1960s More Art

Pablo Picasso (1881-1973) - Peintre et modèle Lithograph from 1965. Dimensions of work: 23 x 27 cm Reference: Cramer 130 The work is in Excellent condition. Fast and secure ship...

Pablo Picasso (1881-1973) - Jacqueline Lithograph with quadrochromy from 1961. Dimensions of sheet: 37.9 x 27 cm Dimensions in frame: 53.2 x 43.2 cm Publisher: Éditions Cercle d'...

Pablo Picasso (1881-1973) - Jacqueline Lithograph with quadrochromy from 1961. Dimensions of sheet: 27 x 37.9 cm Dimensions in frame: 43.2 x 53.2 cm Publisher: Éditions Cercle d'...

Pablo Picasso (1881-1973) - Don Quichote Lithograph with quadrochromy from 1961. Dimensions of sheet: 37.9 x 27 cm Dimensions in frame: 53.2 x 43.2 cm Publisher: Éditions Cercle ...

Pablo Picasso (1881-1973) - Four original lithographs - A Los Toros series Lithograph from 1961. Dimensions of each work: 31 x 25 cm. Reference: Bloch 1014-1017; Cramer 113. Print...

Pablo Picasso (1881-1973) - Jacqueline Lithograph with quadrochromy from 1961. Dimensions of sheet: 27 x 37.9 cm Dimensions in frame: 43.2 x 53.2 cm Publisher: Éditions Cercle d'...

Pablo Picasso (1881-1973) - Jacqueline Lithograph with quadrochromy from 1961. Dimensions of sheet: 27 x 37.9 cm Dimensions in frame: 43.2 x 53.2 cm Publisher: Éditions Cercle d'...

Pablo Picasso (1881-1973) - Jacqueline Lithograph with quadrochromy from 1961. Dimensions of sheet: 27 x 37.9 cm Dimensions in frame: 43.2 x 53.2 cm Publisher: Éditions Cercle d'...

Pablo Picasso (1881-1973) (d'après) - Portraits Imaginaires 26.3.69 III Lithograph from 1969. The edition: F 37/250. Dimensions of work: 65.5 x 50 cm. Plate signed. Publisher: É...

From 11 Pop Artists portfolio, vol. 2. Screen print on smooth, white wove paper. Hand signed lower right by Roy Lichtenstein. Hand numbered 128/200 lower left (there are also 50 p...

Ultra rare and precious exhibition leaflet of Cy Twombly's Exhibition at Galleria La Tartaruga, Rome, 1960. Lithograph on ivory colored cardboard. Invitation of the American master exhibition at the La Tartaruga Gallery in Rome from the 26th April 1960. Dimensions closed: cm. 15x17.5. The cover is an original lithograph after Cy Twombly...

Pablo PICASSO (1881–1973) (after) Bacchanal: Musicians and the Bull, 1962 Linocut (Arnera studio) On vellum 32 x 37 cm ( c. 12.6 x 14.6 in) Published by the Cercle d’Art in 1962 und...

Offset lithograph poster invitation Unframed and unsigned Published by Leo Castelli Gallery at 4 East 77th Street on the occasion of the exhibition in November, 1969 The artwork dep...

Jacqueline Lee "Jackie" Kennedy Onassis (July 28, 1929 – May 19, 1994) was an American socialite, writer, and photographer who became First Lady of the United States as the wife of P...

L'Oiseau Bleu By Marc Chagall Marc Chagall (1887–1985) was a Russian-French artist celebrated for his vibrant, dreamlike paintings that blend fantasy, folklore, and personal memor...

Pablo PICASSO (after) Faun Head, c. 1961 Original linocut on invitation card of Madoura Gallery (Cannes) Printed signature in the plate 15 x 7 cm (c. 6 x 3 inch) Very good condiio...

Andy Warhol Banana Cover Art: The Velvet Underground & Nico Vinyl Record circa early 1980's featuring cover art by Andy Warhol. A rare impress...

Pablo PICASSO (1881–1973) (after) Woman Lying Down and a Guitarist with a Hat, 1962 Linocut (Arnera studio) On vellum 32 x 37 cm ( c. 12.6 x 14.6 in) Published by the Cercle d’Art i...

Gallery announcement, offset lithograph in colors, on lightweight off-white wove paper. Hand signed by the artist. From the edition of unknown size. Published by Leo Castelli Gallery...

Here for your consideration is a vintage Chinese forbidden stitch silk embroidery metallic couching textile badge on a pure silk panel. Under glass. C...

Artist Unknown The Bob Dylan Poster 1967 Lithograph Open edition 29.25 x 19.75 inches

Andy Warhol Banana Cover Art 1967: The Velvet Underground & Nico: the highly sought-after, early 1967 East Coast pressing uniquely featuring a peeled banana. Makes for exceptional 19...

Oil on yellow paper mounted on board. No visible signature but numbered "414" in pencil on reverse. Overall dimension of board is 15 x 16.75 inches.

Jacqueline Lee "Jackie" Kennedy Onassis (July 28, 1929 – May 19, 1994) was an American socialite, writer, and photographer who became First Lady of the United States as the wife of P...

A fabulous example of 1960s geometric/op art, displaying all the fun, playfulness and vibrancy of the style. Op art, short for optical art, is a style of visual art that uses optical illusions. Typically, they give the viewer the impression of movement, hidden images and vibrating patterns. Its roots can be traced back to Cubism, Futurism, Constructivism and Dada. The maker of this stunning piece is Tony Gonnet (1909-2004) an artist close to those who shaped modern art and its history. Working in Casablanca in 1940 he met André Breton and Saint-Exupéry, who were both on their way to America. Unable to obtain a visa for himself, Gonnet returned to Paris in January of 1942. Living on Rue de Seine, he became one of the figures of Saint-Germain-des-Prés and numbered amongst his many friends Jean-Paul Sartre, Simone de Beauvoir, Jean Genet – who prefaced his first Parisian exhibition in 1952 – as well as Albert Camus, Simone Signoret, Boris Vian, Jacques and Pierre Prévert and many others. In 1941, in the ennui of Casablanca, Tony Gonnet had started to draw, and then paint, in a Surrealist style. In 1946 he abandoned figurative surrealism in favour of abstraction, making sole use from then on of geometric forms and shaded tones, in his own unique style. His works aim to achieve harmony of shapes and colours, and thus to bring joy. Tony Gonnet loved life, and said that each of his works was an offering made to it. With solo shows in major Paris galleries...

Own a piece of history with this rare and limited edition poster from the MCA! Commemorating Christo's iconic exhibition "Wrap In Wrap Out," this poster is a true collector's item. T...

This piece is original ceramic plate by Jean Cocteau, created in 1961. This piece was embellished with black, red, green, blue, and yellow enamels. In 1957, Cocteau met Marie Madeline Jolly and Philippe Madeline and created over 300 ceramics in their workshop at Villefranche-sur-Mer. At this workshop, he began experimenting with new concepts in pottery design. All these ceramic objects, he said, should look as if they were discovered in an archaeological dig. This piece is from a series of 8 ceramic plates that illustrate the ancient Latin...

Andy Warhol Record Art 1964: 1964 1st pressing, 'This Is John Wallowitch' featuring cover design by Andy Warhol. Featured prominently in 'Andy Warhol: The Record Covers, 1949-1987-...

Jacqueline Lee "Jackie" Kennedy Onassis (July 28, 1929 – May 19, 1994) was an American socialite, writer, and photographer who became First Lady of the United States as the wife of P...

Mowgli, Buzzie, Dizzy MEDIUM: ​Original Production Cel on Printed Background IMAGE SIZE: 16" x 12.5" PRODUCTION: The Jungle Book, 1967 SKU: CCV3121 ABOUT THE MEDIUM: Original Production Cels are one-of-a-kind pieces of art that were used in the creation of an animated film or television show. Each has been hand-painted by studio artists on a piece of celluloid acetate and has been photographed over a background painting to create a frame of the finished production. ABOUT THE FILM: The Jungle Book is a 1967 American animated musical comedy film produced by Walt Disney Productions. Based on Rudyard Kipling's 1894 book of the same name, it is the 19th Disney animated...

Pablo Picasso (1881-1973) - Peintre et sa toile avec modèle assis Etching and aquatint from 1965. The edition of 33/50. Dimensions of work: 39 x 51.5 cm. Hand signed. Publisher:...

A wonderful piece of unknown edition by Andy Warhol. A silkscreen print on a Cellulose and Cotton dress. Fearing the artist's trade mark Campbell's soup can. In very good condition.

Portfolio with complete text folder, bound text volume and 80 color screenprints, loose as issued. The German edition. Published in 1973 by Josef Keller, Starnberg. Original cream p...

Andy Warhol The Souper Dress c. 1965-1967: Inspired by Andy Warhol’s Campbell’s Soup Cans, this dress was sold by the Campbell’s Soup Company in the late 19...

Pablo Picasso (1881-1973) - Jacqueline Lithograph with quadrochromy from 1961. Dimensions of sheet: 37.9 x 27 cm Dimensions in frame: 53.2 x 43.2 cm Publisher: Éditions Cercle d'...

Pablo Picasso (1881-1973) - Jacqueline Lithograph with quadrochromy from 1961. Dimensions of sheet: 37.9 x 27 cm Dimensions in frame: 53.2 x 43.2 cm Publisher: Éditions Cercle d'...

Pablo Picasso (1881-1973) - Matadores Lithograph with quadrochromy from 1961. Dimensions of sheet: 37.9 x 27 cm Dimensions in frame: 53.2 x 43.2 cm Publisher: Éditions Cercle d'A...

A classic form Bauhaus inspired studio pottery pitcher by Marguerite Wildenhain. Wildenhain was trained at the German Bauhaus, before moving to the United States with her fellow arti...

Pablo Picasso (1881-1973) - Matadores Lithograph with quadrochromy from 1961. Dimensions of sheet: 37.9 x 27 cm Dimensions in frame: 53.2 x 43.2 cm Publisher: Éditions Cercle d'A...

Original hand written, hand signed letter from Robert Indiana The letter was written on the other side of a collectible, historic 1964 Stable Gallery invitation. Many people don't re...

Pablo Picasso (1881-1973) - Jacqueline Lithograph with quadrochromy from 1961. Dimensions of sheet: 27 x 37.9 cm Dimensions in frame: 43.2 x 53.2 cm Publisher: Éditions Cercle d'...

Jacqueline Lee "Jackie" Kennedy Onassis (July 28, 1929 – May 19, 1994) was an American socialite, writer, and photographer who became First Lady of the United States as the wife of P...

Jacqueline Lee "Jackie" Kennedy Onassis (July 28, 1929 – May 19, 1994) was an American socialite, writer, and photographer who became First Lady of the United States as the wife of P...

MEDIUM: Limited Edition Hand-Painted Cel IMAGE SIZE: 12 x 16 inches SKU: CCV2262 Price includes framing. This limited edition (500, plus 25 artist's proofs) of hand-painted character cels (with backgrounds) from Walt Disney’s 1953 feature-length animated film, Peter Pan, is one of a series of selected limited editions of original artwork from cartoon classics issued by The Walt Disney Company. The original animation drawings were inked by a Disney artist. and this inked line was transferred to acetate plastic "cels" by a special Xerox process. The colors are Disney-created acrylic-based paints that were hand-applied by Disney painters. To protect the delicate lines and paints, each limited-edition cel in this series has been laminated on both sides with a clear plastic. The background scenes for these cels have been faithfully reproduced by a Disney background...

Alexander Calder (1898-1976) - Spirale et Turban Lithograph from 1965. The edition of E.A. (aside from an edition 125). Dimensions of work: 96 x 66 cm. Hand signed. Publisher: A...

H. Lawrence Hoffman (American, 1911-1977) Inhale Exhale, 1969 Monoprint Sight: 19 x 15 in. Framed: 27 1/2 x 23 1/4 x 3/4 in. Signed and dated lower right, title inscribed verso H. Lawrence Hoffman (23 October 1911 – 20 January 1977) was a commercial book jacket designer, illustrator,calligrapher and painter who worked in New York City. He illustrated book covers for over 25 publishing companies, including Alfred A Knopf, Pocket Books, Popular Library, Macmillan, Simon & Schuster, The Viking Press, and Random House. Over the course of his career, he illustrated over 600 book jacket covers. Hoffman graduated from the Rhode Island School of Design (RISD) in 1934 and then completed two years of post graduate study in Commercial Art from RISD. He moved to New York City with the $200 he was awarded for winning a competition to design a coin for the 1936 300 year Rhode Island Tercentennial. He began his career as an Art Director at the A.M. Sneider Advertising Company (1938–1941) and at Immerman Art Studios (1941–?). After leaving Immerman, he worked as a free-lance artist and book illustrator for the remainder of his career. He also taught illustration and lettering at The Cooper Union (1960-1967) and was a Professor of Art at C.W. Post University (1967–1976). Hoffman began his career doing drawings for the pulp magazine, "Thrilling Mystery Magazine...

Jacqueline Lee "Jackie" Kennedy Onassis (July 28, 1929 – May 19, 1994) was an American socialite, writer, and photographer who became First Lady of the United States as the wife of P...

Walasse Ting 丁雄泉 Chinese Moonlight (signed, dated and inscribed by Walasse Ting), 1967 Illustrated Softback monograph with four original double-page litho...

Harding Black San Antonio Ceramicist (1912 - 2004) "Lava Glaze Planter" 1967 16.5 inches tall 15 inches across SIGNED & DATED IN THE GLAZE Weight almost 50 pounds. You are more than...

Autograph Custom Identification is hand-signed by Clark Gable realized in the 1960s. The form is written in Italian and belongs to Netherland Airlines Good conditions.

"Vitraux pour Jerusalem" is one of the most important books illustrated by Marc Chagall and considered as one of his editorial masterpieces. Th...

MEDIUM: ​Original Production Cel on Printed Background IMAGE SIZE: 12" x 10" PRODUCTION: The Jungle Book, 1967 SKU: CCV1956 ABOUT THE MEDIUM: Original Production Cels are one-of-a-kind pieces of art that were used in the creation of an animated film or television show. Each has been hand-painted by studio artists on a piece of celluloid acetate and has been photographed over a background painting to create a frame of the finished production. ABOUT THE FILM: The Jungle Book is a 1967 American animated musical comedy film produced by Walt Disney Productions. Based on Rudyard Kipling's 1894 book of the same name, it is the 19th Disney animated feature film. Directed by Wolfgang Reitherman, it was the last film to be produced by Walt Disney, who died during its production. The plot follows Mowgli, a feral child raised in the Indian jungle by wolves, as his friends Bagheera the panther and Baloo the bear try to convince him to leave the jungle before the evil tiger Shere Khan...

Philip Guston, Joan Mitchell, Cy Twombly, Jim Dine, Roberto Matta, Sam Francis, Mark Rothko, Franz Kline, Kenneth Noland, Robert Rauschenberg, Jasper Johns, Helen Frankenthaler, John...

Norman Rockwell - Hand written letter with stamped postmarked envelope Hand written and hand signed letter on artist's personalized stationery with the accompanying stamped and postmarked envelope. Unique. Vintage handwritten, hand signed double-sided letter by Norman Rockwell to his printer at Color Lithographers discussing various matters concerning his prints and editions. This letter was written on the artist's personalized stationery with the accompanying postmarked envelope. True collectors' item. Historic. This letter has been elegantly floated with pocket corners to reveal all four corners, in a museum quality wood frame under double-sided UV plexiglass to reveal both the fronts, as well as the backs of the letter and the original envelope.  Measurements: Frame:  17 inches (vertical) by 10.5 inches (horizontal) by 1 inch  Letter: 8 inches (vertical) by 6 inches (horizontal)  Envelope: 4.25 inches (vertical) by 6 inches (horizontal)  This letter was addressed to Shirlee Scoma (Shirlee Neinskin Scoma - 1917-2007)) whose husband ran Color Lithographers at 225  Varick Street, now known as Hudson Square, Lower Manhattan, which was the famous printing district of the 1960s. It reads as follows: Dear Shirlee, I called Ken Stuart, former art editor of the Post, asking him my understanding of the agreement, that all covers could be made into art prints. He agreed and told me to look up the right type of agreement that I got for all my work with the Post. I found a number of them, and herewith is one.  The section called “Important” spells out the conditions.  This should help you with the difficult Mr. Buckley.  Mr. Lindsay was here today and is seeing you tomorrow. I think he is sold to have you make the prints.  Sincerely,  Norman THE CHARACTERS MENTIONED IN THE LETTER “The difficult Mr. Buckley” was Jim Buckley, the production and technical manager overseeing the lithographic plates at Color Lithographers. In commercial lithography during the 1960s, transferring an original oil painting into multi-color lithographic plates was an incredibly grueling process. Pressmen had to balance ink densities, dot gain, and color separations by hand to get a true match. Norman Rockwell also wanted to assure the printing company before they embarked on this arduous process, that, per his agreement with the Saturday Evening Post, all of their covers could be made into fine art prints - under the conditions described in more detail below.  The "Mr. Lindsay" mentioned in the letter was Donald P. "Don" Lindsay, a prominent bank executive, arts patron, and civic leader from Spokane, Washington In 1963, Don Lindsay—then the CEO of Lincoln First Federal Savings and Loan—wrote directly to Norman Rockwell asking him to create a signature, life-sized painting of a young Abraham Lincoln for the lobby of the bank's brand-new downtown headquarters. Rockwell, who loved painting Lincoln, agreed to the $4,000 commission. Rockwell completed the monumental painting, titled Lincoln the Railsplitter (also known as Young Lincoln), in 1965. Standing over seven feet tall, it became the largest canvas Rockwell ever painted Because the bank wanted to use the image heavily for promotional calendars, prints, logos, and advertisements, high-quality color reproduction was mandatory. When Rockwell notes that "Mr. Lindsay was here today... I think he is sold to have you make the prints," it means Lindsay had traveled out east to visit Rockwell at his home and studio in Stockbridge, Massachusetts. During that visit, they reviewed the final artwork, and Lindsay gave his enthusiastic approval to hire the team at Color Lithographers to handle the critical, high-end print run.  Today, the original oil painting Lindsay commissioned is a famous multi-million dollar piece housed at the Butler Institute of American Art ADDITIONAL CONTEXT/BACKGROUND At the time Norman Rockwell wrote this letter on May 22, 1965,he did not own the copyrights or reproduction rights to his Saturday Evening Post covers. Those rights belonged strictly to the Curtis Publishing Company, the publisher of the magazine, so he was not printing these lithographs independently.  Curtis Publishing fiercely protected its intellectual property. Any fine-art lithographs or prints produced during this time had to be authorized, commissioned, or legally cleared by Curtis Publishing. The project Rockwell was collaborating on with Color Lithographers was a Curtis-sanctioned reproduction print run. Rockwell was brought into the process purely to supervise the artistic quality and sign off on the color proofs, ensuring the prints matched his original oil paintings The widespread market for the hand-signed, limited-edition Norman Rockwell lithographs...

Dipen Bose - Durga Oil on Canvas 36 x 30 inches Signature in the bottom . ( third image shows the signature) (Framed & Delivered) In this striking acrylic work, Dipen reimagine...

Signed in the plate Benn, born Bencjon Rabinowicz, (1905–1989) was a painter associated with the School of Paris, Ecole de Paris His early work was mostly figurative; much of his lat...

Salvador Dalí’s Divine Comedy is a series of 100 color wood engravings, each corresponding to a canto from Dante Alighieri’s epic poem. Created between 1960 and 1964, commissioned by...

Lord Wellington, Central Park, NY, 1969 11x14" (Edition: 1 of 10) Silver Gelation Iconic Photography About the Artist: My intent is to create a mythic...

Jackson Mac Low Samba, circa 1965 Signed "Jackson Mac Low" Oil on linen 80 x 57 inches Poet, performance artist, and composer Jackson Mac Low was born in Chicago and began his musi...

Hand signed and numbered. Edition of 40 prints. In good conditions, except some stains on the lower left margin. Antonio Corpora (Tunis, 1909 - Rome, 2004) was an Italian artist and...