Garouste Bonetti Tulip Sconce

Design duo Garouste and Bonetti is best known for concocting Surrealist, avant-garde, romantic furniture and lighting that merge whimsy and wonder with luxury and sophistication.

Born in Paris in 1946, Élizabeth Garouste studied interior design at the École Camondo and worked as a theater set designer before meeting Mattia Bonetti in the late 1970s. Bonetti, born in Lugano, Switzerland, in 1952, attended Lugano’s Centro Scolastico per L’Industria Artistica, where he studied textile design and got into photography.

Their first collaboration came in 1981, after Garouste’s husband, interior designer Gérard Garouste, asked them both to produce designs for the Paris restaurant Le Privilège. They devised a collection of Art Brut–inspired furniture called Barbare, which debuted at the Jansen House of Interior Design, earning them the nickname Les Nouveaux Barbares (the New Barbarians).

Garouste and Bonetti achieved international acclaim in 1987 when French couturier Christian Lacroix hired them to design for his maisons de couture in Paris and London. Instead of the staid decor used by other haute couture houses, Garouste and Bonetti’s furnishings were rebellious and daring. As described in Architectural Digest, “rooms and carpets were acrid ochers, edged with black baroque swirls Louis XVI-inspired chairs upholstered in fruit tones. Tree stump stools topped with ivory tufted cushions. White curtains were trimmed with black polka dots the size of pancakes.” 

Following their success with Lacroix, Garouste and Bonetti designed interiors for illustrious clients such as German socialite Princess Gloria von Thurn und Taxis and Bernard Picasso, a French art collector and grandson of Pablo Picasso.

Throughout the late 1980s and ’90s, Garouste and Bonetti designed several modern pieces such as rainbow-colored console tables, the wavy, high-backed Koala sofa, ceramic tableware, table lamps and decorative objects. In 2002, the duo parted ways. 

Bonetti continues to create furniture, finding inspiration in everything from ancient Greece to children’s toys to UFOs. His works have been shown at the Museum of Modern Art in New York, the Victoria and Albert Museum in London and the Centre Pompidou in Paris. 

Garouste also continues to design and is inspired by the natural world for her “quirky pieces,” Élisabeth Delacarte, owner of the Paris gallery Avant-Scène, says of her designs: “You feel like you’re in a dream rather than in reality. She very much has her own universe.”

On 1stDibs, find a range of vintage Garouste and Bonetti tables, seating and serveware.

The late 19th and early 20th centuries saw sweeping social change and major scientific advances — both of which contributed to a new aesthetic: modernism. Rejecting the rigidity of Victorian artistic conventions, modernists sought a new means of expression. References to the natural world and ornate classical embellishments gave way to the sleek simplicity of the Machine Age. Architect Philip Johnson characterized the hallmarks of modernism as “machine-like simplicity, smoothness or surface [and] avoidance of ornament.”

Early practitioners of modernist design include the De Stijl (“The Style”) group, founded in the Netherlands in 1917, and the Bauhaus School, founded two years later in Germany.

Followers of both groups produced sleek, spare designs — many of which became icons of daily life in the 20th century. The modernists rejected both natural and historical references and relied primarily on industrial materials such as metal, glass, plywood, and, later, plastics. While Bauhaus principals Marcel Breuer and Ludwig Mies van der Rohe created furniture from mass-produced, chrome-plated steel, American visionaries like Charles and Ray Eames worked in materials as novel as molded plywood and fiberglass. Today, Breuer’s Wassily chair, Mies van der Rohe’s Barcelona chair — crafted with his romantic partner, designer Lilly Reich — and the Eames lounge chair are emblems of progressive design and vintage originals are prized cornerstones of collections.

It’s difficult to overstate the influence that modernism continues to wield over designers and architects — and equally difficult to overstate how revolutionary it was when it first appeared a century ago. But because modernist furniture designs are so simple, they can blend in seamlessly with just about any type of décor. Don’t overlook them.

From the kitchen to the bedroom and everywhere in between, there is one major part of home decor that you definitely want to master: lighting. It’s no longer merely practical — carefully selected wall lights and sconces can do wonders in establishing mood and highlighting your distinctive personality.

We’re a long way from the candelabra-inspired chandeliers of the medieval era. Lighting designers have been creating and reinventing lighting solutions for eons. Because of the advancements crafted by these venturesome makers, we now have the opportunity to bring unique, customizable lighting solutions into our homes. It’s never been easier to create dramatic bedrooms, cozy kitchen areas and cheerful bars than it is today. Think of an elegant wall sconce as functional as well as a work of art, adding both light and style to your hallways, whimsical kids’ rooms and elsewhere.

When choosing a lighting solution, first determine what your needs are: Will you opt for a moody or a bright feel? The room that will serve as your home office will need adequate lighting — think “the brighter, the better” for this particular setting. For the bedroom, bedside wall lamps with warm-temperature bulbs could be the way to go to induce a sense of calm or intimacy. Try to match the style of the wall light or sconce that you’re installing to the overall design scheme of your room. It’s never “just a light.” You should approach the lighting of a room with a mindset that is one part practical and one part aesthetics-driven.

Let 1stDibs help you set the mood with the right wall lights and sconces for your home. Our collection includes every kind of fixture, from sculptural works by Austrian craftsman J.T. Kalmar to chic industrial-style wall sconces, from adjustable painted aluminum wall lamps designed by Artemide to a wide variety of minimalist mid-century modern masterpieces.