Aubock Letter

In Vienna’s Neubau district, a beautiful Biedermeier townhouse has been home to the Werkstätte Carl Auböck for more than 100 years. Inside the workshop, where production continues to this day, countless objects line the shelves, walls, tabletops and desktops.

The Viennese artist and designer Carl Auböck II was one of the quirkiest and most delightful and collectible of modern designers. A rather odd duck in the world of decorative arts, he was a peculiar talent whose specialties included smaller desk accessories and tabletop pieces such as corkscrews, paperweights, letter openers, bookends and bottle stoppers. He rendered these pieces in a combination of metal — most often brass — and such elemental materials as leather, knobby wood and animal horn, creating forms that could be almost Surrealist, from hands and feet to keys, birds and amoebae.

As a boy, Auböck was precocious and artistic. He studied drawing and at the same time trained in the workshop of his father, Karl Heinrich Auböck, a popular maker of traditional bronze figurines and collectibles. In 1919, Carl II went to Germany to study at the Bauhaus, where he was a pupil of the progressive artist and theorist Johannes Itten. While the Bauhaus is most associated with the rigidly ordered, functionalist architecture of its directors Walter Gropius and Ludwig Mies van der Rohe, the school was in reality a liberal, spirited place — a crucible for imaginative, playful and avant-garde art and design. It was this spirit that imbued Carl II’s work from the time he left in 1921.

In 1922 or ’23, Carl Auböck II returned to Vienna to help care for his ailing father, and he took over the business. He created the Werkstätte Carl Auböck and a legacy that earned his objects cult status among collectors. The business was passed on to his descendants, who run the atelier that is still in operation today. Today, objects designed by Carl II make up 90 percent of Werkstätte Carl Auböck’s production, joined by the creations of architect and designer Carl IV, his grandson.

Vintage Auböck designs have a special character, a patina that only emphasizes how much the pieces have been loved and used. Carl Aubock II’s small furniture items — leather- or caned-sling magazine racks; free-edge wooden side tables with tubular bronze legs; wicker serving trolleys with turned beechwood wheels — are elegant and purposeful. His bijoux desktop objects, library tools, ashtrays and barware pieces evince a kind of mirthful practicality. They seem to ask: “If you need a corkscrew, or a paperweight, or a candlestick, why not make it fun as well as functional?” And indeed, why not?

Find a collection of vintage Werkstätte Carl Auböck mirrors, seating, tables, decorative objects and other furniture on 1stDibs.

Whether you’ve carved out a space for a nifty home office or you prefer the morning commute, why not dress up your desk with antique and vintage desk accessories? To best tiptoe the line between desk efficiency and desk enjoyment, we suggest adding a touch of the past to your modern-day space.

Desks are a funny thing. Their basic premise has remained the same for quite literally centuries: a flat surface, oftentimes a drawer, and potentially a shelf or two. However, the contents that lay upon the desk? Well, the evolution has been drastic to say the least.

Thank the Victorians for the initial popularity of the paperweight. The Industrial Revolution offered the novel concept of leisure-time to Europeans, giving them more time to take part in the then crucial activity of letter writing. Decorative glass paperweight designs were all the rage, and during the mid-19th-century some of the most popular makers included the French companies of Baccarat, St. Louis and Clichy.

As paper was exceedingly expensive in the early to mid-19th-century, every effort was made to utilize a full sheet of it. Paper knives, which gave way to the modern letter opener, were helpful for cutting paper down to an appropriate size.

Books — those bound volumes of paper, you may recall — used to be common occurrences on desks of yore and where there were books there needed to be bookends. As a luxury item, bookend designs have run the gamut from incorporating ultra-luxurious materials (think marble and Murano glass) to being whimsical desk accompaniments (animal figurines were highly popular choices).

Though the inkwell’s extinction was ushered in by the advent of the ballpoint pen (itself quasi-obsolete at this point), there is still significant charm to be had from placing one of these bauble-like objets in a central spot on one’s desk. You may be surprised to discover the mood-boosting powers an antique — and purposefully empty — inkwell can provide.

The clamor for desk clocks arose as the Industrial Revolution transitioned labor from outdoors to indoors, and allowed for the mass-production of clock parts in factories. Naturally, elaborate designs soon followed and clocks could be found made by artisans and luxury houses like Cartier.

Find antique and vintage desk accessories today on 1stDibs.