American Realist Landscape Prints

Original vintage poster: Buy Extra Bonds!, the 1944 U.S. World War II (WWII) War Bonds poster ("Back 'Em Up!") encouraging people to purchase more than the recommended amount of war bonds and featuring Boris Chaliapin...

A beautiful and delicate 19th century image of one of New England's most storied ports. Boston: Estes & Lauriat Editions, 1882 Etching on cream laid paper, 2 3/4 x 5 1/4 inches (68 ...

"The Last War-Whoop!" is a lithograph by Currier & Ives. The framed size is 26 x 32.62 x 1.25 inches. Provenance: Private Collection

Etching with aquatint on heavy laid paper, 7 x 9 1/4 inches (172 x 233 mm), full margins. Signed in the plate, lower right image area. Minor corner loss, top right, and a 1/4 inch ed...

Lobsterman's Cove, Winter Harbor, Maine Lithograph, 1941 Signed in pencil lower right (see photo) Edition 50 Impressions are in the collection of the Pennsylvania Academy of the Fine...

Carrera de Veleros Regata, an original vintage sailing poster: Carrera de Veleros, Corpus Christi to Tampico Regata, April 17th. Texas - U.S....

A beautiful and delicate 19th century image of late autumn in New England. Boston: Estes & Lauriat Editons, 1888. Etching on cream laid paper, 6 x 11 inches (150 x 278 mm), full ma...

Original "Clear the Way !!" Buy Bonds Fourth Liberty Loan vintage poster.. With Lady Liberty holding the U. S. Flag above the soldiers prepari...

Backyard II Lithograph, 1972 Signed lower right Signed lower right Annotated: Printer's Proof Reference: Karl Lunde 58 An impression is in the collection of the Art Institute of Chic...

Original French Line Normandie horizontal cruise line shipping lithograph. Artist Albert Sebillle with signature in the plate, lower right corner. Arch...

Tug Boat in New York Harbor Screen print, c. 1942 Signed in the screen lower right (see photo) Condition: Excellent Image size: 16 x 20 inches Published by Li...

Mystery monogrammed early San Francisco etching. Great little piece of San Francisco history showing a lighthouse in Golden Gate. Etching measure...

Original Linen backed vintage travel poster. De Rouen au Havre et vice versa par la Seine Maritime. Billets directs aller et retour Chemin de Fer et Bateau. Chemins de Fer de L...

In this captivating image, the grandeur of the Brooklyn Bridge is illuminated under the cloak of night, while a tumultuous thunderstorm rages overhead. The darkened sky crackles with...

In this captivating image, a dark city skyline comes alive under the dramatic spectacle of lightning. The tallest building stands as a majestic beacon, capturing the electrifying ene...

This artwork titled 'Winter Tracery (Milford Connecticut)" is an original drypoint etching by noted American artist Philip Kappel, 1901-1981. It is hand signed and titled in pencil by the artist. The plate mark (Image) size is 9 x 12 inches, framed size is 17.25 x 21.25 inches. Custom framed in a wooden light grey frame, with light grey matting and black color fillet. It is in excellent condition. About the artist: Philip Kappel — painter, illustrator, printer, writer, and lecturer — was born on February 10, 1901 in Hartford, CT and died in 1981. Kappel is best remembered for his landscapes, portraits, figures, marine, lithography, and etching. He held a teaching position with H. B. Snell, Boothbay, ME Studios, 1923 and 1924. His addresses in 1929 were 500 Fifth Avenue in New York City and, for the summer, care of Philip Little, 10 Chestnut Street, Salem, MA; and in 1935, Sarasota, FL. Kappel was a pupil of the Pratt Institute Art School in Brooklyn, NY and Philip Little (1857-1942) and held memberships with the North Shore Artists Association in Gloucester, MA; the Marblehead...

"Morning By The Bay" features a colorful street scene leading to the sparkling Caribbean sea, and is a quintessential example of Tom Swimm's enhanced realism. This colorful hand pulled 90 color serigraph exhibits all of the bold colors and strong composition that Swimm is known for. It is hand signed by the artist in an edition of 240 including Artist Proofs. The serigraph features hand torn deckled edges so that the artwork can be floated in a frame with no margins (the artist signs in oil on the image.) Born and raised on the East Coast, he had a successful career as an advertising commercial artist in New York, then resettled in southern California with his wife and son in 1982. Inspired by the light and landscape of the West Coast, he renewed his passion for painting and was accepted for his first exhibition in the Festival Of Arts in Laguna Beach, California in 1988. His paintings soon became recognizable for their exceptional use of light and color -- a style that he continues to develop with each new work. To quote the artist: “Light is the most important aspect of my work, offering the ultimate challenge and reward. To capture its elusive qualities on canvas offers great personal satisfaction, and it’s what I thrive on artistically.” To seek inspiration, the artist travels extensively, working from photos and sketches that he uses for reference, then creates his original oils...

This artwork titled "Drenched (Lincoln Park, Chicago)" c.1960 is an original drypoint etching by noted Chicago artist James Swann, 1905-1985. It is hand s...

SINGLIN' OUT by the American Western artist Conrad Schwiering, is a hand drawn limited edition lithograph printed using hand lithography techniques o...

Basilica of Madeleine, Vezelay Etching, 1929 Signed and dated lower right (see photo) Annotated: "Third State" lower left Printed on a sheet of old book paper From: French Church Ser...

RGRFineArts is pleased to present a fresh never framed etching of the Duke University Medical Center facade from the Duke Centennial Series. Other images from the series are availab...

Robert W Addison Waiting - 1996 Print – Lithograph on Arches Archival Paper Stamped signature and marked 157/250 Image size 30” x 22” inches Paper 35"x 27½" inches Robert Addison worked at Ficho & Corley art studio in the John Hancock...

Original, linen-backed travel by Cunard Line cruise ship R.S.S. "Caronia" horizontal poster. This original poster is ready to frame. RMS Caronia ...

City Park, Winter Lithograph, c. 1947 Signed in pencil lower right (see photo) Published by Associated American Artists Printed by George C. Miller, New York Edition: c. 250 In the Bohrod papers at Syracuse University, the artist states that it is a view of Pittsburgh. It depicts the George Washington Monument in Allegheny Commons Park, dedicated in 1891. The sculptor f the monument is Edward Ludwig Albert Pausch (1856-1931). Condition: Excellent Image size: 9 1/4 x 13 7/16 inches Frame size: 19 x 23 inches Provenance: Estate of Adolf Dehn Reference: AAA Index No. 848 Aaron Bohrod (21 November 1907 – 3 April 1992) was an American artist best known for his trompe-l'œil still-life paintings. Education Bohrod was born in Chicago in 1907, the son of an emigree Bessarabian-Jewish grocer. Bohrod studied at the School of the Art Institute of Chicago and the Art Students League of New York between 1926 and 1930. While at the Art Students League, Bohrod was influenced by John Sloan and chose themes that involved his own surroundings. Career He returned to Chicago in 1930 where he painted views of the city and its working class. He eventually earned Guggenheim Fellowships which permitted him to travel throughout the country, painting and recording the American scene. His early work won him widespread praise as an important social realist and regional painter and printmaker and his work was marketed through Associated American Artists in New York. Bohrod completed three commissioned murals for the Treasury Departments Section of Fine Arts in Illinois; Vandalia in 1935, Galesburg in 1938 and Clinton in 1939. During World War II, Bohrod worked as an artist; first in the Pacific for the United States Army Corps of Engineers' Army War Art Unit...

Flag Raising in Leroy Street. Lithograph. 320x245 mm; 12 5/8x9 5/8 inches. Edition of 25. Signed, titled, dated and inscribed "Ed. 25" in pencil, lower ma...

Original linen-backed ‘FLYING TIGERS - A legend in air cargo;, aviation vintage poster for sale. This poster is part of The Smithsonian National Air...

Original BOAC Africa, unfolds the world vintage travel poster. Archivally linen backed in fine condition, ready to frame. British Overseas Airline Corporation This poster ‘unfold the world’ with travel to Africa. The image of a mother elephant with her baby create a cloud of dust as they come into a face to face view. This is one of the seldom if ever seen, original BOAC posters...

"Harbor Rainbow" with rippling water reflections of the blue boat floating in the sea is a quintessential example of Tom Swimm's enhanced realism. This ...

New England Coast (Greenport, New York) Lithograph, 1969 Signed in pencil lower right (see photo) Edition: 350 Published in the book, Stow Wengenroth...

Henry Winzenreid (American, 1892-1981) Untitled (Steamboats and Factories), 20th century Lithograph Sight size: 10 x 14 in. Framed: 17 1/8 x 21 1/4 in. Signed lower right: AP/60 Wi...

Original artwork = $13,000 Limited editions 30 - Square format: 100 x 100 cm - 39,4 x 39,4 in artwork rolled up in a tube 110 x 10 cm, 950 g = 990 Eur artwork framed 106 x 106 x 8 ...

Original vintage poster ZERMATT MATTERHORN SWITZERLAND TWA c.1950. Along the way of TWA. Professional acid-free archival linen backed in fine condition. Ready to frame. Ear...

Original American Airlines, San Francisco – Oakland Bay Bridge vintage travel poster. Printed: 1950. Fly American to California this vacation. Linen backed in fine condition, ready to frame. Artist: Ivan Dmitri. It was also during this time frame that Edward McKnight Kauffer started to produce posters for American. American Airlines' beautiful designs and imagery are still some of the best created. This is an original, 1950 American Airlines travel poster...

Artist: Clarence Holbrook Carter, American (1904 - 2000) Title: Homestead Year: 1979 Medium: Lithograph, signed and numbered in pencil Edition: 200, AP 30 Size: 23 in. x 29 in. (58....

Original Death Valley Monument, American Airlines vintage travel poster. Archivlal linen backed in fine conditon, ready to frame. Horizontal format. Year: 1954 Artist: Hubert A Lowman (1913 - 2006) Death Valley National Monument is a national monument in the United States. It is located in Inyo County, California. The monument is managed by the National Park Service. The monument was established on February 11, 1933. The monument covers an area of 5,362 square kilometers. It is the largest national monument in the United States. The monument is home to a diverse landscape. The landscape includes canyons, mountains, valleys, and deserts. The monument is also home to a variety of plants and animals. Plants in the monument include Joshua trees, creosote bushes, and cacti. Animals in the monument include bighorn sheep...

Original Las Vegas, Always Elvis 1978 vintage poster. Linen backed in very good condition, ready to frame. Photography: R. McGregor. This poster was created to promote Elvis ba...

Original Arizona Oak Creek Canyon TWA Constellation aircraft vintage travel poster. Archival linen backed from the 1950s Excellent condition, ready to frame. Although a few of these posters for Oak Creek Canyon have survived, few if any survived in such fabulous condition. Just south of Flagstaff...

Original The Evergreen Playground Kroll Map Company vintage poster. Archival linen backed in fine condition. A- condition with only 1 small repair on the outer border in the white area. No tears nor stains. This map was originally drawn during the Great Depression by Ed Poland, Chief Cartographer of many years here at Kroll Map Company. A pictorial bird's eye view of the Puget Sound...

This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of w...

The Los Angeles Olympics Torch /runner Original, hand signed and numbered #232/300 "The Olympic Torch Runner". Printed on fine textured paper in 1980 ...

This artwork titled "St Paul De Vence" c.1980 is an original lithograph on Wove paper by noted American artist Sheldon C. Schoneberg, 1926-2012. It is hand signed, titled and inscribed Artist Proof G.S. in pencil by the artist. The image size is 11.25 x 17.75 inches, sheet size is 22 x 30 inches. It is in excellent condition, has never been framed. About the artist: Born in Oak Park, Illinois; family moves to Beverly Hills; Attends El Rodeo, Beverly Hills High then Chouinard Art Institute, Los Angeles; University of Southern California, BFA cum laude. MFA, 1951; Academia di Belle Arti, Rome, 3rd Year Certificate; Universidad Michoacana, Morelia, Mexico, 1952, Graduate School - Fresco Printings. TEACHING: Santa Monica College, 1947; Hollywood Art Center School 1948; Pratt University, New York, 1950; Academic Rank of Full Professor of Art - University of New York, New Paltz, 1964 and University of Southern Maine 1967; Master Drawing Classes, Paris-American Academy of Art, Paris, France 1984-1985, Drawing, Painting and Contemporary Art History- University of New England, Biddeford, Maine 1993 - 2002. CYCLES OF WORKS IN ART: • Biblical, American Indian, Rome 1948-62, Oil Paintings • Drawings Wash and Ink, Wood and Ink, Sepia Conte and Ink, Pastels 1940-1968, California, New York, Maine • Archetypal Frescos 1948-55, Mexico, California, Israel • Goyescas, Satiric Ink and Wash Sketches, Spain and Greece 1954-1962 • Tapestries of the Zodiac 1961-1963, Spain • Para-Mandalas, Collages, Mixed-Media, Oil Paintings 1961-1967 • Flower-Children Series and Flag Series, Charcoal Pastel Drawings, California and Maine 1965-2008 • Bas-Relief polyester Resin Sculpture, Bronze Sculpture, 1966-1968 • The Centaurs Garden Suite, Centre Genevois de Grauvure Contemporaine, Geneva, Switzerland, lithographs on stone and etchings 1971 • Oil Paintings,Landscapes, Portraits, Nudes and Still Lifes, Mykonos, Greece, Spain, California, France, Mexico, Maine, British Columbia, Switzerland 1960-2008 • Barbary Coast Drawings, Full Color and Monochromatic 1967-1994 • The Apocalypse Series, Acrylic and Oil Paintings, Drawings 1973-1983 • Charcoal Pastel Drawings, California, Maine, France, Switzerland 1946-2008 • Metamorphous Series, Charcoal Pastel Collage Drawings on Museum Board 1987-2008 • Collage Series Drawings, San Francisco, Limington, New paltz, Los Angeles 1958-2008 • Poster Series, 90+ Charcoal Pastel Drawings on Museum Board 1985-2008 • Fayum Portrait Series, Charcoal-Pastel and Fauve Drawings 1992-2008 • Formal and Informal Portraits - Oil Paintings, Drawings, Models, Commissions, Compositions, Re-Creations 1942-2008 • Murals- Commissiond, Given and Inspired Oil paintings, Drawings, Acrylic Paintings, Collage Drawings 1936-2008 • Maquettes-100+ small original Charcoal Pastel Drawings for commissions 1970-2008 • The Great Masters of Art Series 1998-2008 • Flower Oil Paintings on Canvas ( Sunflowers, Hydrangas,etc) 2000-2008 EXHIBITIONS: INTERNATIONAL: COMBINED TOTAL OF 214, INCLUDING 82 ONE_MAN EXHIBITIONS. A SELECTION FOLLOWS. • Museum of Munich 1948 • Museum of Morelia, Michoacan, Mexico 1952 • Hellenic-American Union, Athens, Greece 1961 • Casa de Cultura, Malaga, Spain 1964 • Exposition Internationale d'Art de Mode, Val de Grace, Paris, France • 20th Anniversaire Paris American Academy 1985 • Gallery International Inc, St Maarten, Netherlands Antilles 1990-93 • National Museum of Mexico,D.F.1970-2008 Genesis Fresco 12'x35' • Galerie du Carlton, La Croisette, Cannes, France 1964-78 • Galerie des Champs-Elysees, Paris, France 1966-78 • Galeria "M" Copenhagan, Denmark 1967 • Galerie del Cisne, Madrid, Spain • Upper Grosvenor Galleries, London England 1966-68 • Kunsthandel Monet, Amsterdam Holland 1960-80 • Harrison Galleries, Vancouver BC Canada 1970-2008 • Guild Gallerie Calgary, Canada 1975-98 SELECTED EXHIBITIONS: USA • University of Southern California 1950 • Palos Verdes Community Galleries, CA 1955 • Cowie Galleries, Los Angeles, CA 1956 • Los Angeles Municipal Galleries, Barnsdall, CA " Art of the Mural" 1959 • Maxwell Galleries, San Francisco, CA 1962-63 • Raymond Burr Galleries Beverly Hills, CA 1961-64 • Gallery 235, Chicago,IL 1967 • Triton Museum of Art, Santa Clara CA (Retrospective 1969-2008) • Lars Laine Art Galleries, Palm Springs, CA 1969-84 • Two Squares Gallery, Denver, CA 1966-70 • Fisk University Art Museum, Nashville TN 1968 • Lewis Galleries, Omaha Nebraska 1973-2008 • Talberts Galleria Tacoma, WA 1978-2008 • Lyon Art Gallery San Francisco CA 1974-1980 • Owl 57 Galleries Woodmere NY 1979-2008 • Walt Kuhn Galleries, Cape Neddick...

Original Windsor See Britain by Train vintage railroad poster. Linen backed in very fine condition, ready to frame. No restoration to t...

Original “A La Gloire de la Marine A Voiles” vintage French poster. Printed by Mourlot in Paris, France. Edition des Musees Nationaux. ‘To the Glory of the Sailing Navy.' Archival linen backed in good condition, ready to frame. This poster is part of the Paris, Orangerie Museum collection. This is a tribute to the French Navy. The image of a wooden sailing ship at sea. A cloud of smoke...

Original “Emprunt SNCF Souscrivez” vintage French poster. Conservation linen backed in very good condition, ready to frame. Artist: Vecou. Year: 1953 Printer: Editions Paul-Martial, Paris. This poster is 70 years old and looks fresh and vibrant. The image of a train engine appears right in front of you with the electrical grid suspended overhead. The green countryside and small village and towering mountains as the backdrop to this image. This is a full French lithograph. A seldom-seen original vintage SNCF poster...

David Hockney David Hockney. 220 for 2020. Art Edition A No. 1–100 ‘Spilt Ink with Tests', 2021 11-color inkjet print on cotton-fiber archival paper 45.7 × 102.6 cm (18 × 40.4 in) Signed, numbered and dated Edition number 47 In mint condition Unframed Hockney made four different prints, each in an edition of 100, to accompany 400 copies of the book(s). Edition B is numbered, as here, 101-200. Edition A, C and D each have different images for each of their editions, numbered respectively, 1-100, 201-300, and 301-400. There were another 1,620 “collector edition” books numbered in Volume 1, numbered 401-2,200 From a small, picturesque farmhouse in the rich fields and meadows of the northern French region of Normandy, Hockney followed and recorded the changing seasons throughout the COVID-19 pandemic. For the past decade, Hockney’s medium of choice has been the iPad and it was this technological instrument, he used to spontaneously depict impressions of the Norman landscape surrounding him. The two-year project entitled “220 for 2020” documents the passage of time by portraying the first spring blossoms, the smell of summer, the saturated colours of autumn, and the stark shapes of dark branches in winter time. This poetic undertaking represented a lifeline for the artist, and offered its viewers a message of hope in unprecedented times. As part of this project, Hockney included drawings from his “La Grande Cour, Rumesnil, Normadie, 26 Juli 2019”, sketchbook. These almost autobiographical accounts started in the vicinity of the artist’s Los Angeles home...

Original artwork = $16,000 Limited editions 30 - Rectangular format, 3/4 160 x 120 cm - 63 x 47,2 in artwork rolled up in a tube 130 x 10 cm, 1,2 kg = 2 400 Eur artwork framed 166 x...

Born in Newark, New Jersey, Robert Birmelin became a professor of fine arts at Queens College in New York, and is known for paintings that magnify through texture the realism of natu...

David Hockney 220 for 2020. Art Edition D No. 301–400 ‘My Second Drawing of Beuvron-en-Auge’, 2021 11-color inkjet print on cotton-fiber archival paper 45.7 × 102.6 cm (18 × 40.4 in) Signed, numbered and dated Edition number 347 In mint condition Unframed Hockney made four different prints, each in an edition of 100, to accompany 400 copies of the book(s). Edition D is numbered, as here, 301-400. Edition A, B and C, each have different images for each of their editions, numbered respectively, 1-100, 101-200, and 201-300. There were another 1,620 “collector edition” books numbered in Volume 1, numbered 401-2,200. From a small, picturesque farmhouse in the rich fields and meadows of the northern French region of Normandy, Hockney followed and recorded the changing seasons throughout the COVID-19 pandemic. For the past decade, Hockney’s medium of choice has been the iPad and it was this technological instrument, he used to spontaneously depict impressions of the Norman landscape surrounding him. The two-year project entitled “220 for 2020” documents the passage of time by portraying the first spring blossoms, the smell of summer, the saturated colours of autumn, and the stark shapes of dark branches in winter time. This poetic undertaking represented a lifeline for the artist, and offered its viewers a message of hope in unprecedented times. As part of this project, Hockney included drawings from his “La Grande Cour, Rumesnil, Normadie, 26 Juli 2019”, sketchbook. These almost autobiographical accounts started in the vicinity of the artist’s Los Angeles home...

David Hockney 220 for 2020. Art Edition No. 101–200 ‘Self-Portrait in My Living Room’, 2021 11-color inkjet print on cotton-fiber archival paper 45.7 × 102.6 cm (18 × 40.4 in) Signed, numbered and dated Edition number 47 (from an edition of 100) In mint condition Unframed From a small, picturesque farmhouse in the rich fields and meadows of the northern French region of Normandy, Hockney followed and recorded the changing seasons throughout the COVID-19 pandemic. For the past decade, Hockney’s medium of choice has been the iPad and it was this technological instrument, he used to spontaneously depict impressions of the Norman landscape surrounding him. The two-year project entitled “220 for 2020” documents the passage of time by portraying the first spring blossoms, the smell of summer, the saturated colours of autumn, and the stark shapes of dark branches in winter time. This poetic undertaking represented a lifeline for the artist, and offered its viewers a message of hope in unprecedented times. As part of this project, Hockney included drawings from his “La Grande Cour, Rumesnil, Normadie, 26 Juli 2019”, sketchbook. These almost autobiographical accounts started in the vicinity of the artist’s Los Angeles home...

David Hockney David Hockney. 220 for 2020. Art Edition No. 1–100 ‘Spilt Ink with Tests', 2021 11-color inkjet print on cotton-fiber archival paper 45.7 × ...

David Hockney 220 for 2020. Art Edition D No. 301–400 ‘My Second Drawing of Beuvron-en-Auge’, 2021 11-color inkjet print on cotton-fiber archival paper 45.7 × 102.6 cm (18 × 40.4 in) Signed, numbered and dated Edition of 100 In excellent condition Unframed Edition number might vary from what is shown in the pictures The seller can only provide the specific edition number to buyers at the actual point of sale. Please message the seller to request this information at the point of purchase.” About this edition: From a small, picturesque farmhouse in the rich fields and meadows of the northern French region of Normandy, Hockney followed and recorded the changing seasons throughout the COVID-19 pandemic. For the past decade, Hockney’s medium of choice has been the iPad and it was this technological instrument, he used to spontaneously depict impressions of the Norman landscape surrounding him. The two-year project entitled “220 for 2020” documents the passage of time by portraying the first spring blossoms, the smell of summer, the saturated colours of autumn, and the stark shapes of dark branches in winter time. This poetic undertaking represented a lifeline for the artist, and offered its viewers a message of hope in unprecedented times. As part of this project, Hockney included drawings from his “La Grande Cour, Rumesnil, Normadie, 26 Juli 2019”, sketchbook. These almost autobiographical accounts started in the vicinity of the artist’s Los Angeles home...

This 20x30 photograph is part of the Antarctica/Patagonia Series by John Conn taken in 2010. It is printed on 24x36 archival paper. Signed and Numbered. This is currently framed in ...

Original Germany, Bavaria: Munich – the Theatine Church and Felhernhalle vintage poster. Photo by: Jaeger & Goergen, Munich. Printed by the German National Railroad system (Deutsche Reichsbahn). This poster is presumed printed in the 1930s. A lithograph that was printed using blue-toned ink with cream borders. Linen backed in very good condition, ready to frame. The Theatiner Church is a colossal-looking ochre-colored church on Odeonsplatz in Munich built 1663-1692. It was the first baroque church in Bavaria and is one of the very few in Germany. The actual, official name of the Theatine Church is St. Kajetan. The big dome in the background is about 70 meters or 230 feet tall. On the left is the Feldherrnhalle. The model for the building on Odeon Square was the Loggia dei Lanzi in central Florence, which was built in the 14th century. The two monumental lions...

Henriette Wyeth-Hurd Hand signed, Collotype, Limited Edition of 490 Image Size: 20" x 26" framed 28.5 X 34.5 Provenance: printed at Triton Press and has their certificate of authenticity verso. Henriette Wyeth Hurd (1907 – 1997) was an American artist noted for her portraits and still life paintings. The eldest daughter of illustrator N.C. Wyeth, she studied painting with her father and brother Andrew Wyeth at their home and studio in Chadds Ford, Pennsylvania. Henrietta Wyeth was born in Wilmington, Delaware, into an artistic family. Wyeth was the eldest of the five children of noted illustrator N.C. Wyeth and his wife Carolyn Bockius. Her siblings Carolyn and Andrew also became artists, and all three studied with their father. Andrew Wyeth became the most well-known artist of this family. Henriette contracted polio at age 3, which altered her health and use of her right hand. As a result, she learned to draw with her left hand and paint with her right. She grew up on the family farm in Chadds Ford, Pennsylvania, and attended local Quaker schools. She and her siblings were eventually homeschooled because their father distrusted the public school system. She began formal art lessons with her father at age 11, making charcoal studies and geometric shapes. A child prodigy, at age 13 Wyeth was enrolled in the Normal Arts School in Boston, Massachusetts. The next year, in 1921, she entered the Boston Museum of Art Academy. Two years later she moved to Philadelphia to study painting at the Pennsylvania Academy of Fine Arts. By age 16, she was well known as a portraitist and received commissions for paintings of Wilmington residents. Deeply influenced by her father's unique realistic style, she rejected early 20th-century painting styles such as Impressionism and Cubism. She was also socially and politically conservative. As a result, later in life she rejected the progressive movements of the 1960s and 1970s, including the women's movement. She often criticized television and modern culture. At age 21, in 1929 Wyeth married artist Peter Hurd, a fellow student at the Pennsylvania Academy and her father's apprentice. The couple had three children together: Peter Jr., Carolyn, and Michael Hurd. In the mid-1930s they moved to San Patricio, New Mexico, settling on a farm of 40 acres. By 1939, they established the Sentinel Ranch there, gradually acquiring more land until they had 2200 acres. It was in southern New Mexico near Roswell, New Mexico, her husband's birthplace. Wyeth's work spanned portraits of adults and children, still lifes, and floral landscapes. In her work, she "often included objects that related to the subject's interest or personality. She eventually stopped painting children because, as she said, “today...

Original Porsche factory poster. Porsche 25 Years Driving in its Purest Form. Rare, Archival linen-backed original vintage Porsche poster. ...

Originally published by the Gugler Lithograph Company in 1898 as a chromolithograph, 'Panoramic View of Milwaukee, WI, Taken From City Hall Tower' is a giclée print reproduction that...

This artwork titled "Key West Beach" 1947 is an original lithograph on paper by noted American artist Adolf Arthur Dehn, 1895-1968. It is hand signed in penci...

First Edition; one sheet American theater poster; archivally linen backed. Chapter 1: A Trap for the Mounties! "Gunfighters of the Northwest" Last of the White Horse Rebels!. Starring Jack Mahoney, with Clayton Moore, Phyllis Coates, Don Harvey. NSS: 54/2801. Very good condition with the expert restoration of original theater-issued fold marks. (the old movie posters...