Interior Prints

Original vintage poster: FREEDOM FROM WANT, Ours to fight for ... Original. Artist: Normal Rockwell. Archival linen backed in fine condition, ready to frame. Note: All US Go...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. Duncan Grant (1885 - 1978) Interior (1973) Lithograph 36 x 30 cm (paper size 77 x 57 cm) Signed 'Grant' and numbered 9/90 in pencil; part of the Penwith Portfolio. Published by Penwith Galleries, St Ives in 1973 with works by Barbara Hepworth, Henry Moore, Peter Lanyon, Alan Davie, Merlyn Evans, John Piper, Ben Nicholson, Robert Adams, Bernard Leach, Michael Rothenstein, and F E McWilliam...

Epi, Olé, 2023 Screen print on 190 gsm paper Hand-signed by the artist 60.96 x 91.44 cm 24 x 36 in Shepard Fairey’s famous ‘Obey’ paste-up, vandalised in the fine surrealist t...

Bridgetown from the Caribbean Daydreams portfolio is a serigraph on paper measuring 16 x 18 inches, signed 'McKnight' lower right and annotated lower left. Framed in a contemporary, ...

Rupprecht Geiger (German, 1908 – 2009) Blue-Black and Bluish Red, 1961 Medium: Screenprint on cardboard Dimensions: 16.7 x 20.6 cm Framed dimensions: 31.4 x 27.5 x 2.9 cm Edition of ...

First Print: Banksy "CUT AND RUN" Technique: Offset Lithograph Paper: Thick Stock Glossy Size: 16.5 X 23.4 Materials Thick glossy paper Size 23 2/5 × 16 1/2 in 59.4 × 41.9 cm Rarit...

This is one print – printed in full color on 15" x 20" heavy cream-colored paper. It is from a limited edition series of 175, the portfolio is hand numbered and hand signed by Chris Ware. the individual prints are not. The page with the hand signature is included here as a photo for reference only it is not included in this sale. Franklin Christenson "Chris" Ware (born December 28, 1967), is an American cartoonist known for his Acme Novelty Library series (begun 1994) and the graphic novel Jimmy Corrigan, the Smartest Kid on Earth (2000) and Building Stories (2012). His works explore themes of social isolation, emotional torment and depression. He tends to use a vivid color palette and realistic, meticulous detail. His lettering and images are often elaborate and sometimes evoke the ragtime era or another early 20th-century American design style. Ware often refers to himself in the publicity for his work in self-effacing, even withering tones. He is considered by some critics and fellow notable illustrators and writers, such as Dave Eggers, to be among the best currently working in the medium; Canadian graphic-novelist Seth has said, "Chris really changed the playing field. After him, a lot of [cartoonists] really started to scramble and go, 'Holy [expletive], I think I have to try harder.'" While still a sophomore at UT, Ware came to the attention of Art Spiegelman, who invited Ware to contribute to Raw, the influential anthology magazine Spiegelman was co-editing with Françoise Mouly. Ware has acknowledged that being included in Raw gave him confidence and inspired him to explore printing techniques and self-publishing. His Fantagraphics series Acme Novelty Library defied comics publishing conventions with every issue. Ware's art reflects early 20th-century American styles of cartooning and graphic design, shifting through formats from traditional comic panels to faux advertisements and cut-out toys. Stylistic influences include advertising graphics from that same era; newspaper strip cartoonists Winsor McCay (Little Nemo in Slumberland) and Frank King (Gasoline Alley); Charles Schulz's post-WWII strip Peanuts and the cover designs of ragtime-era sheet music. Ware has spoken about finding inspiration in the work of artist Joseph Cornell and cites Richard McGuire's strip Here as a major influence on his use of non-linear narratives. He is one of the great practitioners who have elevated the graphic novel style along with, Shepard Fairey, Ben Katchor and Robert Crumb. Quimby the Mouse was an early character for Ware and something of a breakthrough. Rendered in the style of an early animation character like Felix the Cat, Quimby the Mouse is perhaps Ware's most autobiographical character. Ware's Building Stories was serialized in a host of different venues. It first appeared as a monthly strip in Nest Magazine. Installments later appeared in a number of publications, including The New Yorker, Kramer's Ergot, and most notably, the Sunday New York Times Magazine. Building Stories appeared weekly in the New York Times Magazine from September 18, 2005 until April 16, 2006. A full chapter was published in Acme Novelty Library, number 18. Another installment was published under the title "Touch Sensitive" as a digital app released through McSweeneys. The entire narrative was published as a boxed set of books by Pantheon in October 2012. Ware was commissioned by Chip Kidd to design the inner machinations of the bird on the cover of Haruki Murakami's novel The Wind-Up Bird Chronicle. In 2011, Ware created the poster for the U.S. release of the 2010 Palme d'Or winning film Uncle Boonmee Who Can Recall His Past Lives by Thai director Apichatpong Weerasethakul. Awards and honors Over the years his work garnered several awards, including the 1999 National Cartoonists Society's Award for Best Comic Book for Acme Novelty Library and Award for Graphic Novel for Building Stories. Ware has won numerous Eisner Awards and multiple Harvey Awards. In 2002, Ware became the first comics artist to be invited to exhibit at Whitney Museum of American Art biennial exhibition. With Will Eisner, Jack Kirby, Harvey Kurtzman, Robert Crumb and Gary Panter, Ware was among the artists honored in the exhibition "Masters of American Comics" at the Jewish Museum in New York City, New York, from September 16, 2006 to January 28, 2007. His work was the subject of solo exhibitions at the Museum of Contemporary Art, Chicago in 2006 and at the University of Nebraska's Sheldon Museum of Art, in 2007. Many famous artists have done covers for the New Yorker Magazine including, Saul Steinberg, Maira Kalman, Art Spiegelman, Francoise Mouly, Charles Addams, Peter Arno, Roz Chast, Ed Koren...

"KVTNO7_01" Abstract Print 23" x 23" Edition of 50 by DOT Print. Signed and numbered by the artist. ABOUT THE ARTIST: By compiling concepts from multiple philosophies, DOT’s Art...

Imi Knoebel (German, born 1940) Gelbe Fahne, 1999 Medium: Screenprint on rag paper Dimensions: 100 x 73 cm (39.25 x 28.75 in) Edition of 99: Hand-signed and numbered Condition: Mint

THE BREAK OF DAY is an original limited edition woodcut print by the African-American painter and sculptor, Otto Neals. The woodblock used to print THE BREAK OF DAY was hand-carved b...

Gert & Uwe Tobias (German, b. 1973) Untitled, 2008 Medium: Opaque white, gouache and pastel crayon over drypoint on wove paper (and artist’s book) Dimensions: 36 x 26.4 cm Unique edi...

"Moms Pitcher" - Giclee Print on Canvas Giclee still life titled "Moms Pitcher," depicting a blue and white pitcher next to a bundle of freshly cut sunflowers by Coraly Hanson (American, b. 1950). A white and blue table cloth lays under the freshly cut flowers, with red handled snips next to them. A deep purple encapsulates the background. Signed "Coraly '05 1/6" lower right. Presented in a giltwood frame. Frame: 16"H x 18"W Image: 7.5"H x 9.5"W Coraly Hanson (American, b. 1950) loved drawing from early childhood, and began painting in the 1970s, moving on to oil in 2000. Hanson was invited to paint in New Zealand with Kevin MacPherson for his documentary “Passports and Palettes” on PBS. Hanson also studies with Scott Christiansen, Matt Smith, Laurie Kersey, Brian Blood, C. W. Mundy, Ronaldo Macedo, John Cosby, Ray Roberts, Calvin Liang, Randall Sexton, Bill Cramer, John Burton, Jesse Powell...

Medium: Hand-colored etching Year: 2006 Edition: 10 Image Size: 13.5 x 17.5 in This is a hand-colored etching, one of 10 from a small edition of unique prints. This is separate from...

Damien Hirst (British, born 1965) Earth (from The Elements, H6-6), 2020 Medium: Diasec-mounted giclée print on aluminium composite panel Dimensions: 100 x 100 cm (39 3/8 x 39 3/8 in)...

Jim McCormick was born in Chicago in 1936. He attended the University of Tulsa where he received a bachelor’s degree in art in 1958, then a M.A. in paint...

Guy Hamilton´s movie "James Bond 007 - Live and let die", UK 1973. Actors: Roger Moore and Jane Saymour, George Lazenby Keywords: James Bond, 007, action, Thriller, Great Britain, ...

New York City Subway Car interior photograph by Richard Heeps. This atmospheric photograph of a New York City Subway Car captures the cinematic essence of riding the subway. The pers...

Ploughman's Cottage, photograph from Richard Heeps' series, A View of the Fens from the Car with Wings. Richard Heeps is well known for documenting the unique Fenland landscape near ...

Hand lithography on BFK Rives French hand moulded paper Style: German New Objectivity (Neue Sachlichkeit) According to the frontis these were produced by Hand Lithography. According...

Epi, Dial M For Moron (Orange), 2022 48 x 72 cm Printed on German etching paper with hand torn edge Limited edition of 75 Hand-signed and numbered by the ar...

Archival Pigment Print Lower East side, NYC All available sizes & editions for each size of this photograph: 40" x 30” - Edition of 5 + 2 Artist Proofs 50" X 40"- Edition of 5 + 2 ...

Archival Pigment Print Jewish quarter, Havana All available sizes & editions for each size of this photograph: 40" x 30” - Edition of 5 + 2 Artist Proofs 50" X 40"- Edition of 5 + ...

I’ve enjoyed bringing some of the spray paint textures from my fine art into my screen prints. I like the subtle color shifts and ethereal gradients that can be achieved with spray p...

Archival Pigment Print Summer Home, Havana All available sizes & editions for each size of this photograph: 40" x 30” - Edition of 5 + 2 Artist Proofs 50" X 40"- Edition of 5 + 2 A...

Archival Pigment Print Former Masonic Lodge, Mobile AL All available sizes & editions for each size of this photograph: 30" x 40” - Edition of 5 + 2 Artist...

Jaipur Lake Pavilion is a serigraph on paper measuring 24 x 27 inches, signed 'McKnight' lower right and annotated lower left. Framed in a contemporary, black frame. Numbered XXX/CC ...

Epi, Dial M For Moron (Blue), 2022 48 x 72 cm Printed on German etching paper with hand torn edge Limited edition of 75 Hand-signed and numbered by the a...

Archival Pigment Print Antebellum Home in Alabama All available sizes & editions for each size of this photograph: 40" x 30” - Edition of 5 + 2 Artist Proofs 50" X 40"- Edition of ...

Archival Pigment Print Art Gallery at the Dorsey Mansion, Union County, New Mexico, 2014 The art gallery was the last room built at the Dorsey Mansion, specifically to house painti...

Archival Pigment Print Reconstruction of famous amber room All available sizes & editions for each size of this photograph: 40" x 30” - Edition of 10 50" X 40"- Edition of 5 + 2 Ar...

Archival Pigment Print Insane Asylum on Roosevelt Island, NYC All available sizes & editions for each size of this photograph: 40" x 30” - Edition of 5 + 2 Artist Proofs 50" X 40"-...

Epi, Dial M For Moron (Yellow), 2022 48 x 72 cm Printed on German etching paper with hand torn edge Limited edition of 75 Hand-signed and numbered by the ar...

Serigrafía y hoja de oro sobre panel de MDF. Edición de 9 ejemplares más pruebas.

Epi, MÉNAGE A TROIS, 2022 48 x 72 cm Printed on German etching paper with hand torn edge Limited edition of 75 Hand-signed and numbered by the artist His first works began t...

André Butzer (german, b. 1973) Untitled, 2008 Medium: Linocut on paper Dimensions: 16 1/2 × 11 4/5 in (42 × 30 cm) Edition of 50: Hand-signed and numbered Condition: Very good

Allen Jones (British, born 1937) Performance in Print, 2020 Medium: Fine-Art-Giclée-Print on Hahnemühle Agave 290gsm with Catalogue Raisonné of the Prints 1996–2020 – Volume II Dimen...

Archival Pigment Print Classic cubano style from 19th century All available sizes & editions for each size of this photograph: 60" X 50"- Edition of 5 + 2 Artist Proofs 90" X 70"- ...

Archival Pigment Print Alonso Family home in El Vedado, Havana All available sizes & editions for each size of this photograph: 60" X 50"- Edition of 3 + 2 Artist Proofs 90" X 70"-...

Archival Pigment Print Vietnam University All available sizes & editions for each size of this photograph: 30" x 40” - Edition of 5 + 2 Artist Proofs 40" X 50"- Edition of 5 + 2 Ar...

Archival Pigment Print Classic cubano style from 19th century All available sizes & editions for each size of this photograph: 60" X 50"- Edition of 5 + 2 Artist Proofs 90" X 70"- ...

The Clan of Skene (Tartan) Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886. 365mm by 265mm (sheet). Accompanied by a sheet of descripti...

Guy Hamilton´s movie "James Bond 007 - Live and let die", UK 1973. Actors: Roger Moore and Jane Saymour, Gloria Hendry Keywords: James Bond, 007, action, Thriller, Great Britain, a...

Screenprint on gesso board. Hand signed and numbered. Artwork is in excellent condition. Certificate of Authenticity included. Edition of 30. All reasonable offers will be conside...

Archival Pigment Print Ruins of Hotel Nevele, Ellenville NY All available sizes & editions for each size of this photograph: 40" x 30” - Edition of 5 + 2 Artist Proofs 50" X 40"- E...

Clearly Sanders was looking at ancient Mesopotamian figures. Even the elaborate feathered wings can be found there -- made about 5000 years ago! There's an initial 'S' in the plate...

Richard Serra, Equal, 2015 (Hand Signed) Offset lithograph poster (hand signed by Richard Serra) Boldly signed in black marker on the front Published by David Zwirner; Designed by McCall Associates 24 × 36 inches Unframed Acquired from David Zwirner Gallery Very good condition other than gentle handling near the edges Richard Serra Biography: Richard Serra was born in 1938 in San Francisco and lives and works in New York and the North Fork of Long Island. His first significant solo exhibition was held at the Leo Castelli Warehouse, New York, in 1969. His first solo museum exhibition took place at the Pasadena Art Museum in 1970. Serra has since participated in numerous international exhibitions, including documenta (1972, 1977, 1982, and 1987) in Kassel, Germany; the Venice Biennales of 1980, 1984, 2001, and 2013; and the Whitney Museum of American Art’s Annual and Biennial exhibitions of 1968, 1970, 1973, 1977, 1979, 1981, 1995, and 2006. Solo exhibitions of Serra’s sculptural work have been held at numerous public institutions worldwide, including, among others, the Museum Boijmans Van Beuningen, Rotterdam, 1980; Musée National d’Art Moderne, Paris, 1984; Museum Haus Lange, Krefeld, 1985; The Museum of Modern Art, New York, 1986; Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster, 1987; Städtische Galerie im Lenbachhaus, Munich, 1987; Stedelijk Van Abbemuseum, Eindhoven, 1988; Kunsthaus Zürich, 1990; CAPC Musée d’Art Contemporain, Bordeaux, 1990; Museo Nacional Centro de Arte Reina Sofía, Madrid, 1992; Kunstsammlung Nordrhein-Westfalen, Düsseldorf, 1992; Dia Center for the Arts, New York, 1997; Centro de Arte Hélio Oiticica, Rio de Janeiro, 1997–1998; Trajan’s Market, Rome, 2000; Pulitzer Foundation for the Arts, St. Louis, 2003; and Museo Archeologico Nazionale di Napoli, Naples, 2004. In 2005, The Matter of Time, a series of eight large-scale works by Serra from 1994 to 2005, was installed permanently at the Guggenheim Museum Bilbao, and in 2007, The Museum of Modern Art, New York, presented the retrospective Richard Serra Sculpture: Forty Years. Promenade, a major site-specific installation, was shown at the Grand Palais, Paris, for MONUMENTA 2008. In 2011, the artist’s large-scale, site-specific sculpture 7 was permanently installed opposite the Museum of Islamic Art in Doha, Qatar. In 2014, the Qatar Museum Authority presented a two-venue retrospective survey of Serra’s work at the QMA Gallery and the Al Riwaq exhibition space, Doha, and East-West/West-East, 2014, was permanently installed in the Brouq Nature Reserve in the Zekreet Desert, Qatar. In June 2020, a new major sculpture by Serra was installed on the West Quad of Kenyon College, in Gambier, Ohio. In June 2022, the Glenstone Museum in Potomac, Maryland, will inaugurate a new building specially conceived to house a recent large-scale forged steel sculpture by Serra. Museum exhibitions that have focused on the artist’s drawings include Richard Serra: Tekeningen/Drawings 1971–1977, Stedelijk Museum, Amsterdam, The Netherlands, 1977; Richard Serra: Zeichnungen 1971–1977, Kunsthalle Tübingen, Germany, 1978; Richard Serra: Drawings, Louisiana Museum, Humlebaek, Denmark, 1986; Richard Serra: Tekeningen/Drawings, Bonnefantemuseum, Maastricht, The Netherlands, 1990; Richard Serra: Drawings, Serpentine Gallery, London, 1992; Richard Serra: Drawings and Prints, The National Museum of Art, Osaka, Japan, 1994; Richard Serra: Rio Rounds, Centro de Arte Hélio Oiticica, Rio de Janeiro, 1997–1998; and Richard Serra: Drawings: Work Comes Out of Work, Kunsthaus Bregenz, Austria, 2008. A major traveling retrospective dedicated to the artist’s drawings was presented at The Metropolitan Museum of Art, New York; the San Francisco Museum of Modern Art; and The Menil Collection, Houston (which was the organizing venue), in 2011–2012. The Courtauld Gallery, London, presented Richard Serra: Drawings for The Courtauld in 2013, and Richard Serra: desenhos na casa da Gávea was on view at Instituto Moreira Salles, Rio de Janeiro, in 2014. Richard Serra: Drawings 2015–2017, a significant overview of the artist’s recent works on paper, was on view at the Museum Boijmans Van Beuningen, Rotterdam, in 2017. Serra/Seurat. Drawings, an exhibition pairing a selection of Serra’s recent drawings alongside those by Georges Seurat, was presented at the Guggenheim Bilbao in 2022. Four Rounds: Equal Weight, Unequal Measure, Serra’s monumental sculpture which debuted at David Zwirner in 2017, is now on long-term view at Glenstone Museum, Potomac, Maryland, in a new building that was designed by Thomas Phifer in collaboration with the artist. Serra has been the recipient of many notable prizes and awards, including a J. Paul Getty Medal (2018) awarded in honor of extraordinary contributions to the practice, understanding, and support of the arts; the Chevalier de l’Ordre national de la Légion d’honneur, Republic of France (2015); Orden de las Artes y las Letras de España, Spain (2008); Orden pour le Mérite für Wissenschaften und Künste, Federal Republic of Germany (2002); Leone d’Oro for lifetime achievement, Venice Biennale, Italy (2001); Praemium Imperiale, Japan Art Association (1994); Carnegie Prize (1985); a National Endowment for the Arts Fellowship (1974); and a Fulbright Grant (1965). In 2013 in New York, David Zwirner presented Richard Serra: Early Work, a critically acclaimed exhibition that brought together significant works from 1966 to 1971. The accompanying catalogue extensively covers this period of the artist’s career with a compendium of archival texts and photographs and an essay by Hal Foster...

Archival Pigment Print 42nd Street, last man working before renewal of area All available sizes & editions for each size of this photograph: 40" X 50"- Edition of 5 + 2 Artist Proo...

Archival Pigment Print Simon's Schoolhouse Museum, Pennington County, South Dakota, 2014 Edgar Simon opened this invitation-only museum in 1972 and has had a thousand visitors since then. The collection includes such objects as hair curlers, rug beaters, ice skates, cigarette tins...

Archival Pigment Print Stairs to upper balcony, Opera House in Greensboro AL All available sizes & editions for each size of this photograph: 40" x 30” - Edition of 5 + 2 Artist Pr...

Alex Katz (American, born 1927) Night (from Northern Landscapes), 1994 Medium: Woodcut in colors, on Japan paper Dimensions: 51 × 40.5 cm (20 1/10 × 15 9/10 in) Edition of 100: Hand-...

The Clan Lamond Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886. 365mm by 265mm (sheet). Accompanied by a sheet of descriptive text.

Archival Pigment Print Palazo in Noto, Sicily All available sizes & editions for each size of this photograph: 40" x 30” - Edition of 5 + 2 Artist Proofs 50" X 40"- Edition of 5 + ...

The Rob Roy Tartan Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886. 365mm by 265mm (sheet). Accompanied by a sheet of descriptive text.

Clearly Sanders (1906-1967) was a master at these minimalist figurative prints. It's all about atmosphere and tension. Perhaps reflecting the print here, (Lovers), he, in fact, w...

BLESSINGS is an original hand drawn, limited edition lithograph printed in black ink on archival Arches printmaking paper 100% acid free from a hand drawn lithography stone using tra...

Ed Ruscha (b. 1937) Sweet Taters, 2021 Medium: Fine bone china plate 10 7/10 in diameter 27.3 cm diameter Edition of 250: Printed signature and edition details on verso Condition: E...

Archival Pigment Print Basement archives of the modernist library in Kent CT All available sizes & editions for each size of this photograph: 30" x 40” - Edition of 5 + 2 Artist Pr...

The Clan of Macauley (Tartan) Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886. 365mm by 265mm (sheet). Accompanied by a sheet of descri...