Wood Still-life Sculptures

"Voyageur en Bateaux" is a sculptural wall piece featuring hues of brown and blue. Corrina is inspired by the work of Louise Bourgeois, Louise Nevelson, Albert Paley, Lee Bontecou. ...

BANDANNA is a sculpture by Ray Padrón created in 2021 from painted and carved poplar wood. The piece belongs to a series of work centering around clothing i...

"JAMÓN JAMÓN I (Reliquary Generalife)", 2019, sold in the frame shown, is one in a series of ceramic sculptures by artist Andrew Cornell Robinson...

Hand carved aspen wood sculpture torched burnished and painted Greg Joubert was born in 1977 and raised in the seaside New England town of Hingham, Massac...

ST.ROPER is a 3D-printed sculpture by Ray Padrón created in 2016. The piece belongs to a series of work centering around clothing items and their relation t...

DEGLOVING is a sculpture by Ray Padrón created in 2018 from red milled cedar wood. The piece belongs to a series of work centering around clothing items and...

George Long received his BFA from the Atlanta College of Art in 1995 and currently lives and works in Atlanta. His first solo exhibition was at Marcia Wood Gallery in Atlanta in 2004, where he introduced the widely acclaimed 8 x 8 work. Long’s solo and 2 person exhibitions include Flux Projects, Atlanta, the Zuckerman Museum, Kennesaw State University, Space Eight, St Augustine, FL, Gallery One Twelve, Atlanta, Tempus Projects, St. Augustine, FL,Cosms, Dashboard Coop, Atlanta, Columbus Museum, Columbus, GA, the University of West Georgia, Carrolton, GA, the Madison County Art Council, Marshall N.C. among others. Group exhibitions have included the International Kunstler Kolonie Exhibition,Nuremburg, (and residency), The Atlanta Contemporary Art Center (2007 Biennial and 2012 "Day Job: Georgia), the Jacksonville Museum of Modern Art, Jacksonville, FL, the Zuckerman Museum, Kennesaw, GA, Art on the Beltline, Atlanta, GA, Paco Sas Artes, Sao Paulo, Brazil, Tempus Projects, Tampa, FL, Dalton Gallery, Agnes Scott College, Georgia, and Brenau University, Georgia. In 2010 he received an NEA grant for public sculpture. Sculpture exhibitions include theAnn Marie Sculpture Center in Solomon Island, Maryland, North River Park, Charleston, SC, and the Chattahooche Nature Center, Roswell, GA, Art in Freedom Park, Atlanta, and Bonaroo, Manchester, Ten. Long has collaborated with Spelman University choreographer T. Lang, New Orleans Airlift, Georgia Tech, Lucky Penny...

common redwood lumber

DAD HAT is a sculpture by Ray Padrón created in 2019 from painted and carved soft maple wood. The piece belongs to a series of work centering around clothing i...

George Long received his BFA from the Atlanta College of Art in 1995 and currently lives and works in Atlanta. His first solo exhibition was at Marcia Wood Gallery in Atlanta in 2004, where he introduced the widely acclaimed 8 x 8 work. Long’s solo and 2 person exhibitions include Flux Projects, Atlanta, the Zuckerman Museum, Kennesaw State University, Space Eight, St Augustine, FL, Gallery One Twelve, Atlanta, Tempus Projects, St. Augustine, FL,Cosms, Dashboard Coop, Atlanta, Columbus Museum, Columbus, GA, the University of West Georgia, Carrolton, GA, the Madison County Art Council, Marshall N.C. among others. Group exhibitions have included the International Kunstler Kolonie Exhibition,Nuremburg, (and residency), The Atlanta Contemporary Art Center (2007 Biennial and 2012 "Day Job: Georgia), the Jacksonville Museum of Modern Art, Jacksonville, FL, the Zuckerman Museum, Kennesaw, GA, Art on the Beltline, Atlanta, GA, Paco Sas Artes, Sao Paulo, Brazil, Tempus Projects, Tampa, FL, Dalton Gallery, Agnes Scott College, Georgia, and Brenau University, Georgia. In 2010 he received an NEA grant for public sculpture. Sculpture exhibitions include theAnn Marie Sculpture Center in Solomon Island, Maryland, North River Park, Charleston, SC, and the Chattahooche Nature Center, Roswell, GA, Art in Freedom Park, Atlanta, and Bonaroo, Manchester, Ten. Long has collaborated with Spelman University choreographer T. Lang, New Orleans Airlift, Georgia Tech, Lucky Penny...

The Redpath Mansion was built in 1886 for members of the Redpath family – wealthy industrialists who constructed the Lachine Canal and founded the sugar refinery that bears their name. This majestic house was erected in the fabled Golden Square Mile of Montreal. By the mid-20th century, it was one of the few remaining Queen Anne style homes in this city. The Sochaczevski family, purchased it in 1986 and within that year, obtained a license to demolish the building. Approximately 40% of the property was leveled. Organizations such as Heritage Montreal and Save Montreal obtained an injunction to suspend the execution of the license and the destruction of the mansion. It was temporarily saved. In 2014, the Mayor of Montreal, Denis Coderre, sided in favour of the Sochaczevski family, granting them the license to level the Redpath Mansion. In a statement to the media, when substantiating his reasoning, Denis Coderre said, “It was too dangerous, so I asked that we demolish the building.” The disappearance of the Redpath Mansion represented a great loss to Montreal’s architectural landscape. Organizations such as Heritage Montreal and Save Montreal, contended that it possessed immense cultural value; and during the course of almost three decades – 1986 to 2014 - struggled to save this rare Queen Anne style home from the wrecking ball. Albeit, the Sochaczevski family argued that it was old and unsafe, and that a restoration of the once stately home would be very costly. During the span marked by the first attempt at a demolition and the final decision by the mayor of Montreal (i.e. 1986 – 2014), The Redpath Mansion’s already dire condition worsened. It stood vacant and exposed to the elements. Nothing to upkeep the house was implemented, neither by the owners, or the city of Montreal; which ultimately compromised its structural viability. The events surrounding the Redpath Mansion, came to my attention in the summer of 2010. It was during a visit to Mount Sinai Hospital, in Montreal, where my father lay stricken by a terminal disease known as pulmonary fibrosis. I came upon a newspaper article in the Montreal Gazette. It described the Redpath Mansion case. I likened the decaying building with the final stages of my father’s life. The Redpath Mansion gained even greater significance for me when I went in person to the Golden Square Mile - in the city centre – and stood before it along Du Musée Street. I experienced it as a powerful metaphor for the transient nature of life. It also inspired thoughts related to generational ties, and how familial bonds act to influence and shape a person’s identity. The program of work I plan to undertake aims at building a scale model of the Redpath Mansion, as it appeared just before its demolition, in 2014. The physical height of this scale model is set at approximately 1 metre. I wish to place emphasis on the craft aspect, by creating a visual idiom based on details and decaying forms that allude to our connection to the past. For example, old pictures found among the rubble, scattered clothing and shoes, all of which are suggestive of a past ethos. I steer clear of political and social issues and aim to view this project with a more poetic lens, hoping to move the focus from societal problems to problems we face inside ourselves. The end result, or the finished piece would make a statement in a more introspective and emotional way, and show that the past weighs on the present, almost to the point of haunting. The viewer of the finished scale model will view it in the round, and in so doing perceive a definite narrative that addresses questions of identity, memory and loss. Ivan Markovic The Redpath Mansion, 2019 mixed media 37h x 20w x 24d in 93.98h x 50.80w x 60.96d cm IVM007 IVAN MARKOVIC was born in Montreal, Quebec in 1970. At an early age, he showed a natural propensity for drawing. At 15 years of age, he went to Paris, France to attend the Fine Arts school Creatione et Future. This experience allowed him to become a better draftsman and encouraged him to take his first steps in the art of oil painting. In 1994, he received a Bachelor of Fine Arts degree from Concordia University in Montreal. During his undergraduate degree he developed an interest for Art History and life drawing. After graduation, Ivan Markovic moved to Madrid, Spain to work at the Prado museum, where he made copies of Old Masters’ paintings, and developed an understanding for the materials and techniques of Spanish, Italian and Flemish art. He received a Master of Fine Arts degree from Bretton Hall College, University of Leeds, in the U.K. in 1997. His graduate work focused on large-scale paintings that alluded to baroque and neoclassical painting. In parallel, he pursued his other passion, teaching, by instructing a figure drawing course. Upon completing his MFA, he returned to Madrid to work as a practicing artist and art teacher for 13 years. During this time, he experimented with a diverse range of media. Of these, he was most captivated by sculpture. In 2010, he came back to his native Montreal, thus completing a formative cycle that has lasted 25 years. Currently, Ivan Markovic lives and works between Montreal, Chicago, and Madrid. He creates three-dimensional renditions of people facing situations of adversity, especially those that live on the fringe of society. His work has been featured in solo exhibitions in Canada, the United States and Europe, and is also on permanent display in privately owned collections of art. Ivan Markovic b. 1970, Montreal, Quebec Education 1997 Master of Fine Arts, Bretton Hall College, University of Leeds, England. 1994 Bachelor of Fine Arts, Concordia University, Montreal, Canada. 1986 Studies at the Fine Arts School, Création et Future, Paris, France. Selected Exhibitions 2020 Double Feature: Art Shay and Ivan Markovic, 2019, Gallery Victor Armendariz, Chicago, IL 2019 SOFA Chicago 2019, Navy Pier, Gallery Victor Armendariz, Chicago, IL 2018 SOFA Chicago 2018, Navy Pier, Gallery Victor Armendariz, Chicago, IL Art Market Hamptons, Gallery Victor Armendariz, Bridgehampton, NY Art On Paper, Gallery Victor Armendariz, New York, NY 2017 Art Toronto, Galerie D’Este, Toronto, Canada. SOFA Chicago, Navy Pier, Option Art, Chicago, IL Papier/10th Edition, Contemporary Art Fair of Works on Paper, Galerie D’Este, Mlt., Canada. 2016 SOFA Chicago, Navy Pier, Option Art, Chicago, U.S.A. 2016 Toronto International Art Fair, Galerie D’Este, Toronto, Canada. 2016 Beyond the Pale, Galerie D’Este, Montreal, Canada. 2014 On the Fringe, Galerie D’Este, Montreal, Canada. Love Art, Galerie D’Este, Toronto, Canada. Papier 14, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2013 Shades of Isolation, Galerie D’Este, Montreal, Canada. 2013 Toronto International Art Fair, Galerie D’Este, Toronto, Canada. Papier 13, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2012 Papier 12, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2011 Papier 11, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada 2004 Galería Francisco Duayer, Madrid, Spain. 2004 Fundación Cultural Mapfre Vida (Premio Penagos de Dibujo), Madrid, Spain. 2003 Centro Intergrado Arganzuela (Ayuntamento de Madrid), Madrid, Spain. 2003 Galería Francisco Duayer, Madrid, Spain. 2001 Galería Francisco Duayer, Madrid, Spain. 2000 Sala Goya, Círculo de Bellas Artes, Madrid, Spain. 1998 Instituto Cervantes, John Hancock Center...

George Long received his BFA from the Atlanta College of Art in 1995 and currently lives and works in Atlanta. His first solo exhibition was at Marcia Wood Gallery in Atlanta in 2004, where he introduced the widely acclaimed 8 x 8 work. Long’s solo and 2 person exhibitions include Flux Projects, Atlanta, the Zuckerman Museum, Kennesaw State University, Space Eight, St Augustine, FL, Gallery One Twelve, Atlanta, Tempus Projects, St. Augustine, FL,Cosms, Dashboard Coop, Atlanta, Columbus Museum, Columbus, GA, the University of West Georgia, Carrolton, GA, the Madison County Art Council, Marshall N.C. among others. Group exhibitions have included the International Kunstler Kolonie Exhibition,Nuremburg, (and residency), The Atlanta Contemporary Art Center (2007 Biennial and 2012 "Day Job: Georgia), the Jacksonville Museum of Modern Art, Jacksonville, FL, the Zuckerman Museum, Kennesaw, GA, Art on the Beltline, Atlanta, GA, Paco Sas Artes, Sao Paulo, Brazil, Tempus Projects, Tampa, FL, Dalton Gallery, Agnes Scott College, Georgia, and Brenau University, Georgia. In 2010 he received an NEA grant for public sculpture. Sculpture exhibitions include theAnn Marie Sculpture Center in Solomon Island, Maryland, North River Park, Charleston, SC, and the Chattahooche Nature Center, Roswell, GA, Art in Freedom Park, Atlanta, and Bonaroo, Manchester, Ten. Long has collaborated with Spelman University choreographer T. Lang, New Orleans Airlift, Georgia Tech, Lucky Penny...

Inspired by amateur archaeologists such as Heinrich Schliemann who discovered Troy and by past elaborate hoaxes like that of the Piltdown Man, Joshua travels the world performing sta...

This turned Burlwood vase has rich earth tones with copper highlights. The swirling burl pattern comes through the glossy surface that contrasts with the...

"Triangular Dish" Dail Behennah, white willow, telephone wire, 23" x 26" x 5", 1998. This abstract willow sculpture was created by UK fiber artist, Dail...

SALE ONE WEEK ONLY "Kryptonite Wares" is a clever and humorous collection of both superfluous and everyday objects purchased from the Dollar Store. It is a wry comment by the artist...

Minimal Abstract Ceramic 36 x 36 inch wall sculpture in glossy and matte white ceramic tiles that create a zig-zag motif. Tiles are mounted to a white wood panel. A neutral work of a...

The small-scale wooden and found object, abstract, free-standing sculpture titled, "Modus Volito 8" is an original artwork by Hyland Mather made from aerosol and laser engraving on f...

This solid accent portrays a primordial form. Tucker Robbins, inspired to bring his designs back to basics, worked with the Ifugao (Mountains of the Phi...

"Deviation" Gyöngy Laky, apple, acrylic paint, screws, 30" x 60" x 2.5" (installed), 2020. This contemporary mixed media wall sculpture was done by San Fr...

This sculpture titled "Diamond Pawn" is an original artwork by Drew Leshko made of a variety of paper, acrylic, pastel, plastic, wire, plaster, inkjet prints, basswood. This piece me...

Globalization IV: Collateral Damage, ash, commercial wood, paint, blue concrete bullets, 32" x 97" x 4" (Installed dimensions), 2005. This 3-piece wall sculpture was done by San Francisco-based artist, Gyöngy Laky...

"Cradle to Cradle" apple, commercial wood, screws, 16" x 30" x 30", 2007. This mixed media sculptural vessel was done by San Francisco-based artist, Gyöngy Laky...

This sculpture titled "Cash Loans" is an original artwork by Drew Leshko made of a variety of paper, acrylic, pastel, plastic, wire, plaster, inkjet prints, basswood. This piece meas...

This white, blue, and red miniature paper sculpture titled "OVER IT" is an original artwork by Drew Leshko made of paper, acrylic, inkjet prints, basswood, wire, PVC plastic, pastel,...

This green and orange floral sculpture titled "Flower Block (Orange)" is an original artwork by Luke O'Sullivan made of screenprint, acrylic, and spraypaint on wood. This piece measu...

BRILLO (RED BLUE WHITE) Acrylic on canvas with leather and brass fittings over wood. 17 x 17 x 14" (43.18 x 43.18 x 35.56 cm.) 2019 The series Lutz refers to as "Luxury Sculptures" are based on the forms of Louis Vuitton trunks in combination with the box sculptures of Andy Warhol. Lutz began this series in 2008. The works aim to create a feedback loop. Where Warhol elevated consumer products like Brillo and Heinz Ketchup...

This miniature paper sculpture titled "GO AWAY" is an original artwork by Drew Leshko made of paper, acrylic, inkjet prints, basswood, wire, PVC plastic, pastel, and clay. Through sc...

Daniel Fiorda in this new series of sculptures, continues in many ways the themes that have infused his previous work. For the last several years, Fiorda has dealt with technology, obsolescence, with the trail of discarded tech that humanity leaves behind and what it says about us. The new work takes this thematic one step further. These new wall pieces feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, computer keyboards, objects that evoke industrial post-digital eras. This piece is a set of 3 artworks that showcases a video editing keyboard on a white background, embedded in resin and they can be arranged for display in a variety of layouts. They come ready to hang with hanging hardware and they are signed by the artist on verso. Art measures 7 x 7 x 1.75 in (each) The overall sense is dystopian rather than apocalyptic. In Fiorda’s previous work, found objects were displayed as if unearthed from a bed of clay by a tacit anthropologist, perhaps decades into the future. A typewriter would be partially buried by dry soil and weathered by the passing of time. The underlying narrative was that of a future civilization unearthing the objects left by ours. Destruction or extinction was implied. In the new work, the obsolete technology is not found but rather engulfed by a new technology. Concrete, as a material and as a technology, has the capabilities to fully encase and envelope. In Fiorda’s new work, uniformity and the appropriation of old/new technology into new structures suggests a historical and technological challenge right around the corner, mirroring the ones in our recent past: the digital age fully replacing the analog world. These astounding sculptures, with embedded objects, are here to examine closely, and make connections between theme, material, and shape. Daniel Fiorda was born in 1963 in Buenos Aires, Argentina. Of Italian ancestry, his lineage includes a grandfather highly respected as a wood craftsman, also his father was a craftsman in addition to being a musician and poet. Because a privileged life was not his, there was no university for Fiorda. In the Old World tradition of passing on knowledge from parent to child, he learned about machinery form his father, who recognized his son's talent and encouraged it. With some private tutoring, he began sculpting in high school using found objects. The press reviews of his first exhibit, at age 20, stated that Fiorda had a definite “poetic feeling”. With this encouragement, he continued to pursue his art. After leaving Argentina, he arrived in Miami Beach via a circuitous route and set up his studio in the South Florida Art Center. He has exhibited widely throughout the US including the OK Harris Gallery, Allan Stone Gallery in New York as well as the Heriard Cimino Gallery in New Orleans, Lélia Mordoch Gallery in Paris France and Lilac Gallery in New York City. Daniel was one of the winners in the 7th Annual Sculptures Competition (2003) held at Washburn University in Topeka , Kansas. Selected on the inaugural 2006 Palm Beach International Sculpture Biennale, and exhibited for the 3rd time in Sculpture Key West. He is an alumni Artist of ArtCenter/South Florida. Two Pieces from his “Convertible Couch projects...

I want the viewer to have a sense of wonder and awe when looking at my work. We have all at one point or another picked up a stick from the ground—touched the wood, peeled the bark ...

Represented by George Billis Gallery NYC and LA. The works in the series “From the Street” are carefully crafted, carved and painted, trompe l’oeil depictions of everyday common obj...

Minimal Abstract Ceramic 36 x 36 inch wall sculpture in glossy and matte white ceramic tiles that are mounted to a white wood panel. A neutral work showcasing an "X" in matte white s...

Menashe Kadishman (Israeli, 1932-2015) Birth Iron 17-1/2 inches (44.5 cm) high on a 6-1/4 inches (15.9 cm) high wood base Hand signed and Inscribed on base Sculpture with base measur...

This blue and white sculpture titled "Hotel Tudor" is an original artwork by Drew Leshko made of paper, acrylic, basswood, and pastel. This pi...

Hall, 2018 by Casey Waterman Plaster, Glass, Vinyl, Walnut One of a kind art wall installation of 16 pieces. Overall size: 72" h x 17" w x 1.5" d Framed piece size: 18" H x 16" w x ...

From the Apathy Series, Andrew Smenos' recent body of ceramic sculptures, comes "DESTROYER" – the rusted hulk of a ship is sinking however, itself destro...

Imprints / I Am Yourself: 1-Boat. 2-Facade. 3-Fuck. 4- Girls. 5- Hall. 6- House. 7- Poem. -8-Triangle. 9- Wall. 10- Whale. 11- Window and -12 Wood. Plaster, Glass, Vinyl, Walnut ...

Represented by George Billis Gallery NYC and LA. The works in the series “From the Street” are carefully crafted, carved and painted, trompe l’oeil depictions of everyday common obj...

This painted wood chair by Paul von Ringelheim is a playful synthesis of form and content. The chair, an everyday item, has been transformed by von Ringelheim's imagination.

This miniature, blue and white, paper sculpture titled "4 SUMMER" is an original artwork by Drew Leshko made of paper, acrylic, inkjet prints, basswood, wire, PVC plastic, pastel, an...

"Chance Encounter: Invent" walnut, paint, dowels, Vertical: 80 x 11 1/2 x 2; Horizontal: 12 x 62 x 2, 2009. (originally commissioned for The Green Issue for the NY Times Magazine 4/20/08 pp 45-72). This mixed media wall sculpture was done by San Francisco-based artist, Gyöngy Laky...

Koji Takei works reference synthetic cubism in the most literal of senses. In cubist artworks, the objects are broken up, analyzed and re-assembled in abstracted form. These pieces...

This sculpture titled "Tudor City" is an original artwork by Drew Leshko made of paper, acrylic, basswood, and pastel. This piece measures approximately 15”...

This blue, grey, and white miniature paper sculpture titled "PUPPIES" is an original artwork by Drew Leshko made of paper, acrylic, inkjet prints, basswood, wire, PVC plastic, pastel...

Koji Takei works reference synthetic cubism in the most literal of senses. In cubist artworks, the objects are broken up, analyzed and re-assembled in abstracted form. These pieces...

Represented by George Billis Gallery NYC and LA. The works in the series “From the Street” are carefully crafted, carved and painted, trompe l’oeil depictions of everyday common obj...

Boat, 2018 by Casey Waterman Plaster, Glass, Vinyl, Walnut One of a kind art wall installation of 16 pieces. Overall size: 72" h x 17" w x 1.5" d Framed piece size: 18" H x 16" w x ...

Window, 2018 by Casey Waterman Plaster, Glass, Vinyl, Walnut One of a kind art wall installation of 16 pieces. Overall size: 72" h x 17" w x 1.5" d Framed piece size: 18" H x 16" w ...

Girls, 2018 by Casey Waterman Plaster, Glass, Vinyl, Walnut One of a kind art wall installation of 16 pieces. Overall size: 72" h x 17" w x 1.5" d Framed piece size: 18" H x 16" w x...

Daniel Fiorda in this new series of sculptures, continues in many ways the themes that have infused his previous work. For the last several years, Fiorda has dealt with technology, obsolescence, with the trail of discarded tech that humanity leaves behind and what it says about us. The new work takes this thematic one step further. These new wall pieces feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, computer keyboards, objects that evoke industrial post-digital eras. This piece is a set of 3 artworks that showcases a black computer keyboard on a white background and they can be arranged for display in a variety of layouts. They come ready to hang with hanging hardware and they are signed by the artist on verso. Art measures 8.75 x 8.75 x 1.25 in (each) The overall sense is dystopian rather than apocalyptic. In Fiorda’s previous work, found objects were displayed as if unearthed from a bed of clay by a tacit anthropologist, perhaps decades into the future. A typewriter would be partially buried by dry soil and weathered by the passing of time. The underlying narrative was that of a future civilization unearthing the objects left by ours. Destruction or extinction was implied. In the new work, the obsolete technology is not found but rather engulfed by a new technology. Concrete, as a material and as a technology, has the capabilities to fully encase and envelope. In Fiorda’s new work, uniformity and the appropriation of old/new technology into new structures suggests a historical and technological challenge right around the corner, mirroring the ones in our recent past: the digital age fully replacing the analog world. These astounding sculptures, with embedded objects, are here to examine closely, and make connections between theme, material, and shape. Daniel Fiorda was born in 1963 in Buenos Aires, Argentina. Of Italian ancestry, his lineage includes a grandfather highly respected as a wood craftsman, also his father was a craftsman in addition to being a musician and poet. Because a privileged life was not his, there was no university for Fiorda. In the Old World tradition of passing on knowledge from parent to child, he learned about machinery form his father, who recognized his son's talent and encouraged it. With some private tutoring, he began sculpting in high school using found objects. The press reviews of his first exhibit, at age 20, stated that Fiorda had a definite “poetic feeling”. With this encouragement, he continued to pursue his art. After leaving Argentina, he arrived in Miami Beach via a circuitous route and set up his studio in the South Florida Art Center. He has exhibited widely throughout the US including the OK Harris Gallery, Allan Stone Gallery in New York as well as the Heriard Cimino Gallery in New Orleans, Lélia Mordoch Gallery in Paris France and Lilac Gallery in New York City. Daniel was one of the winners in the 7th Annual Sculptures Competition (2003) held at Washburn University in Topeka , Kansas. Selected on the inaugural 2006 Palm Beach International Sculpture Biennale, and exhibited for the 3rd time in Sculpture Key West. He is an alumni Artist of ArtCenter/South Florida. Two Pieces from his “Convertible Couch projects...

House, 2018 by Casey Waterman Plaster, Glass, Vinyl, Walnut One of a kind art wall installation of 16 pieces. Overall size: 72" h x 17" w x 1.5" d Framed piece size: 18" H x 16" w x...

This miniature, white and blue, paper sculpture titled "FAR OUT" is an original artwork by Drew Leshko made of paper, acrylic, inkjet prints, basswood, wire, PVC plastic, pastel, and...

Joshua Smith Cecile Walker Cycles Based on Cecile Walker Cycles, Melbourne Cardboard, MDF, plastic card, LED lighting, balsa wood, aluminum tubing, wire, recycled card, adhesive pape...

Whale, 2018 by Casey Waterman Plaster, Glass, Vinyl, Walnut One of a kind art wall installation of 16 pieces. Overall size: 72" h x 17" w x 1.5" d Framed piece size: 18" H x 16" w x...

Poem, 2018 by Casey Waterman Plaster, Glass, Vinyl, Walnut One of a kind art wall installation of 16 pieces. Overall size: 72" h x 17" w x 1.5" d Framed piece size: 18" H x 16" w x ...

Wall, 2018 by Casey Waterman Plaster, Glass, Vinyl, Walnut One of a kind art wall installation of 16 pieces. Overall size: 72" h x 17" w x 1.5" d Framed piece size: 18" H x 16" w x ...

Wood, 2018 by Casey Waterman Plaster, Glass, Vinyl, Walnut One of a kind art wall installation of 16 pieces. Overall size: 72" h x 17" w x 1.5" d Framed piece size: 18" H x 16" w x ...

Fuck, 2018 by Casey Waterman Plaster, Glass, Vinyl, Walnut One of a kind art wall installation of 16 pieces. Overall size: 72" h x 17" w x 1.5" d Framed piece size: 18" H x 16" w x ...