Joan MiróThe Nobles at the Trapdoor II, from: Series for King Ubu 1966
1966
About the Item
- Creator:Joan Miró (1893 - 1983, Catalan)
- Creation Year:1966
- Dimensions:Height: 21.26 in (54 cm)Width: 29.53 in (75 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU1809451492
Joan Miró
With his wide-ranging oeuvre, comprising strikingly original paintings, prints, ceramics, sculptures, metal engravings and murals, Catalan modernist Joan Miró was a critical force in moving 20th-century art toward complete abstraction. Although often considered an early Surrealist because of his nonobjective imagery and evocation of the subconscious, he defies neat categorization.
Miró’s identity is largely rooted in the city of his birth: Barcelona. To this day, a number of his public artworks can be found there, including the 72-foot-tall statue Dona i Ocell (Woman and Bird), 1983. Female and avian forms, along with bright colors and the theme of Catalan pride, are recurring elements in his work.
The radical visual world Miró created with his expressive lines, signature symbols and biomorphic shapes influenced such American Abstract Expressionists as Jackson Pollock and Color Field painters like Mark Rothko and Barnett Newman.
Mirò continued to work and experiment until his death at the age of 90 in 1983. Five years before that, he was quoted saying, “I painted these paintings in a frenzy, with real violence so that people will know that I am alive, that I’m breathing, that I still have a few more places to go. I’m heading in new directions.”
Find a collection of original Joan Miró art on 1stDibs.
- ShippingRetrieving quote...Ships From: london, United Kingdom
- Return PolicyA return for this item may be initiated within 3 days of delivery.
- Untitled No. 242 - Signed Lithograph Chinese Art Abstract - French ArtBy Zao Wou-KiLocated in London, GBZAO WOU-KI 1921- 2013 Beijing 1921 -2013 Switzerland (Chinese) Title: Untitled No. 242, 1973 Technique: Original Hand Signed, Numbered and Dated Lithograph in Colours on Wove Paper...Category
1970s Abstract Abstract Prints
MaterialsLithograph
- Untitled (SF-341) - Sam Francis - American Abstract Expressionism - 1989By Sam FrancisLocated in London, GBSAM FRANCIS 1923-1994 San Mateo, California 1923 – 1994 Santa Monica (American) Title: Untitled (SF-341), 1989 Technique: Original Hand Signed, Inscribed and Numbered Lithograph in...Category
1980s Abstract Expressionist Abstract Prints
MaterialsLithograph
- Untitled No. 127By Zao Wou-KiLocated in London, GBZAO WOU-KI 1921- 2013 Beijing 1921 -2013 Switzerland (Chinese) Title: Untitled No. 127, 1960 Technique: Original Hand Signed, Numbered and Dated Lithograph in Colours on Wove Paper...Category
1960s Abstract Abstract Prints
MaterialsLithograph
- Appeasement - Signed Lithograph - Chinese AbstractionBy Chu Teh-ChunLocated in London, GBCHU TEH-CHUN 1920-2014 (ZHU DEQUN) Xiao County, China 1920 – 2014 Paris (French / Chinese) Title: Appeasement Apaisement, 1997 Technique: Original Hand Signed and Numbered Lithogr...Category
1990s Abstract Abstract Prints
MaterialsLithograph
- Composition II, from: Blue Season - Signed Lithograph - Chinese AbstractionBy Chu Teh-ChunLocated in London, GBCHU TEH-CHUN 1920-2014 (ZHU DEQUN) Xiao County, China 1920 – 2014 Paris (French / Chinese) Title: Composition II, from: Blue Season Planche II: Saison bleue, 2006 Technique: Origi...Category
Early 2000s Abstract Abstract Prints
MaterialsLithograph
- Etching No. 118By Zao Wou-KiLocated in London, GBZAO WOU-KI 1921- 2013 Beijing 1921 -2013 Switzerland (Chinese) Title: Etching No. 118, 1959 Technique: Original Hand Signed, Numbered and Dated Etching and Aquatint in Colours on W...Category
1950s Abstract Abstract Prints
MaterialsLithograph
- Cali - 20th Century, Maurice Estève, Abstract Print, Colourful, LithographBy Maurice EstèveLocated in Köln, DE"Cali" is a typical motif by Maurice Estève. The lithograph in colours was published in an edition of 100. 49,6 x 65 cm. Signed and numbered.Category
1960s Abstract Abstract Prints
MaterialsLithograph
- "El patito feo" by Antonio Saura, Abstract Print, Duckling, Blue, Bright ColorsBy Antonio SauraLocated in Köln, DEColor lithgraph by Antonio Saura "El patito feo", 1997 65 x 50 cm Copy 186/250 Edition of 285 Antonio Saura (Huesca, Spain 1930–1998 Cuenca) found his...Category
1990s Abstract Abstract Prints
MaterialsLithograph
- Woman Circus Rider on Red Horse - superb Chagall posterBy Marc ChagallLocated in London, GBOriginal lithographic poster printed by L.R.B Permild and Rosengreen.Category
Late 20th Century Abstract Abstract Prints
MaterialsLithograph
- GeraniumLocated in Llanbrynmair, GB’Geranium’ By Yutaka Takayanagi. Medium - Relief and lithographic print Edition - 5/20 Signed - Yes Size - 510mm x 660mm Date - 1978 Condition - Excellent. 10 out of 10. Born in Tokyo in 1941, Takayanagi's artistic journey began when he enrolled at Tokyo University of the Arts in 1960, studying under the renowned oil painter Kaoru Yamaguchi. His talent was quickly recognized when he received an Honorable Mention at the 8th Shell Arts Award Exhibition in the same year. During his time at university, Takayanagi took an intensive course in copper plate printing under Tetsuro Komai, receiving his degree from the graduate school in 1966. Fascinated by the simultaneous color print method, he started creating copperplate prints and soon gained recognition for his unique metallic reliefs, which he produced using collages of English newspapers. Takayanagi's passion for experimentation led him to create metallic emboss reliefs using his own photographs, and in the latter half of the 1980s, he moved on to silkscreen prints. He continued to push the boundaries of his art, constantly exploring new techniques and mediums. In 1978 and the following year, Takayanagi was appointed as an arts researcher for the Ministry of Culture and traveled to the United States, France, and the UK. These experiences enriched his artistic perspective and further cemented his reputation as a highly regarded artist. Takayanagi was part of the influential printmaking group Sosaku Hanga, which emerged in the early 20th century in Japan. This movement emphasized the artist's involvement in every stage of the printmaking process, from designing the image to carving and printing the blocks. Takayanagi's work often incorporates elements of nature and landscape, with an emphasis on texture and pattern. He also experimented with collage, incorporating found materials like newspaper clippings and photographs into his prints. Takayanagi's work has been exhibited extensively in Japan and internationally, including at the Museum of Modern Art in New York and the National Museum of Modern Art in Tokyo. He has also received numerous awards for his contributions to printmaking, including the Japan Print Association Award and the Purple Ribbon Medal...Category
1970s Abstract Abstract Prints
MaterialsLithograph
- ComplementariesLocated in Llanbrynmair, GB’Complementaries’ By Yutaka Takayanagi. Medium - Relief and lithographic print Edition - 19/20 Signed - Yes Size - 615mm x 780mm Date - 1976 Condition - Good. 9 out of 10. Born in Tokyo in 1941, Takayanagi's artistic journey began when he enrolled at Tokyo University of the Arts in 1960, studying under the renowned oil painter Kaoru Yamaguchi. His talent was quickly recognized when he received an Honorable Mention at the 8th Shell Arts Award Exhibition in the same year. During his time at university, Takayanagi took an intensive course in copper plate printing under Tetsuro Komai, receiving his degree from the graduate school in 1966. Fascinated by the simultaneous color print method, he started creating copperplate prints and soon gained recognition for his unique metallic reliefs, which he produced using collages of English newspapers. Takayanagi's passion for experimentation led him to create metallic emboss reliefs using his own photographs, and in the latter half of the 1980s, he moved on to silkscreen prints. He continued to push the boundaries of his art, constantly exploring new techniques and mediums. In 1978 and the following year, Takayanagi was appointed as an arts researcher for the Ministry of Culture and traveled to the United States, France, and the UK. These experiences enriched his artistic perspective and further cemented his reputation as a highly regarded artist. Takayanagi was part of the influential printmaking group Sosaku Hanga, which emerged in the early 20th century in Japan. This movement emphasized the artist's involvement in every stage of the printmaking process, from designing the image to carving and printing the blocks. Takayanagi's work often incorporates elements of nature and landscape, with an emphasis on texture and pattern. He also experimented with collage, incorporating found materials like newspaper clippings and photographs into his prints. Takayanagi's work has been exhibited extensively in Japan and internationally, including at the Museum of Modern Art in New York and the National Museum of Modern Art in Tokyo. He has also received numerous awards for his contributions to printmaking, including the Japan Print Association Award and the Purple Ribbon Medal...Category
1970s Abstract Abstract Prints
MaterialsLithograph
- FlyingLocated in Llanbrynmair, GB’Flying’ By Yutaka Takayanagi. Medium - Relief and lithographic print Edition - 14/20 Signed - Yes Size - 790mm x 570mm Date - 1976 Condition - Excellent. 10 out of 10. Born in Tokyo in 1941, Takayanagi's artistic journey began when he enrolled at Tokyo University of the Arts in 1960, studying under the renowned oil painter Kaoru Yamaguchi. His talent was quickly recognized when he received an Honorable Mention at the 8th Shell Arts Award Exhibition in the same year. During his time at university, Takayanagi took an intensive course in copper plate printing under Tetsuro Komai, receiving his degree from the graduate school in 1966. Fascinated by the simultaneous color print method, he started creating copperplate prints and soon gained recognition for his unique metallic reliefs, which he produced using collages of English newspapers. Takayanagi's passion for experimentation led him to create metallic emboss reliefs using his own photographs, and in the latter half of the 1980s, he moved on to silkscreen prints. He continued to push the boundaries of his art, constantly exploring new techniques and mediums. In 1978 and the following year, Takayanagi was appointed as an arts researcher for the Ministry of Culture and traveled to the United States, France, and the UK. These experiences enriched his artistic perspective and further cemented his reputation as a highly regarded artist. Takayanagi was part of the influential printmaking group Sosaku Hanga, which emerged in the early 20th century in Japan. This movement emphasized the artist's involvement in every stage of the printmaking process, from designing the image to carving and printing the blocks. Takayanagi's work often incorporates elements of nature and landscape, with an emphasis on texture and pattern. He also experimented with collage, incorporating found materials like newspaper clippings and photographs into his prints. Takayanagi's work has been exhibited extensively in Japan and internationally, including at the Museum of Modern Art in New York and the National Museum of Modern Art in Tokyo. He has also received numerous awards for his contributions to printmaking, including the Japan Print Association Award and the Purple Ribbon Medal...Category
1970s Abstract Abstract Prints
MaterialsLithograph