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Keith HaringKeith Haring, Untitled, 1987 (Pyramid With UFOs )(Framed)
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Keith Haring, Untitled, 1987 (Pyramid With UFOs )(Framed)
Matt 250gsm conservation paper. A high quality paper made in Germany from acid and chlorine free wood pulp. The paper is manufactured on a Fourdrinier Machine, a process first perfected by and patented by the Fourdrinier brothers in 1803.
Image size: 60 x 60 cm
Framed size: 63 x 63 cm
'Untitled (Pyramids with UFOs)' features some of Keith Haring's most popular symbolism. As a gay man in the eighties, Haring often felt like an outsider and included images of UFO's in his artwork to represent the importance of otherness. The painting also includes an image of a pyramid, a theme which Haring often returned in his work, perhaps in reference to his own hieroglyphic images and belief in a universal, pictorial language.
Keith Haring (1958-1990) was an American artist and social activist known for his evocative illustrations. A prominent figure of 1980s New York graffiti culture, his work could be found in every subway station in the city. Haring was able to reach a wide audience through his humorous, accessible imagery and saturated colours. He proved the legitimacy of street art by bringing it to museums and galleries, blurring the boundary between high and low culture- an endeavour also shared by his contemporaries Warhol and Basquiat. Haring's energetic drawings tackle universal themes such as birth, death, sexuality and war in an original, cartoon-like way that has awarded him international recognition. Our extensive collection of Haring prints celebrates his unique graphic style
Copyright Keith Haring Foundation. Licensed by Artestar New York
- Creator:Keith Haring (1958-1990, American)
- Dimensions:Height: 23.63 in (60 cm)Width: 23.63 in (60 cm)
- More Editions & Sizes:open edition Price: $666
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Manchester, GB
- Reference Number:1stDibs: LU2261213923202
Keith Haring
Keith Haring began experimenting with his bold, graphic lines and cartoon-inspired figures on the walls of New York City subway stations in the early 1980s. He called them his “laboratory,” places to develop a radical new aesthetic based on an ideology of creating truly democratic public art.
Haring’s paintings, prints and murals address the universal themes of death, love and sex, as well as contemporary issues he experienced personally, like the crack-cocaine and AIDS epidemics. They derive much of their impact from the powerful contrast between these serious subjects and the joyful, vibrant pictographic language he uses to express them, full of dancing figures, babies, barking dogs, hearts and rhythmic lines, as well as references to pop culture.
To make his art even more accessible, in 1986, Haring opened the Pop Shop in Soho. In a foreshadowing of today’s intermingling of art and fashion, the shop sold merchandise and novelty items featuring imagery by Haring and contemporaries like Kenny Scharf and Jean-Michel Basquiat. While his works sometimes included text, for the most part, he chose to communicate through drawing.
“Drawing is still basically the same as it has been since prehistoric times,” Haring once declared. “It lives through magic.”
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- ShippingRetrieving quote...Ships From: Manchester, United Kingdom
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