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Théophile Alexandre Steinlen"Femme au Boa" etching by Steinlen1900
1900
About the Item
STEINLEN, THEOPHILE ALEXANDRE
(1859 -1923)
"Femme au Boa"
Crauzat 61
Etching, Drypoint and Aquatint, c. 1900
Signed in pencil, lower right
From the edition of 13 total impressions
Image Size: 8 5/8” x 5 ½”
The Parisian woman of Paris-fashionably dressed in the city’s café-concerts or on the boulevards was a staple theme rife with meaning in the art and literature of late 19th-century France. From the bourgeois beauty at her mirror to the elegant and successful courtesan, from shop clerks to dancers, the female body and persona occupied center stage within the spectacle and sophistication of belle époque Paris. Steinlen produced hundreds of images of women in different media, including a number of lithographic covers for the publication Gil blas illustré to accompany the short stories of contemporary realist authors. A major artist of the French Art Nouveau era, Theophile Alexandre Steinlen came to Paris from his native Switzerland at the age of twenty. Mainly self-taught, he quickly established himself as aleading illustrator of popular journals such as Le Rire. He also contributed a large amount of drawings and lithographs to the radical press publications, Pere Peinard, Les Temps Nouveaux and La Chambard. In order to avoid political repercussions for some of his art dealing with strong social content he often employed pseudonyms such as, 'Treelan' and 'Pierre'. In the 1890's Steinlen's wonderful use of line and design led to some of the most famous posters of the Art Nouveau movement. These include, Tournee du Chat Noir(1896), La Rue(1896) and Lait pur Sterilise(1894). Yet the majority of his art continued to explore the life of the poor and humble. Known as "the Millet of the Streets", Steinlen's influence was vast. Among other artists both Toulouse-Lautrec and the young Picasso paid direct homage to his art. In total, Steinlen created 382 original lithographs and 115 etchings. Like Toulouse-Lautrec, Steinlen contributed some original lithographs to publishers of popular songs who would use them as cover art for their sheet music. Théophile Steinlen died in 1923 in the Cimetière Saint-Vincent in Montmartre. Today, his works can be found at many important museums around the world including at the Hermitage Museum in St. Petersburg, Russia and the National Gallery of Art in Washington, D.C., United States.
- Creator:Théophile Alexandre Steinlen (1859 - 1923, French)
- Creation Year:1900
- Dimensions:Height: 24.5 in (62.23 cm)Width: 20.5 in (52.07 cm)Depth: 2 in (5.08 cm)
- More Editions & Sizes:From tonal edition of 13Price: $4,950
- Medium:
- Movement & Style:
- Period:
- Condition:This piece is in excellent condition for a piece of it's age. It is in a custom frame with UV protective plexiglass.
- Gallery Location:Hinsdale, IL
- Reference Number:
Théophile Alexandre Steinlen
Theophile Alexandre Steinlen was born in Lausanne in 1859. He was naturalized French in 1901. He was a painter, engraver, illustrator, poster artist and sculptor. Before settling in Paris, he made a detour to Mulhouse where one of his uncles placed him in the studio of one of the best lithographers of the time. He settled definitively in Montmartre in 1881. Willette introduced him to his companions of the Cabaret du Chat-Noir animated by Rodolphe Salis. He met Toulouse-Lautrec, Forain, Léandre, Debussy, Eric Satie, Verlaine, Alphonse Allais and Aristide Bruant. He took part in the performances of the famous cabaret's shadow theater with animal stories and, most often, sequences featuring cats, for which he has a particular affection. The felines will appear throughout his activity as "parentheses" in a tormented work. There is, in this torment, the expression of no personal problem but a painful compassion for the lives of the exploited and marginal beings. He painted and drew idylls, balls and bastrings, workers, kids and gosselin, the poor, the little workers, girls and marlous. He sometimes made posters. In the most successful of them (« Le lait pur de la Vingeanne » et le « Fer Bravais ») he imposed, relevant or not, the presence of cats.
In 1901, Steinlen worked for L'Assiette au beurre , the most virulent satirical newspaper ever published and takes readily to target the institutions of the 3rd Republic.
His works are found in numerous Public Collections, such as Petit Palais in Geneva, Hermitage Museum in Saint Petersburg, and the National Gallery of Art in Washington.
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