Mimmo Rotella

La Magnifica Preda

unknown

Un Documento Storico Eccezionale (eng. An exceptional historical document). Original color silkscreen and collage, unknown year. Edition of 20 signed and numbered impressions on Arch...

A qualcuno piace caldo (eng. Some like it hot). Original color silkscreen and collage on canvas, unknown year. Edition of 100 signed and numbered impressions on Arches paper. Mimmo R...

La tete (eng. The head). Original hand colored etching, 1974. Edition of E.A. (artist’s proof) signed and numbered impressions on Arches paper. Miodrag Dado Đurić was a famous figura...

Original color woodcut, 1992. Edition of 100 signed and numbered impressions on Arches paper. Mimmo Paladino is an Italian contemporary sculptor, painter, muralist and printmaker. He attended the Liceo Artistico di Benvenuto (Benevento Art School) from 1964 to 1968, when minimalism and conceptualism dominated the international art scene, which had effects on his art. He was also a part of Transavantgarde – the artistic movement with the neo-expressionist resurgence that swept through Italy in the 1980s. Paladino seeks his inspiration from both the ancient and the modern – from Egyptian, tribal, and classical artworks to the modern painting and sculpture. In his compositions we can often see a figure in combination with the signs like crosses, and techniques like the application of gold leaves, a symbol of eternity, borrowed from Christian iconography, as well as the hieratic pose of Byzantine figures and the gestural quality of that culture’s rites. Paladino himself admits to being “an artist of the south, but of the darkest, most mysterious south, and this is why I find poetic sensations that belong to me in certain aspects of Nordic culture, why I can make a totally black painting...

Original color aquatint and etching, 1976. Edition of 75 signed and numbered impressions on Arches paper. Kyu-Baik Hwang is contemporary painter and printmaker, from South Korea. He ...

Original mixed media, unknown year. Edition of 80 signed and numbered impressions on Arches paper. Mimmo Rotella was an Italian post-war artist, best known for his decollage and psyc...

"Dos Personajes Atacado Per Perros" by Rufino Tamayo is a Figurative Abstraction Mixographia on amate paper measuring 61x98 in. The piece is sandwiched between two pieces of plexigla...

Includes a Certificate of Authenticity

Mary Bauermeister Rainbow, 1973 Lithograph and silkscreen on creamy white paper Hand signed, dated and numbered 56/250 by the artist on the front 19 x 25.5 inches Unframed This work is on the permanent collection of various institutions like: Rice University, Samuel Dorksy Museum of Art, Rutgers Zimmerli Museum and Wheaton College Massachusetts. While studying the fringe sciences the 1970s, Bauermeister created Rainbow (1973), a lithograph and silkscreen. She uses a creamy white background as the base. Two intersecting diagonal bands of color transcend across the page, and black cursive lettering dances over the surface serving as a mind map of interweaving ideas. Through the central band, Bauermeister shifts through the color spectrum; she begins with red and finishes with violet. Inspired by music, she uses strokes of color that are rhythmically smeared across the lithograph. The surface lettering, a kind of visual poetry, explores her interest in human emotion and science. The viewer can see Bauermeister’s thoughts as they flow into one another through the use of words such as bliss, love, and healing. Bauermeister also includes a repetition of words such as cancer, sickness, and cure. The word cancer emerges from a cell-like shape. A careful study of the words shows that they may seem dark in nature; however, she juxtaposes these words against the cheerful title and colors. Perhaps the rainbow symbolizes a new hope, an inspiration for an optimistic future. -Courtesy to the Samuel Dorsky Museum of Art About Mary Bauermeister: A multidisciplinary artist known for her intricate and enigmatic assemblages, Mary Bauermeister (1934-2023) continues to defy categorization with layered works in a range of media. A precursory figure of the Fluxus movement—her studio was the meeting point for a number of defining artists of the avant-garde—her work plays an integral role in the discussion of art, both European and American, that emerged from the 1960s. Her reliefs and sculptures, which have incorporated drawing, text, found objects, natural materials and fabric, reference a plethora of concepts: from natural phenomena and astronomy to mathematics and language, as well as her own “spiritual-metaphysical experiences.” Maturing amidst the currents of Minimalism and Pop Art, Bauermeister’s art has resisted labels due to the singular expression of her interests and concerns, among them the simultaneous transience and permanence of the natural world with experimentations in transparency and magnification, multiplication and variation, structure and order, chance and ephemerality, introversion and extroversion. Her three-dimensional receptacles of thoughts, ideas, and notes contain visual, conceptual, and philosophical paradoxes that challenge perceptions and that offer literal and metaphorical windows into which one can glimpse the inner workings of the artist’s mind. - Courtesy of Michael Rosenfeld...

Audrey Flack Une Bouchee D'Amour, 2013 Mixed media: Digitized drawing with silkscreen Signed, titled and numbered recto (front) in graphite pencil Annotated presentation proof Frame included: in elegant vintage wood frame Print Club of New York, Publisher; Printer: Experimental Printmaking Institute, Lafayette College, Easton, PA Digitized drawing with silkscreen Flack's "Une Bouchee d'Amour" was the 2013 presentation print commissioned by The Print Club of New York, and it is accompanied by a COA issued by the Print Club of NY as well as Alpha 137...

Man Ray Alphabet Pour Adultes (Alphabet For Adults), 1970 Silkscreen in colors and lithograph on paper mounted on wood veneer mounted on card stock. Hand Signed. Numbered. Dated. Ha...

"PAN AM", Cey Adams 2021 Silkscreen and mixed media on 320 gram Coventry Rag paper Dimensions: 30" x 30" Signed, Titled and Numbered by the Artist in pencil Edition of 40 PAN AM has a storied history in Cey’s studio, first created as a painting within his Trusted Brands collection and then reimagined as a suite of hand-collaged monoprints in different color variations at Gary Lichtenstein Editions...