Naturalistic Prints and Multiples
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Style: Naturalistic
Night Heron Birds: An Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Yellow Crowned Night Heron, 1. Adult Male Spring Plumage, 2. Young in October", No. 73, Plate 364 from Audubo...
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Three Antique Hand Colored Engravings of Birds
By Peter Brown
Located in Palm Beach, FL
Three 18th century hand colored engravings of parrot specimens as depicted by Peter Brown, an artist and naturalist, working in London England. Originally published in 1776 in a foli...
Category
Late 18th Century Naturalistic Prints and Multiples
Materials
Engraving
Set of Four French Lizard Engravings
Located in Palm Beach, FL
Set of four antique French engravings depicting lizard species as drawn from a scholastic folio with the expected foxing and presented in tool...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Engraving
Whaling – 1900 Monumental Zoology Vintage Lithograph
Located in Myrtle Beach, SC
Joseph Fleischmann, 'Whaling' (Hartingers Wandtafeln: Zoologie T. XXXII), monumental vintage color lithograph, 1900. Signed in the matrix, lower right. A superb, beautifully nuanced ...
Category
Early 1900s Naturalistic Prints and Multiples
Materials
Lithograph
Two-coloured-leaved Cineraria. Andrews antique botanical flower engraving print
Located in Melbourne, Victoria
'Cineraria Aurita - Two-coloured-leaved Cineraria'
Native of the Canary Islands.
Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Botanist's Re...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Engraving
Set of Four Hand Colored Monkey Prints
Located in Palm Beach, FL
This set of four hand colored copper plate engravings are illustrations by early 19th century naturalist J. H. Jacob first published in Italy in 1812, and are referred to as "Jacob's...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Engraving
eighteenth century sign of the zodiac - Aries
Located in London, GB
eighteenth century sign of the zodiac
FLAMSTEED, John.
Aries.
London, C. Nourse, 1753.
Hand coloured star chart heightened with gold and silver, engraved ...
Category
1750s Naturalistic Prints and Multiples
Materials
Watercolor, Engraving
Ferns - Nephrolepis Ensifolia, antique fern botanical colour woodblock print
Located in Melbourne, Victoria
Antique 19th century fern colour woodblock by Benjamin Fawcett after AF Lydon. From Edward J. Lowe’s 'Ferns: British and Exotic', 1867.
Accompanied by a sheet of descriptive text.
...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Hunting a Zebra, African hunting engraving print, 1813
Located in Melbourne, Victoria
Colour aquatint after Samuel Howitt (1756/7-1822).
From Samuel Howitt's 'Foreign Field Sports' Samuel Howitt was an English painter, illustrator and etch...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Aquatint
The Birds of America "Great Carolina Wren" Plate 117
Located in Columbia, MO
Hand-colored lithograph
1st ed. Royal Octavo
Master printer: J.T. Bowen
John James Audubon was born in Haiti in 1785. Most of his childhood was spent in ...
Category
1840s Naturalistic Prints and Multiples
Materials
Lithograph
Clianthus puniceus (New Zealand), Benjamin Maund botanical engraving
Located in Melbourne, Victoria
'Clianthus puniceus'
Original engraving with original hand-colouring, 1838.
Native plant of New Zealand.
From Benjamin Maund's 'The Botanist'. 1836-1...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Engraving
Yellow-breasted Rail Bird: Original 19th C. Audubon Hand-colored Lithograph
Located in Alamo, CA
This is an original 1st octavo edition John James Audubon hand-colored lithograph entitled "yellow-breasted Rail, Adult Male in Spring", No. 62, Plate 307, from Audubon's "Birds of America". It was lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1840 and 1841. It depicts an adult male yellow-breasted Rail bird on the left standing on a rock on the bank of a body of water, looking to the right, perhaps at something in the water or on an island on the right with trees. The landscape surrounding the bird is striking.
This original 1st octavo edition hand-colored Audubon lithograph...
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Iceland or Gyr Falcon: An Original 1st Ed. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original rare first edition John James Audubon hand-colored lithograph entitled "Iceland or Gyr Falcon", No. 4, Plate 19 from Audubon's "Birds of America, lithographed, pr...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Hunting the Camelopard (Giraffe), antique African hunting engraving print, 1813
Located in Melbourne, Victoria
Colour aquatint after Samuel Howitt (1756/7-1822).
From Samuel Howitt's 'Foreign Field Sports' Samuel Howitt was an English painter, illustrator and etch...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Aquatint
eighteenth century sign of the zodiac - Libra
Located in London, GB
eighteenth century sign of the zodiac
FLAMSTEED, John
Libra.
London, C. Nourse, 1753.
Hand coloured star chart heightened with gold and silver, engraved b...
Category
1750s Naturalistic Prints and Multiples
Materials
Watercolor, Engraving
Silver Rock Melon: A Framed 19th C. Color Engraving by George Brookshaw
Located in Alamo, CA
This is a 19th century colored aquatint and stipple engraving finished by hand entitled "Silver Rock Melon", drawn and engraved by George Brookshaw and published in London in 1812 as plate 67 in his 'Pomona Britannica; or, A Collection of the Most Esteemed Fruits'. It depicts a Silver Rock Melon still on the vine, but the melon lies on a heater green mat. A wedge of the melon has been dissected to reveal its inner anatomy, including the seeds. The melon skin is a heather and light green color, while the inner portions are a light peach color. The vine and leaves are shown attractive shades of light green and there are soft yellow flowers. The plant is displayed on a light brown textured background with shadows to impart 3-dimensionality. The scene is reminiscent of an engraving in an 18th century artistically stylized human anatomy atlas. There are wide white margins. The title and inscription lies within the lower border.
This striking engraving is presented in a reddish brown decorative wood frame with a darker brown scroll-work outer trim and a gold-colored inner fillet and a thick heather green mat. The frame measures 25.75" high, 21.5" wide and 1.13" deep. It is glazed with UV conservation glass. There is a short thin vertical line of discoloration in the lower margin through the word "melon" and a tiny spot in the upper margin on the left. The print and frame are otherwise in excellent condition.
There is a second Brookshaw engraving that is framed in identical moulding, although a slightly different size and a different color mat. t depicts a cluster of grapes. The two prints would make a striking display pairing...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Engraving, Aquatint
Mayday No. 28, 1989, by Karl Gerich of Bath - Playing Card Proof Print
Located in Meinisberg, CH
Karl Alexander Gerich
(English, 23.4.1956 - 4.1.2016)
Mayday No. 28, 1989
- Etching
- Sheet ca. 37.5 x 26.1 cm
- Plate ca. 32.6 x 23.5 cm
Worldwide shipping for this object is complimentary - There are no additional charges for handling & delivery.
You ask why this pack is called Mayday ? Well, the pack was finished on the 1st of May, 1989 – The day Steven Denis won the World Snooker Championship. Karl was a passionate snooker fan and this is how he marked the victory of his hero, who he also made the joker of this pack.
The proof sheet printed in blue depicts all the court cards, title card, joker & that extra SD joker and the box in which the pack would live.
Sheet is in good condition and suitable to be framed.
Karl was a brilliant playing card maker and certainly one of the most genius artist-craftsmen I had the pleasure to learn about his work and know.
He could do it all: Come up with the tale, weave meaning(s) into it, fill it with spirited characters of his liking, draw it, etch it, print it, colour it and handcraft the inks, paper and card into wondersome packs of playing cards, each of them living in their own, most exquisitely crafted boxes. Every pack a magical marvel, filled with the spirit of this genius card maker … All this he did using his Adana printing press, very simple hand tools and great skill.
When Karl closed down his studio in St.Peter’s Terrace in Bath, England and moved to Poplar Close, he sold off work for which he felt he no longer wanted to be the custodian. So a number of prints reached the market then.
Printed sheets by Karl Gerich...
Category
1980s Naturalistic Prints and Multiples
Materials
Paper, Ink, Etching
Ferns - Mesochlaena Javanica, antique fern botanical colour woodblock print
Located in Melbourne, Victoria
Antique 19th century fern colour woodblock by Benjamin Fawcett after AF Lydon. From Edward J. Lowe’s 'Ferns: British and Exotic', 1867.
Accompanied by a sheet of descriptive text.
...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Canvass Back Duck: An Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Canvass Back Duck, 1. Male 2. Female, View of Baltimore, Maryland", No. 79, Plate 395 from Audubon's "Birds o...
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Ferns - Acrostichum Crassinerve, antique fern botanical woodblock print
Located in Melbourne, Victoria
Antique 19th century fern colour woodblock by Benjamin Fawcett after AF Lydon. From Edward J. Lowe’s 'Ferns: British and Exotic', 1867.
Accompanied by a sheet of descriptive text.
...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
The Bear Trap, aquatint engraving hunting print, 1813
Located in Melbourne, Victoria
'The Bear Trap'
Colour aquatint by Mathew Dubourg (1786-1838) and Samuel Howitt (1756/7-1822) after Samuel Howitt (1756/7-1822).
From Samuel Howitt's 'Fore...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Aquatint
German Wolf Trap, aquatint engraving field sport hunting print, 1813
Located in Melbourne, Victoria
'German Wolf Trap'
Colour aquatint by Mathew Dubourg (1786-1838) and Samuel Howitt (1756/7-1822) after Samuel Howitt (1756/7-1822).
From Samuel Howitt's 'Foreign Field Sports'. Sam...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Aquatint
White Hamburgh Grape: A Framed 19th C. Color Engraving by George Brookshaw
Located in Alamo, CA
This is a 19th century colored aquatint and stipple engraving finished by hand entitled "White Hamburgh Grape", drawn and engraved by George Brookshaw and published in London in 1812 as plate 60 in his 'Pomona Britannica; or, A Collection of the Most Esteemed Fruits'. It depicts a cluster of pale green grapes still on the vine. The vine and leaves are shown in attractive shades of green and brown. The plant lays on a brown textured background with shadows to impart 3-dimensionality. The scene is reminiscent of an engraving in an 18th century artistically stylized human anatomy atlas. There is a light brown title rectangle in the lower center which is blank, suggesting this may be a more rare preproduction proof. There are wide white margins.
This striking engraving is presented in a reddish brown decorative wood frame with a darker brown scroll-work outer trim and a gold-colored inner fillet and a thick light beige mat. The frame measures 26" high, 22" wide and 1.13" deep. It is glazed with UV conservation glass. There is a tiny spot in the lower margin on the left and another in the left margin. The print and frame are otherwise in excellent condition.
There is a second Brookshaw engraving that is framed in identical moulding, although a slightly different size and a different color mat. It depicts a Silver Rock Melon. The two prints would make a striking display pairing...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Engraving, Aquatint
Killing Seals in a Cavern, Summer, aquatint engraving hunting print, 1813
Located in Melbourne, Victoria
'Killing Seals in a Cavern, Summer'
Colour aquatint by Mathew Dubourg (1786-1838) after Samuel Howitt (1756/7-1822)
From Samuel Howitt's 'Foreign Field Sports'. Samuel Howitt was a...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Aquatint
Shooting the Wolves in Winter, aquatint engraving hunting print, 1813
Located in Melbourne, Victoria
'Shooting the Wolves in Winter'
Colour aquatint by Mathew Dubourg (1786-1838) after Franz Joseph Manskirch (1768-1830).
From Samuel Howitt's 'Foreign Field Sports'. Samuel Howitt w...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Aquatint
Ferns - Platycerium Alcicorne, antique fern botanical colour woodblock print
Located in Melbourne, Victoria
Antique 19th century fern colour woodblock by Benjamin Fawcett after AF Lydon. From Edward J. Lowe’s 'Ferns: British and Exotic', 1867.
Accompanied by a sheet of descriptive text.
...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Ferns - Platycerium Grande, antique fern botanical colour woodblock print
Located in Melbourne, Victoria
Antique 19th century fern colour woodblock by Benjamin Fawcett after AF Lydon. From Edward J. Lowe’s 'Ferns: British and Exotic', 1867.
Accompanied by a sheet of descriptive text.
...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
North America Bear Hunt, aquatint engraving field sport print, 1813
Located in Melbourne, Victoria
'North America Bear Hunt'
Colour aquatint Mathew Dubourg (1786-1838) after Samuel Howitt (1756/7-1822).
From Samuel Howitt's 'Foreign Field Sports'. Samuel...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Aquatint
Merry Andrew No. 30, 1989 by Karl Gerich of Bath - Two Playing Card Print Sheets
Located in Meinisberg, CH
Karl Alexander Gerich
(English, 23.4.1956 - 4.1.2016)
Merry Andrew No. 30, 1989
- Etchings
- Sheet 24 x 32 cm
- No plate mark (trimmed sheets)
Worldw...
Category
1980s Naturalistic Prints and Multiples
Materials
Paper, Ink, Etching
German Deer Shooting, Winter, aquatint engraving hunting print, 1813
Located in Melbourne, Victoria
'German Deer Shooting, Winter'
Colour aquatint by Mathew Dubourg (1786-1838) after Franz Joseph Manskirch (1768-1830).
From Samuel Howitt's 'Foreign Fiel...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Aquatint
Aquilegia Vulgaris (Common Columbine) /// Botanical Botany James Sowerby Flower
Located in Saint Augustine, FL
Artist: James Sowerby (English, 1757-1822)
Title: "Aquilegia Vulgaris (Common Columbine)" (Plate 297)
Portfolio: English Botany
Year: 1796
Medium: Original Hand-Colored Engraving on ...
Category
1790s Naturalistic Prints and Multiples
Materials
Intaglio, Watercolor, Engraving
Turtle Catching on Land, aquatint engraving hunting print, 1813
Located in Melbourne, Victoria
'Turtle Catching on Land'
Colour aquatint by Mathew Dubourg (1786-1838) after John Heavenside Clark (c1770-1863).
From Samuel Howitt's 'Foreign Field Sports'...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Aquatint
German Fox Trap, aquatint engraving field sport hunting print, 1813
Located in Melbourne, Victoria
'German Fox Trap'
Colour aquatint by Mathew Dubourg (1786-1838) after Franz Joseph Manskirch (1768-1830).
From Samuel Howitt's 'Foreign Field Sports'. S...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Aquatint
A Trap to Shoot the Bear, aquatint engraving hunting print, 1813
Located in Melbourne, Victoria
'A Trap to Shoot the Bear'
Colour aquatint by Mathew Dubourg (1786-1838) and Samuel Howitt (1756/7-1822) after Samuel Howitt (1756/7-1822).
From Samuel Howitt's 'Foreign Field Spor...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Aquatint
Bird Catching from Below, Scotland, aquatint engraving field sport print, 1813
Located in Melbourne, Victoria
'Bird Catching from Below'
Colour aquatint by Mathew Dubourg (1786-1838) after John Heavenside Clark (c1770-1863).
From Samuel Howitt's 'Foreign Field Sports...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Aquatint
German Manner of Netting Partridges, aquatint engraving hunting print, 1813
Located in Melbourne, Victoria
'German Manner of Netting Partridges'
Colour aquatint by Merke after Franz Joseph Manskirch (1768-1830).
From Samuel Howitt's 'Foreign Field Sports'. Samuel Howitt was an English p...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Aquatint
Seamen Killing a Polar Bear, aquatint engraving field sport hunting print, 1813
Located in Melbourne, Victoria
'Seamen Killing a Polar Bear'
Colour aquatint by Mathew Dubourg (1786-1838) and Samuel Howitt (1756/7-1822) after Samuel Howitt (1756/7-1822).
From Samuel Howitt's 'Foreign Field S...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Aquatint
Catching the Badger, aquatint engraving field sport print, 1813
Located in Melbourne, Victoria
'Catching the Badger'
Colour aquatint by Mathew Dubourg (1786-1838) after Franz Joseph Manskirch (1768-1830).
From Samuel Howitt's 'Foreign Field Sports...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Aquatint
Esper Antique 18th century Moth engraving with original hand-colouring
Located in Melbourne, Victoria
A German copper-line engraving with original hand-colouring of a moth, caterpillars and chrysalis. Printed on hand made laid paper. Engraved by JC Bock.
From Eugenius Esper's "Die S...
Category
Late 18th Century Naturalistic Prints and Multiples
Materials
Engraving
Russian Winter Fishery, aquatint engraving hunting print, 1813
Located in Melbourne, Victoria
'Russian Winter Fishery'
Colour aquatint by Mathew Dubourg (1786-1838) after John Augustus Atkinson (1775 – after 1830).
From Samuel Howitt's 'Foreign ...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Aquatint
Turtle Fishing in the Water, aquatint engraving hunting print, 1813
Located in Melbourne, Victoria
'Turtle Fishing in the Water'
Colour aquatint by Mathew Dubourg (1786-1838) after John Heavenside Clark (c1770-1863).
From Samuel Howitt's 'Foreign Field Sports'. Samuel Howitt was...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Aquatint
Esper Antique 18th century Moth engraving with original hand-colouring
Located in Melbourne, Victoria
A German copper-line engraving with original hand-colouring of a moth, caterpillars and chrysalis. Printed on hand made laid paper. Engraved by JC Bock.
From Eugenius Esper's "Die S...
Category
Late 18th Century Naturalistic Prints and Multiples
Materials
Engraving
Agaricus Mappa, Leuba antique mushroom fungi chromolithograph print
Located in Melbourne, Victoria
'Agaricus Mappa' (False death cap )
Antique Swiss mushroom / fungi chromolithograph, lithographed by H Furrer after Fritz Leuba. The print is titled with the scientific name below t...
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Yellow Pontic Azalea. Henry Andrews antique botanical flower engraving print
Located in Melbourne, Victoria
'Azalea Pontica - Yellow Pontic Azalea'
Native of the coat of the Black Sea.
Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Botanist's Reposi...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Engraving
Red-shafted Woodpecker: A First Octavo Edition Audubon Hand-colored Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored royal first octavo edition lithograph entitled "Red-shafted Woodpecker, 1. Male, 2. Female", No. 55, P...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Vue d'une partie du Lac de Geneve, Switzerland, engraving, circa 1780
Located in Melbourne, Victoria
French copper-line engraving depicting the Lake of Geneva, Switzerland.
From 'The Scenery and Science of Switzerland illustrated', by Antoine Baron de Zurlauben (1720-1795) & Jean B...
Category
1780s Naturalistic Prints and Multiples
Materials
Engraving
Marsh Hare: Original 19th Century 1st Octavo Ed. Audubon Hand-colored Lithograph
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored first octavo edition lithograph entitled "Marsh Hare", No. 4, Plate XVIII, 18, from Audubon's "Quadrupeds of North Am...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
"Moose Deer", an Original 19th C. Audubon Hand-colored Quadruped Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored royal octavo lithograph entitled "Moose Deer, Male", No. 16, Plate 76 from Audubon's "Quadrupeds of North America". It was drawn on stone by William Hitchcock, printed and colored by J. T. Bowen and published in 1849-1854. It depicts a male moose standing on grass on the right with two female moose...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Ferns - Platycerium Stemmaria, antique fern botanical colour woodblock print
Located in Melbourne, Victoria
Antique 19th century fern colour woodblock by Benjamin Fawcett after AF Lydon. From Edward J. Lowe’s 'Ferns: British and Exotic', 1867.
Accompanied by a sheet of descriptive text.
...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Ferns - Nephrolepis Pectinata, antique fern botanical colour woodblock print
Located in Melbourne, Victoria
Antique 19th century fern colour woodblock by Benjamin Fawcett after AF Lydon. From Edward J. Lowe’s 'Ferns: British and Exotic', 1867.
Accompanied by a sheet of descriptive text.
...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Buff-breasted Merganser: Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Buff-breasted Merganser Goosander, 1. Male 2. Female", No. 83, Plate 411 from Audubon's "Birds of America, li...
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Esper Antique 18th century Butterfly engraving with original hand-colouring
By JC Bock
Located in Melbourne, Victoria
A German copper-line engraving with original hand-colouring of butterflies. Printed on hand made laid paper. Engraved by JC Bock.
From Eugenius Esper's "Die Schmetterlinge in Abbild...
Category
Late 18th Century Naturalistic Prints and Multiples
Materials
Engraving
Fever Nut Plant "Ban Caretti": A 17th Century Engraving by Hendrik van Rheede
Located in Alamo, CA
This is a 17th century engraving of a fever or bonduc nut plant entitled "Ban Caretti" by Hendrik van Rheede tot Drakenstein, plate 20 from his 'Hortus Indi...
Category
Late 17th Century Naturalistic Prints and Multiples
Materials
Engraving
Champignon de la France, a French antique mushroom engraving, 1791
Located in Melbourne, Victoria
'L'Agaric Couleuvre'
A French copper-line engravings with original printed colouring of mushrooms by Jean Baptiste Francois Buillard (1742-1793).
From Bulliard's 'Histoire des Champignons de la France', a series of engravings describing the mushrooms of France, published in Paris in 1791. This series of engravings are 'probably the first botanical work completely colour-printed without retouching by hand' (Great Flower Books...
Category
Late 18th Century Naturalistic Prints and Multiples
Materials
Engraving
Deutsche Karten No. 9, 1982/90 by Karl Gerich of Bath - Playing Card Print Sheet
Located in Meinisberg, CH
Karl Alexander Gerich
(English, 23.4.1956 - 4.1.2016)
Deutsche Karten No. 9, 1982/90
- Etching
- Sheet 31.8 x 22.5 cm
- Plate 29.8 x 19.8 cm
Worldwid...
Category
1980s Naturalistic Prints and Multiples
Materials
Paper, Ink, Etching
A Greenfinch & A Sparrow: An 18th Century Hand-colored Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of a Greenfinch bird and a tree sparrow ("1, Le Friquet, 2. Le Verdier") by Francois Nicolas Martinet, plate 227 from 'Histoire Naturelle des Oiseaux...
Category
1760s Naturalistic Prints and Multiples
Materials
Engraving
Lycoperdon Echinatum, Leuba antique mushroom fungi food chromolithograph print
Located in Melbourne, Victoria
'1-6 Lycoperdon Echinatum 7-11 Scleroderma Verrucosum' (Spiny puffball mushroom and Scaly earth ball)
Antique Swiss mushroom / fungi chromolithograph, lith...
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Three Horses by Phillip Graybill, Horse Photography
Located in Los Angeles, CA
Artist: Phillip Graybill
Title: Three Horses
Edition: Signed and numbered in the margin, archival pigment prints on 100% cotton rag paper with a Baryta finish. Edition as follows:
24X24 from an edition of 25
Remastered and printed at FATHOM Los Angeles
Frame: FATHOM solid hardwood frames are sourced from managed forests that meet or exceed FSC certification standards. The shadow box style frame is 1 1/4 in high by 3/4 in wide with premium plexiglass.
Phillip Graybill is from Atlanta, Georgia. He moved to NYC in 1996 where he lived for 20 years and now splits his time between NYC and Venice, Ca. He has exhibited with celebrated artist Julian Schnabel. He has also exhibited alongside such photographic luminaries as Peter Lindbergh and Nigel Barker. Graybill was the primary photographer for the Nine Inch Nails...
Category
2010s Naturalistic Prints and Multiples
Materials
Archival Pigment
Naturalistic prints and multiples for sale on 1stDibs.
Find a wide variety of authentic Naturalistic prints and multiples available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add prints and multiples created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including John James Audubon, McKenney & Hall, William Curtis, and Samuel Howitt. Frequently made by artists working with Engraving, and Lithograph and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Naturalistic prints and multiples, so small editions measuring 0.5 inches across are also available. Prices for prints and multiples made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $38 and tops out at $41,500, while the average work sells for $321.
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Empire Marketing
Retro Black Light Posters
Ski Austria
Vintage French Black And White Posters
Movie Theater Vintage
Railway Map
French Military Poster
Poster Nice Vintage
Drug Pop Art
Ellsworth Kelly Drawing
Vintage Asia Posters
Vintage Asian Posters
1930 Train Posters
Coca Cola Vintage Art
Original Jazz Poster
Posters Imperial