Aksel Kjersgaard Mirror Oak
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Aksel Kjersgaard Mirror Oak For Sale on 1stDibs
How Much is a Aksel Kjersgaard Mirror Oak?
Aksel Kjersgaard for sale on 1stDibs
Danish designer Aksel Kjersgaard founded his eponymous furniture manufacturing company in 1952. Revered by mid-century furniture lovers for its straightforward approach to design of its classic mirrors, which are frequently framed in teak or rosewood — or the graceful, angular forms of its vintage case pieces and storage cabinets — Aksel Kjersgaard is eminently collectible today. It is among the manufacturers that popularized Scandinavian modernism on an international scale, and the popularity of the brand endures.
A master cabinetmaker, Kjersgaard had spent three years traveling through Europe and Morocco toiling in other workshops before he opened his own factory. When he returned to Odder, in his native country, he was eager to start creating his own furniture, and his sleek, minimalist dressers, sideboards, cabinets and wall mirrors debuted in 1955. The factory quickly gained a sterling reputation for its focus on craftsmanship and Kjersgaard’s reluctance to embellish his handmade pieces with ornament or unnecessary decorative flourishes.
Kjersgaard attracted many talents of the Scandinavian modernist movement (and continues to do so today). Known for his Chair #42, which he created with Schou Andersen, designer Kai Kristiansen worked with the company through the 1950s and 1960s, and his side tables and chests became a hallmark of the brand. During the 1970s, architects and former Rud Rasmussen cabinetmakers Søren Nissen and Ebbe Gehl brought their expertise to the manufacturer, introducing a Shaker-influenced line that represented the start of what is now the very popular Naver collection, which is offered by way of a collaboration between Gramrode Møbelfabrik and Aksel Kjersgaard A/S.
Find vintage Aksel Kjersgaard mirrors, tables and other furniture on 1stDibs.
Finding the Right mirrors for You
The road from early innovations in reflective glass to the alluring antique and vintage mirrors in trendy modern interiors has been a long one but we’re reminded of the journey everywhere we look.
In many respects, wall mirrors, floor mirrors and full-length mirrors are to interior design what jeans are to dressing. Exceedingly versatile. Universally flattering. Unobtrusively elegant. And while all mirrors are not created equal, even in their most elaborate incarnation, they're still the heavy lifters of interior design, visually enlarging and illuminating any space.
We’ve come a great distance from the polished stone that served as mirrors in Central America thousands of years ago or the copper mirrors of Mesopotamia before that. Today’s coveted glass Venetian mirrors, which should be cleaned with a solution of white vinegar and water, were likely produced in Italy beginning in the 1500s, while antique mirrors originating during the 19th century can add the rustic farmhouse feel to your mudroom that you didn’t know you needed.
By the early 20th century, experiments with various alloys allowed for mirrors to be made inexpensively. The geometric shapes and beveled edges that characterize mirrors crafted in the Art Deco style of the 1920s can bring pizzazz to your entryway, while an ornate LaBarge mirror made in the Hollywood Regency style makes a statement in any bedroom. Friedman Brothers is a particularly popular manufacturer known for decorative round and rectangular framed mirrors designed in the Rococo, Louis XVI and other styles, including dramatic wall mirrors framed in gold faux bamboo that bear the hallmarks of Asian design.
Perhaps unsurprisingly, mid-century modernism continues to influence the design of contemporary mirrors. Today’s simple yet chic mantel mirror frames, for example, often neutral in color, owe to the understated mirror designs introduced in the postwar era.
Sculptor and furniture maker Paul Evans had been making collage-style cabinets since at least the late 1950s when he designed his Patchwork mirror — part of a series that yielded expressive works of combined brass, copper and pewter — for Directional Furniture during the mid-1960s. Several books celebrating Evans’s work were published beginning in the early 2000s, as his unconventional furniture has been enjoying a moment not unlike the resurgence that the Ultrafragola mirror is seeing. Designed by the Memphis Group’s Ettore Sottsass in 1970, the Ultrafragola mirror, in all its sensuous acrylic splendor, has become somewhat of a star thanks to much-lauded appearances in shelter magazines and on social media.
On 1stDibs, we have a broad selection of vintage and antique mirrors and tips on how to style your contemporary mirror too.