Monoprint Interior Prints

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. Duncan Grant (1885 - 1978) Interior (1973) Lithograph 36 x 30 cm (paper size 77 x 57 cm) Signed 'Grant' and numbered 9/90 in pencil; part of the Penwith Portfolio. Published by Penwith Galleries, St Ives in 1973 with works by Barbara Hepworth, Henry Moore, Peter Lanyon, Alan Davie, Merlyn Evans, John Piper, Ben Nicholson, Robert Adams, Bernard Leach, Michael Rothenstein, and F E McWilliam...

Maria Stelmaszczyk is a Polish artist born in 1983. PROVENANCE Exhibited at Katarzyna Napiorkowska Gallery. The Gallery is a primary representative for this artist. The Gallery o...

Damien Hirst (British, born 1965) Fruitful (Large), 2020 Medium: Laminated Giclee print on aluminium composite panel Dimensions: 78 x 78 cm Edition of 1928: Digitally signed by the a...

David Shrigley (English, b. 1968) Eyes, 2016 Medium: Woodcut on paper Dimensions: 70 x 50 cm Edition of 20: Hand-signed and numbered Condition: Mint

Jonas Wood Prints (Hand signed), 2018 Offset lithograph poster. Hand signed and dated with basketball flourish. 30 × 24 inches Edition of approx. 100 ...

Abstract black, white and tan print of interior scene with dots, lines, shadow and painted brushstroke texture. Ideal for display in minimalist, modern and contemporary spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, expressionist, and abstract. Late Afternoon in the Museum of Modern Art by Howard Hodgkin. Soft-ground etching on buff BFK Rives mould-made paper. Edition 100: this impression 36/100. Signed by the artist, numbered 36/100, and dated 79 lower center in red crayon. Printed from the same plate as Early Evening in the Museum of Modern Art. Published by Petersburg Press. This print depicts an abstracted scene, perhaps a sculpture in front of a window in the Museum of Modern Art, Oxford, in Hodgkin's signature painterly style. The expressive mark-making in this print is an example of the artist’s movement in the late 70s towards pronounced gestures. Hodgkin used his hand as a mark-making tool, combining these textures with loose and urgent brushwork. Howard Hodgkin was introduced to the etching technique used in Late Afternoon in the Museum of Modern Art at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s. Part of a series of four prints reflecting on a visit to the Museum...

Damien Hirst (British, born 1965) Earth (from The Elements, H6-6), 2020 Medium: Diasec-mounted giclée print on aluminium composite panel Dimensions: 100 x 100 cm (39 3/8 x 39 3/8 in)...

Jenny Holzer (American, b. 1950) These Enhanced Techniques, 2012 Medium: Black pulp on white handmade paper, stenciled Dimensions: 90.5 × 70 cm (35 3/5 × 27 3/5 in) Edition: From the...

Large scale black and white abstract interior scene with dots, lines, brushstrokes, paint daubs, fingerprints, squares and rectangles, and hand painting in grey. Hang in contemporary, modern and minimalist spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, expressionist, and abstract. Paper: 30 x 40 in. / 76.2 x 101.5 cm. Thinking Aloud in the Museum of Modern Art by Howard Hodgkin. Soft-ground etching on yellowish grey Hodgkinson hand made paper. Signed by the artist, dated 70, and numbered 21/100 lower center in red crayon. Printed from the same plates as 'All Alone in the Museum of Modern Art'. While All Alone features dark pools of hand coloring, the lighter image field of Thinking Aloud reveals how Hodgkin used his entire hand to create lines and textures. This print depicts an abstracted scene, perhaps a window and a door, in Hodgkin's signature painterly style. The expressive brush marks and fingerprints in this print are an example of the artist’s movement in the late 70s towards pronounced gestures. Howard Hodgkin was introduced to the etching technique used in Thinking Aloud in the Museum of Modern Art at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s. Part of a series of four prints reflecting on a visit to the Museum...

Gerhard Richter (German, b. 1932) Cage P19-3, 2020 Medium: Diasec-mounted Giclée print on aluminium composite panel Dimensions: 100 × 100 × 3 cm (39 2/5 × 39 2/5 × 1 1/5 in) Edition of 200: Numbered and labelled on verso; unsigned, as issued Publisher: HENI Editions, London Condition: Mint (shipped in original box) “One of a series of Giclée prints based on Gerhard Richter’s ‘Cage...

Jenny Holzer (American, b. 1950) Water Board 0000090, 2012 Medium: Template reservage technique, on 350 g/qm wove paper Dimensions: 90.5 × 70 cm (35 3/5 × 27 3/5 in) Edition: From th...

Gorgeous, detailed limited edition print of intricate patterns with regal motifs from an ornate door at El Escorial, the massive Spanish Renaissance palace near Madrid, by unknown ar...