Items Similar to Mr. Garrick in the Character of Richard the 3rd - FINE IMPRESSION
Want more images or videos?
Request additional images or videos from the seller
1 of 9
William HogarthMr. Garrick in the Character of Richard the 3rd - FINE IMPRESSION1746
1746
About the Item
WILLIAM HOGRTH (1697 - 1764)
MR. GARRICK IN THE CHARACTER OF RICHARD THE 3RD (Shakespear Act 5 Scene 7)
(Paulson 1970.165 ii/ii; Paulson 1989.165 ii/ii;, Dobson and Armstrong p. 207)
Etching and Engraving, lower left Painted by Wm Hogarth lower right Engraved by Wm. Hogarth & C. Grignion.
Published according to Act of Parliament June 20, 1746.
Very fine impression on laid paper - the fine lines printing well, e.g. the face and outstretched hand. Image 16 1/2 x 20 5/8 inches. Trimmed to 1/8 of the platemark and tipped to a support sheet that is 18 x 22 3/8 inches
The Metropolitan Museum in NY provides this summary of the print "Hogarth represents his close friend, the actor David Garrick, as Richard III waking from a vision of the ghosts of those he murdered to attain the throne. The scene occurs in act 5, scene 7 of Shakespeare's play, just before the Battle of Bosworth Field where Richard is defeated and the Tudors attain the throne. Based on a 1745 painting at the Walker Art Gallery, Liverpool, the print conveys Garrick's dynamic ability to bring Shakespeare to life for his contemporaries"
- Creator:William Hogarth (1697 - 1764, British)
- Creation Year:1746
- Dimensions:Height: 16.5 in (41.91 cm)Width: 20.56 in (52.23 cm)
- Medium:
- Movement & Style:
- Period:1740-1749
- Condition:
- Gallery Location:Santa Monica, CA
- Reference Number:1stDibs: LU41138514082
William Hogarth
William Hogarth (1697-1764) was an English painter, printmaker, pictorial satirist, social critic, and editorial cartoonist. Hogarth's work was extremely diverse, ranging from serious realistic paintings and portraits to satire and moralistic pieces filled with symbolism. He often communicated his moral message in a series of paintings and engravings, such as: A Rake's Progress, Marriage A-la-Mode and A Harlot's Progress. He was by far the most significant English artist of his generation and inspired a movement of English caricaturists and satirists, including James Gillray (1756-1815), Thomas Rowlandson (1757-1827), Isaac Cruickshank (1764-1811) and George Cruickshank (1792-1878). His work has been studied intensely for the greater than two and a half centuries since his death with several academic scholars focusing their careers on the analysis of every element of each of his creations.
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1977
1stDibs seller since 2016
263 sales on 1stDibs
Typical response time: 1 hour
Associations
International Fine Print Dealers Association
- ShippingRetrieving quote...Ships From: Santa Monica, CA
- Return PolicyA return for this item may be initiated within 7 days of delivery.
More From This SellerView All
- HERCULES FIGHTS ADRAGON center, ACHELOUS CARRYING OFF DEIANEIRA leftBy Giulio BonasoneLocated in Santa Monica, CAGIULIO BONASONE (Italian 1500/10-1574) HERCULES FiGHTS ADRAGON center, ACHELOUS CARRYING OFF DEIANEIRA left 1531–76 (Bartsch XV.157.178; Massari 1983, no.230) Engraving. Letter...Category
16th Century Old Masters Figurative Prints
MaterialsEngraving
- A Panel of Ornament, Putti Standing on Cornucopia in Lower SectionLocated in Santa Monica, CAMASTER OF THE DIE (Fl. 1530-6) A PANEL OF ORNAMENT - Putti Standing on Cornucopia in Lower Section after Perino Buonaccorsi (Italian Florence 150...Category
16th Century Old Masters Figurative Prints
MaterialsEngraving
- DEATH OF THE FIRST BORN - Proof - Magnificent Large Scale MezzotintBy John MartinLocated in Santa Monica, CAJOHN MARTIN (1789 – 1854) DEATH OF THE FIRST BORN, Dedicated to His Majesty King Louise Philippe, King of the French, as a Tribute of the Artist’s Grateful...Category
1830s Old Masters Interior Prints
MaterialsMezzotint
- OBSEQUIO á el MAESTRO (‘A gift for the master’)By Francisco GoyaLocated in Santa Monica, CAFRANCISCO de GOYA y LUCIENTES (1746 -1828) OBSEQUIO á el MAESTRO (‘A gift for the master’) Plate 47 from the 1st edition of Los Caprichos (Blas, ...Category
1790s Old Masters Figurative Prints
MaterialsEtching, Aquatint
- (PHILOSOPHER READING)By Ferdinand BolLocated in Santa Monica, CACircle of or a follower of Ferdinand Bol - (1616-1680) (PHILOSOPHER READING) ca 1700 Etching on thin laid paper attached to support sheet at the top sh...Category
18th Century Old Masters Figurative Prints
MaterialsEtching
- The Golden Calf - Nuremberg Chronicle, (528 Years Old)Located in Santa Monica, CANUREMBERG CHRONICLE, 1493 THE GOLDEN CALF (THE CALF OF GOD) 1493 Woodcut. from "Liber Chronicarum." Printed by Anton Koberger text by Hartmann Sc...Category
15th Century and Earlier Old Masters Figurative Prints
MaterialsWoodcut
You May Also Like
- The New Testament /// Old Masters Biblical Religious Engraving Dutch Angel ArtBy Michael BurghersLocated in Saint Augustine, FLArtist: Michael Burghers (Dutch, c.1647/1648-1727) Title: "The New Testament" Portfolio: Holy Bible *Signed by Burghers in the plate (printed signature) lower left Year: 1680 Medium: Original Etching and Engraving with recent Hand-Color on watermarked laid paper Limited edition: Unknown Printer: John Baskett, London?, UK Publisher: Moses Pitt, Peter Parker, and Thomas Guy, London?, UK Sheet size (irregular margins): 17.25" x 10.5" Image size: 14.75" x 9.5" Condition: Uneven trimming and light edgewear in margins. One small tear entering image lower right which has been skillfully repaired with added backing paper with archival tape from verso. It is otherwise a strong impression in very good condition with strong colors Very rare Notes: Provenance: private collection - Cotswolds, UK. Comes from the 1685 "Holy Bible" portfolio. John Baskett was deemed printer to the King's most Excellent Majesty, for Great Britain and to the University of Oxford. Large unidentified watermark within center of sheet. There is an example of this work in the permanent collection of the British Museum in London, UK. In the foreground, John the Evangelist, holding a pen and writing...Category
1680s Old Masters Figurative Prints
MaterialsWatercolor, Engraving, Etching, Laid Paper, Intaglio
- Fountains of RomeBy Giovan Battista FaldaLocated in Middletown, NYA charming scene with romping dogs and spectators watching the cascading water play a trick on an unsuspecting man who is sprayed as he descends the steps, as the fountain was design...Category
Early 17th Century Old Masters Landscape Prints
MaterialsEngraving, Etching, Laid Paper
- Carolus de Mallery, by Lucas Vorsetman the Elder after van DyckBy Rembrandt van RijnLocated in Middletown, NYAn exalted portrait of fellow Flemish engraver and publisher Karel van Mallery. Lucas Vorsterman the Elder (after Anthony van Dyck). Carolus de Mallery, from Icones Principum Viror...Category
Mid-17th Century Old Masters Portrait Prints
MaterialsLaid Paper, Engraving, Etching
- Fountains of Rome; Fontana e castello dell'AcquaBy Giovan Battista FaldaLocated in Middletown, NYRome: Giovanni Giacomo De Rossi, 1625. Etching and engraving on cream laid paper, 8 3/8 x 11 1/4 inches (222 x 286 mm), full margins. In good condition with some light yellow discol...Category
Early 17th Century Old Masters Landscape Prints
MaterialsLaid Paper, Engraving, Etching
- Jan Uytenbogaert, The GoldweigherBy Rembrandt van RijnLocated in Boston, MABartsch 281, Hind 167 iii/III, Nowell-Usticke 281, iii/III. A fine impression, with burr, as retouched by Baillie in 1792. With an unidentified collectors stamp, verso.Category
17th Century Old Masters Figurative Prints
MaterialsDrypoint, Etching
- Breaking up of the Agamemnon, No 1By Sir Francis Seymour Haden, R.A.Located in Storrs, CTEtching and drypoint. Schneiderman 133.v/xi. 7 3/4 x 16 3/8 (sheet 9 1/4 x 17 1/2). A rich impression with plate tone printed in black/brown in on antique cream wove paper. Signed in...Category
Mid-19th Century Old Masters Landscape Prints
MaterialsDrypoint, Etching