Hans BellmerThe Fire of Marseille - Etching by Hans Bellmer - 19711971
1971
About the Item
- Creator:Hans Bellmer (1912 - 1975, German)
- Creation Year:1971
- Dimensions:Height: 30.71 in (78 cm)Width: 22.45 in (57 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:
Hans Bellmer
Surrealist German artist Hans Bellmer produced images of contorted, disfigured or bound forms of usually pubescent women in drawings, paintings, photographs and sculptures. He is best known for creating life-sized dolls and disassembled mannequins and used his art to explore themes of sexuality, lust and death as well as to express his viewpoints on politics and society, work through his own traumas and comment on Freudian psychoanalytic principles.
Bellmer was born in Katowice, Germany. He and his brother lived in constant fear of their stern father who showed the boys little affection. Childish play was forbidden by his cold father. Even though he passed university entrance exams, his father insisted that he work in factories and coal mines instead of furthering his education. His father did eventually agree to allow Bellmer to enter the engineering program at the Berlin Polytechnic but his true passion was art.
In 1924, Bellmer quit school and became an illustrator and advertising designer for a left-wing publishing house. Upon discovering Dadaism, he associated with artists such as John Heartfield and George Grosz and attended lectures at the Bauhaus art school. As fascist politics took hold around him — Bellmer was living in Berlin when Hitler came to power, and his own father became a Nazi — he was compelled to create art that reflected his anger and inner turmoil.
Capitalizing on the manifesto of Surrealist André Breton that called for words to be cut up and rearranged, he created a series of mannequins, dressed as children’s dolls, that explored his own erotic obsessions and abusive relationships around him. With like-minded German artist Unica Zürn, Bellmer collaborated on related works that examined bondage and eroticism for 15 years.
Many of Bellmer’s works can be found in public collections around the world, including the Museum of Modern Art in San Francisco, the International Center of Photography in New York and the British Museum in London.
On 1stDibs, find authentic Hans Bellmer prints and other art on 1stDibs.
- ShippingRetrieving quote...Ships From: Rome, Italy
- Return PolicyA return for this item may be initiated within 14 days of delivery.
- Il y a Des Soldats - Etching attr. to S. Dalì - 1973By Salvador DalíLocated in Roma, ITIl ya a des Soldats (There are Some Soldiers) is an original etching and drypoint realized by Salvador Dalì in 1973. It belongs to the series "Poi, Je t'Attends à Babylone", a suite ...Category
1970s Surrealist Figurative Prints
MaterialsEtching
- La Tombe du Père - Etching by Marc Chagall - 1923By Marc ChagallLocated in Roma, ITLa Tombe du Pére or The Father's Grave is a wonderful and rare dry-point, hand-signed in pencil on the lower right margin and hand-numbered on the lower left margin by Marc Chagall. ...Category
1920s Surrealist Figurative Prints
MaterialsDrypoint, Etching
- Figure - Original Etching by Guelfo Bianchini - 1959By Guelfo BianchiniLocated in Roma, ITFigure is an original etching realized by Guelfo Bianchini in 1959. The artwork is hand-signed by the artist on the lower right corner, and numbered ...Category
1950s Surrealist Figurative Prints
MaterialsEtching
- Night Dream - Original Etching by Guelfo Bianchini - 1959By Guelfo BianchiniLocated in Roma, ITNight Dream is an original etching realized by Guelfo Bianchini in 1959. The artwork is hand-signed by the artist on the lower right corner, and numb...Category
1950s Surrealist Figurative Prints
MaterialsEtching
- Figures 3 - Original Etching by Guelfo Bianchini - 1959By Guelfo BianchiniLocated in Roma, ITFigures 3 is an original etching realized by Guelfo Bianchini in 1959. The artwork is hand-signed by the artist on the lower right corner, and numbered (8/60) on the lower left corn...Category
1950s Surrealist Figurative Prints
MaterialsEtching
- Price - The Angel - Original Etching by Guelfo Bianchini - 1970sBy Giacomo PorzanoLocated in Roma, ITThe Angel is an original lithograph and etching realized by Guelfo Bianchini. Hand-signed on the lower in pencil. Titled" Angelo". Numbered on the lower right. Edition. 74/100, w...Category
1970s Surrealist Figurative Prints
MaterialsEtching
- HAMLET SUITEBy Salvador DalíLocated in Aventura, FLThis rare 10 piece series from 1973 is Dali's interpretation of Shakespeare's drama Hamlet. Dali paid homage to Shakespeare in several other works but this suite is considered to be ...Category
1970s Surrealist Figurative Prints
MaterialsLithograph, Engraving, Aquatint, Paper
- Jorge Castillo - EROTIC COMPOSITION Etching on paper Spanish SurrealismBy Jorge CastilloLocated in Madrid, MadridJorge Castillo - COMPOSICIÓN ERÓTICA (Erotic Composition) Date of creation: 1977 Medium: Etching on paper Edition: 75 + 20 E.A. Size: 50 x 65,5 cm Condition: In perfect conditions an...Category
1970s Surrealist Figurative Prints
MaterialsEngraving, Etching
- Jorge Castillo - MARIENZA EN DOMINGO Etching Spanish Surrealism FeminineBy Jorge CastilloLocated in Madrid, MadridJorge Castillo - MARIENZA EN DOMINGO Date of creation: 1972 Medium: Etching on paper Edition: 150 + H.C. Size: 56 x 70 cm Condition: In perfect conditions and never framed Observatio...Category
1970s Surrealist Figurative Prints
MaterialsPaper, Engraving, Etching
- Monument to Christopher Columbus and Marcel Duchamp - 13 Etchings by ArtistsBy Joan MiróLocated in London, GBVARIOUS ARTISTS Title: Monument to Christopher Columbus and Marcel Duchamp Monument à Christophe Colomb et à Marcel Duchamp, 1971 Technique: Complete Set of Thirteen Original Ha...Category
1970s Surrealist Figurative Prints
MaterialsEtching
- Central Panel, from: Triptych 1974-1977By Francis BaconLocated in London, GBFRANCIS BACON 1909-1992 Dublin 1909-1992 Madrid (Irish/British) Title: Central Panel, from: Triptych 1974-1977, 1981 Technique: Original Hand Signed and Numbered Etching and Aquatint in Colours on Wove Paper Paper size: 64.8 x 50 cm. / 25.5 x 19.7 in. Image size: 38.8 x 29.5 cm. / 19.3 x 11.5 in. Additional Information: This etching and aquatint in colours is hand signed in pencil by the artist "Francis Bacon" in the lower right margin. It is also hand numbered in pencil from the edition of 99, in the lower left margin. The work was printed in a limited edition of 99 signed and numbered impressions with an additional 15 Hors Commerce [out of trade] impressions and 15 artist’s proofs. It was printed and published by Polígrafa, Barcelona in 1981. It is based on the painting of the same title. Note: Tryptic 1974-1977 is one of Bacon's finest triptychs. It was painted by Bacon between May and June 1974 and was made in response to the tragic death of his lover George Dyer in 1971. It was the last work the artist made before a major retrospective of his work held at the Metropolitan Museum of Art in New York in 1974. The exhibition formed the culmination of this important survey of Bacon's career from the late 1960s onwards and was immediately recognised as both a major landmark and also perhaps a turning point in Bacon's career. From 1971, Francis Bacon had been preoccupied with Dyer and the tragic manner of his suicide. Triptych 1974-77 also borrows several elements from the three earlier so-called 'Black' triptychs (In memory of George Dyer, 1971, Triptych August 1972 and Triptych May-June 1973). In each of these great three-panel paintings, the figure of Dyer is presented on the threshold of entering a dark void, either in the form of his hotel room, or silhouetted against a sequence of black rectangles. At the bottom of this central panel on a pale blue, purple and black curved continuation of this arena-like circle, there originally appeared a bizarre prone and bespectacled slug-like figure. Based on one of Edward Muybridge...Category
1980s Surrealist Figurative Prints
MaterialsAquatint, Etching
- "Bonjour" by Max Ernst, Good Day, Surrealism, Light Colors, FigurativeBy Max ErnstLocated in Köln, DEEtching in colours by Max Ernst. "Bonjour", 1966 66,5 x 50,1 cm Copy 7/99 Edition of 111 copies (approx.)Category
1960s Surrealist Figurative Prints
MaterialsEtching, Aquatint