Large More Art

Artist Comments
Sweeping, layered clouds fill the sky, creating a dramatic contrast between light and shadow. Gentle waves with soft white foam at their crest roll towards the ...

Portrait of Lady Diana Bruce in a Blue Dress with Cut Sleeves c.1660-1670 Circle of Sir Peter Lely (1616-1680) Presented by Titan Fine Art is a captivating portrait of the noble Lad...

A fine New England landscape with a cart path and birch tree by Swedish-American artist Theodore Victor Carl Valenkamph (1868-1924). Valenkamph was born in Stockholm, Sweden, and emi...

Portrait of a Gentleman, Sir Henry Hobart Blue Cloak and cravat c.1683-1684 Attributed to Willem Wissing (1656-1687) This impressive portrait, presented by Titan Fine Art, depicts t...

Original Oil painting by Ukrainian artist Alisa Onipchenko-Cherniakovska In this vibrant oil painting, I've channeled the essence of a sun-drenched seaside town, blending elements o...

Portrait of a Gentleman in Armour and Azure Cloak with Diamond Brooch c.1700 Attributed to Joseph Vivienne (1657-1735) The sitter in this superb portrait, offered by Titan Fine Art...

A framed commemorative piece, this Stars and Stripes has been signed by women who achieved world-class athletic success as Olympic winners. Not confined to just one year’s event or p...

Portrait of Sir John Wentworth, 1st Baronet, and Mary, Lady Wentworth née Lowther c.1695–1705 Attributed to Michael Dahl (c.1659–1743) and Attributed to Thomas Murray (1663–1735) T...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

A fine tonalist landscape with colorful twilight sky at the end of the day by American contemporary artist Dennis Sheehan (b. 1950). Sheehan was born in Boston, Massachusetts and wen...

In this captivating mid 18th century portrait, presented by Titan Fine Art, a young English lady is presented in a luminous white satin gown trimmed with intricate lace and blue ribb...

Frozen, 100x90cm, oil on canvas The work is sold without a frame.

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A tulip poplar towers like a golden pagoda on a beautiful sunny day. The pastel light from the sky reflects its warm glow on the tree. The artwork evokes a jo...

This oil painting White Water Lilies portrays the beauty of lily pads on the surface of a pond. The combination of vibrant colors, thick brushstrokes, and the play of light and shado...

Portrait of a Young Lady, probably British c.1730–1740 Attributed to Jeremiah Davison (c. 1695–1745) What makes this portrait immediately compelling is its directness: the sitter’s ...

This unframed, signed, limited edition pigment print by world renown artist Ricardo Mazal exists in an edition of 30. Paper size is 35 inches h x 30 inches w with an image size of 26 inches h x 27 inches w. Born in Mexico City in 1950, Ricardo Mazal moved to Barcelona Spain in 1986, and since 1990 has lived and worked in New York City, as well as Santa Fe New Mexico. Mazal’s work explores the process of visual perception as it takes form in the human consciousness. His paintings depict the passage of time, not by illustrating events but by leaving their residue to dissipate in space like a still photograph of a speeding object blurred to abstraction. In the last decade he has been honored with ten individual museum exhibitions, including a retrospective at the Museo de Arte Moderno in Mexico City and the Museo de Arte Contemporaneo (MARCO) in Monterrey. He has also shown at the Museo Nacional de Anthropologia, Mexico City and the Scottsdale Museum of Contemporary Art. KORA follows the direction begun by La Tumba de La Reina Roja (The tomb of the Red Queen...

A rendering of a lily pond with a soft glow of light to give you that tranquility that we all need. A sweet piece for any small space. :: Painting :: Impressionist :: This piece come...

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People wander along the shoreline in an easy, unhurried rhythm. The wide stretch of sand, blue sky, and fresh salt air evoke the simple pleasure of a beach day. Painted with oil on linen, Aruna Rao set out to capture the feeling of open space and the quiet sense of peace it brings.

About the Artist
Artist Aruna Rao paints impressionistic seascapes that capture the shimmer of light, the movement of water, and the quiet poetry of coastal life. "I am endlessly inspired by how light transforms a scene, softening the atmosphere and turning an ordinary moment into something unforgettable," says Aruna. Growing up in a literary family in India, she was surrounded by stories and art, which sparked her love of narrative and visual expression. After a 20-year career in IT, she returned to painting, earning an MFA with top honors from the Academy of Art University in San Francisco. Living in Florida offers endless inspiration, from sunrise beaches and glowing horizons to quiet harbors and small human moments that evoke joy and nostalgia. Influenced by French Impressionists and contemporary coastal painters, Aruna creates luminous works that invite the viewer to pause, breathe, and rediscover the beauty of the present moment. When she is not painting, she enjoys beach walks, discovering music, watching films with her husband, and spending time with their two cats.

Words that describe this painting: beach, shoreline, sea, coast, summer, Marc Hanson...

Sylvia Rutkoff (1919-2011) "Red with Blue" 1970s Fabric collage on stretch bar 38"x28" unframed Unsigned Collection acquired from family estate Sylvia Weinreb Rutkoff (1919-2011) Bo...

Landscape , 60x90 cm, oil on canvas

In flowers, 89x80cm, oil on canvas The work is sold without a frame.

Harrison Gilman's large original artworks begin with a layer of fast-paced gestural abstraction followed by organic shapes and geometric structures. Some of his paintings remain in t...

Two , 100x100cm, acrylic, oil, canvas

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Artist Jaime Ellsworth captures a clever brown dog skillfully balancing a red ball and a black bird on its head. With curious gazes, the critters turn to their right as if something has piqued their interest. The two-tone backdrop of ochre and moss green sets the stage for this endearing scene.

About the Artist
Jaime Ellsworth paints animals. Her career as a cowhand never got off the ground, so she stumbled into art never knowing it would complement her passion for animals so completely. Most subjects are her own, but lately she has expanded out of her corral to include bears and beasts not commonly seen on San Juan Island, in the Pacific Northwest, where she's lived for the last 30 years. She suspects it will be years before she runs out of inspiration or has jeans that aren’t covered with paw prints or paint.

Words that describe this painting: dog, bird, ball, whimsical, happy, playful, animals, acrylicpaint, portrait, profile, primitive, animals, primitive, acrylic painting, brown

Dog Ball...

Irises, 100x63 cm, oil on canvas

In my paintings, I chose the main character Gestalt wooden figurine of a man) and trying to "animate" his\her

Downwind, 100x90 cm, oil, tempera, coal, canvas

Life , 100x100cm, acrylic on canvas

Phantom Intimacy, 100x100 cm

Artist Comments
A lone sailboat drifts on a calm lake, its white sail catching the light and reflecting softly on the water below. A distant treeline and shoreline stretch alon...

Cat, flowers, wine, 70x90 cm, acrylic on

Artist Comments
The sky and the sea appear to merge through shifting shades of blue. Brown tones in the foreground suggest the sand beneath the shallow water. White strokes cap...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Artist Comments
A forest, painted in deep brown, creates a mysterious atmosphere late in the day. The bright yellow sky casts a golden glow onto the wildflowers in the foregr...

Fernando Botero (Colombian, 1932–2023) Una Famiglia I – Original Exhibition Poster, 1991 This original exhibition poster, published in Italy in 1991 on the occasion of Fernando Bote...

This piece titled "green occupied 7" is an original artwork by Miriam Singer and is made of pencil, marker, and acrylic on paper. The artist spends her free time biking around the ci...

Artist Comments
A crepe-myrtle tree blooms with delicate flowers that resemble colorful confetti. Its leaves sway gently in the breeze, glowing softly in the summer sunlight. E...

Contemporary Landscape Painting, Framed in Walnut, 36 x 36 in, Ahzad Bogosian Channeling the Midwest and Western landscapes as sources for his mood-rich paintings, Bogosian has deve...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Nyasha Mashumba, having been the apprentice of Mark Hilltout, has now started to carve out a career for himself as artist and designer, utilizing the medium and craft he has mastered...

A fine Cape Cod scene with fisherman heading out on the dock in heavy fog by American artist Tod Lindenmuth (1885-1976). Lindenmuth was born in Allentown, Pennsylvania, and later worked in Provincetown and Rockport, Massachusetts, with a home in St. Augustine. A founder of the Provincetown Art Association and one of the original Provincetown Printers, Lindenmuth was a semi-abstract painter and graphic artist who did much to promote modernist styles and was well known for his modernist, semi-abstract and marine subject paintings. Lindenmuth studied with Robert Henri and was a member of the Salmagundi Club and the Rockport Art Association. He was also active in Provincetown until 1941, and then retired to Florida in the 1960s, having spent his winters there since the 1930s. Oil on canvas, signed lower right, title inscribed on verso Provincetown Art Association Regular Jury 1938 label “Thick Outside...

Designs, shapes, and colors find a balance between a polite instinct and a domesticated confusion within the cubist-inspired artworks by Tuscan artist Federico Pinto Schmid...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Faun`s sweet dream, 2021, 90x80 cm

I want to be with you so much, 100x100cm

This piece is made to order. Please allow for 4 to 6 weeks for production. This piece titled "MJ-af66128ff0c0" is an original artwork by Tuft the World and is made tufted 100% New Z...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Artist Comments
A black horse with white spots gallops with all its might, following the outlined route in the background. The painting carries a whimsical tone with its colo...

Wonderful contemporary abstract signed painting Series of 4 canvas assembled to form a single painting signed Kozo Inoue dated 1974 This painting, never before on the market, comes f...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

Sol LeWitt Limited Edition Geometric Abstraction Silk Scarf, ca. 1987 Limited Edition Silkscreen on 100% Italian silk scarf/shawl Signed on the fabric with artist's printed signature...

Portrait of Mary Hammond in Sumptuous Attire, Jewels and Lace c.1618-22 Circle of Cornelius Johnson (1593-1661) This portrait of a lady, presented by Titan Fine Art, is an exquisite example of early seventeenth-century portraiture, remarkable both for the lavishness of its subject’s attire and for the distinguished provenance that has accompanied it across four centuries that adds a rich layer of historical significance. It was once part of the notable collection of Sir William Temple, 1st Baronet (1628–1699) at Moor Park, a stately mansion in Hertfordshire. Temple was a diplomat, essayist, philosopher, and the patron of Jonathan Swift. He was a key participate at an important period in English history, helping not only to negotiate the Triple Alliance, but also the marriage between William of Orange and Princess Mary. His collection at Moor Park was well known in its day, reflecting both his cultivated taste in art and literature and his international connections. Its fabulous attire, rendered with almost microscopic attention, is not merely decorative but emblematic of a world in which visual display was a language of power. Its provenance, stretching from the English country house and Enlightenment scholarship to modernist circles, forms a microcosm of cultural exchange across four centuries. Thus, the portrait of Mary Hammond stands as both a masterpiece of early seventeenth-century craftsmanship and a witness to the grand narrative of collecting and connoisseurship—a testament to the enduring fascination of beauty, status, and history intertwined. By tradition the portrait depicts Mary Hammond (born c.1602), who was Sir William Temple’s mother, and the daughter of the royal physician who served James I, Dr John Hammond (c.1555–1617) and whose family owned Chertsey Abbey in Surrey. The woman appears between 18 and 25 years old, and Mary would be about 18–20 when the portrait was painted circa 1620, therefore this matches the apparent age of the sitter and the fashion perfectly. Mary stood at the intersection of learned/courtly and gentry worlds. On 22 June 1627 she married her first cousin (a common practice for consolidating family wealth and influence during that era.) Sir John Temple (1600-1677) at St Michael, Cornhill in the City of London. The couple resided nearby, at Blackfriars. Her marriage to Sir Temple placed her at the heart of the social and political circles that shaped British history. The couple had at least five children, and they became highly significant historical figures: The eldest son, Sir William Temple, 1st Baronet, became a distinguished diplomat, statesman, and essayist, famous for his role in the Triple Alliance and as a patron and mentor to the writer Jonathan Swift – our portrait was in his collection. Their daughter, Martha Temple, later Lady Giffard, was a notable figure in her own right. She became her brother William's first biographer and a respected letter-writer, providing a rare female perspective on the events and high society of the time. Another son, also named Sir John Temple, became Attorney General for Ireland and was involved in the turbulent politics surrounding the English Civil War and the Act of Settlement in Ireland. Mary died in November 1638 after giving birth to twins and was buried at Penshurst, Kent. The family's connection to Penshurst Place is a major point of interest as this historic manor was the seat of the Sidney family, a major aristocratic and literary dynasty. The portrait was in the collection of the Mary’s son, Sir William Temple. From there it descended to his daughter, and then to her nephew, the Reverend Nicholas Bacon of Spixworth Park, Norfolk (his mother was Dorothy Temple who died in 1758). Indeed, by this time, many Temple relics were in the collection at Spixworth including the engagement ring of the illustrious Dorothy Osborne, Lady Temple, wife of Sir William Temple. The portrait thus linked two prominent English families—the Temples and the Bacons—for generations. It is listed in a Spixworth Park inventory of 27 October 1910 by the local collector and art historian, Prince Duleep Singh. He described it with characteristic precision as: “No. 69. Lady Half Length, body and face turned towards the sinister, hazel eyes upwards to the dexter, red hair dressed low and over the ears, a jewelled coronet behind, pearl ear-rings tied with black strings. Dress: black, bodice cut low and square, with lace all round the opening and over shoulders, sleeves with double slashes showing red lining and lace under, falling thin pleated lace collar, black strings tied behind it, a jewel suspended on a black string round the neck, and a double row of agate and silver beads all round to the shoulders. M. In brown veined stone frame. Age 30. Date c.1620. It is called ‘Dutch portrait from Moor Park, mentioned by Nicholas Bacon of Coddenham and Shrubland as a very valuable painting.’ A few years later, when Robert Bacon Longe’s executors sold the contents of Spixworth Park (19–22 May 1912), the portrait appeared as lot 262, described as: “A very valuable half-length portrait on panel, ‘Dutch Lady, with deep lace collar and pearl and amethyst necklace, pendant, and ear-rings, and auburn hair, with coronet’ Early Dutch School 1620.” Following this sale the painting entered the collection of David and Constance Garnett, prominent literary figures of the early twentieth century, before being gifted to Andre Vladimervitch Tchernavin by 1949, and subsequently passed by him to the present owners in 1994. The two great houses associated with the painting, Moor Park and Spixworth Park, further underscore its pedigree. Moor Park, in Hertfordshire, was among the grandest country estates of seventeenth-century England—its gardens famously redesigned by Sir William Temple himself and later influencing landscape design across Europe. Sir William's Temple's secretary was Jonathan Swift, who lived at Moor Park between 1689 and 1699. Swift began to write "A Tale of the Tub" and "The Battle of the Books" at Moor Park. Spixworth Park, near Norwich, was an Elizabethan country house in Spixworth, Norfolk, located just north of the city of Norwich. It was home to successive generations of the Bacon family, one of Norfolk’s most distinguished dynasties (later, the Bacon Longe family), who were considerable land owners (owning Reymerston Hall, Norfolk, Hingham Hall, Norfolk, Dunston Hall, Norfolk, Abbot's Hall, Stowmarket, and Yelverton Hall, Norfolk). Spixworth Hall and the surrounding parkland remained in the Longe family for 257 years until 1952, when it was demolished. Rendered with meticulous precision and sumptuous detail, the painting depicts an elegantly dressed woman—her poise, costume, and jewels all communicating a message of wealth, refinement, and social rank. Every brushstroke conveys an artist deeply attuned to the textures of luxury and the nuances of feminine dignity. The sitter’s attire is nothing short of magnificent. Her bodice and sleeves are fashioned from the finest black silk or satin, the fabric absorbing and reflecting light in equal measure, suggesting both depth and lustre. Around her shoulders lies an opulent lace ruff—a deep, radiating lace collar worked in such intricate detail that it testifies to both the artist’s technical skill and the sitter’s extravagant taste. Lace of this quality, especially Venetian or Flemish bobbin lace, was one of the costliest materials available in early seventeenth-century Europe, its weight worth more than gold, and was a marker of prestige that rivalled jewels in value. The painter has taken great care to delineate every loop and scallop of the lace, achieving an almost tactile realism. Pale skin was also a desired beauty standard, sometimes accentuated with contrasting black ribbons or strings. Her jewels amplify this display of affluence. Matching earrings and a delicate coronet or jewelled hair ornament with a feather adorn her hair, which is styled in the modest yet fashionable manner of the time. These details are far from decorative excess—they serve as visual emblems of social standing, refinement, and lineage. Portraits of this kind were statements of both identity and aspiration, intended to project a family’s prosperity and moral virtue to posterity. The portrait was most likely painted in London around 1618-1622. The low-cut, décolletage-revealing neckline was fashionable in the courts of England and France during the late Elizabethan and Jacobean eras (c. 1590s-1610s), this style did not prevail in the public fashion of the Low Countries at this time. This style of lace ruff — delicate needle lace with geometric openwork — was fashionable from c.1615 to 1622, and the jewelled caul (hair net) and lace edging over a stiffened coif are consistent with high-status English women’s portraiture between 1610–1620. The puffed sleeve slash and the use of pink satin beneath black velvet belong squarely to the late Jacobean...

German Steel Fireplace "Globe" with base, is available in different sizes, and also available in stainless steel on request. Please contact us. This fireplace globe is the eye-catcher in your garden. Due to the great air supply, you can build up a nice fire very quickly. The base also serves as an ash tray, has an inserted bottom, but can also be used separately as a flower pot. Of course, you can also plant the bowl. We make the sphere in our own forge. Since the blanks are always randomly arranged, you get a unique piece. Of course, we can also produce special designs or implement special requests. Please contact us. In order to live up to our claim of sustainability and resource efficiency, we have deliberately chosen steel as a material. Steel is durable and can be recycled several times, which is one of its greatest advantages. It can be melted down and reused as often as required without its properties being impaired or lost. No other building material offers this in this form. Burner insert with 3 burners included. Diameter of the sphere: about 65 cm, 3 - 5 mm steel discs. Base: 35x35x40 cm high, with central pedestal. Weight: about 34 kg. Materials used: sheet steel, rusted. About Stefan Traloc: Artist Stefan Traloc creates extraordinary steel works...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Personal contacts, 70x90cm

Untitled , 100x75cm, acrylic, canvas

Artist Comments
A nighttime scene shows an In-N-Out Burger with a few people eating inside the brightly lit restaurant. Several cars are parked outside. The outdoor tables with colorful umbrellas are empty. The red and yellow neon lighting infuses the scene with a festive atmosphere.

About the Artist
Artist John Jaster paints in a style he describes as realistic impressions, capturing colorful views of his adventures across the Americas. "People always ask me how I get such deep brilliant colors," says John. "The answer is layers. Since acrylic paint dries mostly transparent, it requires multiple layers of paint to build up to a specific color. With the right lighting that depth of layering is like sunshine glistening through clear water." In college, John felt a pull towards computer science and pursued a career in software architecture. Although the two paths...

Circus, 100x100cm, oil on canvas

Peter Halley New Works, The Butler Institute of American Art (Hand Signed), 1999 Offset lithograph poster (signed by Peter Halley) 38 × 21 1/2 inches Boldly signed in black marker by...