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Childe Hassam
Fifth Avenue, Noon

1916

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  • The Mill, Amsterdam, 1889
    By James Abbott McNeill Whistler
    Located in New York, NY
    James Whistler (1834-1903), The Mill, 1889, etching and drypoint, signed in pencil with the butterfly on the tab and inscribed “imp”, and inscribed “first state” (twice) and annotated “Wunderlich” and signed again with the butterfly verso. Reference: Kennedy 413, first state (of 5). Glasgow 457, second state (of 6; see discussion below) (cf. Margaret F. MacDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock, James McNeill Whistler: The Etchings, a catalogue raisonné, University of Glasgow, 2011) On laid paper, in very good condition, trimmed just outside of the platemark all around except for the tab by the artist, 6 1/4 x 9 3/8 inches. A very fine impression of this great rarity, printed in black/brown ink with a slight veil of plate tone. provenance: H. Wunderlich & Co., New York Louis B. Dailey, New York (Lugt 4500) sale, Sotheby’s, New York, October 31, 2003, lot 69 literature; Neue Lagerliste 122: James McNeill Whistler – Etchings...
    Category

    1880s Impressionist Landscape Prints

    Materials

    Drypoint, Etching

  • J.H. Woods’ Fruit Shop, Chelsea
    By James Abbott McNeill Whistler
    Located in New York, NY
    James Whistler (1834-1903), J.H. Woods’ Fruit Shop, Chelsea, etching and drypoint, 1887-88. Signed with the butterfly on the tab and annotated “imp,” also signed with the butterfly in pencil verso and numbered “1”. References: Kennedy 265 second state (of 2), Glasgow 327 second state (of 4). Trimmed by the artist around the plate mark except for the tab, in excellent condition. Printed in black ink on ivory laid paper, 3 3/4 x 5 1/8 inches. A fine impression of this great rarity; the print was never published. Glasgow accounts for four impressions. watermark: partial arms of Amsterdam(cf. Spink/Stratis/Tedeschi, watermark nos. 12ff.) This is before the third state in which heavy shading was added around the woman at the center, and the heads of figures at right and left of the figure are defined. In Glasgow’s fourth state the shading and the figure were removed; no impression is known of this state, but the state is inferred from the cancelled plate. According to Glasgow “Joseph Henry Wood had a greengrocer’s shop at 1 Park Walk...
    Category

    1880s Impressionist Landscape Prints

    Materials

    Etching, Drypoint

  • Laburnums and Battersea
    By Theodore Casimir Roussel
    Located in New York, NY
    Theodore Roussel, Laburnums and Battersea, etching and drypoint, 1889/1890 and 1898; signed in the plate lower right, and signed in pencil on the tab, with the inscription IMP. Hausb...
    Category

    Late 19th Century Realist Landscape Prints

    Materials

    Etching, Drypoint

  • Shere Mill Pond II (Large Plate)
    By Seymour Haden
    Located in New York, NY
    Seymour Haden (1818-1910), Shere Mill Pond II (Large Plate), etching and drypoint, 1860, signed in pencil lower right [also signed in the plate lower right]. Schneiderman 37, sixth state (of 9). In generally good condition (see note below) with margins, on a cream/ivory laid paper, 7 x 13 1/2, the sheet 8 1/8 x 13 3/4 inches. A very good impression, with rich burr especially in the reeds toward the right. Provenance: Frederick Keppel and Co., New York, NY. Illustrated: Guichard, British...
    Category

    1860s Impressionist Landscape Prints

    Materials

    Drypoint, Etching

  • Le Bourg de Batz
    By William Strang, R.A., R.E.
    Located in New York, NY
    William Strang (1859-1921), Le Bourg de Batz, etching and drypoint on copper, 1913, signed in pencil lower right [also signed and dated in the plate]. Refere...
    Category

    1910s Realist Landscape Prints

    Materials

    Drypoint, Etching

  • Printemps Breton
    By Jean-Emile Laboureur
    Located in New York, NY
    Jean-Emile Laboureur (1877-1943), Printemps Breton, 1926, drypoint, roulette, aquatint, etching; signed in pencil lower left and numbered lower right (37/50) with the imp inscription...
    Category

    1920s Realist Landscape Prints

    Materials

    Engraving, Drypoint, Etching, Aquatint

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  • St Paul's Cathedral, Thames, London, etching by Frederick Farrell, circa 1920
    Located in Melbourne, Victoria
    Signed in pencil below the image by the artist. Blind stamps of etching societies lower left just under the image. Frederick Farrell was a Scottish etcher specializing in architectu...
    Category

    1920s Other Art Style Landscape Prints

    Materials

    Etching, Drypoint

  • French Village - Original Etching and Drypoint by Eugène Corneau - 1930s
    By Eugene Corneau
    Located in Roma, IT
    French Village is an original artwork realized by Eugène Corneau between the end of the 1920s and the beginning of the 1930s. The monogram of the artist is present on the lower left...
    Category

    1930s Modern Figurative Prints

    Materials

    Etching, Drypoint

  • Untitled - Original Etching and Drypoint by Eugène Corneau - 1930s
    By Eugene Corneau
    Located in Roma, IT
    Untitled is an original artwork realized by Eugène Corneau in the first years of the 1930s. Etching and drypoint on paper. Monogram of the artist on the lower left. Excellent conditi...
    Category

    1930s Modern Figurative Prints

    Materials

    Etching, Drypoint

  • Two Lake Landscapes - Original Etching and Drypoint - 1970s
    Located in Roma, IT
    Image dimensions: 10 x 14.8 cm. Two Lake Landscapes are the subjects on these two original black and white etchings and drypoint on paper,l realized by a German artist whose signatu...
    Category

    1970s Landscape Prints

    Materials

    Etching, Drypoint

  • Rome, Palatine Hill - Original Etching and Dry-point by Cesare Biseo - 1898
    Located in Roma, IT
    Rome, Palatine Hill is a wonderful etching and dry-point on paper by realized by Cesare Biseo in 1898. Hand-signed and dated with the description on the lower in pencil. In very go...
    Category

    1890s Figurative Prints

    Materials

    Etching, Drypoint

  • French Landscape - Original Etching by E. Corneau - 1930s
    By Eugene Corneau
    Located in Roma, IT
    French Landscape is an original artwork realized by Eugène Corneau during the 1930s. Etching and drypoint on paper. Very good conditions except for some small folds on the left mar...
    Category

    1930s Modern Landscape Prints

    Materials

    Etching, Drypoint

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