Crayon Prints and Multiples

Bold lithograph by Patricia Pearce (American, b. 1948). Numbered ("2/25"), titled ("Kimono 10"), and signed ("Patricia Pearce") along the bottom edge. Presented in a blue-gray mat wi...

John Hubbard (1931-2017) American. 'Marrakech. Morroco coloured lithograph print on paper. Number 48 of 50 made by the artist. Signed lower right. Original glazed frame . John Hub...

Limited edition (18 signed and numbered prints + two artist proofs). This image is from Marvin Berk's "Heatwave" series. Flawless original signed and numbered prints. This art work c...

Angel Ricardo Ricardo Ríos (Cuba, 1965) 'Untitled', 2011 pastel, charcoal on paper Fabriano 300 g. 39.4 x 27.6 in. (100 x 70 cm.) ID: RIC-354 Hand-signed by author

This is an exclusive handprinted unique cyanotype that takes its inspiration from mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-ligh...

Mickey Myers is perhaps best known for her Pop art designs from the 1970s and '80s, where she would make vibrant compositions of Crayola crayons. In her l...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Celebration “O”, Lino-cut chin-coll’e on German Ivory paper Edition: 3 of 5, 2005 Image size: 50 x 33 cm / Sheet size: 79 x 55 cm Unframed "In this piece I use multiple layering of image, repetition of shape, layered shapes to inform my life celebration and my investigation into Indian culture" Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...

Bright colors and abstract textures highlight two shapes, like a pair of eyes, at the center of this etching with watercolor and pastel. Howard Hodgkin based this print on a trip he...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limite...

Archival pigment ink print on archival paper, Edition of 20 Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. He has pursued Master of Scienc...

Howard Hodgkin based this print on a trip he took to visit his good friend and fellow Petersburg Press collaborator David Hockney in Los Angeles. The mid-eighties saw new levels of abstraction in Hodgkin’s work, building exuberantly off the ambiguous spaces of his earlier work. The artist used six colors of paint, producing a unique depth and texture to each print in this edition. Howard Hodgkin was introduced to the etching technique used in DH in Hollywood at Petersburg Press, where he was a long-time collaborator. Soft-ground etching allowed him to work fluidly and spontaneously, giving his prints the characteristic black brushstrokes seen in this print. Paper 8.4 x 11 in. / 21.3 × 27.9 cm Soft-ground etching (from one plate) with hand coloring in watercolor (orange-red, brown, and green) and oil pastel (red and...

There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...