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Claire Keller

The twenty-six by Paul Mathey - Watercolor 36x48 cm
By Paul Mathey
Located in Geneva, CH
uncle and spent his childhood in New York. In 1931, he married Claire-Lise Monnier, a painter like him
Category

Mid-20th Century Modern Landscape Paintings

Materials

Watercolor, Pastel

Summer Idyl, abstract expressionist painting by Cleveland School artist
By Richard Andres
Located in Beachwood, OH
Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say
Category

1980s Abstract Expressionist Abstract Paintings

Materials

Ink, Acrylic

Reflections, large abstract expressionist painting by Cleveland School artist
By Richard Andres
Located in Beachwood, OH
Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude
Category

1980s Abstract Expressionist Abstract Paintings

Materials

Ink, Acrylic

Untitled abstract expressionist oil painting by Cleveland School artist
By Richard Andres
Located in Beachwood, OH
well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later
Category

1980s Abstract Expressionist Abstract Paintings

Materials

Ink, Acrylic

Mirror, abstract expressionist painting by Cleveland School artist
By Richard Andres
Located in Beachwood, OH
Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say
Category

1980s Abstract Expressionist Abstract Paintings

Materials

Ink, Acrylic

The King, abstract expressionist painting by Cleveland School artist
By Richard Andres
Located in Beachwood, OH
Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say
Category

1980s Abstract Expressionist Abstract Paintings

Materials

Ink, Acrylic

The Challenge, abstract expressionist painting by Cleveland School artist
By Richard Andres
Located in Beachwood, OH
Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say
Category

1980s Abstract Expressionist Abstract Paintings

Materials

Ink, Acrylic

Untitled abstract expressionist oil painting by Cleveland School artist
By Richard Andres
Located in Beachwood, OH
William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular
Category

1980s Abstract Expressionist Abstract Paintings

Materials

Ink, Acrylic

L. S. F. vibrant abstract expressionist painting by Cleveland School artist
By Richard Andres
Located in Beachwood, OH
Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude
Category

1980s Abstract Expressionist Abstract Paintings

Materials

Ink, Acrylic

Untitled abstract expressionist oil painting by Cleveland School artist
By Richard Andres
Located in Beachwood, OH
Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say
Category

1980s Abstract Expressionist Abstract Paintings

Materials

Ink, Acrylic

Untitled abstract expressionist oil painting by Cleveland School artist
By Richard Andres
Located in Beachwood, OH
William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular
Category

1980s Abstract Expressionist Abstract Paintings

Materials

Ink, Acrylic

Untitled abstract expressionist oil painting by Cleveland School artist
By Richard Andres
Located in Beachwood, OH
Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude
Category

1980s Abstract Expressionist Abstract Paintings

Materials

Ink, Acrylic

Fragment, abstract expressionist mid-century painting, Cleveland School artist
By Richard Andres
Located in Beachwood, OH
William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular
Category

1970s Abstract Expressionist Abstract Paintings

Materials

Oil

Untitled abstract expressionist mid-century painting by Cleveland School artist
By Richard Andres
Located in Beachwood, OH
Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude
Category

1950s Abstract Expressionist Abstract Paintings

Materials

Oil

Untitled abstract expressionist oil painting by Cleveland School artist
By Richard Andres
Located in Beachwood, OH
William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular
Category

1950s Abstract Expressionist Abstract Paintings

Materials

Oil

Abstract expressionist blue, black & green mid-century geometric painting
By Richard Andres
Located in Beachwood, OH
and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his
Category

1940s Abstract Expressionist Abstract Paintings

Materials

Oil

Erie Shore, Large Abstract Expressionist Mid-Century Modern geometric work
By Richard Andres
Located in Beachwood, OH
well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later
Category

1970s Abstract Expressionist Abstract Paintings

Materials

Acrylic

Interior, large, colorful figural abstract red, orange, blue acrylic of couple
By Richard Andres
Located in Beachwood, OH
well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later
Category

1970s Abstract Expressionist Abstract Paintings

Materials

Acrylic

Garden, Abstract Expressionist Mid-Century Modern geometric work
By Richard Andres
Located in Beachwood, OH
William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular
Category

1970s Abstract Expressionist Abstract Paintings

Materials

Acrylic

Panama Garden, Mid-century abstract expressionist modern work
By Richard Andres
Located in Beachwood, OH
well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later
Category

1960s Abstract Expressionist Abstract Paintings

Materials

Acrylic

Abstract expressionist, white and yellow mid-century modern geometric painting
By Richard Andres
Located in Beachwood, OH
well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later
Category

1950s Abstract Expressionist Abstract Paintings

Materials

Oil

Pieces Collage, vibrant mid-century abstract. expressionist black, pink & red
By Richard Andres
Located in Beachwood, OH
William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular
Category

1960s Abstract Geometric Abstract Paintings

Materials

Acrylic

Shore V, large colorful red, black & blue mid-century abstract expressionist
By Richard Andres
Located in Beachwood, OH
well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later
Category

1960s Abstract Expressionist Abstract Paintings

Materials

Acrylic

Naval Occurrence, orange, blue & green mid-century, abstract geometrical work
By Richard Andres
Located in Beachwood, OH
William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular
Category

1960s Abstract Geometric Abstract Paintings

Materials

Oil

Magic Garden, vibrant mid-century abstract expressionist colorful geometric work
By Richard Andres
Located in Beachwood, OH
well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later
Category

1960s Abstract Expressionist Abstract Paintings

Materials

Oil

Blue Wall, mid-century abstract expressionist, geometric blue, black & pink work
By Richard Andres
Located in Beachwood, OH
William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular
Category

1950s Abstract Expressionist Abstract Paintings

Materials

Oil

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Recent Sales

G. Keller Freres French Art Deco Macassar Ebony & Sterling Silver Centerpiece
By Gustave Keller Freres
Located in New York, NY
Minerve for 950 silver/G. Keller/maker’s poincon. Liner marked with Keller silver plate poincon
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Chloe by Claire Waight Keller clutch with snakeskin accents from 2013
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Inky, abstract expressionist painting by Cleveland School artist
By Richard Andres
Located in Beachwood, OH
Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say
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Claire Keller For Sale on 1stDibs

You are likely to find exactly the claire keller you’re looking for on 1stDibs, as there is a broad range for sale. In our selection of items, you can find abstract examples as well as a modern version. Finding the perfect claire keller may mean sifting through those created during different time periods — you can find an early version that dates to the 20th Century and a newer variation that were made as recently as the 20th Century. Adding a claire keller to a room that is mostly decorated in warm neutral tones can yield a welcome change — find a piece on 1stDibs that incorporates elements of gray, black, blue, brown and more. Frequently made by artists working in paint, acrylic paint and oil paint, these artworks are unique and have attracted attention over the years.

How Much is a Claire Keller?

The price for a claire keller in our collection starts at $660 and tops out at $34,500 with the average selling for $14,500.

Richard Andres for sale on 1stDibs

Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. At eight-years-old, he discovered the Albright-Knox Museum and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. The painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Andres described himself as a 1950’s painter, not fully accepting the designation of ‘Abstract Expressionist’ or ‘Abstract’ he saw his work as an extension of those styles, but rooted in the wider mid-century architectural concept of immersing the individual with nature, and the breakdown of the barrier between interior and exterior spaces. Richard developed a style of painting that harkened back to his early years. In his studio, a room in the house with a large window, he would roll out large thin paper - the type used for architectural blueprints on the floor and paint on it. The large rolls of paintings would then be cut into pieces and then glued onto canvas, creating that ‘glow’ of color he admired in Beckmann’s exhibit. These paintings, often with titles such as “Windows” or “Gardens” have transparency that reflects the breaking of interior/exterior boundaries of mid-century architecture as well as a joy realized in those early words of Carl Gaertner. In his late life Andres was fond of saying, “I am the wealthiest man in the world, look around, I have everything anybody could want. Look at my wife, my house, and all this art.”

A Close Look at abstract Art

Beginning in the early 20th century, abstract art became a leading style of modernism. Rather than portray the world in a way that represented reality, as had been the dominating style of Western art in the previous centuries, abstract paintings, prints and sculptures are marked by a shift to geometric forms, gestural shapes and experimentation with color to express ideas, subject matter and scenes.

Although abstract art flourished in the early 1900s, propelled by movements like Fauvism and Cubism, it was rooted in the 19th century. In the 1840s, J.M.W. Turner emphasized light and motion for atmospheric paintings in which concrete details were blurred, and Paul Cézanne challenged traditional expectations of perspective in the 1890s.

Some of the earliest abstract artists — Wassily Kandinsky and Hilma af Klint — expanded on these breakthroughs while using vivid colors and forms to channel spiritual concepts. Painter Piet Mondrian, a Dutch pioneer of the art movement, explored geometric abstraction partly owing to his belief in Theosophy, which is grounded in a search for higher spiritual truths and embraces philosophers of the Renaissance period and medieval mystics. Black Square, a daringly simple 1913 work by Russian artist Kazimir Malevich, was a watershed statement on creating art that was free “from the dead weight of the real world,” as he later wrote.

Surrealism in the 1920s, led by artists such as Salvador Dalí, Meret Oppenheim and others, saw painters creating abstract pieces in order to connect to the subconscious. When Abstract Expressionism emerged in New York during the mid-20th century, it similarly centered on the process of creation, in which Helen Frankenthaler’s expressive “soak-stain” technique, Jackson Pollock’s drips of paint, and Mark Rothko’s planes of color were a radical new type of abstraction.

Conceptual art, Pop art, Hard-Edge painting and many other movements offered fresh approaches to abstraction that continued into the 21st century, with major contemporary artists now exploring it, including Anish Kapoor, Mark Bradford, El Anatsui and Julie Mehretu.

Find original abstract paintings, sculptures, prints and other art on 1stDibs.

Finding the Right abstract-paintings for You

Bring audacious experiments with color and textures to your living room, dining room or home office. Abstract paintings, large or small, will stand out in your space, encouraging conversation and introducing a museum-like atmosphere that’s welcoming and conducive to creating memorable gatherings.

Abstract art has origins in 19th-century Europe, but it came into its own as a significant movement during the 20th century. Early practitioners of abstraction included Wassily Kandinsky, although painters were exploring nonfigurative art prior to the influential Russian artist’s efforts, which were inspired by music and religion. Abstract painters endeavored to create works that didn’t focus on the outside world’s conventional subjects, and even when artists depicted realistic subjects, they worked in an abstract mode to do so.

In 1940s-era New York City, a group of painters working in the abstract mode created radical work that looked to European avant-garde artists as well as to the art of ancient cultures, prioritizing improvisation, immediacy and direct personal expression. While they were never formally affiliated with one another, we know them today as Abstract Expressionists.

The male contingent of the Abstract Expressionists, which includes Jackson Pollock, Willem de Kooning and Robert Motherwell, is frequently cited in discussing leading figures of this internationally influential postwar art movement. However, the women of Abstract Expressionism, such as Helen Frankenthaler, Lee Krasner, Joan Mitchell and others, were equally involved in the art world of the time. Sexism, family obligations and societal pressures contributed to a long history of their being overlooked, but the female Abstract Expressionists experimented vigorously, developed their own style and produced significant bodies of work.

Draw your guests into abstract oil paintings across different eras and countries of origin. On 1stDibs, you’ll find an expansive range of abstract paintings along with a guide on how to arrange your wonderful new wall art.

If you’re working with a small living space, a colorful, oversize work can create depth in a given room, but there isn’t any need to overwhelm your interior with a sprawling pièce de résistance. Colorful abstractions of any size can pop against a white wall in your living room, but if you’re working with a colored backdrop, you may wish to stick to colors that complement the decor that is already in the space. Alternatively, let your painting make a statement on its own, regardless of its surroundings, or group it, gallery-style, with other works.