21st Century and Contemporary More Prints

"Wait Watchers" is a limited edition hand pulled original lithograph on museum quality deckle-edge paper, numbered and hand signed by Tom Everhart. This is one of the final Everhart ...

"Blow Dry" is a limited edition hand pulled original lithograph on museum quality deckle-edge paper, numbered and hand signed by Tom Everhart. This is one of the final Everhart editi...

"Why I Like Big Hair" is a limited edition hand pulled original lithograph on museum quality deckle-edge paper, numbered and hand signed by Tom Everhart. This is one of the final Eve...

"Squeeze The Days - Monday, Tuesday Wednesday, Thursday and Friday" is a Matched Suite of Five limited edition hand pulled original lithographs on mus...

Robert Rauschenberg, Overdrive, 2017 Screenprints in color on three individual maple wood skate decks With artist's printed signature 31 x 8 in. (78.7 x 20.3 cm), each, unframed Edit...

'Call Booth', photograph from Richard Heeps Salton Sea series. This cinematic neo-noir style picture shows the classic American roadside Phone Booth, something which we look at very ...

ICES, by Richard Heeps, photographed at the British Seaside at the end of summer 2020. This artwork is about evoking memories of the simple joy of days by the beach. The sherbet yell...

André Butzer (German, b. 1973) Untitled, 2019/2022 Medium: Etching in colors on wove paper Dimensions: 33 x 43 cm Edition of 15: Hand-signed, numbered and dated in pencil Condition: ...

In the early ’90s, I fell in love with ’60s psychedelic posters from artists like San Francisco’s Victor Moscoso, Stanley Mouse, Alton Kelley, and Rick Griffin...

David Shrigley, The Moment Has Arrived, 2020 Off-set lithograph Unframed 60 x 80 cm (23.62 x 31.5 inches) Printed on 200g Munken Lynx paper by Narayana Press in Denmark This pr...

Series - South of France by Lélia Pissarro (B. 1963) Serigraph Image Size: 38 x 48 cm (15 x 19 inches) Sheet Size: 48 x 59 cm (18 ⅞ x 23 ¼ inches) Signed and numbered Printed in an edition of 300 SOLD UNFRAMED Artist's Biography Born in Paris in 1963, Lélia is the third and youngest child of Hugues-Claude and Katia Pissarro...

ICES, by Richard Heeps, photographed at the British Seaside at the end of summer 2020. This artwork is about evoking memories of the simple joy of days by the beach. The coral orange...

‘Speedy on Adderall’ Pink Foil Edition (2020) Seven-Layer Screen Print with hand-finished pink foil 61cm x 61cm / 24 x 24” Edition of 5 / 5 A.P.’s (Artist Proofs) Stamped, signed and...

ICES, by Richard Heeps, photographed at the British Seaside at the end of summer 2020. This artwork is about evoking memories of the simple joy of days by the beach. The monochrome g...

Kushner completed a series of monotypes, many with collaged decorative papers. He worked from still-lives of flowers, fruits, pitchers and Betty Woodman ceramic vessels. These prints...

Color lithograph, Ed. 30 Chagoya's newest prints, "Invites Into the World of the Eternal Instant" and "Expresses Nothing but the Self", are concerned with the current unsustainabl...

Gerberas, 2020 Michael Craig-Martin Screenprint in colours, on Arches 88 paper, Signed, dated and numbered from the edition of 125 Published by Jealous Gallery, London, unframed. F...

Limited edition print (edition of 87, the age of sir Terry Frost) by his son British American artist Adrian Frost. Signed and numbered 24 of 87 A tribute to the late Sir Terry Frost...

In the early ’90s, I fell in love with ’60s psychedelic posters from artists like San Francisco’s Victor Moscoso, Stanley Mouse, Alton Kelley, and Rick Griffin...

In the early ’90s, I fell in love with ’60s psychedelic posters from artists like San Francisco’s Victor Moscoso, Stanley Mouse, Alton Kelley, and Rick Griffin...

Taken upon leaving Las Vegas, photograph from Richard Heeps' 'Dream in Colour' series, this artwork captures a classic American neon Googie sign, wit...

Richard Heeps photographed Bletchley Park in partnership with Hertfordshire University and Bletchley Park Trust, to document Alan Turing’s historic past at Bletchley. He was privileged to gain access not open to the public. This World War II German...

Color lithograph, Edition 30 In 2010, Ray made his first lithographs at Shark’s Ink., Pyzinerol and Pyzinerol II. Ambitious prints with 18 colors from 15...

Taken upon arriving in Las Vegas, photograph from Richard Heeps' 'Dream in Colour' series, this artwork captures a classic American neon Googie sign, with the famous Vegas cityscape ...

The Empresses (Set of 5) by Damien Hirst (B. 1965 - ) Laminated Giclée print on aluminium composite, screen printed with glitter Signed on the reverse 100 x 100 x 2 cm (39 ³/₈ x 39 ...

Forest XVIII, 2018 Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity. Edition of 25 (Unframed) His work...

Immerse yourself in the mesmerizing world of "Unity Obey Flower," a collaborative masterpiece by Kai and Sunny, in association with the renowned Shepard Fairey of Obey. Crafted in 20...

Heidler & Heeps B Side Vinyl Collection Fifteen Piece Installation. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully...

Heidler & Heeps B Side Vinyl Collection Fifteen Piece Installation. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully...

ICES, by Richard Heeps, photographed at the British Seaside at the end of summer 2020. This artwork is about evoking memories of the simple joy of days by the beach. The mustard yell...

North Shore Motel, photograph from Richard Heeps Salton Sea series. Blue skies over this Californian classic mid-century modern Americana Motel exterior. Captured by Richard Heeps in...

Frank Shepard Fairey was born February 15, 1970 in Charleston, South Carolina, USA. Fairey's adolescence was shaped by the influences of punk-rock and skateboarding. In his teens, he began creating his own bootlegged clothing and skateboard decals featuring bands and brands he liked. Fairey’s early bootlegs were created because his generally conservative parents would not purchase the clothing he wanted. In 1986, he stumbled upon the Andre the Giant image for which he has become famous for, in a local newspaper. The image was selected when Fairey demonstrated to a friend how to make a stencil; it was modified slightly to include the meaningless caption “Andre the Giant has a Posse” and made into a sticker. The sticker was reproduced en masse and began to appear around Charleston as it spread through the skateboarding community. While the sticker had no inherent meaning, the public response varied from disregard to curiosity to out-right fear. Civic groups editorialized and theorized that the Andre image was affiliated with everything from a band to a hate group. Nevertheless, the stickers were considered vandalism and in time, Fairey would face numerous charges for defacing public property. Fairey's record includes 15 arrests as of March 2009, for defacing property as a result of his so called bombing campaigns. Fairey affixed the stickers on municipal properties nearly everywhere he went, and the Andre sticker was being seen in Boston and New York City, soon others procured the image and were encouraged to spread the campaign worldwide in the form of stickers, stencils and wheat-paste posters. Following high school, Fairey was accepted to the Rhode Island School of Design (RISD), where, with an interest in screen printing, he majored in illustration. In 1992, while still attending RISD, Fairey started Alternate Graphics, a mail order catalog business through which he could merchandise his own t-shirts, skateboards, posters and stickers. He also took small commercial illustration jobs to help supplement his income. Shortly thereafter, the Andre the Giant Has a Posse logo was shortened simply to Obey Giant. The Obey, for which Fairey has also become synonymous, is derived from the 1988 John Carpenter film They Live. In the film, aliens who appear as human, rule the governments and economies of the world while the humans are reduced to an unwitting, hypnotized slave-class. Themes from the film continue to appear in Fairey’s work. Over time, the Andre the Giant face was modified into a more simplified and streamlined appearance, reminiscent of Russian Constructivist/Rodchenko style Soviet propaganda posters of the 20th Century. In 1994, filmmaker Helen Stickler featured Fairey and his sticker phenomenon in her documentary: Andre the Giant has a Posse. The following year, Fairey started Subliminal Projects with the late Blaize Blouin, his friend and pro-skateboarder. Subliminal Projects created and released several Obey-Giant themed posters and skateboard decks. Fairey directed a short skateboarding film featuring some of his friends through Subliminal Projects and Alternate Graphics titled A.D.D.(Attention Deficit Disorder). In 1996, Fairey moved to San Diego, California to create Giant Distribution with partner Andy Howell. Later, with Howell, Phillip De Wolff, Dave Kinsey, he formed First Bureau of Imagery (FBI), a branding, marketing and design firm established to focus on the increasingly lucrative sports market. FBI was closed in 1999 and Fairey, along with De Wolff and Kinsey created BLK/MRKT, similar to FBI. At this time, Fairey met and began working with Amanda Alaya, whom he would later marry. BLK/MRKT moved to Los Angeles in 2001. Here, they could expand and were able to incorporate a small gallery. Fairey and Kinsey eventually bought out De Wolff’s share of the partnership and by then had set up offices in the Pellissier Building (home of the historic Wiltern Theater), in the Koreatown section of Downtown Los Angeles. In December 2001, Fairey and Alaya were married in Charleston, South Carolina, Amanda has occasionally been the model for Fairey's prints (see: Commanda, 2007). Additionally, Amanda Fairey works in the capacity as publicist, agent and representative of her husband. In 2003, Kinsey and Fairey split. Kinsey retained the BLK/MRKT name and gallery, which he relocated to Culver City, California. Fairey retained the offices and most of the employees to create Studio Number One and the gallery was renamed Subliminal Projects. Studio No. 1 has since gone on to produce numerous memorable album covers, concert and film posters. In 2004, Fairey created the magazine Swindle with his old friend Roger Gastman. Swindle is a quarterly publication that features fashion, art, music and other pop-culture elements. During the 2004 presidential election, Fairey teamed up with artists Mear One and Robbie Conal to create a series of anti-Bush/anti-war posters for the street-art campaign: Be The Revolution. In 2005, Fairey accepted a residency at the Contemporary Museum in Honolulu, Hawaii, where he created murals and prints that reveal a dramatic combination of constructivist style with distinctly traditional Hawaiian themes and influences. Amanda Fairey gave birth to the couple’s first child, Vivienne in June 2005, she is the namesake of punk fashion legend Vivienne Westwood. Vivienne would be the model for Fairey’s “Vivi La Revolucion” print of 2008. Fairey's street-art, was featured with that of Dan Witz...

Get Clay On canvas, Signed Lower Right and Numbered 51/120 in Lower Left. Pedro Friedeberg, Mexican (Born. 1936).Silkscreen "Gatos". Unframed. Signed Lower Right and Numbered 51/12...

"I’ve made several images over the years addressing police brutality, and I think humor and absurdity help make such a heavy topic more digestible. There is a violent history of poli...

OKLA 2021 Catalog: Limited edition of 100 copies signed by artist Ed Ruscha This fully illustrated catalogue documents the landmark exhibition as installed at Oklahoma Contemporary...

Set of 4 drawings Bauhaus from "23", Print series. 2022 by Rodrigo Spinel Gliceé printed on Hahnemule Fiber Matt paper, intervened by the artist. Edition of 10 Framed Overall frame...

Artist: Jonas Wood Title: Large Shelf Still Life Year: 2017 Medium: Poster Technique: Offset lithograph printed in colours on wove paper, the full sheet printed to the edges Classifi...

Invader Rubik Camouflage, 2023 Diasec-mounted Giclée on aluminium composite panel Hand-signed by artist 100 x 100 cm Edition of 812 Invader, the pseudonymous French street artist, h...

These hand signed lithograph prints were only made available to "HOLDERS" of the Currency prints. Less than 1000 were hand signed by Damien Hirst a...

Ai Weiwei
 Money (£), 2020 Litho-print on Somerset paper 11.69 x 8.27 in
, 29.7 x 21.0 cm Edition of 840 comes with COA In this work, Chinese contemporary artist Ai Weiwei deconstru...

**ANNUAL SUPER SALE UNTIL MAY 15TH ONLY** **IMPORTANT: This is a Limited edition of 30 museum quality cotton canvas, signed and numbered by the artist. It will arrive roll...

Chris Ofili (born 1968 in Manchester) Poolside, 2013 Medium: Etching on wove paper Dimensions: 45.1 x 35.6 cm (17.75 x 14 in) Edition of 55: Hand-signed and numbered Condition: Mint

San Giovanni Stained Glass, brutalist architecture interior photograph from Richard Heeps series A Short History of Milan. A Short History of Milan' began in November 2018 for a sp...

Santa Maria delle Grazie, religious icon church architecture interior photograph from Richard Heeps series A Short History of Milan. A Short History of Milan' began in November 20...

Jonas Wood VOTE, 2018 6-color screenprint on Coventry rag paper Hand signed, dated and numbered from the limited edition of 300 by Jonas Wood on the front 20 3/10 × 14 3/5 inches Unf...

Jonathan Winters "Hung up on Strange Fruit" Original Silkscreen Hand signed and titled in pencil Artist's Proof Image Size: 18 x 25 inches Paper size: ...

This  Fassianos, Erotikon - Galerie Di Meo   is a vintage poster. It was realized in occasion of the exhibition by  Alekos Fassianos held at Galerie Di Meo in Paris in 2008. The ER...

Series - Market in Provence by Lélia Pissarro (B. 1963) Serigraph Image Size: 38 x 48 cm (15 x 19 inches) Sheet Size: 48 x 59 cm (18 ⅞ x 23 ¼ inches) Signed and numbered Printed in an edition of 300 SOLD UNFRAMED Literature Lélia Pissarro, The Colours of Silence, London, 2010, p. 205 (illustrated) Artist's Biography Born in Paris in 1963, Lélia is the third and youngest child of Hugues-Claude and Katia...

Ben Eine
 Rise Up, 2020 1 layer blend with black overlay screen print on Somerset printmaking paper
 50 x 50 cm (19.69 x 19.69 in) Edition 6 of 150 hand-signed...

Ben Eine
 Stand Up, 2020 1 layer blend with black overlay screen print on Somerset printmaking paper hand-signed, numbered and blind stamp on the front 50 x 5...

Banksy, ПТН ПНХ! (FCK PTN!)- Ukraine Stamp and Postcard, 2023 offset lithographic postcard with stamp and inkstamp from the unnumbered edition of 1,000 issued by The National Post O...

MARIA STELMASZCZYK (born in 1983) Studies at the Faculty of Graphic Arts and Painting Laboratory of Woodcut Techniques and Artistic Book at the Academy of Fine Arts Władysław Strzemi...

The artist describes this project: “I paint and draw flowers, not only out of mesmerized wonder for their presence on earth, but also as a rebellion against the labels of “decorative”, “inconsequential” and “superficial” that have been equated historically to the art of women...

Pedro Friedeberg, Mexican (Born 1936 - ) Silkscreen Signed Lower Right and Numbered 48/50 in roman numerals Lower Left. Beautifully Framed Under Plexiglas in Pedro's style, black ...

Color lithograph, Edition 30 Last Rays is an intensely colorful image that evokes the play of light and reflections caused by the late rays of the evening sun as they rake low acr...

This is from the "Other People's Conversations" ongoing series. Using Text In Art Printed on Glossy Paper and mounted onto acid free foamcore

A timeless palette of neutrals. This art print has hand painted brush and pencil strokes added to give it a unique quality. This fusion of digital and hand painted elements add disti...

Mel Ramos (born 1935) Toblerone Tess, 2007 Medium: Llithograph in colors Dimensions: 58 x 94 cm Edition of 199: Hand-signed and numbered Condition: Flawless “Mr. Ramos (…) began pai...