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Luc-Albert MoreauPhysiology of Boxing - Original Lithograph by Luc-Albert Moreau - 19th Century19th Century
19th Century
About the Item
Physiology of Boxing is an Original Litograph realized by Luc Albert Moreau (1882-1948).
The artwork is in good condition included a cream colored cardboard passpartout (49x32 cm).
No signature.
In the 1920s, French painter Luc-Albert Moreau created a suite of 60 lithographs of the many aspects of boxing, which he considered a noble sport. Physiologie de la Boxe featured paintings and drawings of boxing winners and losers, as well as spectators and managers. Moreau was a painter with the Cubists up to 1912, but soon reverted to a more traditional style. He also produced lithographs of Parisian bars, restaurants, nightclubs, music halls, brothels and circuses, which revealed a comprehensive knowledge of the lively Paris underworld, including the gay and lesbian scene. After World War I, Moreau lived with the violinist Hélène Jourdan-Morhange, the widow of the painter Jacques Jourdan, who had been killed in the war. The couple were close friends with the famous composer Maurice Ravel.
- Creator:Luc-Albert Moreau (1882 - 1948, French)
- Creation Year:19th Century
- Dimensions:Height: 16.15 in (41 cm)Width: 11.42 in (29 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:
Luc-Albert Moreau
Luc-Albert Moreau is a French painter, engraver and illustrator. He was a member of the group Bande Noire, and later also a member of the Section d'Or. He attended the Académie Julian in Paris, and he painted at the Jean-Paul Laurens’s studio, where he became a friend of Jean-Louis Boussingault and André Dunoyer de Segonzac. For a brief period, he attended Charles Guérin, Georges-Pierre Olivier Desvallières, and Pierre Laprade’s lessons at the Académie de la Palette. Moreau took part in the Great War, fighting in Verdun, in Chemin des Dames and Picardy. Wounded several times, he was marked indelibly by the horrors of war. These horrors, remembrances of war and terrible shocks became the thematic fulcrum of his inspiration until 1925, when he came back to St. Tropez he began to paint still lifes, portraits, landscapes and finally he discovered a clear palette. In 1947, Moreau designed the costumes for Khamma by Claude Debussy, donated to the Théatre de l’Opéra-Comique.
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