Skip to main content
Video Loading
Want more images or videos?
Request additional images or videos from the seller
1 of 12

Shepard Fairey
Shepard Fairey Fine Art Screenprint Op-Art Icon Aqua Gradient Street Pop 90s Art

2024

About the Item

In the early ’90s, I fell in love with ’60s psychedelic posters from artists like San Francisco’s Victor Moscoso, Stanley Mouse, Alton Kelley, and Rick Griffin, as well as LA’s John Van Hamersveld. I was especially drawn to the op-art patterns and color theory used in psychedelic art. I had been making black and white Andre stickers for a couple of years, and I decided it was time to branch out with some playful backgrounds and color theory, so I began experimenting with op-art patterns and intense vibrating colors. Part of the fun was the journey of improving at color theory, and the other part was seeing the polarizing reactions to the psychedelic Andre stickers. Some people thought they were annoying, even nauseating, while others found them exhilarating. Considering my prior punk-rock-minimalism, some people saw the color and style as a betrayal! Coincidentally, in 1992, as I was releasing these psychedelic Andre stickers into the world, the techno rave scene was gaining steam. The rave scene used a mix of early digital and psychedelic aesthetics, which led to an enthusiastic audience for the stickers and t-shirts of my op-art variations. I was torn because I was not really a fan of techno music, but I was broke, and selling t-shirts to ravers was helping to keep me alive. I’m also fascinated by how underground scenes develop. However, as rave became extremely trendy, I decided that despite the fact that it would be bad for my cash flow, I needed to separate my art from the rave scene. Thirty years have passed, and I’ve gotten over my distaste for an association with rave to the point that I felt like exploring psychedelic patterns and colors again. These Op-Art Icon prints are nostalgic in some ways and of-the-moment in others. They relate to my early ’90s explorations but push a lot further with the way the colors weave through the Icon Face image and have the effect of subtle translucency through the spray paint texture. I always have fun finding new ways to use some of my staple images, like the Icon Face, because repetition with evolution is an important principle for the Obey Giant campaign. - Shepard Fine Art Cream Speckletone Paper 24 × 18 in 61 × 45.7 cm Edition 232/250 Edition Details: Year: 2024 Class: Fine Art Print Status: Official Run: 232/250 Technique: Screen Print Paper: Fine Art Cream Speckletone Size: 18 X 24 Markings: Signed & Numbered by the artist in pencil, Shepard Fairey.
  • Creator:
    Shepard Fairey (1970, American)
  • Creation Year:
    2024
  • Dimensions:
    Height: 24 in (60.96 cm)Width: 18 in (45.72 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Framing:
    Framing Options Available
  • Condition:
  • Gallery Location:
    Draper, UT
  • Reference Number:
    1stDibs: LU1327214047252
More From This SellerView All
  • Shepard Fairey Gears Of Justice Screenprint Red Contemporary Street Art Obey
    By Shepard Fairey
    Located in Draper, UT
    Frank Shepard Fairey was born February 15, 1970 in Charleston, South Carolina, USA. Fairey's adolescence was shaped by the influences of punk-rock and skateboarding. In his teens, he began creating his own bootlegged clothing and skateboard decals featuring bands and brands he liked. Fairey’s early bootlegs were created because his generally conservative parents would not purchase the clothing he wanted. In 1986, he stumbled upon the Andre the Giant image for which he has become famous for, in a local newspaper. The image was selected when Fairey demonstrated to a friend how to make a stencil; it was modified slightly to include the meaningless caption “Andre the Giant has a Posse” and made into a sticker. The sticker was reproduced en masse and began to appear around Charleston as it spread through the skateboarding community. While the sticker had no inherent meaning, the public response varied from disregard to curiosity to out-right fear. Civic groups editorialized and theorized that the Andre image was affiliated with everything from a band to a hate group. Nevertheless, the stickers were considered vandalism and in time, Fairey would face numerous charges for defacing public property. Fairey's record includes 15 arrests as of March 2009, for defacing property as a result of his so called bombing campaigns. Fairey affixed the stickers on municipal properties nearly everywhere he went, and the Andre sticker was being seen in Boston and New York City, soon others procured the image and were encouraged to spread the campaign worldwide in the form of stickers, stencils and wheat-paste posters. Following high school, Fairey was accepted to the Rhode Island School of Design (RISD), where, with an interest in screen printing, he majored in illustration. In 1992, while still attending RISD, Fairey started Alternate Graphics, a mail order catalog business through which he could merchandise his own t-shirts, skateboards, posters and stickers. He also took small commercial illustration jobs to help supplement his income. Shortly thereafter, the Andre the Giant Has a Posse logo was shortened simply to Obey Giant. The Obey, for which Fairey has also become synonymous, is derived from the 1988 John Carpenter film They Live. In the film, aliens who appear as human, rule the governments and economies of the world while the humans are reduced to an unwitting, hypnotized slave-class. Themes from the film continue to appear in Fairey’s work. Over time, the Andre the Giant face was modified into a more simplified and streamlined appearance, reminiscent of Russian Constructivist/Rodchenko style Soviet propaganda posters of the 20th Century. In 1994, filmmaker Helen Stickler featured Fairey and his sticker phenomenon in her documentary: Andre the Giant has a Posse. The following year, Fairey started Subliminal Projects with the late Blaize Blouin, his friend and pro-skateboarder. Subliminal Projects created and released several Obey-Giant themed posters and skateboard decks. Fairey directed a short skateboarding film featuring some of his friends through Subliminal Projects and Alternate Graphics titled A.D.D.(Attention Deficit Disorder). In 1996, Fairey moved to San Diego, California to create Giant Distribution with partner Andy Howell. Later, with Howell, Phillip De Wolff, Dave Kinsey, he formed First Bureau of Imagery (FBI), a branding, marketing and design firm established to focus on the increasingly lucrative sports market. FBI was closed in 1999 and Fairey, along with De Wolff and Kinsey created BLK/MRKT, similar to FBI. At this time, Fairey met and began working with Amanda Alaya, whom he would later marry. BLK/MRKT moved to Los Angeles in 2001. Here, they could expand and were able to incorporate a small gallery. Fairey and Kinsey eventually bought out De Wolff’s share of the partnership and by then had set up offices in the Pellissier Building (home of the historic Wiltern Theater), in the Koreatown section of Downtown Los Angeles. In December 2001, Fairey and Alaya were married in Charleston, South Carolina, Amanda has occasionally been the model for Fairey's prints (see: Commanda, 2007). Additionally, Amanda Fairey works in the capacity as publicist, agent and representative of her husband. In 2003, Kinsey and Fairey split. Kinsey retained the BLK/MRKT name and gallery, which he relocated to Culver City, California. Fairey retained the offices and most of the employees to create Studio Number One and the gallery was renamed Subliminal Projects. Studio No. 1 has since gone on to produce numerous memorable album covers, concert and film posters. In 2004, Fairey created the magazine Swindle with his old friend Roger Gastman. Swindle is a quarterly publication that features fashion, art, music and other pop-culture elements. During the 2004 presidential election, Fairey teamed up with artists Mear One and Robbie Conal to create a series of anti-Bush/anti-war posters for the street-art campaign: Be The Revolution. In 2005, Fairey accepted a residency at the Contemporary Museum in Honolulu, Hawaii, where he created murals and prints that reveal a dramatic combination of constructivist style with distinctly traditional Hawaiian themes and influences. Amanda Fairey gave birth to the couple’s first child, Vivienne in June 2005, she is the namesake of punk fashion legend Vivienne Westwood. Vivienne would be the model for Fairey’s “Vivi La Revolucion” print of 2008. Fairey's street-art, was featured with that of Dan Witz...
    Category

    2010s Street Art Interior Prints

    Materials

    Screen

  • Law Physics Shepard Fairey Letterpress Edition Red & Black
    By Shepard Fairey
    Located in Draper, UT
    Edition Details Year: 2015 Class: Art Print Status: Official Run: 200 Technique: Letterpress Size: 10 X 13
    Category

    2010s Street Art More Prints

    Materials

    Screen

  • Shepard Fairey Opt- Art Icon Screenprint Aqua Contemporary Street Art Obey Giant
    By Shepard Fairey
    Located in Draper, UT
    In the early ’90s, I fell in love with ’60s psychedelic posters from artists like San Francisco’s Victor Moscoso, Stanley Mouse, Alton Kelley, and Rick Griffin...
    Category

    2010s Street Art Interior Prints

    Materials

    Screen

  • Shepard Fairey Silksreen Icon Un-Cut Stickers Repetition With Variation Street
    By Shepard Fairey
    Located in Draper, UT
    I started my sticker campaign in 1989 and I continue to value the power of a small but mighty source of disruption and expression. When I was younger and had few resources my strateg...
    Category

    2010s Street Art Interior Prints

    Materials

    Screen

  • Shepard Fairey Obey Giant Flood Magazine Print Music Amplify Your Voice Politic
    By Shepard Fairey
    Located in Draper, UT
    Manufacturer: Obey Giant Edition Details: Year: 2020 Class: Art Print Status: Official Run: 300 Technique: Screen Print Paper: Cream Speckletone Size: 24 X 24 Markings: Signed & Numb...
    Category

    2010s Street Art Interior Prints

    Materials

    Screen

  • Shepard Fairey Print "Warning Addictive" Spray Print Screen Print Pop Art Street
    By Shepard Fairey
    Located in Draper, UT
    Event: New Deal 1990 PUBLIC RECEPTION September 28, 2019 EXHIBITION D CATEGORIES: Silkscreen / Graffiti and Street Art / Pop and Contemporary Pop / Cultural Commentary DIMENSIONS: 24 × 18 in 61 × 45.7 cm EDITIONS Edition of 250 “I was already a big fan of Andy Howell’s art and skateboarding in the late ’80s, so I watched eagerly as he and his partners launched new Deal Skateboards in 1990. New Deal was groundbreaking not only because skaters creatively led it, but because Andy Howell’s art and design almost instantly shifted the aesthetics and style of skateboarding from skulls and dragons to graffiti and hip-hop. New Deal was the first company primarily focused on street skating and street culture, and their smart, funny, ads celebrated their role as the “power to the people...
    Category

    2010s Street Art Interior Prints

    Materials

    Screen

You May Also Like
  • Untitled (INV# NP2223) by Ken Price
    By Ken Price
    Located in Morton Grove, IL
    Ken Price (1935 - 2012) Untitled Silkscreen on Arches 88 Paper 12.375”x 14.875” 1981 edition of 150 stamped by Ken Price, SOMA Fine Art Press and Arabesque Books BIO Ken Price (19...
    Category

    1980s Contemporary Interior Prints

    Materials

    Screen

  • The Ward - Mandela, Former South African President, Signed Art, Robben Island
    By Nelson Mandela
    Located in Knowle Lane, Cranleigh
    Nelson Mandela, The Ward, Signed Limited Edition Lithograph Many people are unaware that Nelson Mandela turned his hand to art in his 80's as a way of leaving a legacy for his family...
    Category

    Early 2000s Contemporary Interior Prints

    Materials

    Lithograph

  • The Window - Mandela, Former South African President, Signed Art, Robben Island
    By Nelson Mandela
    Located in Knowle Lane, Cranleigh
    Nelson Mandela, The Window, Signed Limited Edition Lithograph Many people are unaware that Nelson Mandela turned his hand to art in his 80's as a way of leaving a legacy for his family. He spent time with an art tutor and learnt to draw. In 2002, when creating the The Window print, he told Anna and Laura from Belgravia Gallery of his desire to become a full time artist when he retired. This sketch depicts a view of Table Mountain through the bars of a prison cell...
    Category

    Early 2000s Contemporary Interior Prints

    Materials

    Lithograph

  • Patrick Hughes - Maeght, contemporary, op art, optical, reverspective, fondation
    By Patrick Hughes
    Located in London, GB
    Patrick Hughes (b.1939) Maeght 2019 hand painted multiple with archival inkjet 45 x 90 x 18 cm edition of 75 plus 10 AP Price: £7,200 GBP (inc. 20% UK VAT) Provenance: Direct from...
    Category

    2010s Op Art Interior Prints

    Materials

    Paint, Archival Ink, Inkjet

  • Patrick Hughes - Jazz, contemporary, op art, optical, reverspective, matisse
    By Patrick Hughes
    Located in London, GB
    Patrick Hughes (b.1939) Jazz 2016 hand painted multiple with archival inkjet 43.5 x 91.5 x 18.5 cm edition of 50 plus 10 AP Price: £7,200 GBP (inc. 20% UK VAT) Provenance: Direct f...
    Category

    2010s Op Art Interior Prints

    Materials

    Paint, Archival Ink, Inkjet

  • Life in manor. 1982. Paper, linocut, 20x34 cm
    By Dainis Rozkalns
    Located in Riga, LV
    Life in manor. 1982. Paper, linocut, 20x34 cm imprint size 9x26 cm total page size 20x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction...
    Category

    1980s Folk Art Interior Prints

    Materials

    Paper, Linocut

Recently Viewed

View All