Giclée, Polaroid
W.T.C: Concrete Abstract#11
By Shai Kremer
Located in New York, NY
Shai Kremer lives and works in New York. He completed his MFA studies at the School of Visual Arts (S.V.A) in Manhattan.
For many years, Kremer's eye has been drawn to themes of urban destruction and reconstruction and to landscapes evidencing trauma. These concerns merged in his ambitious series W.T.C: Concrete Abstract, which explores the impact of the 2001 attacks on the World Trade Center. For more than a decade, Kremer made periodic visits to Ground Zero, focusing his camera on the efforts towards recovery, repair, and renewal. As a collection, Concrete Abstract conveys the gradual progression from tragedy towards healing.
Each large-scale archival pigment print in the series is composed from as many as sixty to 100 overlapping images, resulting in a subtle collage that invites closer inspection while also reading as a unified whole.
W.T.C: Concrete Abstract series was shown in the following venues:
9.11 Memorial Museum New York
Museum of the City of New York
The Bronx Museum of the Arts
The Brooklyn Academy of Music
Photolux Festival. Lucca, Italy
FMoPa. Tampa, USA
Julie M. Gallery, Tel Aviv
Julie Saul Gallery, New York
Robert Koch Gallery...
Category
2010s Abstract Photography
Materials
Archival Paper, Archival Pigment, Archival Ink
W.T.C: Concrete Abstract#14
By Shai Kremer
Located in New York, NY
Shai Kremer lives and works in New York. He completed his MFA studies at the School of Visual Arts (S.V.A) in Manhattan.
For many years, Kremer's eye has been drawn to themes of urban destruction and reconstruction and to landscapes evidencing trauma. These concerns merged in his ambitious series W.T.C: Concrete Abstract, which explores the impact of the 2001 attacks on the World Trade Center. For more than a decade, Kremer made periodic visits to Ground Zero, focusing his camera on the efforts towards recovery, repair, and renewal. As a collection, Concrete Abstract conveys the gradual progression from tragedy towards healing.
Each large-scale archival pigment print in the series is composed from as many as sixty to 100 overlapping images, resulting in a subtle collage that invites closer inspection while also reading as a unified whole.
9/11 Memorial & Museum W.T.C: Concrete Abstract series was shown in the following venues:
9.11 Memorial Museum New York
Museum of the City of New York
The Bronx Museum of the Arts
The Brooklyn Academy of Music
Photolux Festival. Lucca, Italy
FMoPa. Tampa, USA
Julie M. Gallery, Tel Aviv
Julie Saul Gallery, New York
Robert Koch Gallery...
Category
2010s Abstract Photography
Materials
Archival Ink, Archival Paper, Archival Pigment
W.T.C: Concrete Abstract#12
By Shai Kremer
Located in New York, NY
Shai Kremer lives and works in New York. He completed his MFA studies at the School of Visual Arts (S.V.A) in Manhattan.
For many years, Kremer's eye has been drawn to themes of urban destruction and reconstruction and to landscapes evidencing trauma. These concerns merged in his ambitious series W.T.C: Concrete Abstract, which explores the impact of the 2001 attacks on the World Trade Center. For more than a decade, Kremer made periodic visits to Ground Zero, focusing his camera on the efforts towards recovery, repair, and renewal. As a collection, Concrete Abstract conveys the gradual progression from tragedy towards healing.
Each large-scale archival pigment print in the series is composed from as many as sixty to 100 overlapping images, resulting in a subtle collage that invites closer inspection while also reading as a unified whole.
W.T.C: Concrete Abstract series was shown in the following venues:
9.11 Memorial Museum New York
Museum of the City of New York
The Bronx Museum of the Arts
The Brooklyn Academy of Music
Photolux Festival. Lucca, Italy
FMoPa. Tampa, USA
Julie M. Gallery, Tel Aviv
Julie Saul Gallery, New York
Robert Koch Gallery...
Category
2010s Abstract Photography
Materials
Archival Ink, Archival Paper, Archival Pigment
A Surreal Watercolor and Cyanotype, "Saltwater Gradient, var 6"
Located in San Diego, CA
A one of a kind 5x7 Surreal Watercolor and Cyanotype on Hahnemuhle Platinum Rag Paper, Mounted on Wood Panel by artist Annalise Neil. A certificate of authenticity will be provided u...
Category
2010s Abstract Photography
Materials
Photographic Paper, Photographic Film
W.T.C: Concrete Abstract#13
By Shai Kremer
Located in New York, NY
Shai Kremer lives and works in New York. He completed his MFA studies at the School of Visual Arts (S.V.A) in Manhattan.
For many years, Kremer's eye has been drawn to themes of urban destruction and reconstruction and to landscapes evidencing trauma. These concerns merged in his ambitious series W.T.C: Concrete Abstract, which explores the impact of the 2001 attacks on the World Trade Center. For more than a decade, Kremer made periodic visits to Ground Zero, focusing his camera on the efforts towards recovery, repair, and renewal. As a collection, Concrete Abstract conveys the gradual progression from tragedy towards healing.
Each large-scale archival pigment print in the series is composed from as many as sixty to 100 overlapping images, resulting in a subtle collage that invites closer inspection while also reading as a unified whole.
W.T.C: Concrete Abstract series was shown in the following venues:
9.11 Memorial Museum New York
Museum of the City of New York
The Bronx Museum of the Arts
The Brooklyn Academy of Music
Photolux Festival. Lucca, Italy
FMoPa. Tampa, USA
Julie M. Gallery, Tel Aviv
Julie Saul Gallery, New York
Robert Koch Gallery...
Category
2010s Abstract Photography
Materials
Archival Ink, Archival Paper, Archival Pigment
Poppy on ink #2 - floral film photography in composition with ink abstraction
Located in London, GB
'Poppy on Ink #2' 2023
Black and white floral film photography combination with ink painting. Made using a large format 4x5 film camera, developed in the studio by the artist.
Pr...
Category
21st Century and Contemporary Abstract Photography
Materials
Photographic Film, Ink, Archival Ink, Photographic Paper, Giclée
Vintage Large Format Abstract Unique Color Photo Polaroid Photograph Ellen Carey
By Ellen Carey
Located in Surfside, FL
Untitled, Unique photograph. Center panel from larger scale installation. Shot in the 20X24 format. (this measures about 20X20 inches)
Ellen Carey, American artist and photographer.
Ellen Carey resides in Hartford, Connecticut, and teaches at the Hartford Art School. She holds a B.F.A. from the Kansas City Art Institute, Missouri, and an M.F.A. from State University of New York at Buffalo. Her photographs have been exhibited at numerous galleries and museums, including the International Center for Photography, New York and the Fogg Art Museum at Harvard University, Cambridge, Massachusetts. She has received many grants from her home state of Connecticut as well as the Massachusetts Council of the Arts, New Works Grant, New York State Federation for Artists Grant; and a National Endowment for the Arts Award. Her photographs are in the permanent collections of The Art Institute of Chicago; the Baltimore Museum of Art; Brooklyn Museum of Arts; Chase Manhattan Bank; Coca Cola Corporation; Fogg Art Museum; George Eastman House; International Center for Photography; and the Los Angeles County Museum of Art, among others.
Abstract photography, sometimes called non-objective, experimental, conceptual or concrete photography, is a means of depicting a visual image that does not have an immediate association with the object world and that has been created through the use of photographic equipment, processes or materials. Some photographers pushed the boundaries of conventional imagery by incorporating the visions of surrealism or futurism into their work. Man Ray, Maurice Tabard, André Kertész, Curtis Moffat and Filippo Masoero were some of the best known artists who produced startling imagery that questioned both reality and perspective.
Both during and after World War II photographers such as Minor White, Aaron Siskind, Henry Holmes Smith and Lotte Jacobi explored compositions of found objects in ways that demonstrated even our natural world has elements of abstraction embedded in it. Beginning in the late 1970s photographers stretched the limits of both scale and surface in what was then traditional photographic media that had to be developed in a darkroom. Inspired by the work of Moholy-Nagy, Susan Rankaitis first began embedding found images from scientific textbooks into large-scale photograms. By the 1990s a new wave of photographers were exploring the possibilities of using computers to create new ways of creating photographs. Photographers such as Thomas Ruff, Barbara Kasten, Tom Friedman, and Carel Balth were creating works that combined photography, sculpture, printmaking and computer-generated images.
Any boundaries that remained between pure artists and pure photographers were eliminated by individuals who worked exclusively in photography but produced only computer-generated images. Among the most well-known of the early 21st century generation were Gaston Bertin...
Category
1980s Abstract Photography
Materials
Polaroid
Chris Pine - Seen leaving his gym after a workout in Los Angeles, 10/8/20
Located in Atlanta, GA
This largescale work features hues of blue, green, purple and yellow.
This photograph is an archival inkjet print, mounted to Sintra and face mounted to polished acrylic, edition 1 ...
Category
2010s Abstract Photography
Materials
Archival Pigment
Flowers, The Self Representation of Light, Unique Luminogram, Drawn by Light
Located in London, GB
#473 FLOWERS, 2016
Luminogram, Silver Gelatin Print
Print size: 30.5 x 40.6 cm
Framed: 49 x 58 cm
Frame with the classic museum style mount board and black frame/ Print can be shipped unframed - options available with more shipping prices available - please message us for more info/
This is a Unique piece
Series: The Self Representation of Light
Signed and dated in pen on verso, Certificate of Authenticity provided
The Luminograms are made from the most simple of procedures - directing light onto silver gelatin photo paper. However, it is that simplicity that allows Jackson to adapt his own way of thinking into the making of the finished piece. As he says, it's as close as he can get in photography to painting.
"I don't really see photography and pottery or painting or music to really be different to each other. Some are more immediate, some are more subtle. Music seems to be able to control emotions, photography seems to create a satisfying pleasure from just a tonal flat surface. Same with painting. One of the biggest mysteries for me is why all these things manage to control us in some way." - Michael G Jackson...
Category
2010s Abstract Photography
Materials
Archival Paper, Photographic Paper, Black and White, Photogram, Silver G...
W.T.C: Concrete Abstract#9
By Shai Kremer
Located in New York, NY
Israel-born photographer Shai Kremer lives and works in New York. He completed his MFA studies at the School of Visual Arts (S.V.A) in Manhattan.
For many years, Kremer's eye has been drawn to themes of urban destruction and reconstruction and to landscapes evidencing trauma. These concerns merged in his ambitious series W.T.C: Concrete Abstract, which explores the impact of the 2001 attacks on the World Trade Center. For more than a decade, Kremer made periodic visits to Ground Zero, focusing his camera on the efforts towards recovery, repair, and renewal. As a collection, Concrete Abstract conveys the gradual progression from tragedy towards healing.
Each large-scale archival pigment print in the series is composed from as many as sixty to 100 overlapping images, resulting in a subtle collage that invites closer inspection while also reading as a unified whole.
W.T.C: Concrete Abstract series was shown in the following venues:
9.11 Memorial Museum New York
Museum of the City of New York
The Bronx Museum of the Arts
The Brooklyn Academy of Music
Photolux Festival. Lucca, Italy
FMoPa. Tampa, USA
Julie M. Gallery, Tel Aviv
Julie Saul Gallery, New York
Robert Koch Gallery...
Category
2010s Abstract Photography
Materials
Archival Pigment
#396, The Self Representation of Light, Unique Luminogram, Drawn by Light
Located in London, GB
#396, 2016
Silver Gelatin Luminogram Print, Framed (classic museum style white book mount board and black frame)
Image size: 40.6 x 30.5 cm
Framed: 58 x 49 cm
Unique
Series: The Self Representation of Light
Signed and dated in pen on verso
© Michael Jackson
The Luminograms are made from the most simple of procedures - directing light onto silver gelatin photo paper. However, it is that simplicity that allows Jackson to adapt his own way of thinking into the making of the finished piece. As he says, it's as close as he can get in photography to painting.
After moving to Wales in 2007, Michael Jackson spent the next eight years creating an extensive study of a single local beach - Poppit Sands. After years of examining the beach, he realised that in effect he was studying himself and his reaction to the beach - rather than the physical landscape. He then started looking at the beach as simply a way of dividing up the camera frame - the lines and curves and focal points. It was during the long period of producing Poppit Sands prints in the darkroom that he discovered how to start making luminograms.
"I feel strongly that the luminograms represent a form of moulded light. You use your process to direct and mould the light and the paper receives it in its own magical way and translates that into a form that seems fantastical but also it has one foot in reality. The piece itself so often seems like a photograph of a sculpture, when it fact it is neither. I imagine that I am taking something that you cannot feel and I am making it appear in a seemingly three dimensional form that is balanced and controlled. Just like sculpting clay." Michael G Jackson...
Category
2010s Abstract Photography
Materials
Photographic Paper, Silver Gelatin, Photogram, Black and White
Mandala 8A, From the Mandalas series. Color Photographs
By Emma Anna
Located in Miami Beach, FL
Mandala 8A by Emma Anna
From The Mandalas Series
Archival pigment print on Photo Rag 308gsm
Image size: 19.5 H x 19.5 W inches
Sheet size: 22 H x 22 W inches
Frame size: 24.5 H x 24...
Category
2010s Abstract Photography
Materials
Color, Archival Pigment
Poppy on ink - floral film photography in composition with ink abstraction
Located in London, GB
'Poppy on Ink' 2023
Black and white floral film photography combination with ink painting. Made using a large format 4x5 film camera, developed in the studio by the artist.
Print...
Category
21st Century and Contemporary Abstract Photography
Materials
Photographic Film, Ink, Archival Ink, Photographic Paper, Giclée
W.T.C: Concrete Abstract #7
By Shai Kremer
Located in New York, NY
Israel-born photographer Shai Kremer lives and works in New York. He completed his MFA studies at the School of Visual Arts (S.V.A) in Manhattan.
For many years, Kremer's eye has been drawn to themes of urban destruction and reconstruction and to landscapes evidencing trauma. These concerns merged in his ambitious series W.T.C: Concrete Abstract, which explores the impact of the 2001 attacks on the World Trade Center. For more than a decade, Kremer made periodic visits to Ground Zero, focusing his camera on the efforts towards recovery, repair, and renewal. As a collection, Concrete Abstract conveys the gradual progression from tragedy towards healing.
Each large-scale archival pigment print in the series is composed from as many as sixty to 100 overlapping images, resulting in a subtle collage that invites closer inspection while also reading as a unified whole.
W.T.C: Concrete Abstract series was shown in the following venues:
9.11 Memorial Museum New York
Museum of the City of New York
The Bronx Museum of the Arts
The Brooklyn Academy of Music
Photolux Festival. Lucca, Italy
FMoPa. Tampa, USA
Julie M. Gallery, Tel Aviv
Julie Saul Gallery, New York
Robert Koch Gallery...
Category
2010s Abstract Photography
Materials
Archival Pigment
W.T.C: Concrete Abstract #6
By Shai Kremer
Located in New York, NY
W.T.C: Concrete Abstract #6 is at the collection of Israel Museum Jerusalem.
Israel-born photographer Shai Kremer lives and works in New York. He completed his MFA studies at the Sc...
Category
2010s Abstract Photography
Materials
Archival Pigment
W.T.C: Concrete Abstract #5
By Shai Kremer
Located in New York, NY
Israel-born photographer Shai Kremer lives and works in New York. He completed his MFA studies at the School of Visual Arts (S.V.A) in Manhattan.
For many years, Kremer's eye has been drawn to themes of urban destruction and reconstruction and to landscapes evidencing trauma. These concerns merged in his ambitious series W.T.C: Concrete Abstract, which explores the impact of the 2001 attacks on the World Trade Center. For more than a decade, Kremer made periodic visits to Ground Zero, focusing his camera on the efforts towards recovery, repair, and renewal. As a collection, Concrete Abstract conveys the gradual progression from tragedy towards healing.
Each large-scale archival pigment print in the series is composed from as many as sixty to 100 overlapping images, resulting in a subtle collage that invites closer inspection while also reading as a unified whole.
W.T.C: Concrete Abstract series was shown in the following venues:
9.11 Memorial Museum New York
Museum of the City of New York
The Bronx Museum of the Arts
The Brooklyn Academy of Music
Photolux Festival. Lucca, Italy
FMoPa. Tampa, USA
Julie M. Gallery, Tel Aviv
Julie Saul Gallery, New York
Robert Koch Gallery...
Category
2010s Abstract Photography
Materials
Archival Pigment
W.T.C: Concrete Abstract #8 (Triptych)
By Shai Kremer
Located in New York, NY
Israel-born photographer Shai Kremer lives and works in New York. He completed his MFA studies at the School of Visual Arts (S.V.A) in Manhattan.
For many years, Kremer's eye has been drawn to themes of urban destruction and reconstruction and to landscapes evidencing trauma. These concerns merged in his ambitious series W.T.C: Concrete Abstract, which explores the impact of the 2001 attacks on the World Trade Center. For more than a decade, Kremer made periodic visits to Ground Zero, focusing his camera on the efforts towards recovery, repair, and renewal. As a collection, Concrete Abstract conveys the gradual progression from tragedy towards healing.
Each large-scale archival pigment print in the series is composed from as many as sixty to 100 overlapping images, resulting in a subtle collage that invites closer inspection while also reading as a unified whole.
W.T.C: Concrete Abstract series was shown in the following venues:
9.11 Memorial Museum New York
Museum of the City of New York
The Bronx Museum of the Arts
The Brooklyn Academy of Music
Photolux Festival. Lucca, Italy
FMoPa. Tampa, USA
Julie M. Gallery, Tel Aviv
Julie Saul Gallery, New York
Robert Koch Gallery...
Category
2010s Abstract Photography
Materials
Archival Pigment
Dahlia on Ink - floral film photography in composition with ink abstraction
Located in London, GB
'Dahlia on Ink' 2023
Black and white floral film photography combination with ink painting. Made using a large format 4x5 film camera, developed in the studio by the artist.
Prin...
Category
21st Century and Contemporary Abstract Photography
Materials
Photographic Film, Ink, Archival Ink, Photographic Paper, Giclée
ATO>MIC #9, Unique Silver Luminogram Print, "Atomic like Explosion or Moonscape"
Located in London, GB
ATO>MIC #9, 2020
Unique Gelatin Silver Print/ Luminogram and Photogram technique, Printed on tea infused fibre based paper, Framed
23 x 18 cm print size
38 x 35.5 cm framed
Unique
Series: ATO>MIC
Signed and dated in pencil on print's verso
© Michael G Jackson...
Category
2010s Abstract Photography
Materials
Archival Paper, Black and White, Photogram, Silver Gelatin
ATO>MIC #3, Unique Silver Luminogram Print, Warm toned black and white abstract
Located in London, GB
ATO>MIC #3, 2020
Unique Gelatin Silver Print/ Luminogram and Photogram technique, Printed on tea infused fibre based paper, Custom Framed: museum mount-board with antireflective UV protective art glass in dark brown lacquered hardwood frame, /hand made in UK/
23 x 18 cm (image print)
40.5 x 36 cm (Framed)
Unique
Series: ATO>MIC
Signed and dated in pencil on verso
Provided with the Certificate of Authenticity
“The ATO>MIC work started as an attempt to replicate the idea behind still life painting - where you are trying to reproduce the image of solid looking things, things that could be on a shelf. So, I wanted to try doing that with just using light instead of paints - however I soon started to see the similarities with Harold Edgerton’s famous atomic explosion photos and how the scale of my work could be switched between small items on a shelf to enormous atomic explosions.
That is the reason behind the strange title ATO>MIC - where the “>” is a kind of link between larger and smaller scales, between the two influencing ideas.” – Mike G Jackson
The images (from the ATO>MIC series) may be reminiscent of the first milliseconds of atomic bomb explosions captured by Harold Edgerton's Rapatronic camera in the early 1950s but also visualise the thought of Maholy-Nagy’s bold visions in the Bauhaus’s movement toward the idea of the Gesamtkunstwerk, or “total work of art.”
The 3D concepts that were first expanded in the same art movement by El Lissitzky a hundred years ago, are also explored here by Jackson’s drowned thin line within the third of the image. In his vision, the line reflects a shelf with the object on top, by adding the weight to it, the gravity pushing them down.
Or maybe the thin line is just the horizon, where the enormous atomic blast took place…?
Beyond these flat forms of two dimensional ‘lumino-graphic’ works on paper, the purest form of photography (‘light drawing’) lays a visible path to three-dimensional imaginary world, realised in precise composition, rhythm and warm earthy tones of these works.
It’s up to the viewer to decide what they prefer to see and take with them.
As Wassily Kandinsky once said; “Imagination is what allows your mind to discover.”
About the Artist:
Michael G Jackson...
Category
2010s Abstract Photography
Materials
Glass, Wood, Archival Paper, Black and White, Bromoil, Silver Gelatin, T...
Bleed # 202390 (Abstract Photography)
By Paul Snell
Located in London, GB
Bleed # 202390 (Abstract Photography)
Chromogenic Print Face-mounted 3mm Matte Plexiglas - Unframed.
Backed with Dibond and C-channel hanging system + keyhole option.
Edition: 1/3...
Category
2010s Abstract Photography
Materials
Plexiglass, C Print
ATO>MIC #15, Unique Silver Luminogram Print, Warm toned black and white abstract
Located in London, GB
ATO>MIC #15, 2020
Unique Gelatin Silver Print/ Luminogram and Photogram technique, Hand Printed on tea infused fibre based paper, Custom Framed: museum mount-board with antireflective UV protective art glass in dark brown lacquered hardwood frame, /hand made in UK/
18 x 23 cm
40.5 x 36 cm (Framed)
Unique
Series: ATO>MIC
Signed and dated in pencil on verso
Provided with the Certificate of Authenticity
Instead of using carving...
Category
2010s Abstract Photography
Materials
Archival Paper, Black and White, Silver Gelatin, Tea, Photographic Paper...
Sonntags im Museum (19)
Located in Berlin, DE
Sonntags im Museum (19)
Gestural photography Intentional Camera Movement
The edition size (regardless of the printed size) is 7+2 E.A. each
Betty Schmidt is a German artist, her sp...
Category
2010s Abstract Photography
Materials
Canvas
Chrysantemum on ink -floral film photography in composition with ink abstraction
Located in London, GB
'Chrysantemum on ink' 2023
Black and white floral film photography combination with ink painting. Made using a large format 4x5 film camera, developed in the studio by the artist. ...
Category
21st Century and Contemporary Abstract Photography
Materials
Photographic Film, Ink, Archival Ink, Photographic Paper, Giclée
W.T.C: Concrete Abstract #4
By Shai Kremer
Located in New York, NY
Israel-born photographer Shai Kremer lives and works in New York. He completed his MFA studies at the School of Visual Arts (S.V.A) in Manhattan.
For many years, Kremer's eye has bee...
Category
2010s Abstract Photography
Materials
Archival Pigment
Poppy on ink #2 - floral film photography in composition with ink abstraction
Located in London, GB
'Poppy on Ink #2' 2023
Black and white floral film photography combination with ink painting. Made using a large format 4x5 film camera, developed in the studio by the artist.
Pr...
Category
21st Century and Contemporary Abstract Photography
Materials
Photographic Film, Ink, Archival Ink, Photographic Paper, Giclée
Sonntags im Museum (18)
Located in Berlin, DE
Sonntags im Museum (18)
Gestural photography Intentional Camera Movement
The edition size (regardless of the printed size) is 7+2 E.A. each
Betty Schmidt is a German artist, her sp...
Category
2010s Abstract Photography
Materials
Canvas
Chrysantemum on ink -floral film photography in composition with ink abstraction
Located in London, GB
'Chrysantemum on ink' 2023
Black and white floral film photography combination with ink painting. Made using a large format 4x5 film camera, developed in the studio by the artist. ...
Category
21st Century and Contemporary Abstract Photography
Materials
Photographic Film, Ink, Archival Ink, Photographic Paper, Giclée
Abstract photography for sale on 1stDibs.
Find a wide variety of authentic Abstract photography available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add photography created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple, red, orange and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Mitchell Funk, Paul Snell, Michael Banks, and Seb Janiak. Frequently made by artists working with Paper, and Pigment Print and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Abstract photography, so small editions measuring 0.5 inches across are also available. Prices for photography made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $50 and tops out at $36,000, while the average work sells for $3,359.
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