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Period: 1860s
Antique French Gilt Bronze Marble Statue Sculpture of Fortuna Louis G Fulconis
Located in Portland, OR
A very good large antique French gilt bronze of the Roman goddess Fortuna, by Louis Guillaume Fulconis (1818-1873), circa 1860.
The bronze is inspired by sculpture of the Italian Ren...
Category
Renaissance 1860s Figurative Sculptures
Materials
Bronze
Antoine Louis Barye Panther Attacking A Civet Cat
Located in Dallas, TX
ANTOINE-LOUIS BARYE (FRENCH, 1795-1875)
Panthère surprenant un zibeth, seconde version (Panther attacking a civet cat, second version)
signed BARYE
bronze, dark-brown patina with r...
Category
1860s Figurative Sculptures
Materials
Bronze
Jules Moigniez Bronze Sculpture of a Pointer and Pheasant, 19th Century
Located in Dallas, TX
Image of Jules Moigniez Bronze Sculpture of a Pointer and Pheasant, 19th Century
Jules Moigniez Bronze Sculpture of a Pointer and Pheasant, circa 1874.
This is a large, stunning an...
Category
1860s Figurative Sculptures
Materials
Bronze
Antoine Louis Barye Bronze Panther Seizing A Stag, circa 1860
Located in Dallas, TX
Antoine-Louis Barye (FRENCH, 1795-1875)
Panthère saisissant un cerf (Panther seizing a stag)
Signed: “BARYE”
Stamped: Susse Fres
bronze, dark-green/black patina
Measures: Height ...
Category
1860s Figurative Sculptures
Materials
Bronze
Pierre Jules Mene Bronze, "Chien Braque a La Feuille"
Located in Dallas, TX
Pierre Jules Mene (French, 1810-1879)
Chien Braque a la Feuille
Bronze with brown patina
9.5 inches (24 cm) long
5 inches (12.7 cm) high
Inscribed on base: PJ Mene
Condition: ...
Category
1860s Figurative Sculptures
Materials
Bronze
Lion and snake
Located in PARIS, FR
Lion and snake n°3
by Antoine-Louis Barye (1796-1875)
Bronze sculpture with a nuanced dark greenish brown patina
signed "Barye" on the base
old edition cast – probably from the Bary...
Category
French School 1860s Figurative Sculptures
Materials
Bronze
Young woman wearing a shawl
Located in PARIS, FR
Bust of a young woman wearing a shawl
by Albert-Ernest Carrier-Belleuse (1824-1887)
Terracotta bust
Raised on a in blackened wood pedestal
signed "A. Carrier "
France
circa 1860
total height 41 cm
width 24 cm
depth 17 cm
Biography :
Albert-Ernest Carrier de Belleuse known as Carrier-Belleuse (1824-1887) was one of the most prolific artists of the century and had the greatest successes under the Second Empire, enjoying the personal support of Napoleon III. His work was greatly influenced by the style of the Italian Renaissance and that of the 18th century, which he helped to bring up to date.
In 1837, the young Carrier-Belleuse apprenticed in the workshop of the engraver Bauchery. He was admitted soon after to the goldsmith Jacques Henri Fauconnier. Through François Arago, he met the sculptor David d'Angers who facilitated his admission to the School of Fine Arts. Carrier-Belleuse entered it in 1840. Noted for his skill by the great bronze companies in Paris such as Barbedienne and Denière, he soon received numerous orders for models for candelabras, pendulums, fittings for fireplaces, etc. In 1848, probably at the initiative of François Arago, who became head of state, he received his first public order for a small statue of "Mademoiselle Rachel singing La Marseillaise". In 1851, he appeared for the first time at the Salon of French Artists, where he presented two bronze medallions. From 1851 to 1855, Carrier-Belleuse stayed in England, in Stoke-on-Trent where he served as director of the modeling and drawing school of the Minton house, a large porcelain manufacturer.
Back in France, Carrier-Belleuse moved to Paris in a large workshop located 15 rue de la Tour d´Auvergne. From 1857, he made regular sendings to the Salon and became famous thanks to the success of large marbles, such as the "Bacchante" exhibited at the Salon in 1863, and acquired by Napoleon III, "Angelica" (1866) or even "Hebe asleep" (1869). At the Salon of 1867, his group entitled "Messiah" earned him the medal of honor of sculpture. It was acquired by the State to adorn the Chapel of the Virgin in the Saint-Vincent-de-Paul church.
Carrier-Belleuse acquired a great reputation in parallel for his terracotta busts which, in many respects, recall those of 18th century artists. He made portraits of a large number of celebrities of his time. He produced, among others, the busts of Napoleon III, Renan, Thiers, Grévy, Arago, Marguerite Bellanger, Théophile Gautier, Honoré Daumier, Delacroix, Hortense Schneider, Réjane… He also modelled numerous busts of mythological inspiration and historical and artistic portraits like Marie Stuart...
Category
French School 1860s Figurative Sculptures
Materials
Terracotta
Jean Garnier, L'Enfer des Luxurieux, The Hell of the Luxurious, Erotic Relief.
Located in Stockholm, SE
A rare round relief cast, elaborate chiseled bronze/copper with brown patina by Jean François Marie Garnier (1820-1895). Cast c.1859-1864. Not signed. The motif is taken from Dantes...
Category
Symbolist 1860s Figurative Sculptures
Materials
Bronze
Reclining Doe
Located in PARIS, FR
Reclining Doe
by Antoine-Louis Barye (1796-1875)
Bronze sculpture with a nuanced dark brown patina
signed "Barye" on the base
old edition cast – probably from the Barye's workshop (...
Category
French School 1860s Figurative Sculptures
Materials
Bronze
“Knife Wrestlers”, After The Statue By J. P. Molin, Stockholm 1867
Located in PARIS, FR
Rare and imposing reduction of the famous statue of JP Molin, inaugurated in 1867 in front of the National Museum of Stockholm.
This version in black enamelled stoneware was produced...
Category
Academic 1860s Figurative Sculptures
Materials
Sandstone
Antique: Mare Playing with a Terrier Dog (Good Companions) P. J. Mene 1860
Located in SANTA FE, NM
Antique Horse Bronze: Mare in the Stable Playing with a Dog (Good Companions)
Jument à l'écurie jouant avec un chien
Pierre-Jules Mene (French, 1810-1879)
Bronze
19 x 10 inches
One of Mene's most beloved bronze, well-loved early example with beautiful rich patina. A sensitive portrait of a horse nuzzling his companion while the terrier is giving kisses to the horse’s nose.
Cast by Mene’s own foundry and is very well detailed with a medium brown patina.
Pierre-Jules Mêne (1810-1879) was one of the most successful and prolific animalier sculptors of the 19th century, known for his naturalistic representation of animals.
Mêne received no formal education in sculpture but was taught to draw and model by his father and later began casting his own sculptures. He was largely self-taught, possessing a keen observation of nature that enabled him to capture the essence of his animal subjects with remarkable accuracy and vivacity.
His work debuted at the Paris Salon in 1838, and from that point onwards, he exhibited his sculptures regularly. Mêne specialized in small-scale domestic animals, his subjects often including horses, dogs, bulls, and sheep. Interestingly, almost no big game are found in Mêne's ouevre.
Beginning in 1837 as orders started coming in, Mêne worked as Antoine-Louis Barye before him, opening his own foundry where he personally oversaw the manufacture and production of his art. The work produced there bears the hallmark of extraordinary attention to detail and thoughtfulness shown in every element of presentation and assembly. His mastery in the technical aspects of casting bronze without relying on professional founders for the completion of his models gave him a significant advantage in producing his pieces with fine detail and at a lower cost. This operation was expanded in 1852 to handle the casting of models for his new son-in-law, Auguste Cain.
Mêne’s sculptures...
Category
Realist 1860s Figurative Sculptures
Materials
Bronze
Snake Charmer
Located in PARIS, FR
Bronze sculpture with a nuanced dark brown patina
signed on the base "A. Carrier"
inscribed on a front plaque "Charmeuse de Serpents par Carrier-Belleuse"
France
circa 1860
height 80,5 cm
Biography :
Albert-Ernest Carrier de Belleuse known as Carrier-Belleuse (1824-1887) was one of the most prolific artists of the century and had the greatest successes under the Second Empire, enjoying the personal support of Napoleon III. His work was greatly influenced by the style of the Italian Renaissance and that of the 18th century, which he helped to bring up to date.
In 1837, the young Carrier-Belleuse apprenticed in the workshop of the engraver Bauchery. He was admitted soon after to the goldsmith Jacques Henri Fauconnier. Through François Arago, he met the sculptor David d'Angers who facilitated his admission to the School of Fine Arts. Carrier-Belleuse entered it in 1840. Noted for his skill by the great bronze companies in Paris such as Barbedienne and Denière, he soon received numerous orders for models for candelabras, pendulums, fittings for fireplaces, etc. In 1848, probably at the initiative of François Arago, who became head of state, he received his first public order for a small statue of "Mademoiselle Rachel singing La Marseillaise". In 1851, he appeared for the first time at the Salon of French Artists, where he presented two bronze medallions. From 1851 to 1855, Carrier-Belleuse stayed in England, in Stoke-on-Trent where he served as director of the modeling and drawing school of the Minton house, a large porcelain manufacturer.
Back in France, Carrier-Belleuse moved to Paris in a large workshop located 15 rue de la Tour d´Auvergne. From 1857, he made regular sendings to the Salon and became famous thanks to the success of large marbles, such as the "Bacchante" exhibited at the Salon in 1863, and acquired by Napoleon III, "Angelica" (1866) or even "Hebe asleep" (1869). At the Salon of 1867, his group entitled "Messiah" earned him the medal of honor of sculpture. It was acquired by the State to adorn the Chapel of the Virgin in the Saint-Vincent-de-Paul church.
Carrier-Belleuse acquired a great reputation in parallel for his terracotta busts which, in many respects, recall those of 18th century artists. He made portraits of a large number of celebrities of his time. He produced, among others, the busts of Napoleon III, Renan, Thiers, Grévy, Arago, Marguerite Bellanger, Théophile Gautier, Honoré Daumier, Delacroix, Hortense Schneider, Réjane… He also modelled numerous busts of mythological inspiration and historical and artistic portraits like Marie Stuart, Shakespeare or even Mozart.
Carrier-Belleuse used and trained in his workshop in the rue de la Tour d´Auvergne many young talented artists such as Alexandre Falguière, Jules Desbois...
Category
French School 1860s Figurative Sculptures
Materials
Bronze
Carpeaux etnic bronze : Le chinois (1868). N1 (scetch) Observatory fountain
Located in Gent, VOV
JEAN-BAPTISTE CARPEAUX 1827 - 1875
Le Chinois N°1 (study for Asia) (1868). Model from the observatory fountain. Sketch
Height ca.60 cm
A similar copy auctioned on June 22, 2023, at ...
Category
Realist 1860s Figurative Sculptures
Materials
Bronze
Large 19th Century Antique Marble Bust of Apollo of Belvedere
By Pietro Bazzanti
Located in New York, NY
Pietro Bazzanti (1842-1881) specialized in allegorical and genre subjects as well as copies of Antique and Renaissance sculpture. Regarded as one of the most talented sculptors of h...
Category
Academic 1860s Figurative Sculptures
Materials
Marble
Antique Bronze Dog "Whippet with a Butterfly" Arthur Waagen (1833-1898) 2 of 2
Located in SANTA FE, NM
Antique Bronze Dog Portrait
“La Levrette au Papillon” or “Whippet (Greyhound) with a Butterfly”
Arthur Waagen (Germany, France 1833-1898)
Circa 1860’s
11 x 8 x 4 inches
(2of 2. No...
Category
Academic 1860s Figurative Sculptures
Materials
Bronze
Last Days of Napoleon in St-Helena
Located in Paris, FR
Vincenzo VELA (1820-1891)
Last Days of Napoleon in St-Helena
Created in 1866
Bronze with brown patina
Signed ‘V. Vela F. 1867’ on the terrace. Signed ‘F. Barbedienne Fondeur’. Stamp ...
Category
Realist 1860s Figurative Sculptures
Materials
Bronze
Antique Bronze Dog "Whippet with a Butterfly" Arthur Waagen (1833-1898) 1 of 2
Located in SANTA FE, NM
Antique Bronze Dog Portrait
“La Levrette au Papillon” or “Whippet (Greyhound) with a Butterfly”
Arthur Waagen (Germany, France 1833-1898)
Circa 1860’s
11 x 8 x 4 inches
(1 of 2. ...
Category
Academic 1860s Figurative Sculptures
Materials
Bronze
Life Mask of Abraham Lincoln
By Leonard Wells Volk
Located in London, GB
Leonard Wells Volk was a famous American sculptor. He went to posterity after making one of only two life masks of United States President Abraham Lincoln. I...
Category
Victorian 1860s Figurative Sculptures
Materials
Plaster
Avant Le Combat, Apres Le Combat
Located in New York, NY
ÉTIENNE-HENRI DUMAIGE
French, (1830-1888)
Avant Le Combat, Apres Le Combat
Pair of patinated bronze; signed 'H. Dumaige' and titled ‘AVANT LE COMBAT, APRÈS LE COMBAT, GRENADIER D...
Category
1860s Figurative Sculptures
Materials
Bronze
Chien Braque (Tom)
Located in Missouri, MO
Pierre Jules Mene
"Chien Braque" (Tom)
Bronze
approx. 5 x 9 x 4.25
Signed
PIERRE JULES MENE (1810-1879)
Pierre Jules Mene, (P. J. Mene), was born in Pa...
Category
Realist 1860s Figurative Sculptures
Materials
Bronze
Le Rêve du Poète
Located in New York, NY
MATHURIN MOREAU
French, (1822-1912)
Le Rêve du Poète
Circa 1860, Patinated bronze; Signed ‘math moreau’ and Inscribed REVE DU POETE par MTH MOREAU, MEDAILL...
Category
1860s Figurative Sculptures
Materials
Bronze
Bronze Figural Torchères and Pedestal - Médaille d'or - Exposition de 1867
Located in New York, NY
A. LACARRIÈRE PÈRE, FILS & CIE
French, (Mid 19th century)
Bronze Figural Torchères - Médaille d'or - Exposition de 1867
Monumental Patinated Bronze Figural Torchères on Pedestal; ...
Category
1860s Figurative Sculptures
Materials
Marble, Bronze
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Albert-Ernest Carrier de Belleuse known as Carrier-Belleuse (1824-1887) was one of the most prolific artists of the century and had the greatest successes under the Second Empire, enjoying the personal support of Napoleon III. His work was greatly influenced by the style of the Italian Renaissance and that of the 18th century, which he helped to bring up to date.
In 1837, the young Carrier-Belleuse apprenticed in the workshop of the engraver Bauchery. He was admitted soon after to the goldsmith Jacques Henri Fauconnier. Through François Arago, he met the sculptor David d'Angers who facilitated his admission to the School of Fine Arts. Carrier-Belleuse entered it in 1840. Noted for his skill by the great bronze companies in Paris such as Barbedienne and Denière, he soon received numerous orders for models for candelabras, pendulums, fittings for fireplaces, etc. In 1848, probably at the initiative of François Arago, who became head of state, he received his first public order for a small statue of "Mademoiselle Rachel singing La Marseillaise". In 1851, he appeared for the first time at the Salon of French Artists, where he presented two bronze medallions. From 1851 to 1855, Carrier-Belleuse stayed in England, in Stoke-on-Trent where he served as director of the modeling and drawing school of the Minton house, a large porcelain manufacturer.
Back in France, Carrier-Belleuse moved to Paris in a large workshop located 15 rue de la Tour d´Auvergne. From 1857, he made regular sendings to the Salon and became famous thanks to the success of large marbles, such as the "Bacchante" exhibited at the Salon in 1863, and acquired by Napoleon III, "Angelica" (1866) or even "Hebe asleep" (1869). At the Salon of 1867, his group entitled "Messiah" earned him the medal of honor of sculpture. It was acquired by the State to adorn the Chapel of the Virgin in the Saint-Vincent-de-Paul church.
Carrier-Belleuse acquired a great reputation in parallel for his terracotta busts which, in many respects, recall those of 18th century artists. He made portraits of a large number of celebrities of his time. He produced, among others, the busts of Napoleon III, Renan, Thiers, Grévy, Arago, Marguerite Bellanger, Théophile Gautier, Honoré Daumier, Delacroix, Hortense Schneider, Réjane… He also modelled numerous busts of mythological inspiration and historical and artistic portraits like Marie Stuart, Shakespeare or even Mozart.
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Published: Gobin, "Daumier Sculpteur, 1...
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Located in New York, NY
Bronze, modeled circa 1860 and cast later. Incised with the artist's initials and numbered 13/30. With the foundry mark Cire perdue Valsuani.
Published: Gobin, "Daumier Sculpteur, 1...
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By Gustave Doré
Located in New York, NY
GUSTAVE DORÉ
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La Défense Nationale
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39 1/4 x 12 x 13 1/2 inches
Notes:
The patriotic soldier de...
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Born in Manc...
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circa 1860's
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Though Barye ...
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Panthère de Tunis, circa 1860
Bronze with brown patina
Signed ‘BARYE’. ‘BARBEDIENNE Fondeur’ cast.
Subject: 4" high x 10 1...
Category
1860s Figurative Sculptures
Materials
Bronze
Napoléon Bonaparte on Horseback
By Xavier Raphanel
Located in New York, NY
XAVIER RAPHANEL
French, (19th century)
Napoléon Bonaparte on Horseback
Patinated and gilt bronze; Signed ‘X Raphanel’ on base
24 x 16 inches
Notes:
B...
Category
1860s Figurative Sculptures
Materials
Bronze
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