Pablo Picasso

"Chouetton (A.R. 135)", Ceramic Dish Stamped Madoura Plein Feu, Edition Picasso

1952

PABLO PICASSO Spanish, 1881 - 1973 VISAGE (A.R. 288) stamp underneath: Foundry Mark: EDITION PICASSO and MADOURA PLEIN FEU white earthenware, polychr...

RAFAEL RUS ACOSTA Spanish, Early 20th Century ALHAMBRA FACADE MODEL PLAQUE signed "Rafael Rus Acosta" (lower left), and inscribed "Granada" (lower righ...

UNKNOWN ARTIST Spanish, Early 20th Century ALHAMBRA FACADE MODEL PLAQUE polychromed stucco plaque 11 x 7 inches (28 x 17.8 cm.) framed: 17-1/2 X 13-1/2...

RAFAEL RUS ACOSTA Spanish, Early 20th Century ALHAMBRA FACADE MODEL PLAQUE signed "Rafael Rus Acosta" (lower left), and inscribed "Granada" (lower righ...

JUAN CLARÁ AYATS Spanish, 1878 - 1958 ART NOUVEAU SCULPTURAL BRONZE OF A BOY AND GIRL signed "Juan Clara" (on the lower left ) sculptural bronze 4-3/8 x 4-3/8 x 3-1/2 inches (11 X 11 X 9 cm.) PROVENANCE Private Spanish Collector Art Nouveau Bronze sculpture representing a boy and a girl sitting on a stool in a funny and surprised attitude to something they are seeing. Sgned "Juan Clará" lower left with the foundry seal and marks on the right side of the bench Juan Clará Ayats. Olot (Gerona), 6.XII.1875 - Paris (France), II.1958. Sculptor Student of José Berga at the Olot School of Fine Arts, developed his training in France, first at the School of Fine Arts in Toulouse, in 1896, and from 1901 in Paris. At this stage he lived with his younger brother, José Clará...

JUAN CLARÁ AYATS Spanish, 1878 - 1958 A GIRL SEATED ON A STOOL TYING HER SHOE signed "Juan Clara" and stamped A.G. Paris and marks L.R. 213 (on the stool ) bronze figure 6-3/8 x 3 x 4 inches (16 X 7.5 X 10 cm.) PROVENANCE Private Collector, Madrid A brown patia bronze sculpture of Art Nouveau style, depicting a little girl sitting on a sidewalk tying her shoe. The plasticity that Juan Clará achieves with the bronze when shaping this beautiful little sculpture is wonderful. We notice the effort that the little girl is making to put on her shoe, her gestures and attitudes which moves us and attracts us towards her. Juan Clará Ayats. Olot (Gerona), 6.XII.1875 - Paris (France), II.1958. Sculptor Student of José Berga at the Olot School of Fine Arts, developed his training in France, first at the School of Fine Arts in Toulouse, in 1896, and from 1901 in Paris. At this stage he lived with his younger brother, José Clará...

Paire Bougeoirs Elephant, Candle Stick, Animal, Ceramic, Lalanne, Design Paire Bougeoirs Elephant Ed. 80 pcs 1985 Glazed ceramic and copper with original boxes 15 x 15.3 x 6 cm / 5.9 x 5.9 x 2.4 in.(each) Monogrammed, stamped, dated, numbered and editor's mark : FXL, Lalalnne, 85, EA43/80, EA42/80, Artcurial Certificate of authenticity issued by Artcurial Editon,. Provenance : Artist's Estate Collection of Marie Lalanne Literature : Claude et François...

A rare ceramic work, Pablo Picasso ceramic Large Corrida Bird, 1953 captures the entirety of a bullfight- or corrida - as you travel around the vase. Starting in the front, below the...

Created in 1959, Pablo Picasso (Málaga, 1881 – Mougins, 1973) Paseo A.R. 416 and Arrastro A.R. 423 are numbered from the edition of 50 on the reverse and stamped with the 'MADOURA PLEIN FEU' and ‘EMPREINTE ORIGINALE DE PICASSO' pottery stamps on the reverse. Pablo Picasso was an avid fan of bullfighting his entire life, attending his first corridas when he was a child in Spain and gaining a renewed interest in the events when he settled in the South of France after World War II. Undoubtedly the theatrical drama and flashy machismo of the matadors appealed greatly to Picasso's sensibilities and resonated with his Spanish roots. In 1959, Picasso produced an 8-piece plate series, each featuring a different bullfighting scene suggested through lively stipple lines. Paseo A.R. 416 depicts a line of bullfighters highlighted by a streak of yellow. The strokes of blue above and below the figures contrast with the warm of the yellow, creating visual tension that anticipates the drama of the fight. Arrastro, from Service Scènes de Corrida, 1959 A.R. 423 features a victorious  bullfighter holding his curved sword, known as an estqoue, over his head. The dark atmosphere created by the deep blue, black, and touch of brown is slashed by the intense yellow down the center of the plate. This shock of bright color evokes the excitement of the bullfighter as he stands triumphant over the bull. Catalogue Raisonné & COA: Pablo Picasso Paseo...

Created in 1952, Tête de chèvre de profil (Goat’s Head in Profile) 1952 A.R. 145, is a Madoura oblong dish of white earthenware clay with deco...

Pablo Picasso Ceramic Femmes Fleurs (Women Pitcher), 1948 A.R. 50 is an elegant turned pitcher highlights the graceful form of the female nude. C...

Created in 1975, this madoura turned round dish of red earthenware clay, engobe decoration in black and knife engraving is from the edition of 200 and stamped with the 'MADOURA PLEIN FEU' and 'EDITION PICASSO' pottery stamps on the back. Pablo Picasso ceramic Hibou aux ailes déployées (Owl with spread wings), 1957 A.R. 397 features a smiling owl with wings opening above its head. The owl sits on a thin branch that spans the lower length of the plate, extending the scene beyond the bounds of the ceramic. Beautiful, bushy feathers fan out. Picasso uses...