Street Art Interior Prints

Edition Details Year: 2015 Class: Art Print Status: Official Run: 200 Technique: Letterpress Size: 10 X 13

Albrecht Fuchs Straker Giclée on paper Year: 2018 Signed by hand and inscribed Edition: e.a. Size: 14.6 × 19.5 on 23.8 × 18.3 inches COA provided Albrecht Fuchs, born in 1964 in Bie...

Manufacturer: Obey Giant Edition Details: Year: 2020 Class: Art Print Status: Official Run: 300 Technique: Screen Print Paper: Cream Speckletone Size: 24 X 24 Markings: Signed & Numb...

Event: New Deal 1990 PUBLIC RECEPTION September 28, 2019 EXHIBITION D CATEGORIES: Silkscreen / Graffiti and Street Art / Pop and Contemporary Pop / Cultural Commentary DIMENSIONS: 24 × 18 in 61 × 45.7 cm EDITIONS Edition of 250 “I was already a big fan of Andy Howell’s art and skateboarding in the late ’80s, so I watched eagerly as he and his partners launched new Deal Skateboards in 1990. New Deal was groundbreaking not only because skaters creatively led it, but because Andy Howell’s art and design almost instantly shifted the aesthetics and style of skateboarding from skulls and dragons to graffiti and hip-hop. New Deal was the first company primarily focused on street skating and street culture, and their smart, funny, ads celebrated their role as the “power to the people...

Facing the Giant: Three Decades of Dissent and New Works Manufacturer Obey Giant Edition Details Year: 2019 Class: Art Print Status: Official Released: 12/21/19 Run: 500 Technique: ...

Pejac creates provocative and humorous street art. Like the installations of street artist Banksy, Pejac’s irreverent site-specific works often employ trompe-l’œil techniques and cle...

"Inspired by the aesthetics of 'live fast - die young' rock 'n' roll, is a critique of some harmful habits we are addicted to. Not just the harmful effects of burning fossil fuels, b...

JR (French, b. 1983) Giants, Kikito, September 6, 2017, 7.27 p.m., Tecate, Mexico - U.S.A., 2017, 2020 Medium : 14 colors lithograph on wove paper Dimensions : 36 x 46 cm (14.2 x 18....

Letterpress on thick cream cotton paper with hand-deckled edges. 13 × 10 in 33 × 25.4 cm Edition of 450 Part of a limited edition set Includes a Certificate of Authenticity "Inspir...

Peace & Dove Metal Sign Screenprint Comes ready to hang and the Certificate Of Authenticity is on the verso. Edition Details: Year: 2021 Class: Street Art Print Metal Sign Status: O...

JR (French, b. 1983) Women Are Heroes, Elizabeth Kamanga on Sea, Le Havre, France, 2021 Medium: Lithograph in colors on BFK Rives paper Dimensions: 50 × 70 cm (19 7/10 × 27 3/5 in) E...

Shepard Fairey (American, b. 1970) Floral Harmony (Red Yin/Yang), 2020 Medium: 2 screenprints on paper Dimensions: each 24 x 18 in (61 x 46 cm) Edition of 100: Each hand-signed and n...

JR (French, b. 1983) In the container wall, Le Havre, France, 2014, 2020 Medium: Lithograph in colors on wove paper Dimensions: 49.8 × 69.9 cm (19 3/5 × 27 1/2 in) Edition of 180: Ha...

The Imperial Glory print is a comment upon the U.S. military industrial complex. In 1961, as President Eisenhower was leaving office, he delivered a farewell speech in which he warn...

Shepard Fairey (American, b. 1970) Parlor Pattern, 2010 Medium: Set of 2 screenprints on paper Dimensions: each 61 × 45.7 cm (24 × 18 in) Edition of 85: each hand-signed and numbered...

JR (French, born 1983) Los Surcos de la Ciudad, Marino Saura Oton, Cartagena, Espagne, 2021 Medium: Lithograph on wove paper Dimensions: 48 x 36 cm (18.9 x 14.2 in) Edition of 250: H...

JR (French, b. 1983) Un groupe posant dans une barque amarrée sur la plage revu par JR, Marseille vers 1930, 2013 Medium: Lithograph on wove paper Dimensions : 70 x 100 cm (27.5 x 39...

Letterpress on cream cotton paper with hand-deckled edges. Obey publishing chop in lower left corner. Manufacturer: Obey Giant Edition Details: Year: 2018 Class: Fine Art Print Stat...

The artwork was personally obtained by me when I visited the Walled Off Hotel. It has a stamp in the lower left corner that reads, "The Walled Off Hotel". Comes with Certificate of Authenticity from the Hotel which also has a stamp on it. The verso of the print is also a stamp which cannot be seen from the front of the print. The print is in pristine condition and has been stored flat since my arrival back from the Hotel. Also has four crisp corners and is in near mint/mint condition. Banksy’s career—filled with art world pranks and political activism—has produced a variety of posters showcasing the street artist’s wry sense of humor. Commissioned by Greenpeace to protest global deforestation, Banksy’s early poster Save or Delete (2002) features blindfolded characters from Disney’s The Jungle Book standing amidst a devastated landscape. In 2005, Banksy pranked The Museum of Modern Art by secretly installing a painting of a Tesco Value soup can (a spoof on Andy Warhol’s famous silkscreens of Campbell’s Soup Cans) in one of its galleries—a hoax that went unnoticed by the museum’s staff for six days and inspired a series of Tesco Value soup can posters years later. Collectible Banksy posters also include promotional prints for his exhibition “Barely Legal...

Title: IHeart Screenprint "The Night Shift" Glow In The Dark Inks Contemporary Street Art Year: 2018 Classification Limited edition Medium Type Print Medium/Materials Hand Pulled Screen Print On 100# (260/m2) French Cover Stock Categories Silkscreen / Graffiti and Street Art / Pop and Contemporary Pop / Nude / Feminist Art and Contemporary Feminist Provenance Comes With C.O.A. From The Artist. Additional Info Print Glows in the Dark with Special UV Inks. Signature Signed & Numbered In Pencil By The Artist, I Heart Stencil...

Frank Shepard Fairey was born February 15, 1970 in Charleston, South Carolina, USA. Fairey's adolescence was shaped by the influences of punk-rock and skateboarding. In his teens, he began creating his own bootlegged clothing and skateboard decals featuring bands and brands he liked. Fairey’s early bootlegs were created because his generally conservative parents would not purchase the clothing he wanted. In 1986, he stumbled upon the Andre the Giant image for which he has become famous for, in a local newspaper. The image was selected when Fairey demonstrated to a friend how to make a stencil; it was modified slightly to include the meaningless caption “Andre the Giant has a Posse” and made into a sticker. The sticker was reproduced en masse and began to appear around Charleston as it spread through the skateboarding community. While the sticker had no inherent meaning, the public response varied from disregard to curiosity to out-right fear. Civic groups editorialized and theorized that the Andre image was affiliated with everything from a band to a hate group. Nevertheless, the stickers were considered vandalism and in time, Fairey would face numerous charges for defacing public property. Fairey's record includes 15 arrests as of March 2009, for defacing property as a result of his so called bombing campaigns. Fairey affixed the stickers on municipal properties nearly everywhere he went, and the Andre sticker was being seen in Boston and New York City, soon others procured the image and were encouraged to spread the campaign worldwide in the form of stickers, stencils and wheat-paste posters. Following high school, Fairey was accepted to the Rhode Island School of Design (RISD), where, with an interest in screen printing, he majored in illustration. In 1992, while still attending RISD, Fairey started Alternate Graphics, a mail order catalog business through which he could merchandise his own t-shirts, skateboards, posters and stickers. He also took small commercial illustration jobs to help supplement his income. Shortly thereafter, the Andre the Giant Has a Posse logo was shortened simply to Obey Giant. The Obey, for which Fairey has also become synonymous, is derived from the 1988 John Carpenter film They Live. In the film, aliens who appear as human, rule the governments and economies of the world while the humans are reduced to an unwitting, hypnotized slave-class. Themes from the film continue to appear in Fairey’s work. Over time, the Andre the Giant face was modified into a more simplified and streamlined appearance, reminiscent of Russian Constructivist/Rodchenko style Soviet propaganda posters of the 20th Century. In 1994, filmmaker Helen Stickler featured Fairey and his sticker phenomenon in her documentary: Andre the Giant has a Posse. The following year, Fairey started Subliminal Projects with the late Blaize Blouin, his friend and pro-skateboarder. Subliminal Projects created and released several Obey-Giant themed posters and skateboard decks. Fairey directed a short skateboarding film featuring some of his friends through Subliminal Projects and Alternate Graphics titled A.D.D.(Attention Deficit Disorder). In 1996, Fairey moved to San Diego, California to create Giant Distribution with partner Andy Howell. Later, with Howell, Phillip De Wolff, Dave Kinsey, he formed First Bureau of Imagery (FBI), a branding, marketing and design firm established to focus on the increasingly lucrative sports market. FBI was closed in 1999 and Fairey, along with De Wolff and Kinsey created BLK/MRKT, similar to FBI. At this time, Fairey met and began working with Amanda Alaya, whom he would later marry. BLK/MRKT moved to Los Angeles in 2001. Here, they could expand and were able to incorporate a small gallery. Fairey and Kinsey eventually bought out De Wolff’s share of the partnership and by then had set up offices in the Pellissier Building (home of the historic Wiltern Theater), in the Koreatown section of Downtown Los Angeles. In December 2001, Fairey and Alaya were married in Charleston, South Carolina, Amanda has occasionally been the model for Fairey's prints (see: Commanda, 2007). Additionally, Amanda Fairey works in the capacity as publicist, agent and representative of her husband. In 2003, Kinsey and Fairey split. Kinsey retained the BLK/MRKT name and gallery, which he relocated to Culver City, California. Fairey retained the offices and most of the employees to create Studio Number One and the gallery was renamed Subliminal Projects. Studio No. 1 has since gone on to produce numerous memorable album covers, concert and film posters. In 2004, Fairey created the magazine Swindle with his old friend Roger Gastman. Swindle is a quarterly publication that features fashion, art, music and other pop-culture elements. During the 2004 presidential election, Fairey teamed up with artists Mear One and Robbie Conal to create a series of anti-Bush/anti-war posters for the street-art campaign: Be The Revolution. In 2005, Fairey accepted a residency at the Contemporary Museum in Honolulu, Hawaii, where he created murals and prints that reveal a dramatic combination of constructivist style with distinctly traditional Hawaiian themes and influences. Amanda Fairey gave birth to the couple’s first child, Vivienne in June 2005, she is the namesake of punk fashion legend Vivienne Westwood. Vivienne would be the model for Fairey’s “Vivi La Revolucion” print of 2008. Fairey's street-art, was featured with that of Dan Witz...

A major figure of the contemporary street art movement, Shepard Fairey rose to prominence in the early 1990s with his “Andre the Giant Has a Posse” campaign, which distributed poster...

"I’ve made several images over the years addressing police brutality, and I think humor and absurdity help make such a heavy topic more digestible. There is a violent history of poli...

First Print: Banksy "CUT AND RUN" Technique: Offset Lithograph Paper: Thick Stock Glossy Size: 16.5 X 23.4 Materials Thick glossy paper Size 23 2/5 × 16 1...

I started my sticker campaign in 1989 and I continue to value the power of a small but mighty source of disruption and expression. When I was younger and had few resources my strateg...

In the early ’90s, I fell in love with ’60s psychedelic posters from artists like San Francisco’s Victor Moscoso, Stanley Mouse, Alton Kelley, and Rick Griffin...

In the early ’90s, I fell in love with ’60s psychedelic posters from artists like San Francisco’s Victor Moscoso, Stanley Mouse, Alton Kelley, and Rick Griffin...

"This print is a comment on the relationship between corporate greed, fossil fuels, and the warming of the planet and collapsing ecosystems. Standard operating, pushed by players like Standard Oil and its many offshoots, should be redefined as sub-standard. If we want to maintain the standard of health our planet needs to avoid catastrophe, we can't allow big oil to put profits before the planet and profits before people (as well as many other threatened species). Keep in mind that big oil, which is already very profitable, is subsidized by you, the taxpayer, for up to $50 billion per year. In contrast, renewable energy sources are subsidized for only a quarter of that amount. We need to push for change." -Shepard Fairey A portion of proceeds from this print went to Greenpeace USA. Materials: Fine Art Paper with Gold Metallic Inks Size: 24 × 12 in 61 × 30.5 cm Rarity: Limited edition Medium: Print Condition: Print is in pristine condition and has been stored flat since purchase. Signature: Hand-signed by artist, Hand signed and numbered by the artist in pencil, Shepard Fairey. Certificate of authenticity Included (issued by gallery) Publisher: Obey Giant Studio...

Obey Giant Edition Details: Year: 2018 Class: Art Print Status: Official Released: 12/10/18 Run: 450 Technique: Screen Print Paper: Fine Art Cream Speckle Tone With Gold Metallic Ink...