Roy LichtensteinSweet Dreams Baby!, from 11 Pop Artists Volume III (C. 39)1965
1965
About the Item
- Creator:Roy Lichtenstein (1923 - 1997, American)
- Creation Year:1965
- Dimensions:Height: 37.625 in (95.57 cm)Width: 27.625 in (70.17 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1185211756422
Roy Lichtenstein
Roy Lichtenstein is one of the principal figures of the American Pop art movement, along with Andy Warhol, James Rosenquist, Claes Oldenburg and Robert Rauschenberg.
Drawing inspiration from comic strips, Lichtenstein appropriated techniques commercial printing in his paintings, introducing a vernacular sensibility to the visual landscape of contemporary art. He employed visual elements such as the halftone dots that comprise a printed image, and a comic-inspired use of primary colors gave his paintings their signature “Pop” palette.
Born and raised in New York City, Lichtenstein enjoyed Manhattan’s myriad cultural offerings and comic books in equal measure. He began painting seriously as a teenager, studying watercolor painting at the Parsons School of Design in the late 1930s, and later at the Art Students League, where he worked with American realist painter Reginald Marsh. He began his undergraduate education at Ohio State University in 1940, and after a three-year stint in the United States Army during World War II, he completed his bachelor’s degree and then his master’s in fine arts. The roots of Lichtenstein’s interest in the convergence of high art and popular culture are evident even in his early years in Cleveland, where in the late 1940s, he taught at Ohio State, designed window displays for a department store and painted his own pieces.
Working at the height of the Abstract Expressionist movement in the 1950s, Lichtenstein deliberately eschewed the sort of painting that was held in high esteem by the art world and chose instead to explore the visual world of print advertising and comics. This gesture of recontextualizing a lowbrow image by importing it into a fine-art context would become a trademark of Lichtenstein’s artistic style, as well as a vehicle for his critique of the concept of good taste. His 1963 painting Whaam! confronts the viewer with an impact scene from a 1962-era issue of DC Comics’ All American Men of War. Isolated from its larger context, this image combines the playful lettering and brightly colored illustration of the original comic with a darker message about military conflict at the height of the Cold War. Crying Girl from the same year featured another of Lichtenstein’s motifs — a woman in distress, depicted with a mixture of drama and deadpan humor. His work gained a wider audience by creating a comic-inspired mural for the New York State Pavilion of the 1964 World's Fair, he went on to be represented by legendary New York gallerist Leo Castelli for 30 years.
In the 1970s and ’80s, Lichtenstein experimented with abstraction and began exploring basic elements of painting, as in this 1989 work Brushstroke Contest. In addition to paintings in which the brushstroke itself became the central subject, in 1984 he created a large-scale sculpture called Brushstrokes in Flight for the Port Columbus International Airport in Ohio. Still Life with Windmill from 1974 and the triptych Cow Going Abstract from 1982 both demonstrate a break from his earlier works where the subjects were derived from existing imagery. Here, Lichtenstein paints subjects more in line with the norms of art history — a pastoral scene and a still life — but he has translated their compositions into his signature graphic style, in which visual elements of printed comics are still a defining feature.
Lichtenstein’s work is represented in the collections of the Metropolitan Museum of Art, the Museum of Modern Art, Tate Modern, and many others. He was awarded National Medal of Arts in 1995, two years before he passed away.
Find a collection of Roy Lichtenstein prints, drawings and more on 1stDibs.
- ShippingRetrieving quote...Ships From: New York, NY
- Return PolicyA return for this item may be initiated within 7 days of delivery.
- Coffee CupBy Yayoi KusamaLocated in New York, NY1985 Screenprint in colors, on Izumi paper Sheet: 61 x 53.3 cm Edition of 100 Signed, titled, dated, and numbered in pencil, lower margin Framed, excellent conditionCategory
1980s Pop Art Figurative Prints
MaterialsPaper, Screen
- Pumpkin (2)By Yayoi KusamaLocated in New York, NY1990 Screenprint in colors, on Izumi paper Sheet: 63 x 53 cm Edition of 150 Signed, titled, dated, and numbered in pencil, lower margin Framed, excellent conditionCategory
1990s Pop Art Figurative Prints
MaterialsPaper, Screen
- Pumpkin MTBy Yayoi KusamaLocated in New York, NY1999 Screenprint in colors, on wove paper Sheet: 23 1/4 x 19 3/4 in. Edition of 110 Signed, titled, dated and numbered in pencil, lower margin Authenticated by Kusama Studio, Tokyo a...Category
1990s Pop Art Figurative Prints
MaterialsPaper, Screen
- Reflections on CrashBy Roy LichtensteinLocated in New York, NY1990 Lithograph, screenprint, relief, and metallized PVC collage with embossing on mold-made Somerset paper 51 1/8 x 75 in. (129.9 x 190.5 cm) Edition of 68 Signed, dated, and number...Category
1990s Pop Art Figurative Prints
MaterialsPaper, Lithograph, Screen
- Chanel II.354, from AdsBy Andy WarholLocated in New York, NY1985 Screenprint in colors, on Lenox Museum Board 38 x 38 in. (96.5 x 96.5 cm) Edition of 190 Signed and numbered in pencil, lower leftCategory
1980s Pop Art Figurative Prints
MaterialsPaper, Screen
- Mao, II.97By Andy WarholLocated in New York, NY1972 Screenprint on Beckett High White paper Image/sheet: 36 x 36 in. (91.4 x 91.4 cm) Edition of 250 Signed and numbered on versoCategory
1970s Pop Art Figurative Prints
MaterialsScreen
- TAKASHI MURAKAMI: Who's afraid of red, yellow... Superflat, Japanese Pop ArtBy Takashi MurakamiLocated in Madrid, MadridTakashi Murakami - WHO'S AFRAID OF RED, YELLOW, BLUE AND DEATH Date of creation: 2011 Medium: Offset lithograph with silver and silkscreen with spot UV varnishing Edition: 300 Size:...Category
2010s Pop Art Figurative Prints
MaterialsPaper, Varnish, Offset, Screen
- PURE EVIL - MARILYN MONROE CLASSIC BLACK Street Urban Pop Graffiti Hollywood UKBy Pure EvilLocated in Madrid, MadridPURE EVIL - MARILYN CLASSIC (BLACK) Date of creation: 2021 Medium: Screen print on Fedrigoni paper Edition: 100 Size: 85 x 70 cm Condition: In mint conditions, brand new and never fr...Category
2010s Pop Art Figurative Prints
MaterialsPaper, Screen
- PURE EVIL -ARTHUR MILLER'S MARILYN MONROE Street Urban Pop Graffiti Hollywood UKBy Pure EvilLocated in Madrid, MadridPURE EVIL - ARTHUR MILLER'S NIGHTMARE (FLUORO) Date of creation: 2022 Medium: Screen print on Fedrigoni paper Edition: 100 Size: 85 x 70 cm Condition: In mint conditions, brand new a...Category
2010s Pop Art Figurative Prints
MaterialsPaper, Screen
- FAILE - DIAMOND FAILEDOODLE (BLACK/TAN) Pop Art Urban Black Glitter HandmadeBy FaileLocated in Madrid, MadridFAILE - DIAMOND FAILEDOODLE (BLACK/TAN) Date of creation: 2022 Medium: Acrylic, spray paint, silkscreen ink and glitter on Archival Lenox 100 Edition number: 2/25 Size: 63.50 x 48.25...Category
2010s Pop Art Figurative Prints
MaterialsPaper, Glitter, Ink, Acrylic, Screen
- Talking to KarenBy Peter MaxLocated in Buffalo, NYA very rare serigraph by Peter Max, created in 1979 called "Talking to Karen". This is one of Max's most collectible periods and works.Category
1970s Pop Art Figurative Prints
MaterialsScreen, Lithograph, Paper
- Deborah Azzopardi, Bbrrrinnnggg, Silkscreen Print, Pop ArtBy Deborah AzzopardiLocated in London, GBSigned and Numbered Limited Edition Silkscreen Print on 300gsm weight Claro Silk Paper Framed: 110 x 110 cm 43 1/4 x 43 1/4 in. Edition of 50 (#22/50) ----------- Deborah Azzopardi...Category
Early 2000s Pop Art Figurative Prints
MaterialsSilk, Paper, Screen