Henri de Toulouse-Lautrec

1966 Henri de Toulouse-Lautrec 'Au Concert'

1966

Paper Size: 28.5 x 19.75 inches ( 72.39 x 50.165 cm ) Image Size: 24.5 x 19.25 inches ( 62.23 x 48.895 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or...

Lithograph from the book ' The Posters of Toulouse-Lautrec', lithography by Mourlot Freres. Two colors: pale blue ground in flat tint, with light brush-work in the rays of the stree...

Lithograph from the book ' The Posters of Toulouse-Lautrec', lithography by Mourlot Freres. Features four colors: yellow, red, green and dark blue. This placard was intended to an...

Paper Size: 11.5 x 8.25 inches ( 29.21 x 20.955 cm ) Image Size: 8.5 x 6 inches ( 21.59 x 15.24 cm ) Framed: No Condition: A: Mint Additional Details: First printing Lithograp...

Lithograph from Verve Vol. II Magazine No. 5/6.

Paper Size: 11.5 x 8.25 inches ( 29.21 x 20.955 cm ) Image Size: 8.5 x 3 inches ( 21.59 x 7.62 cm ) Framed: No Condition: A: Mint Additional Details: First printing Lithograph...

Alphonse Mucha "Lorenzaccio, a play in five acts and an epilogue by Alfred de Museet" Plate #114 Image Size: 15" x 11" 1896 Alphonse Mucha was born in Southern Moravia on July 24, 1860. At the age of seventeen the artist left his home, to work as a painter of stage decorations...

First edition, from the edition of 250 copies on Vélin d’Arches from a total edition of 270; large 4to (42.2 x 32 cm); artist’s signature stamp to limitation page, 150 lithographs after Giacometti, loose as issued in publisher's printed wrappers, glassine wrappers, cloth chemise and slipcase. Giacometti’s testament to art and modern life in his beloved Paris. For Tériade it would be a milestone, the last great publication he would see through the press. The two men [Tériade and Giacometti] had maintained a close friendship ever since the Surrealist Years. The one hundred and fifty lithographs are a profoundly interpenetrating view of Giacometti's experience of Paris. He selected the plates to be printed and determined the order of their relationship, numbering each one. The frontispiece shows a nude figure of a woman plunging forward, as though diving into space, and is immediately followed by a quantity of views of city streets, then of interiors familiar to the artist. We come upon views of his studio, of the cafes he frequented, of Annette's apartment in the rue Mazarine and Caroline's in the Avenue du Maine, strangers at cafe tables, passers by, parked automobiles, the towers of Saint-Suplice, bridges across the Seine, The Eiffel Tower. To accompany the hundred and fifty plates, a text of twenty pages was planned, but the artist never got further than a few rough drafts. True, he was a devotee of words, Paris sans fin, however, said too much to the eye to be in need of other symbols (James Lord...

Color lithograph on Chine volant, 1899. Edition of aproximately 112. Printed by H. Stern, Paris. Published by Pierrefort, Paris. Reference: Wittrock; 308-2nd edition, vol. 2, pg. 6...

TOULOUSE-LAUTREC, HENRI DE (1864-1901) "FEMME AU TUB" (Woman with Tub) From the series, “Elles”, c. 1896 Wittrock 159, Adhemar 204 From the edition of 100; per Wittrock Original color crayon brush and splatter lithograph, five colors, printed on wove paper Printed without margins to deckled edge of paper Bearing Artist’s Monogram Stamp...

Théophile-Alexandre Steinlen's "Lait pur de la Vingeanne stérilisé" poster, created in 1897 for Les Maîtres de l'Affiche in plate number 95, is an outstanding example of the poster a...

Set of three lithographs enhanced with gouache by Maurice Dufrène. Three original plans of "Interieur Moderne d'une Famille Française" by Maurice Dufrene in 1906. These three plans ...