Sunrise
View Similar Items
Roy LichtensteinSunrise1965
1965
About the Item
- Creator:Roy Lichtenstein (1923 - 1997, American)
- Creation Year:1965
- Dimensions:Height: 18.32 in (46.54 cm)Width: 24.94 in (63.35 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Washington, DC
- Reference Number:Seller: RLSUNRISE21stDibs: LU54433579782
Roy Lichtenstein
Roy Lichtenstein is one of the principal figures of the American Pop art movement, along with Andy Warhol, James Rosenquist, Claes Oldenburg and Robert Rauschenberg.
Drawing inspiration from comic strips, Lichtenstein appropriated techniques commercial printing in his paintings, introducing a vernacular sensibility to the visual landscape of contemporary art. He employed visual elements such as the halftone dots that comprise a printed image, and a comic-inspired use of primary colors gave his paintings their signature “Pop” palette.
Born and raised in New York City, Lichtenstein enjoyed Manhattan’s myriad cultural offerings and comic books in equal measure. He began painting seriously as a teenager, studying watercolor painting at the Parsons School of Design in the late 1930s, and later at the Art Students League, where he worked with American realist painter Reginald Marsh. He began his undergraduate education at Ohio State University in 1940, and after a three-year stint in the United States Army during World War II, he completed his bachelor’s degree and then his master’s in fine arts. The roots of Lichtenstein’s interest in the convergence of high art and popular culture are evident even in his early years in Cleveland, where in the late 1940s, he taught at Ohio State, designed window displays for a department store and painted his own pieces.
Working at the height of the Abstract Expressionist movement in the 1950s, Lichtenstein deliberately eschewed the sort of painting that was held in high esteem by the art world and chose instead to explore the visual world of print advertising and comics. This gesture of recontextualizing a lowbrow image by importing it into a fine-art context would become a trademark of Lichtenstein’s artistic style, as well as a vehicle for his critique of the concept of good taste. His 1963 painting Whaam! confronts the viewer with an impact scene from a 1962-era issue of DC Comics’ All American Men of War. Isolated from its larger context, this image combines the playful lettering and brightly colored illustration of the original comic with a darker message about military conflict at the height of the Cold War. Crying Girl from the same year featured another of Lichtenstein’s motifs — a woman in distress, depicted with a mixture of drama and deadpan humor. His work gained a wider audience by creating a comic-inspired mural for the New York State Pavilion of the 1964 World's Fair, he went on to be represented by legendary New York gallerist Leo Castelli for 30 years.
In the 1970s and ’80s, Lichtenstein experimented with abstraction and began exploring basic elements of painting, as in this 1989 work Brushstroke Contest. In addition to paintings in which the brushstroke itself became the central subject, in 1984 he created a large-scale sculpture called Brushstrokes in Flight for the Port Columbus International Airport in Ohio. Still Life with Windmill from 1974 and the triptych Cow Going Abstract from 1982 both demonstrate a break from his earlier works where the subjects were derived from existing imagery. Here, Lichtenstein paints subjects more in line with the norms of art history — a pastoral scene and a still life — but he has translated their compositions into his signature graphic style, in which visual elements of printed comics are still a defining feature.
Lichtenstein’s work is represented in the collections of the Metropolitan Museum of Art, the Museum of Modern Art, Tate Modern, and many others. He was awarded National Medal of Arts in 1995, two years before he passed away.
Find a collection of Roy Lichtenstein prints, drawings and more on 1stDibs.
- Plate 1, from Derriere Le Miroir #156By Alexander CalderLocated in Washington, DCAlexander Calder Derriere le Miroir #156 (Plate 1) Artist: Alexander Calder Title: (Plate 1) Derriere le Miroir #156 Portfolio: Derriere le Miroir #156 Medium: Original lithograph Ye...Category
1960s Abstract Prints
MaterialsLithograph
- Plate 2, from Derriere Le Miroir #156By Alexander CalderLocated in Washington, DCArtist: Alexander Calder Title: Plate 2 (Derriere le Miroir #156) Portfolio: Derriere le Miroir #156 Medium: Lithograph Year: 1966 Edition: Unnumbered Frame Size: 21" x 29 1/4" Image...Category
1960s Abstract Prints
MaterialsLithograph
- Red and Blue Spheres, from Derriere le Miroir #201By Alexander CalderLocated in Washington, DCArtist: Alexander Calder Medium: Lithograph Title: Red and Blue Spheres Portfolio: Derriere le Miroir #201 Year: 1973 Edition: Unnumbered Framed Size: 21 1...Category
1960s Abstract Prints
MaterialsLithograph
- Cover, Derriere le Miroir #201By Alexander CalderLocated in Washington, DCArtist: Alexander Calder Medium: Lithograph Title: Cover Portfolio: Derriere le Miroir #201 Year: 1973 Edition: Unnumbered Framed Size: 21 1/2" x 17 1/2" Sheet Size: 15" x 11" Signe...Category
1960s Abstract Prints
MaterialsLithograph
- Derriere le Miroir #173 (Plate 2)By Alexander CalderLocated in Washington, DCArtist: Alexander Calder Medium: Lithograph Title: Derriere le Miroir #173 (Plate 2) Portfolio: Derriere le Miroir #173 Year: 1968 Edition: Unnumbered Framed Size: 22" x 29 1/4" Shee...Category
1960s Abstract Prints
MaterialsLithograph
- Derriere le Miroir #201By Alexander CalderLocated in Washington, DCArtist: Alexander Calder Medium: Lithograph Title: Derriere le Miroir #201 Portfolio: Derriere le Miroir #201 Year: 1973 Edition: Unnumbered Framed ...Category
1960s Abstract Prints
MaterialsLithograph
- Lithograph Belgian American Surrealism WPA Modernist Karl Fortess Surrealist ArtLocated in Surfside, FLKarl Eugene Fortess (1907-1993) Original color lithographs on BFK Rives paper, 1966, Hand signed and numbered 29/36 in pencil, Sheet size 20.5 x 15 inches. Karl E. Fortess (1907-1993) was a painter, printmaker and teacher, of Boston, Massachusetts and Woodstock, N.Y. Fortess was born in Antwerp, Belgium on October 13, 1907, and became an American citizen in 1923. He studied at the Art Institute of Chicago, the Art Students League in New York, and the Woodstock School of Painting with Yasuo Kuniyoshi. In 1937 the Works Progress Administration sent him and several other artists to Alaska to document the towns, villages, and remote wilderness landscapes (Pemberton, “Alaska art museum collects WPA’s Depression works from the territory,” Columbia Daily Tribune, November 9, 2003). Trains, trucks, and industrial buildings were what Karl Fortess envisioned when the Public Works of Art Project suggested that he depict “the American Scene.” His work bears the influence of Surrealism, Russsian Constructivist art and Cubism. He was part of a circle of left leaning artists loosley involved with the WPA which included Sol Wilson, Isaac Soyer, Louis Lozowick, Abraham Harriton, Ben Shahn, William Gropper, Nahum Tschacbasov, Morris Shulman, Yasuo Kuniyoshi, Louis Slobodkin, Adolf Dehn, Le Corbusier and Louis Schanker. Karl Fortress taught at the Art Students League, Brooklyn Museum Art School, Louisiana State University, Fort Wright College, and Boston University School of Fine and Applied Arts. He was a member of the Artists Equity Association, Society of American Graphic Artists, American Association of University Professors, and the British Film Institute. He was awarded the Guggenheim Fellowship in 1946, was named an Associate of the National Academy of Design in 1960 and elected to full Academician in 1971. Fortess taught at many different schools, including Boston University School of Fine Art, where he also created an archive of interviews with more than two hundred and fifty contemporary American painters, sculptors, and graphic artists including many with with artists associated with the Woodstock, N.Y. art community. Among the interviewees are Kenneth Armitage, Will Barnet, Romare Bearden, George Biddle, James Brooks, Adolph Dehn, Jane Freilicher, Julian Levi, Alice Neel, Larry Rivers, Moses Soyer, Dorothy Varian...Category
Mid-20th Century Surrealist Landscape Prints
MaterialsLithograph
- 8 Million Tons of Plastic That Go Into the Sea Each YearLocated in New Orleans, LAThis image is a Tamarind lithograph printed on Bisque Revere Suede bearing Tamarind chop, printer's chop and artist signature. The edition was 95 impressions. Hayal Pozantı...Category
21st Century and Contemporary Abstract Abstract Prints
MaterialsLithograph
$420 Sale Price65% Off - Wild PathBy Ronald Julius ChristensenLocated in San Francisco, CAArtist: Ronald Julius Christensen – American (1923-1999) Title: Wild Path Year: circa 1980 Medium: Color Lithograph on BFK Rives paper Image size: 26 x 18 inches. Sheet size: 30 x 22.5 inches Signature: Signed lower right Edition size: 295 This one: 263/295 Condition: Good Unframed This exceptional vivid lithograph is by noted artist Ronald Julius Christensen (1923-1999). It makes use of vivid colors and bold strokes. The print is in good, never-framed condition with some faint creases near the upper and lower edges of the sheet as well as some faint, tiny tiny spots in the upper left corner visible in strong light. Born in Quincy, Massachusetts, Ronald Christensen established a fine-art career as a printmaker, painter and muralist in Boston where he had studied at the Boston Museum School of Fine Art and the Vesper George School of Art. He became a teacher in Color Theory at the New England School of Art in Boston in 1963. Exhibition venues included the National Academy of Design (1965) and the Rhode Island Art...Category
1980s Impressionist Landscape Prints
MaterialsPaper, Lithograph
- CarnivalBy Richard FlorsheimLocated in New York, NYRichard Florsheim created this color lithograph entitled “Carnival” in 1972 in an edition of 30 pieces. Published by Associated American Artists and printed by Landfall Press, this i...Category
1970s American Modern Abstract Prints
MaterialsLithograph
- Approaching StormBy Richard FlorsheimLocated in New York, NYRichard Florsheim created this color lithograph entitled “Approaching Storm” in 1967 in an edition of 125 pieces. Published by Associated American Artists and printed by Mourlot Press, Paris, this impression is signed and inscribed “Artist Proof.” It is in good condition with full original color. The printed image size is 28.25 x 19 3/4 inches and the paper size is 31.12 x 22 inches. RICHARD ABERLE...Category
1960s American Modern Landscape Prints
MaterialsLithograph
- Butterfly Nets, Surrealist Lithograph by Wojtek KowalczykLocated in Long Island City, NYButterfly Nets Wojtek Kowalczyk, Polish (1960) Date: 2005 Lithograph, signed in pencil Size: 13.5 in. x 19.5 in. (34.29 cm x 49.53 cm)Category
Early 2000s Surrealist Landscape Prints
MaterialsLithograph