Screen More Prints

"Sandy Bay" is a limited edition printer's proof on paper by Ming Feng, numbered and hand signed by the artist. Includes Letter of Authenticity. Measures approx. 29.5" x 35" (border)...

"Annecy Night" is a limited edition printer's proof on paper by Sam Park, numbered and hand signed by the artist. Includes Letter of Authenticity. Measures approx. 33" x 56.5" (borde...

This is a limited edition on paper by Lea Avizedek. The piece comes hand signed by the artist, numbered, and with a letter of authenticity. Measures approximately 15.5" x 11".

"Room of Splendor" is a limited edition giclee on canvas, bearing Ferjo's authorized signature. Includes Letter of Authenticity. Measures approx. 12" x 10" (image). This item require...

This is a limited edition on paper by Lea Avizedek. The piece comes hand signed by the artist, numbered, and with a letter of authenticity. Measures approximately 20" x 26.5".

"The Harlequin's Gift" is a limited edition serigraph on archival paper by Yuroz. The piece is hand signed by the artist, numbered, and accompanied by a certificate of authenticity. ...

Wyland's exquisite and colorful paintings are expressive, emotive and world-famous. "Wyland: Visions Of The Sea" (2008) is a deluxe Collector's Fine Art hardcover book: 360 pages of full color text and images! Comes in a special Collector's Gift Box and includes an Open Edition Lithograph of the original photograph used for the creation of Wyland's "Great Whale Sunset", measuring approx. 10.5" x 8" (with border); 10" x 7" (image). This limited edition commemorative book is numbered out of only 2000, and features a vellum front page that is numbered, hand signed and thumb-printed by Wyland! Foreword by Ernest H...

"Warm Tropical Waters" is a limited edition giclee on canvas, numbered and hand signed by Wyland! Includes Certificate of Authenticity! Measures approx. 43" x 26" (image).

"May I Touch Your Music" is a limited edition serigraph on archival paper by Yuroz. The piece is hand signed by the artist, numbered, and accompanied by a certificate of authenticity...

This is a limited edition serigraph on deckle edged paper by Alexander Galtchansky (1959-2008) and Tanya Wissotzky (1959-2006). It is numbered and hand signed and includes a letter o...

"There's Music: New Jersey, New York, Long Island Too!!" is a 3D limited edition silk screen construct on paper by Charles Fazzino, numbered and hand signed by the artist. This piece...

This is a limited edition on paper by Slava Brodinsky. The piece comes hand signed by the artist, numbered, and with a letter of authenticity. Measures approximately 12.5" x 12".

"A Tasting in Wine Country" is a 3D limited edition silk screen construct on paper by Charles Fazzino, DX numbered and hand signed by the artist. This piece comes custom framed. Incl...

This is a limited edition serigraph on deckle edged paper by Alexander Galtchansky (1959-2008) and Tanya Wissotzky (1959-2006). It is numbered and hand signed and includes a letter o...

"Narnia" is a limited edition giclee on canvas by John Alvin (1948-2008), numbered and hand signed by the artist. This piece is licensed by Disney Fine Art. Includes Letter of Authen...

Artist: Robert Indiana, American (1928 - 2018) Title: Die Deutsche Liebe (The German LOVE) from the American Dream Portfolio Year: 1968 (1997) Medium: Silkscreen on Wove Paper Editio...

Robert Indianna (American, 1928-2018) 4 Americans in Paris, 1970 Screenprint Framed: 46 1/4 x 23 x 3/4 in. Signed in the plate: (c) R Indiana 1970 Published by American Image, distr...

"Harbor at Honfleur" is a hand embellished limited edition publisher's proof on stretched canvas by Sam Park, numbered and hand signed by the artist. Includes Letter of Authenticity....

This is a limited edition on paper by Lea Avizedek. The piece comes hand signed by the artist, numbered, and with a letter of authenticity. Measures approximately 31.5" x 27.5".

"Smoke Staircase" is a limited Japanese edition giclee on canvas by Peter Ellenshaw (1913-2007), numbered and hand signed by the artist. This piece is licensed by Disney Fine Art. In...

This is a limited edition on paper by Ben Avram. The piece comes hand signed by the artist, numbered, and with a letter of authenticity. Measures approximately 24" x 16.5".

"Home Hole at Shinnecock" is a limited edition serigraph on paper by LeRoy Neiman (1921-2012), numbered 96/300 and hand signed by the artist. Includes Letter of Authenticity. Measure...

In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant cont...

"Red Cherries" is a limited edition serigraph on deckle edged paper by Alexander Galtchansky (1959-2008) and Tanya Wissotzky (1959-2006). It is numbered and hand signed and includes ...

"Beauty Beyond Believing" is a limited edition serigraph on paper by Eyvind Earle (1916-2000). The piece is numbered, hand-signed by the artist, and accompanied by a certificate of a...

Robert Indiana (1928-2018) was a pre-eminent figure of American Pop art, best known for his iconic masterpiece "LOVE", which remains one of the most famous and sought-after artworks ...

"Toast To Love" is a limited edition serigraph on canvas by Yuroz. The piece is hand signed by the artist, numbered, and accompanied by a certificate of authenticity. Measures approx...

"Shall (Suite)" is a 2-piece limited edition printer's proof on paper by Royo. This item consists of the titles, "El Clavales" and "El Matron". Each piece his hand signed by the arti...

"Bookcase II" is a limited edition serigraph on paper by Adriana Naveh. The piece comes hand signed by the artist, numbered, and with a letter of authenticity. Measures approximately...

This is a limited edition on paper by Ben Avram. The piece comes hand signed by the artist, numbered, and with a letter of authenticity. Measures approximately 24" x 16.5".

"Mickey's Dream" is a limited edition giclee on canvas by Peter Ellenshaw (1913-2007), numbered and hand signed by the artist. This piece is licensed by Disney Fine Art. Includes Let...

"Jour du Soleil" is a limited edition serigraph on paper by LeRoy Neiman (1921-2012), numbered 136/250 and hand signed by the artist. Includes Letter of Authenticity. Measures approx...

"St Emilion" is a limited edition printer's proof on paper by Sam Park, numbered and hand signed by the artist. Includes Letter of Authenticity. Measures approx. 40.5" x 49" (border)...

"Secret Sharer" is a limited edition giclee on canvas by Pino (1939-2010), numbered and hand signed by the artist. Includes Certificate of Authenticity. Measures approx. 30" x 40" (i...

This artwork titled "Old City of Warsaw" 1994 is an original color serigraph by Ukrainian/American artist Anatole Krasnyansky, 1930-2023. It is hand signed, titled and numbered 117/...

Bob and Roberta Smith Art Makes Children Powerful, 2022 Silkscreen print on paper hand-signed and numbered by the artist 52 x 52 cm Edition of 50...

"Starry Nights Glow" is a limited edition giclee on canvas, numbered and bearing Ferjo's authorized signature. This piece comes gallery wrapped. Includes Letter of Authenticity. Meas...

"The Light Blue Couch" is a limited edition serigraph on archival paper by Yuroz. The piece is hand signed by the artist, numbered, and accompanied by a certificate of authenticity. ...

This is a limited edition on paper by Lea Avizedek. The piece comes hand signed by the artist, numbered, and with a letter of authenticity. Measures approximately 27" x 20".

Black/White/Black, 1970 Screenprint in colors on Special Arjomari Edition of 75 42 1/4 x 29 3/4 in. Publisher: Gemini G.E.L., Los Angeles

Günter Fruhtrunk (German, 1923-1982) Quadrat und Kreis, 1959 Medium: Screenprint on card Dimensions: 57 x 85.5 cm Edition of 25: Hand-signed in pencil (on verso), not numbered Catalo...

"The American Indian Series" is a vintage poster by Andy Warhol (1928-1987) from the Ace Gallery, Los Angeles, CA. This piece is hand signed and dated (1985) by Warhol. This piece co...

"Dead Men Tell No Tales" is limited edition giclee on canvas by John Alvin (1948-2008), numbered and bearing the estate signature of the artist. This piece is licensed by Disney Fine...

Silkscreen on Arches paper, Hand signed and Numbered in Pencil. Serigraph in white, back, blue gray (silver). Chryssa Vardea-Mavromichali (Greek: Χρύσα Βαρδέα-Μαυρομιχάλη; December 31, 1933 – December 23, 2013) was a Greek American artist who worked in a wide variety of media. An American art pioneer in light art and luminist sculpture widely known for her neon, steel, aluminum and acrylic glass installations, she has always used the mononym Chryssa professionally. She worked from the mid-1950s in New York City studios and worked since 1992 in the studio she established in Neos Kosmos, Athens, Greece. Chryssa was born in Athens into the famous Mavromichalis family from the Mani Peninsula. one of her sisters, who studied medicine, was a friend of the poet and novelist Nikos Kazantzakis. Chryssa began painting during her teenage years and also studied to be a social worker.In 1953, on the advice of a Greek art critic, her family sent her to Paris to study at the Académie de la Grande Chaumiere where Andre Breton, Edgard Varese, and Max Ernst were among her associates and Alberto Giacometti was a visiting professor. In 1954, at age twenty-one, Chryssa sailed for the United States, arrived in New York and went to San Francisco, California to study at the California School of Fine Arts. Returning to New York in 1955, she became a United States citizen and established a studio in the city. Chryssa's first major work was The Cycladic Books preceded American minimalism by seventeen years. 1961, Chryssa's first solo exhibition was mounted at The Guggenheim. 1963, Chryssa's work was shown at the Museum of Modern Art in curator Dorothy Canning Miller's Americans 1963 exhibition. The artists represented in the show also included Richard Anuszkiewicz, Lee Bontecou, Robert Indiana, Richard Lindner, Marisol, Claes Oldenburg, Ad Reinhardt, James Rosenquist and others. 1966, The Gates to Times Square, regarded as "one of the most important American sculptures of all time" and "a thrilling homage to the living American culture of advertising and mass communications." The work is a 10 ft cube installation of two huge letter 'A's through which visitors may walk into "a gleaming block of stainless steel and Plexiglas that seems to quiver in the play of pale blue neon light" which is controlled by programmed timers. First shown in Manhattan's Pace Gallery, it was given to the Albright-Knox Art Gallery in Buffalo, New York in 1972. 1972, The Whitney Museum of American Art mounted a solo exhibition of works by Chryssa. That's All (early 1970s), the central panel of a triptych related to The Gates of Times Square, was acquired by the Museum of Modern Art between 1975 and 1979. 1973, Chryssa's solo exhibition at the Gallerie Denise René was reviewed for TIME magazine by art critic Robert Hughes before it went on to the Galleries Denise René in Düsseldorf and Paris. Other works by Chryssa in composite honeycomb aluminum and neon in the 1980s and 1990s include Chinatown, Siren, Urban Traffic, and Flapping Birds. Chryssa 60/90 retrospective exhibition in Athens in the Mihalarias Art Center. After her long absence from Greece, a major exhibition including large aluminum sculptures - cityscapes, "neon boxes" from the Gates to the Times Square, paintings, drawings etc. was held in Athens. In 1992, after closing her SoHo studio, which art dealer Leo Castelli had described as "one of the loveliest in the world," Chryssa returned to Greece. She found a derelict cinema which had become a storeroom stacked with abandoned school desks and chairs, behind the old Fix Brewery near the city center in Neos Kosmos, Athens. Using the desks to construct enormous benches, she converted the space into a studio for working on designs and aluminum composite honeycomb sculptures...

This screen print, “A Cracked Icon,” is a reference to one of my favorite musicians, David Bowie, and his song “Cracked Actor.” I’m fascinated by how we process fragmentation and mut...

"A Celebration of Spirit" is a 3D limited edition silk screen construct on paper by Charles Fazzino, numbered and hand signed by the artist. This piece comes custom framed. Includes ...

"Love and Romance" is a limited edition serigraph on deckle edged paper by Alexander Galtchansky (1959-2008) and Tanya Wissotzky (1959-2006). It is numbered and hand signed and inclu...

"Hotel De L'ecluse" is a limited edition printer's proof on paper by Jim Buckels, numbered and hand signed by the artist. Includes Letter of Authenticity. Measures approx. 28.5" x 34...

"Seaside Vista" is a limited edition printer's proof on paper by Ming Feng, numbered and hand signed by the artist. Includes Letter of Authenticity. Measures...

Silkscreen on Arches paper, Hand signed and Numbered in Pencil. Serigraph in black, gray (silver). Chryssa Vardea-Mavromichali (Greek: Χρύσα Βαρδέα-Μαυρομιχάλη; December 31, 1933 – December 23, 2013) was a Greek American artist who worked in a wide variety of media. An American art pioneer in light art and luminist sculpture widely known for her neon, steel, aluminum and acrylic glass installations, she has always used the mononym Chryssa professionally. She worked from the mid-1950s in New York City studios and worked since 1992 in the studio she established in Neos Kosmos, Athens, Greece. Chryssa was born in Athens into the famous Mavromichalis family from the Mani Peninsula. one of her sisters, who studied medicine, was a friend of the poet and novelist Nikos Kazantzakis. Chryssa began painting during her teenage years and also studied to be a social worker.In 1953, on the advice of a Greek art critic, her family sent her to Paris to study at the Académie de la Grande Chaumiere where Andre Breton, Edgard Varese, and Max Ernst were among her associates and Alberto Giacometti was a visiting professor. In 1954, at age twenty-one, Chryssa sailed for the United States, arrived in New York and went to San Francisco, California to study at the California School of Fine Arts. Returning to New York in 1955, she became a United States citizen and established a studio in the city. Chryssa's first major work was The Cycladic Books preceded American minimalism by seventeen years. 1961, Chryssa's first solo exhibition was mounted at The Guggenheim. 1963, Chryssa's work was shown at the Museum of Modern Art in curator Dorothy Canning Miller's Americans 1963 exhibition. The artists represented in the show also included Richard Anuszkiewicz, Lee Bontecou, Robert Indiana, Richard Lindner, Marisol, Claes Oldenburg, Ad Reinhardt, James Rosenquist and others. 1966, The Gates to Times Square, regarded as "one of the most important American sculptures of all time" and "a thrilling homage to the living American culture of advertising and mass communications." The work is a 10 ft cube installation of two huge letter 'A's through which visitors may walk into "a gleaming block of stainless steel and Plexiglas that seems to quiver in the play of pale blue neon light" which is controlled by programmed timers. First shown in Manhattan's Pace Gallery, it was given to the Albright-Knox Art Gallery in Buffalo, New York in 1972. 1972, The Whitney Museum of American Art mounted a solo exhibition of works by Chryssa. That's All (early 1970s), the central panel of a triptych related to The Gates of Times Square, was acquired by the Museum of Modern Art between 1975 and 1979. 1973, Chryssa's solo exhibition at the Gallerie Denise René was reviewed for TIME magazine by art critic Robert Hughes before it went on to the Galleries Denise René in Düsseldorf and Paris. Other works by Chryssa in composite honeycomb aluminum and neon in the 1980s and 1990s include Chinatown, Siren, Urban Traffic, and Flapping Birds. Chryssa 60/90 retrospective exhibition in Athens in the Mihalarias Art Center. After her long absence from Greece, a major exhibition including large aluminum sculptures - cityscapes, "neon boxes" from the Gates to the Times Square, paintings, drawings etc. was held in Athens. In 1992, after closing her SoHo studio, which art dealer Leo Castelli had described as "one of the loveliest in the world," Chryssa returned to Greece. She found a derelict cinema which had become a storeroom stacked with abandoned school desks and chairs, behind the old Fix Brewery near the city center in Neos Kosmos, Athens. Using the desks to construct enormous benches, she converted the space into a studio for working on designs and aluminum composite honeycomb sculptures...

Silkscreen on Arches paper, Hand signed and Numbered in Pencil. Serigraph in blue gray (silver). Chryssa Vardea-Mavromichali (Greek: Χρύσα Βαρδέα-Μαυρομιχάλη; December 31, 1933 – December 23, 2013) was a Greek American artist who worked in a wide variety of media. An American art pioneer in light art and luminist sculpture widely known for her neon, steel, aluminum and acrylic glass installations, she has always used the mononym Chryssa professionally. She worked from the mid-1950s in New York City studios and worked since 1992 in the studio she established in Neos Kosmos, Athens, Greece. Chryssa was born in Athens into the famous Mavromichalis family from the Mani Peninsula. one of her sisters, who studied medicine, was a friend of the poet and novelist Nikos Kazantzakis. Chryssa began painting during her teenage years and also studied to be a social worker.In 1953, on the advice of a Greek art critic, her family sent her to Paris to study at the Académie de la Grande Chaumiere where Andre Breton, Edgard Varese, and Max Ernst were among her associates and Alberto Giacometti was a visiting professor. In 1954, at age twenty-one, Chryssa sailed for the United States, arrived in New York and went to San Francisco, California to study at the California School of Fine Arts. Returning to New York in 1955, she became a United States citizen and established a studio in the city. Chryssa's first major work was The Cycladic Books preceded American minimalism by seventeen years. 1961, Chryssa's first solo exhibition was mounted at The Guggenheim. 1963, Chryssa's work was shown at the Museum of Modern Art in curator Dorothy Canning Miller's Americans 1963 exhibition. The artists represented in the show also included Richard Anuszkiewicz, Lee Bontecou, Robert Indiana, Richard Lindner, Marisol, Claes Oldenburg, Ad Reinhardt, James Rosenquist and others. 1966, The Gates to Times Square, regarded as "one of the most important American sculptures of all time" and "a thrilling homage to the living American culture of advertising and mass communications." The work is a 10 ft cube installation of two huge letter 'A's through which visitors may walk into "a gleaming block of stainless steel and Plexiglas that seems to quiver in the play of pale blue neon light" which is controlled by programmed timers. First shown in Manhattan's Pace Gallery, it was given to the Albright-Knox Art Gallery in Buffalo, New York in 1972. 1972, The Whitney Museum of American Art mounted a solo exhibition of works by Chryssa. That's All (early 1970s), the central panel of a triptych related to The Gates of Times Square, was acquired by the Museum of Modern Art between 1975 and 1979. 1973, Chryssa's solo exhibition at the Gallerie Denise René was reviewed for TIME magazine by art critic Robert Hughes before it went on to the Galleries Denise René in Düsseldorf and Paris. Other works by Chryssa in composite honeycomb aluminum and neon in the 1980s and 1990s include Chinatown, Siren, Urban Traffic, and Flapping Birds. Chryssa 60/90 retrospective exhibition in Athens in the Mihalarias Art Center. After her long absence from Greece, a major exhibition including large aluminum sculptures - cityscapes, "neon boxes" from the Gates to the Times Square, paintings, drawings etc. was held in Athens. In 1992, after closing her SoHo studio, which art dealer Leo Castelli had described as "one of the loveliest in the world," Chryssa returned to Greece. She found a derelict cinema which had become a storeroom stacked with abandoned school desks and chairs, behind the old Fix Brewery near the city center in Neos Kosmos, Athens. Using the desks to construct enormous benches, she converted the space into a studio for working on designs and aluminum composite honeycomb sculptures...

Silkscreen on Arches paper, Hand signed and Numbered in Pencil. Serigraph in yellow, red, silver Chryssa Vardea-Mavromichali (Greek: Χρύσα Βαρδέα-Μαυρομιχάλη; December 31, 1933 – December 23, 2013) was a Greek American artist who worked in a wide variety of media. An American art pioneer in light art and luminist sculpture widely known for her neon, steel, aluminum and acrylic glass installations, she has always used the mononym Chryssa professionally. She worked from the mid-1950s in New York City studios and worked since 1992 in the studio she established in Neos Kosmos, Athens, Greece. Chryssa was born in Athens into the famous Mavromichalis family from the Mani Peninsula. one of her sisters, who studied medicine, was a friend of the poet and novelist Nikos Kazantzakis. Chryssa began painting during her teenage years and also studied to be a social worker.In 1953, on the advice of a Greek art critic, her family sent her to Paris to study at the Académie de la Grande Chaumiere where Andre Breton, Edgard Varese, and Max Ernst were among her associates and Alberto Giacometti was a visiting professor. In 1954, at age twenty-one, Chryssa sailed for the United States, arrived in New York and went to San Francisco, California to study at the California School of Fine Arts. Returning to New York in 1955, she became a United States citizen and established a studio in the city. Chryssa's first major work was The Cycladic Books preceded American minimalism by seventeen years. 1961, Chryssa's first solo exhibition was mounted at The Guggenheim. 1963, Chryssa's work was shown at the Museum of Modern Art in curator Dorothy Canning Miller's Americans 1963 exhibition. The artists represented in the show also included Richard Anuszkiewicz, Lee Bontecou, Robert Indiana, Richard Lindner, Marisol, Claes Oldenburg, Ad Reinhardt, James Rosenquist and others. 1966, The Gates to Times Square, regarded as "one of the most important American sculptures of all time" and "a thrilling homage to the living American culture of advertising and mass communications." The work is a 10 ft cube installation of two huge letter 'A's through which visitors may walk into "a gleaming block of stainless steel and Plexiglas that seems to quiver in the play of pale blue neon light" which is controlled by programmed timers. First shown in Manhattan's Pace Gallery, it was given to the Albright-Knox Art Gallery in Buffalo, New York in 1972. 1972, The Whitney Museum of American Art mounted a solo exhibition of works by Chryssa. That's All (early 1970s), the central panel of a triptych related to The Gates of Times Square, was acquired by the Museum of Modern Art between 1975 and 1979. 1973, Chryssa's solo exhibition at the Gallerie Denise René was reviewed for TIME magazine by art critic Robert Hughes before it went on to the Galleries Denise René in Düsseldorf and Paris. Other works by Chryssa in composite honeycomb aluminum and neon in the 1980s and 1990s include Chinatown, Siren, Urban Traffic, and Flapping Birds. Chryssa 60/90 retrospective exhibition in Athens in the Mihalarias Art Center. After her long absence from Greece, a major exhibition including large aluminum sculptures - cityscapes, "neon boxes" from the Gates to the Times Square, paintings, drawings etc. was held in Athens. In 1992, after closing her SoHo studio, which art dealer Leo Castelli had described as "one of the loveliest in the world," Chryssa returned to Greece. She found a derelict cinema which had become a storeroom stacked with abandoned school desks and chairs, behind the old Fix Brewery near the city center in Neos Kosmos, Athens. Using the desks to construct enormous benches, she converted the space into a studio for working on designs and aluminum composite honeycomb sculptures...

The complete portfolio of 4 individual pieces. Each with the Keith Haring Estate stamp verso, signed in pencil by the Executor for the Estate, Julia Gruen, and numbered 26/200. Publi...

"Misfits" is a limited edition silkscreen on deckle edge paper by Hijack (son of acclaimed artist Mr. Brainwash), numbered and hand signed by the artist. Includes Certificate of Auth...

"Concert On The Beach" is a limited edition serigraph on archival paper by Yuroz. The piece is hand signed by the artist, numbered, and accompanied by a certificate of authenticity. ...

This is a hand embellished, limited edition serigraph on canvas by Alexander Galtchansky (1959-2008) and Tanya Wissotzky (1959-2006). It is numbered and hand signed and includes a le...

Artist: George Rodrigue Title: Union Station (Blue Dog for President) Medium: Silkscreen Year: 1996 Edition: 36/150 Framed Size: 31" x 42" Sheet Size: 18" x 30" Signed: Hand signed a...

"There's Music: New Jersey, New York, Long Island Too!!" is a 3D limited edition silk screen construct on paper by Charles Fazzino, numbered and hand signed by the artist. This piece...