More Art

An exceptional tonalist landscape of Mount Tamalpais in Marin County, California by Scottish American artist William Keith (1838-1911). Keith was born in Aberdeenshire, Scotland and came to New York with his family and apprenticed to a wood engraver. In 1859, he moved to San Francisco where he worked for an engraver and later set up his own engraving business. Studying with Samuel Marsden Brookes in 1863, he was determined to become a painter. He married artist Elizabeth Emerson and did watercolor painting with her guidance. In 1868, he became a full-time painter, and that same year was commissioned to paint scenes along the Columbia River including Mount Hood. By August 1869 he had sold enough paintings to finance an extended journey to the East Coast and Europe including Dusseldorf, Germany throughout most of 1870, studying with Albert Flamm...

Limited edition of 5 pieces

A fine tonalist landscape with leaves beginning to change by a marsh by American contemporary artist Dennis Sheehan (b. 1950). Sheehan was born in Boston, Massachusetts and went on t...

A fine tonalist landscape with a break in the trees by American contemporary artist Dennis Sheehan (b. 1950). Sheehan was born in Boston, Massachusetts and went on to become well kno...

A fine tonalist landscape with a brook and boulder by American contemporary artist Dennis Sheehan (b. 1950). Sheehan was born in Boston, Massachusetts and went on to become well know...

Georgian or early Victorian Marine Oil on Panel of busy shipping scene with figures on Harbour, possibly the Isle of Wight A rare gem of a painting, a Georgian era oil painting sho...

Triptych "Power", 120x340cm

sisterhood , 70x70cm, print on canvas

The series is a dialogue between abstract art and the cultural heritage of the past. Enjoyment of a certain layer of visual culture familiar to everyone. I want to actualize the hist...

A fine landscape with sheep and cattle by American artist George Loring Brown (1814-1889). Brown was born in Boston, Massachusetts, and was apprenticed to wood engravers and illustr...

2021, 110x88 cm

2021, 110x88 cm

Morocco , 70x70cm, print on canvas

Seascape , 70x70cm, print on canvas

Seascape , 70x70cm, print on canvas

Seascape , 70x70cm, print on canvas

Seascape , 70x70cm, print on canvas

Breakfast girl 70x50 cm

My work touches on the importance of home and a sense of security. I believe it is a basic human need to feel like someone is waiting for you. I depict not only my homeland, but also...

Berries and birds, 180x150cm, Oil, Canvas, Sand

My work touches on the importance of home and a sense of security. I believe it is a basic human need to feel like someone is waiting for you. I depict not only my homeland, but also...

Yayoi Kusama When Life Boundlessly Flares Up to the Universe, 2014 Print on the cotton towel Size 93 x 36.4 x 2.5 cm Framed with the white aluminium frame and UV-protected acrylic gl...

Lofty antique Italian bisected seashell arrangement ambitiously composed in a floral motif. Presented under a convex lens in a distressed ceramic round frame.

Standout wall hanging art ambitiously handcrafted in terra cotta having each piece separately cut, fired, decorated, glazed and assembled depicting a jungle scene with toucans, flowe...

70x70cm, print on canvas

My goal is to make the images of classical art sound in a new way in modern art. In my works I refer to the cultural heritage of the past, I process and comprehend the masterpieces o...

Horses , 150х150cm

Pope Innocent X, 100x80cm

A fine White Mountain oil painting of Mount Washington & the Saco River at Hiram, Maine by American artist Frank Henry Shapleigh (1842-1906). Shapleigh was born in Boston, Massachus...

A nicely detailed oil painting on canvas, laid down on board, of two greyhound dogs with a rolling landscape in the background, indistinctly signed lower left, and housed in a custom...

Chouette 1969 Ed. 127/250 pcs Earth of white faience, decoration with engobe engraved with the mirette under partial cover with the brush H. 27 cm Numbered and stamped underside : Ma...

Cruchon Hibou 1955 Ed. 500 pcs White clay with blue, black and brown engobe painting, glazed with knife engraving H. 27.2 cm Inscribed and stamped underside : Edition Picasso, D'aprè...

Manade. Enameled lava plate, MB monogram at the bottom left. Good condition. 33 x 41 cm

October, 100x150 cm, Oil, Canvas, sand

Portrait of a Gentleman, William Clayton, 1st Baron Sundon of Ardagh c.1695-1710 Studio of Sir Godfrey Kneller (1646-1723) This sumptuous portrait, presented by Titan Fine Art, was ...

Harding Black San Antonio Ceramicist (1912 - 2004) "Mid Century Planter" 1959 16 inches Tall 18 inches across. Weight almost 50 pounds. You are more than welcome to pick this up in person at my Fredericksburg, Texas Gallery. Biography: Harding Black San Antonio (1912 - 2004) Harding Black was born on a farm in Nueces County between Ingleside and Aransas Pass and moved with his family to San Antonio in 1916. There he graduated from Brackenridge High School and attended San Antonio Junior College (1929-30). In 1931 Black joined an archaeological expedition to the Big Bend area sponsored by the Witte Memorial Museum. Initially a painter, he was taught by Rudolph Staffel in 1933 to make wheel- thrown pottery and in the same year began to teach children's ceramic classes at the Witte. Between 1937 and 1939, Black directed ceramic installation in a San Antonio reconstruction project sponsored by the National Youth Administration and the Works Progress Administration art program. In 1955 he retired from teaching and devoted his time to ceramics. Black became a well-known ceramist from his research, innovations, and writings in the field. Exhibitions: San Antonio Local Artists Annual Exhibition (1939-42, 1945, 1947); Texas General Exhibition (1940 award, 1942, 1948 honorable mention); National Ceramic Annual Exhibition, Syracuse Museum of Art (1947-54); River Art Group, San Antonio (1948-49); National Collection of Fine Arts, Washington D.C. (1951, 1956); Dallas Museum of Fine Arts (1952 one-man); Martin Museum of Art, Baylor University (1991 one-man); San Antonio Museum of Art (1995 retrospective); National Museum of Art, Washington, D.C. (1995); University of Texas at Dallas, Irving (1998 retrospective). Collections: Dallas Museum of Art; Museum of Fine Arts, Houston; San Angelo Museum of Fine Arts; San Antonio Museum of Art; Martin Museum of Art, Baylor University, Waco; National Museum of American Art, Washington D.C.; New Orleans Museum of Art; Everson Museum of Art, Syracuse, New York; Alfred University (New York). Harding Black resided in San Antonio Texas where he worked as a potter for over 60 years and far as anyone knows he was completely self-taught. I find it amazing that anyone could ever accomplish what he did with no formal training in either ceramics or chemistry. It was a long and prolific journey from the early hand-built earthenware pottery to become recognized as a master of glazes. While I feel that his forms often could be better this is more than compensated for by the spectacular glazes he developed. Constant experimentation and his acquired knowledge of chemistry were the foundations for the wonderful glazes that adorn his pottery. The following quote is from an interview with Rudolf Staffel His copper reds are unbelievably beautiful. Harding was a master of glazes and one of the most generous human beings in the ceramic field that I've known. He had literally a room full of beautifully organized test tiles of all his glazes, and he would just throw the room open to anybody who wanted to rummage through his tiles. All the recipes were there, and he shared them with anyone who was interested. It was wonderful to go and visit him. Although accurate records of all test firings were kept for reference it I have been told that it would be difficult to reproduce many of these glazes because of the kiln he built and clays he used. This may not be the case because in a recent phone conversation (4/11/2007) with Peter Pinnell he told me that some of his students had success replicating some glazes using Harding's formulas by concentrating on the bowl and vessel forms Harding remained true to the historical traditions of pottery making. The magnificent Harding Black journey began in 1932. At that time, he joined the Witte Museum Archaeological Society which provided him with access to their collections of Native American pottery. Harding became fascinated by these polychromed vessels and he began attempting to create hand-built pots. He had very little or no success but a lifelong of working in clay had begun. It was about this time that he met up with Rudolf Staffel and it was from him that Harding learned wheel throwing and developed ideas of how to operate a studio. Harding was given access to working space at the Witte where he built a wheel and in 1933, he was given a position as ceramic instructor. In this position it was his responsibility to establish a ceramics department. The first kiln Harding built was using plans that were obtained from Newcomb College. He scrounged parts from a junkyard which were used in its construction. This project was not totally successful because of problems reaching required temperatures. As usual this did not deter Harding. He seemed to have a wonderful ability to learn from failure and move on. In the early 1940's Harding began working with formulas for copper red glazes prepared by Arthur Baggs and Edgar Littlefield. This work only added to his interest in Oriental pottery and fostered a desire to rework many old glazes. Being greatly influenced by A Potters Book published in 1940 by Bernard Leach Harding was now on his way seeking to incorporate form, function and surface treatment into a single entity where the whole is greater than the sum of the parts. In the 1950's Harding left the Witte and built his own studio where he spent the rest of his life creating his wonderful art. The body of his work is a living tribute to the Harding Black lifelong love of ceramics. Along with being a researcher he was also a teacher always willing to share his knowledge with others. He spent his life producing pots and occasionally taking time off to do a bit if fishing. According to Harding Black - Harding Black 11/14/90 "I am one of the lucky ones. When I get up in the morning I can hardly wait to get to work." 1912 Born April 15 near Aransas Pass, Texas 1916 Family moved to San Antonio 1929 Graduated from Breckenridge High School 1929-30 Attended San Antonio Junior College 1931 Joined Archaeological Society of the Witte Museum, San Antonio, and participated in excavations of ancient Basket maker Indian mounds and caves in the Big Bend area of Texas 1933 Taught by Rudolf Staffel to make wheel-thrown pottery. Set tip studio...

70x70cm, print on canvas

Eye catching wall hanging tile art, ambitiously hand crafted in terracotta with each piece cut, fired, decorated, glazed and assembled depicting a cockatoo in a lush jungle setting w...

Lofty wall hanging tile art, ambitiously handcrafted in terracotta with each piece cut, fired, decorated, glazed and assembled depicting a cockatoo in a lush jungle setting with bird...

Oil on canvas 60x60 cm

My work touches on the importance of home and a sense of security. I believe it is a basic human need to feel like someone is waiting for you. I depict not only my homeland, but also...

Pioneering: Jacob & Co. has a well-deserved reputation for breaking new ground in high watchmaking, creating complications and combinations of complications that are new to high watc...

Diamond Bezel and Dial A stainless steel and diamond-set, screw down case back Signed: case, dial and movement Stainless steel Jacob & Co. folding clasp closure Pioneering: Jacob & ...

Ryan Snow is an environmental artist creating visual meditations through abstract painting, analog photography and digital media. His field process explores the tranquility of mind a...

Ryan Snow is an environmental artist creating visual meditations through abstract painting, analog photography and digital media. His field process explores the tranquility of mind a...

Ryan Snow is an environmental artist creating visual meditations through abstract painting, analog photography and digital media. His field process explores the tranquility of mind a...

Ryan Snow is an environmental artist creating visual meditations through abstract painting, analog photography and digital media. His field process explores the tranquility of mind a...

Ryan Snow is an environmental artist creating visual meditations through abstract painting, analog photography and digital media. His field process explores the tranquility of mind a...

Ryan Snow is an environmental artist creating visual meditations through abstract painting, analog photography and digital media. His field process explores the tranquility of mind a...

Ryan Snow is an environmental artist creating visual meditations through abstract painting, analog photography and digital media. His field process explores the tranquility of mind a...

Ryan Snow is an environmental artist creating visual meditations through abstract painting, analog photography and digital media. His field process explores the tranquility of mind a...

"Zinnias and Cosmos" is an impressionistic still life oil painting of bright glowing flowers by British born, but Florence-based painter Amy Florence. Signed at bottom right in red ...

PABLO PICASSO (1881-1973) Lampe femme 1955 Ed. 100 pcs White earthenware with knife-engraved slip decoration in blue, black and grey H. 35 cm Stamped under...

PABLO PICASSO (1881-1973) Tête de femme couronnée de fleurs 20.03.1954 Ed. 37/50 pcs White earthenware clay 23 x 15 x 18 cm Signed by the artist and dated on the side : Picasso ; Dat...

Modern Impressionist Landscape Oil Painting on Canvas of the Sea and Shoreline at The Isle of Capri in Italy. An imposing, sweeping Impressionist painting looking down on the Bay at ...

Nick Thomm 'The Dreaming' (OPAL) 69cm x 92cm (27"×36″). Limited Edition of 99. Archival Pigment Print on Hahnemühle 308gsm Fine Art Paper. Sold Unframed

Nick Thomm - ONYX - SET (XL SIZE 36" x 48" per print). Limited Edition #15 of 25. Hand Signed & Numbered. Archival Pigment Print on Hahnemühle 308gsm Fine Art Paper. Condition: NEW -...

Nick Thomm - ONYX - Amber (XL SIZE 36" x 48"). Limited Edition #15 of 25. Hand Signed & Numbered. Archival Pigment Print on Hahnemühle 308gsm Fine Art Paper. Condition: NEW - Unopen...