George Grosz

Self-Portrait with Dog in Front of the Easel, from: The Creators - German Art

1926

ALBERTO GIACOMETTI 1901-1966 Borgonovo 1901-1966 Chur, Switzerland (Swiss) Title: Nude with Flowers Nu aux fleurs, 1960 Technique: Original Hand Signed and Numbered Lithograph on ...

GIORGIO DE CHIRICO 1888-1978 Vólos, Greece 1888 - 1978 Rome (Italian) Title: The Triumph of Medicine Il trionfo della medicina, 1953 Technique: Original Hand Signed and Numbered Li...

CHRISTO, JAVACHEFF b. 1935 (Bulgarian) Title: Package on Carozza, Project for A. Berlingieri, Taranto, South Italy, 1984 Technique: Original Hand Signed, Dated and Numbered Lithograph with Collage and Hand Colouring on Wove Paper Paper size: 56 x 71.5 cm. / 22 x 28.1 in. Additional Information: This lithograph with collage of fabric, thread and pencil is hand signed and dated in pencil by the artist "Christo 84" at the lower right corner. It is also hand numbered in pencil from the edition of 100 beside the signature. It was printed in a limited edition of 100 signed and numbered impressions by Landfall Press, Chicago and co-published by the artist and Edition Schellmann, Munich and New York. There were also 20 artist's proofs Note: In the 1960s, the Marchese Annibale Berlingieri from Rome was an important collector of contemporary art. While visiting his country villa in Taranto, Christo noticed that the Marchese had an ancient carriage on the property. Christo proposed wrapping the carriage with fabric and created a spontaneous sculpture, to the delight of the Marchese. Christo created a lithograph of the sculpture which was editioned then collaged with fabric. Another example of this work can be found in the collection of the Art Institute of Chicago. Provenance: The Estate of Ira B...

KEES VAN DONGEN 1877-1968 [Cornelis Theodorus Maria] Delfshaven, Rotterdam 1877-1968 Monte Carlo (Dutch/French) Title: Woman on the Beach, Trouvill...

RAOUL DUFY 1877-1953 Le Havre 1877-1953 Forcalquier (French) Title: The Admiral’s Ball Le Bal chez l'amiral, ca. 1925 Technique: Original Hand Signed and Numbered Lithograph on Wove Paper Paper size: 32.5 x 39.5 cm. / 12.8 x 15.6 in. Image size: 20.5 x 29 cm. / 8.1 x 11.4 in. Additional Information: This original lithograph is hand signed in pencil by the artist "R Dufy...

MARC CHAGALL 1887-1985 [Shagal, Mark, Zakharovich, Moses] Vitebsk, Belarus 1887-1985 Saint-Paul-de-Vence, Alpes-Maritimes Title: Siren with the Poet, from: Nice and the Côte d'Azur Sirène au Poète, from: Nice Côte d'Azur, 1967 Technique: Hand Signed and Numbered Lithograph in Colours on Arches Wove Paper Paper size: 73.3 x 52.7 cm. / 28.9 x 20.7 in. Image size: 61.5 x 45.5 cm. / 24.2 x 17.9 in. Additional Information: This lithograph is hand signed in pencil by the artist "Marc Chagall" at the lower right margin. It is also hand numbered in pencil with Arabic numerals from the edition of 150, at the lower left margin. A further 75 impressions were numbered in Roman numerals and there were ten artist's proofs. It was printed by Charles Sorlier and published by Editions Mourlot in 1967. The paper bears the Arches watermark in the right margin and is stamped with the ink stamp of the publisher, verso. Note: ‘Siren with the Poet’ is one of 12 compositions created to celebrate Nice and the Côte d’Azur. The large-scale lithographs...

The Don: One of the most recognizable figures in poster history ever, quietly reveling in the simple delights of a glass of ruby port – typically thought of as a horseman, clad in a ...

CHARPENTIER, ALEX (1856 -1909) "Grande Tuilerie d’Ivry" Original lithograph from "Les Maitres de L'Affiche" series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, issue # 33, 1898. Plate #131 Unframed Size: 11 3/8 x 15 3/4”The "Les Maitres de l'Affiche" series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The "Maitres de l'Affiche," were issued as separate numbered sheets, referred to as "plates". They were numbered, with the printers name "Imprimerie Chaix," in the margin at the bottom left hand corner, "PL.1" to "PL.240." In the margin at the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret's. The smaller format and the fact the "Maitres" were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters due to cost. A very high quality of paper was used, where as the large format posters were printed on lesser quality newsprint, due to cost and a short expected life span. This explains why the quality of the printing, in the "Maitres de l'Affiche," usually far exceeds that of their larger counterparts. The text reads "Great Tileworks of Ivry, founded in 1854, Ivry-Port near Paris; the largest ceramics factory in the world for building, industry and art productions; Emille Muller stoneware; execution of works by masters of statuary; architectural facings; decorative sculpture; showroom and salesroom, 3 rue Halevy; the only tile able to bear the names Muller and Ivry; (tiles) guaranteed against frost" Given the commission for an extremely text heavy poster, the artist executes a masterful design. The angelic young boy holds the wares of this famous ceramics factory, against an abstract background awash in organic green hues. The handling of the immense text that flows from top to bottom in every available space shows great artistic skill, as the overall beauty of the design is intact. In 1989 the Metropolitan Museum of art acquired a stoneware plaque...

BRADLEY, WILL (1868 - 1962) The Chap Book Original lithograph from “Les Maitres de L’Affiche” series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, from issue #34, 1898. Plate #136 Unframed Size: 11 3/8 x 15 3/4” The “Les Maitres de l’Affiche” series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The “Maitres de l’Affiche,” were issued as separate numbered sheets, referred to as “plates”. They were numbered, with the printers name “Imprimerie Chaix,” in the margin at the bottom left hand corner, “PL.1” to “PL.240.” In the margin at the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret’s. The smaller format and the fact the “Maitres” were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters...

CHERET, JULES (1836 - 1932) "Emilienne d’Alencon" Original lithograph from “Les Maitres de L’Affiche” series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, from issue #29, 1898. Plate #113 Unframed Size: 11 3/8 x 15 3/4” The “Les Maitres de l’Affiche” series was offered as a subscription series to...

PRICE, JULIUS "An Artist’s Model" Original lithograph from “Les Maitres de L’Affiche” series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, from issue #1, 1896. Plate # 3 Unframed Size: 11 3/8 x 15 3/4” The “Les Maitres de l’Affiche” series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The “Maitres de l’Affiche,” were issued as separate numbered sheets, referred to as “plates”. They were numbered, with the printers name “Imprimerie Chaix,” in the margin at the bottom left hand corner, “PL.1” to “PL.240.” In the margin at the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret’s. The smaller format and the fact the “Maitres” were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters...

TOULOUSE-LAUTREC, HENRI DE (1864-1901) PROMENOIR Delteil 290, Adhemar 324, Wittrock 315 Lithograph printed in olive black-green ink, c. 1899 Printed on japon paper, Full margi...