Pablo Picasso

Winged Bull Watched by Four Children, from: The Suite Vollard - Mythology Greek

1934

JACQUES VILLON 1875-1963 (Gaston Duchamp) Damville 1875-1963 Paris (French) Title: Manége Rue Caulaincourt ou Le Petit Manége Aux Chevaux de Bois, 1904 Technique: Original H...

VARIOUS ARTISTS Title: Monument to Christopher Columbus and Marcel Duchamp Monument à Christophe Colomb et à Marcel Duchamp, 1971 Technique: Complete Set of Thirteen Original Ha...

FRANCIS BACON 1909-1992 Dublin 1909-1992 Madrid (Irish/British) Title: Central Panel, from: Triptych 1974-1977, 1981 Technique: Original Hand Signed and Numbered Etching and Aquatint in Colours on Wove Paper Paper size: 64.8 x 50 cm. / 25.5 x 19.7 in. Image size: 38.8 x 29.5 cm. / 19.3 x 11.5 in. Additional Information: This etching and aquatint in colours is hand signed in pencil by the artist "Francis Bacon" in the lower right margin. It is also hand numbered in pencil from the edition of 99, in the lower left margin. The work was printed in a limited edition of 99 signed and numbered impressions with an additional 15 Hors Commerce [out of trade] impressions and 15 artist’s proofs. It was printed and published by Polígrafa, Barcelona in 1981. It is based on the painting of the same title. Note: Tryptic 1974-1977 is one of Bacon's finest triptychs. It was painted by Bacon between May and June 1974 and was made in response to the tragic death of his lover George Dyer in 1971. It was the last work the artist made before a major retrospective of his work held at the Metropolitan Museum of Art in New York in 1974. The exhibition formed the culmination of this important survey of Bacon's career from the late 1960s onwards and was immediately recognised as both a major landmark and also perhaps a turning point in Bacon's career. From 1971, Francis Bacon had been preoccupied with Dyer and the tragic manner of his suicide. Triptych 1974-77 also borrows several elements from the three earlier so-called 'Black' triptychs (In memory of George Dyer, 1971, Triptych August 1972 and Triptych May-June 1973). In each of these great three-panel paintings, the figure of Dyer is presented on the threshold of entering a dark void, either in the form of his hotel room, or silhouetted against a sequence of black rectangles. At the bottom of this central panel on a pale blue, purple and black curved continuation of this arena-like circle, there originally appeared a bizarre prone and bespectacled slug-like figure. Based on one of Edward Muybridge...

GEORGES BRAQUE 1882-1963 Argenteuil-sur-Seine, 1882-1963 Paris (French) Title: Nude Study (Nude) Etude de nu (Nu), 1907-08/53 Technique: Original Hand Signed and Numbered Etchin...

FRANCIS BACON 1909-1992 Dublin 1909-1992 Madrid (Irish / British) Title: Portrait of Michel Leiris, 1976/78 Technique: Hand Signed and Numbered Etching and Aquatint in Colours on ...

EMIL NOLDE 1867-1956 Nolde 1867 - 1956 Seebüll (German) Title: Conversation Unterhaltung, 1906 Technique: Original Hand Signed, Dated and Titled Etching in Colour on Heavy Van Gel...

Etching with relief printing Edition of 45/50 Signed on the front, numbered on the back Mint Published by Manifold Editions, 2021 Our mission is to connect art collectors to opportu...

Reginald Marsh (1898-1934), Tattoo-Shave-Haircut, etching, 1932. Signed, titled (“Tattoo-Haircut-Shave”), dedicated (“for Arnold Newman”), and annotated (“Fourth State. First of Two Prints”). Reference: Sasowsky 140. On cream wove paper. In very good condition, with small margins (as trimmed, slightly irregularly, by the artist) (slight foxing in margins), remains of prior hinging verso; 9 7/8 x 9 3/4, the sheet 10 15/16 x 10 5/8 inches; archival matting. A very fine rich black impression; we have not seen impressions of comparable quality on the market. Provenance: Estate of Arnold Newman. Arnold Newman (1918-2006) was one of the great 20th Century masters of photography, and a friend of many leading artists; it is appears that Marsh took special care in printing this impression for Newman. Sasowsky calls for 10 states of Tattoo-Shave, based largely on Marsh’s notes. But the states are not clearly delineated (e.g., his States 3 and 4, one proof each, are characterized by Marsh as “Engraving added”; no information is given for State 5). The design for the print was complete in the first state, and subsequent state changes were not, apparently, major. This impression does not appear to differ in etching lines from the final state impression shown in Sasowsky. Its inscription (as a Fourth State, by Marsh), as well as its rich inking and quality, attest to its being a proof before the edition (of about 34 impressions), but the state of this print (and, presumably of many of the other several proof impressions) cannot at this time be stated with confidence. Marsh printed this impression personally (we recall his famous answer to a question about the size of his editions: “Since I do practically all my own printing, I do not limit the edition. The buyer limits the edition – he rarely buys, I rarely print”). Tattoo-Shave-Haircut depicts a scene in the Bowery, a section of New York’s Lower East Side, during the Great Depression. The building and train structures in the top half of the print recall Piranesi’s Carceri...

Francisco José de Goya y Lucientes (1746 Fuendetodos – Bordeaux 1828), No se puede saber por qué – One can’t tell why ca. 1808–1814, etching, burnished aquatint, drypoint, an...

Il ya a des Soldats (There are Some Soldiers) is an original etching and drypoint realized by Salvador Dalì in 1973. It belongs to the series "Poi, Je t'Attends à Babylone", a suite ...

About In-folio Oblong Dimensions : 29x39 cm. Paris Atelier Crommelynck 1968 Edition #41 of 200 copies including 12 original out-of-text etchings (7 etchings, 4 etchings and aquatint...

Winslow Homer created this etching entitled “MENDING THE TEARS” in 1888. This is a lifetime impression signed by Homer and printed by the famous New York etcher George W. H. Ritchie...