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Don’t slip away, 2019, 100x100 cm

Revelation, 80x100cm

This Three-Armed Brass & Mahogany Table Lamp is a fine & unique antique, circa 1900, combining classic craftsmanship with timeless appeal. Standing at 35 inches tall, it features a b...

Yayoi Kusama Pumpkin ( red ) Print on the cotton towel Size 34.2 x 91.2 x 2.5 cm Framed with the purple golden aluminium frame and the UV-protected acrylic glass published by シンワ繊...

Provenance: French or English This Clover Leaf Sectional Display Case, dating back to approximately 1875, is a remarkable piece of craftsmanship. The rich, lustrous rosewood constru...

Yayoi Kusama Pumpkin ( yellow ) Print on cotton towel Size 92.5 x 33 x 2.5 cm Framed with the black aluminum frame and the UV protect acrylic glass published by シンワ繊維株式会社

Takashi Murakami x Doraemon Limited Edition for Exhibition Tokyo 2017 Material: 100% Cotton Dimension: 89.5 x 32.5cm Frame Dimension: 91.6 x 36.5 x 2.5 cm Framed with a wood ...

An impressive coastal ocean seascape titled “Light Play” by American artist Clifford Warren Ashley (1881 - 1947). Ashley was born in New Bedford, Massachusetts, graduated and went to...

Faun`s sweet dream, 2021, 90x80 cm

A pleasant tonalist landscape with twilight over the marsh by American contemporary artist Dennis Sheehan (b. 1950). Sheehan was born in Boston, Massachusetts and went on to become w...

A fine vertical tonalist landscape with cabin and figure by American contemporary artist Dennis Sheehan (b. 1950). Sheehan was born in Boston, Massachusetts and went on to become wel...

A fine tonalist landscape with colorful twilight sky at the end of the day by American contemporary artist Dennis Sheehan (b. 1950). Sheehan was born in Boston, Massachusetts and wen...

A fine tonalist landscape oil painting by American contemporary artist Dennis Sheehan (b. 1950). Sheehan was born in Boston, Massachusetts and went on to become well known as a tonal...

A fine tonalist landscape with a break in the trees by American contemporary artist Dennis Sheehan (b. 1950). Sheehan was born in Boston, Massachusetts and went on to become well kno...

A nicely executed tonalist landscape with a girl and her sheep by American contemporary artist Dennis Sheehan (b. 1950). Sheehan was born in Boston, Massachusetts and went on to beco...

A fine tonalist landscape with a brook and boulder by American contemporary artist Dennis Sheehan (b. 1950). Sheehan was born in Boston, Massachusetts and went on to become well know...

An exceptional tonalist landscape of Mount Tamalpais in Marin County, California by Scottish American artist William Keith (1838-1911). Keith was born in Aberdeenshire, Scotland and came to New York with his family and apprenticed to a wood engraver. In 1859, he moved to San Francisco where he worked for an engraver and later set up his own engraving business. Studying with Samuel Marsden Brookes in 1863, he was determined to become a painter. He married artist Elizabeth Emerson and did watercolor painting with her guidance. In 1868, he became a full-time painter, and that same year was commissioned to paint scenes along the Columbia River including Mount Hood. By August 1869 he had sold enough paintings to finance an extended journey to the East Coast and Europe including Dusseldorf, Germany throughout most of 1870, studying with Albert Flamm...

My work touches on the importance of home and a sense of security. I believe it is a basic human need to feel like someone is waiting for you. I depict not only my homeland, but also...

A nicely detailed oil painting on canvas, laid down on board, of two greyhound dogs with a rolling landscape in the background, indistinctly signed lower left, and housed in a custom...

A fine White Mountain oil painting of Mount Washington & the Saco River at Hiram, Maine by American artist Frank Henry Shapleigh (1842-1906). Shapleigh was born in Boston, Massachus...

Portrait of a Gentleman, William Clayton, 1st Baron Sundon of Ardagh c.1695-1710 Studio of Sir Godfrey Kneller (1646-1723) This sumptuous portrait, presented by Titan Fine Art, was ...

"Zinnias and Cosmos" is an impressionistic still life oil painting of bright glowing flowers by British born, but Florence-based painter Amy Florence. Signed at bottom right in red ...

PABLO PICASSO (1881-1973) Lampe femme 1955 Ed. 100 pcs White earthenware with knife-engraved slip decoration in blue, black and grey H. 35 cm Stamped under...

Nick Thomm 'The Dreaming' (OPAL) 69cm x 92cm (27"×36″). Limited Edition of 99. Archival Pigment Print on Hahnemühle 308gsm Fine Art Paper. Sold Unframed

Nick Thomm 'GHOSTS' (Multi) 69cm x 92cm (27"×36″) Limited Edition of 199 Hand Signed and Numbered #93 Archival Pigment Print on Hahnemühle 308gsm Fine Art Paper. Condition: NEW. Wo...

Nick Thomm 'GHOSTS' (Blue) 69cm x 92cm (27"×36″) Limited Edition of 199 Hand Signed and Numbered #113 Archival Pigment Print on Hahnemühle 308gsm Fine Art Paper. Condition: NEW. Wo...

Nick Thomm 'After Dark' (Full Set) 69cm x 92cm (27"×36″) Per Print Limited Edition of 125 Hand Signed and Numbered #104 Full Set Archival Pigment Print on Hahnemühle 308gsm Fine Ar...

Nick Thomm 'After Dark' (Orange) 69cm x 92cm (27"×36″) Limited Edition of 125 Hand Signed and Numbered #104 Archival Pigment Print on Hahnemühle 308gsm Fine Art Paper. Condition: N...

Nick Thomm 'After Dark' (Blue) 69cm x 92cm (27"×36″) Limited Edition of 125 Hand Signed and Numbered #104 Archival Pigment Print on Hahnemühle 308gsm Fine Art Paper. Condition: NEW...

Nick Thomm 'After Dark' (Pink) 69cm x 92cm (27"×36″) Limited Edition of 125 Hand Signed and Numbered #104 Archival Pigment Print on Hahnemühle 308gsm Fine Art Paper. Condition: NEW...

Nick Thomm 'After Dark' (Orange) 69cm x 92cm (27"×36″) Limited Edition of 125 Hand Signed and Numbered #76 Archival Pigment Print on Hahnemühle 308gsm Fine Art Paper. Condition: NE...

Nick Thomm 'After Dark' (Green) 69cm x 92cm (27"×36″) Limited Edition of 125 Hand Signed and Numbered #82 Archival Pigment Print on Hahnemühle 308gsm Fine Art Paper. Condition: NEW...

Nick Thomm 'After Dark' (Blue) 69cm x 92cm (27"×36″) Limited Edition of 125 Hand Signed and Numbered #106 Archival Pigment Print on Hahnemühle 308gsm Fine Art Paper. Condition: NEW...

Nick Thomm 'After Dark' (Pink) 69cm x 92cm (27"×36″) Limited Edition of 125 Hand Signed and Numbered #84 Archival Pigment Print on Hahnemühle 308gsm Fine Art Paper. Condition: NEW....

This work formed part of an ancient collection of family heirlooms of the Wood family of Bracon Ash, Norfolk. This painting, along with another (also with Titan Fine Art at the time of writing), of our sitter’s sister, descended within the family for around 275 years until recently dispersed; they are exquisite examples of Georgian portraiture in England and represents the best of the artist’s work. They are held in their original carved and gilded frames, which are absolute top quality and condition and magnificent works of art in their own right. The sitter’s daughter, Ann, was famously married on board the Foudroyant, off Naples, in a lavish ceremony in 1799, with Lord Nelson himself giving away the bride. The sitter is Jane Wood. Her father was Thomas Wood (1682-176) and Dorothy Huby (1700-1759) and the family lived in Norwich, which in 1720 was a city second in importance only to London. Jane was baptised 14 Oct 1727 at Bracon Ash and had many siblings. Her aunt, also Jane (died in 1756 in Bruges, aged 79) was a Franciscan nun. A portrait of her younger sister, Dorothy Wood (1730-1759), is also with Titan Fine Art at the time of writing. In 1758 Jane married Knipe Gobbet (1730/5-1791) who was Sheriff in 1768 (and Mayor in 1771) of the City of Norwich, and later Lieutenant-Colonel of the West Norfolk Regiment, in which corps he had served in for many years. Knipe was born at his family seat, Tacolneston Hall, to parents George Gobbet (Sheriff in 1710) and Ann. The couple bought and lived in a house in Norwich (later known as Gurney’s Bank House) until 1778 before moving to another one at 10 St Stephen’s Street, Norwich. Later, they inherited the family seat of Tacolnestan Hall and lived there for the remainder of their lives. Knipe Gobbet was a prominent individual. In 1779 he gave the corporation of Norwich 100 pounds to be disposed of as they might think proper and soon after that he was presented with a handsome field tent, marquee, and camp equipage, in testimony of their esteem for his dedication to the defence and service of this country at a time when threatened by an invasion. Although Jane was baptised a Roman Catholic Knipe was a prominent local wine merchant, JP, Alderman, sheriff, mayor and Lieutenant. Roman Catholics may have paid lip service to religious conformity as they were excluded from certain areas of public life before the Catholic Emancipation Act of 1829. The couple had many children, most of which were schooled at the Order of the Immaculate Conception of Our Lady, in Paris. Their oldest daughter, Anne (1760-1817) first married Peter Bottalini of London 27 Oct 1783 at Tacolneston Hall. They had one son together. She later met Dr William Compton (1733- 1824), who was Chancellor of Ely and the next collateral male relation to the Earl of Northampton, and on 9th July 1799, they married in a famous and lavish ceremony on board the Foudroyant, off Naples, where the bride was given away by the Right Hon. Lord Nelson himself (Ann and William then spent many years on the continent where they were British residents of Posilipo Naples). The marriage document, signed by Lord Nelson, Lady Emma Hamilton, Captain Thomas Hardy, and others descended within the family, until sold in a recent sale that raised worldwide interest. It accounts: 'This is to certify that, on board the Foudroyant lying in Naples Bay, on the ninth of July 1799 the marriage between William Compton & Mrs Anne Bottalin, widow, was solemnized by me S. G. Comyn HM. Chaplain to the Right Honble Lord Nelson, H.M.S. Foudroyant, in the presence of'. With the following autograph signatures: Sir William Hamilton (1731-1803), Lady Emma Hamilton (1765-1815), Horatio Nelson, Viscount Nelson (1758-1805); Sir John Thomas Duckworth (1747-1817), Sir Thomas Masterman Hardy (1769-1839), John Rushout, 2nd Baron Northwick (1769-1859), Josiah Nisbet (1780-1830), John Tyson, William Compton and Anne Bottalin, and 2 others” The document sheds light on Nelson's lesser-known side of his character. William Compton ... received "a great many favours and kindnesses" from Nelson, and most especially "the kind interest" taken in sealing his union with a wife who made him "the happiest of mortals". Anne, the aforesaid spouse, said that the admiral's "good heart" had made her "as happy as I can possibly be on this earth" ... Midshipman Parsons remembered those days nostalgically, noting Emma's "graceful form" bending over her harp to bestow "heavenly music" upon the diners on the quarterdeck and the large-decked galley, flush with opera singers, that glided alongside to serenade the sunset of each day'. Our sitter’s other children were: 1) Thomas, who died in 1762, aged four, of a small-pox inoculation, 2) Dorothy (died suddenly of apoplexy 21st Nov 1813). She came to the convent 19th July 1777 and returned to England 23 March 1779, 3) Frances (baptised 22 Feb 1763), who came to the convent when she was nine years old, and eventually married and her surname became Negri, 4) Jane, is thought to have married Juan Manuel Martinez in 1784, 5) and a further possible daughter, Mary. Jane died in 1790 and her husband one year later. Tacolneston has an ancient history of which according to the Domesday Book, Edward I granted a weekly market to be held on a Wednesday at the manor of Tacolneston and two annual fairs. The church was rebuilt in 1503 and is dedicated to All Saints. The earliest view of Tacolneston is a print of 1781 when it belonged to Knipe Gobbet Esq. John Theodore Heins (1697-1756) was a painter whose work, at his best, shows detail of an exceptionally high quality. His portraits of Anna Maria Kett nee Phillips and her husband Henry Kett, painted in 1741, are exceptional and evidence that he had the ability to portray a likeness on par with some of the best portraitists in England at the time. Heins appears to have originated in Germany but moved to the UK and settled in Norwich around 1720. From 1720 to his death in 1756, Heins built up a fine reputation as a portrait painter and painted many members of prominent Norfolk families right up to his last year. He was commissioned in 1732 to paint a portrait of the Mayor of Norwich, Francis Arnam and also the previous year's Mayor Robert Marsh...

This work formed part of an ancient collection of family heirlooms of the Wood family of Bracon Ash, Norfolk. This painting, along with another (also with Titan Fine Art at the time of writing) of our sitter’s sister, descended within the family for around 275 years until recently dispersed; they are exquisite examples of Georgian portraiture in England and represents the best of the artist’s work. They are held in their original carved and gilded frames, which are absolute top quality and condition and magnificent works of art in their own right. By tradition the sitter is Dorothy Wood. She was baptised 2nd June 1726, one of several children of Thomas Wood (1682-176) and Dorothy Huby (1700-1759). Her aunt, Jane Wood (1677-1756), was a Franciscan nun in Bruges. In 1758 her sister, also Jane (1727–1790), whose portrait is also with Titan Fine Art at the time of writing, married Knipe Gobbet (1730/5-1791) who was Sheriff in 1768 (and Mayor in 1771) of the City of Norwich, and later Lieutenant-Colonel of the West Norfolk Regiment, in which corps he had served in for many years. Although the Wood family were Roman Catholics Knipe was a prominent local wine merchant, JP, Alderman, sheriff, mayor and Lieutenant. Roman Catholics may have paid lip service to religious conformity as they were excluded from certain areas of public life before the Catholic Emancipation Act of 1829. Their oldest daughter, Anne (1760-1817) famously married Dr William Compton (1733-1824), the Chancellor of Ely and the next collateral male relation to the Earl of Northampton, in 1799, in a lavish ceremony on board the Foudroyant, off Naples, where the bride was given away by the Right Hon. Lord Nelson himself. The marriage document, signed by Lord Nelson, Lady Emma Hamilton, Captain Thomas Hardy, and others descended within the family, until recently sold, in a sale that raised worldwide interest, for £20,160. It accounts that William Compton received "a great many favours and kindnesses" from Nelson, and most especially "the kind interest" taken in sealing his union with a wife who made him "the happiest of mortals". Anne, the aforesaid spouse, said that the admiral's "good heart" had made her "as happy as I can possibly be on this earth" ... Midshipman Parsons remembered those days nostalgically, noting Emma's "graceful form" bending over her harp to bestow "heavenly music" upon the diners on the quarterdeck and the large-decked galley, flush with opera singers, that glided alongside to serenade the sunset of each day'. Our sitter died unmarried around 1759. John Theodore Heins (1697-1756) was a painter whose work, at his best, shows detail of an exceptionally high quality. His portraits of Anna Maria Kett nee Phillips and her husband Henry Kett, painted in 1741, are exceptional and evidence that he had the ability to portray a likeness on par with some of the best portraitists in England at the time. Heins appears to have originated in Germany but moved to the UK and settled in Norwich around 1720. From 1720 to his death in 1756, Heins built up a fine reputation as a portrait painter and painted many members of prominent Norfolk families right up to his last year. He was commissioned in 1732 to paint a portrait of the Mayor of Norwich, Francis Arnam and also the previous year's Mayor Robert Marsh...

A fine impressionist oil painting of the boat shop by Italian American artist Antonio Cirino (1889-1983). Cirino was born in Italy and moved to the United States, attending the Rhode...

A fine impressionist landscape of a winter stream by American artist Jonas Lie (1880-1940). Lie was born in Moss, Norway to an accomplished Norwegian engineer and an American mother. Named after his uncle, a novelist and close friend of Henrik Ibsen, Jonas went to Paris to live with his uncle in 1892, after his father's death. Surely it was here, the twelve year-old boy was influenced by the creative spirit found in his uncle's home. In 1893, Jonas moved to New York City, where he took evening classes at Cooper Union, the National Academy of Design and the Art Students League while working designing fabric patterns for a textile company to raise money to support his education. After the completion of his education, Lie spent most of his summers along the New England coast and Canada. Here he would paint bright, impressionistic harbor scenes and rocky, coastal views, which he would exhibit regularly. The landscapes and coastal paintings Lie created in New England can be characterized by a facile, broad handling of pigment and an impressionistic sense of light and air. was a prolific painter, known for his coastal views of New England and New York scenes. He became the president of the National Academy of Design from 1935 to 1939, a year before his death. Lie was also known for a series of paintings of the last days of construction of the Panama Canal in 1913. These paintings were given to the United States Military Academy...

In 1607, the Delft city council decided to commission a portrait of Stadholder Maurits of Nassau for the town hall, with Michiel van Mierevelt as the chosen artist due to the passing...

The sitter is elegantly attired in a blue silk dress over a white frilled chemise and a striking crimson mantle. The artist, Thomas Murray, can be described as one of the most successful and talented during the last part of the seventeenth century. It is not surprising that Murray painted the portraits of King William III, Queen Mary, Queen Ann as well as several other high-ranking individuals. The influence of Sir Godfrey Kneller is evident and even expected considering the importance of Kneller, and even though the formula employed for head and shoulders portraits of woman during the period is similar, Murray’s work is distinguishable by a refined and elegant manner, a smooth overall feel, and often, distinctive eyes. Murray is known to have employed not only the same pattern as our portrait but the three distinctive colours (blue, white, red) many times. Presented by Titan Fine Art. Thomas Murray was born in Scotland but moved to London to study with a member of the De Critz family. Later he was a pupil of the English portraitist John Riley (1646-1691), who was court painter to King William III and Queen Mary, and was practising as a painter on his own in the 1680s. In 1691 he took over Riley’s studio when that artist died in 1691 and he established a very successful practice. The Rev, James Dalloway accounted that Murray “was remarkable for his personal beauty and for the elegance of his manner” and he was also noted to have been hard working, courteous and popular with his customers. His portraiture retains an individual style and easily recognised but his earlier work is similar to John Closterman, who was a fellow pupil, and many consider this period to be his finest. Murray invested wisely in property and when he died in 1735, he left around £40,000. He had no children and he bequeathed his money to a nephew with instructions that his monument, with a bust, should be erected in Westminster Abbey, provided that it did not cost too much – but his nephew decided that it was indeed “too expensive” and the plan did not proceed. He is buried in St. Paul's, Covent Garden. Murray’s work is represented in many British country houses and private collections, the National Portrait Gallery London, Royal Society and Middle Temple in London, and in the Uffizi Gallery in Florence. A good example of 17th century British portraiture...

Portrait of a Lady in an Elaborate Stone Cartouche c.1675-80 Mary Beale (1632-1699) Titan Fine Art present this superb portrait where the sitter has been portrayed wearing a low-cut white chemise under a gold silk robe with a draped light...

A fine landscape of birch trees in the Adirondacks by American artist Paul Bernard King (1867-1947). King was born in Buffalo, New York, and after becoming an established printer, went on to study at the NY Art Students League with Henry S...

A fine impressionist landscape oil painting by American artist Nellie Augusta Knopf (1875-1962). Knopf was born in Chicago, IL, and studied art at the Art Institute of Chicago where she studied under John Vanderpoel and Frederick Free...

A fine marine landscape by well-known Dutch / American artist Anthony Thieme (1888-1954). Thieme was born in Rotterdam, Holland and, after traveling in Europe, England, & South America, he settled in the Boston, MA area, establishing a studio in Rockport, MA on Cape Ann. Thieme became very well known for his seascapes and shore scenes. He established the Thieme School of Art in Rockport, of which he was the director. Oil on canvas, signed lower left, titled on verso label “Harbor Along Maine Coast...

A fine impressionist marine oil painting with boats in a harbor, probably in Maine, under the moonlight by American artist Paul Bernard King (1867-1947). King was born in Buffalo, New York, and after becoming an established printer, went on to study at the NY Art Students League with Henry S. Mowbray. While a student, he became an illustrator for Life and Harper’s magazines, and went on to become well known for his portraits, landscapes, rural scenes, and illustrations. Oil on canvas, signed lower right, signed and title inscribed on verso stretcher “Moonlight, Paul King, Stony Brook...

A splendid Autumn tonalist landscape by American artist Bruce (Robert Bruce) Crane (1857-1937). Crane was born in New York City, and as an artist, was influenced by the French Barbizon school of...

This period lithograph of the S.S. IMPERATOR includes its original period frame with plaque. There are a few nicks on the tin but the condition is overall excellent. SS IMPERATOR was a German ocean liner built for the Hamburg America Line. At the time of her completion in June 1913, she was the largest passenger ship in the world by gross tonnage, surpassing the new White Star liner OLYMPIC. IMPERATOR was the first of three successively larger Hamburg American liners that included SS Vaterland (later the United States Liner LEVIATHAN) and SS Bismarck (purchased and renamed MAJESTIC for the White Star Line transatlantic passenger service). IMPERATOR ran a transatlantic route for 14 months, until the outbreak of World War I, after which she remained in port in Hamburg. After the war, she was briefly commissioned into the United States Navy as USS IMPERATOR and employed as a troop transport, returning American troops from Europe. Following her service with the U.S. Navy, IMPERATOR was handed over to Britain's Cunard Line as part of war reparations, due to the loss of the RMS LUSITANIA...

A wonderful abstract brutalist welded and torch cut steel wall sculpture with many points and a burnished finish, by 20th century California artist Tony Melendy...

A fine modernist portrait of a woman by American artist Margaret Hawkins Keane (1927-2022). Keane was born in Nashville,TN, and attributes her deep respect for the Bible and inspirations of her artwork to the relationship with her grandmother. In the 1960’s, while married to her second husband Walter, she was forced to paint and sell under his name, but during their divorce proceedings, she was able to prove that the paintings were actually done by her and the court determined that she was able to paint under her own name again. She became known for painting women and children with large black sad eyes...

A fine Cape Cod scene with fisherman heading out on the dock in heavy fog by American artist Tod Lindenmuth (1885-1976). Lindenmuth was born in Allentown, Pennsylvania, and later worked in Provincetown and Rockport, Massachusetts, with a home in St. Augustine. A founder of the Provincetown Art Association and one of the original Provincetown Printers, Lindenmuth was a semi-abstract painter and graphic artist who did much to promote modernist styles and was well known for his modernist, semi-abstract and marine subject paintings. Lindenmuth studied with Robert Henri and was a member of the Salmagundi Club and the Rockport Art Association. He was also active in Provincetown until 1941, and then retired to Florida in the 1960s, having spent his winters there since the 1930s. Oil on canvas, signed lower right, title inscribed on verso Provincetown Art Association Regular Jury 1938 label “Thick Outside...

A wonderful piece of unknown edition by Andy Warhol. A silkscreen print on a Cellulose and Cotton dress. Fearing the artist's trade mark Campbell's soup can. In very good condition.

A fine impressionist landscape with a rocky path by American artist (Edward) Wilbur Dean Hamilton (1864-1943). Hamilton was born in Pennsylvania, studied at the Massachusetts Normal ...

This outdoor fire pit "Flame" is the eye-catcher in your garden. Due to good air supply, you can very quickly light a beautiful fire. (Optional prepared for natural gas to be instal...

Extraordinary garden torch with one burner insert on an untreated oak spot. If the spot is set up outside, she develops a gray patina. The included burner already contains individua...

This outdoor fireplace "Globe" is the eye-catcher in your garden. Thanks to the good air supply, you can light a beautiful fire very quickly. The base also serves as an ash containe...

Game Lover is an original Photogravure realized by Matteo Basilé. This artwork is from the portfolio The Unique Collection for the Olympic Fine Arts 200...