Louis Smets

Not wishing to simply produce or be rational about a product, Noé Duchaufour-Lawrance prefers that each of his projects has its own unique scenario, nourished without distinction between uses, forms, materials or aesthetics. For him, curves and straight lines, sensuality and strictness interact in confrontations that are conducive to create meaning and awaken our senses. Through his desire to breathe life into both the objects and spaces he designs, Noé Duchaufour-Lawrance views each project as an organic form that will grow over time with its user, almost like a natural element that can challenge human order or disorder.

Originally, Noé Duchaufour-Lawrance was a sculptor, preoccupied with each work he created by a story and intimate link with nature that he felt the need to retranscribe by using his hands. But soon the IDEA of stirring emotions in others by creating useful forms became an evident path for someone who loves the beautiful as much as the functional and harmony as much as social responsibility. So he turned to design.

Noé Duchaufour-Lawrance often compares his approach to tsubo niwa, the tiny garden at the center of a traditional Japanese house. Like an organic pulse in a profession dedicated to meeting the demands of an industry, a market or a specific client, he is as ready to design objects with inspired lines for manufacturers (Bernhardt Design, Ceccotti Collezioni, Cinna, Ligne Roset, La Chance, Petite Friture, Tacchini, Zanotta) as he is to imagine harmonious living areas (Senderens, Air France Lounges, Ciel de Paris, Meurice Oenotheque, Chalet La Transhumance, #Cloud Paris lounge) or even to define a product image or showcase for a famous brand (Paco Rabanne, YSL Beauty, Perrier-Jouët).

Thus in 2015 Montblanc associated its name with Noé Duchaufour-Lawrance, entrusting him with the architectural plans of the company’s 500 boutiques worldwide.

His unique approach has led him to conceive exceptional objects that have been presented in the Pierre Bergere Gallery in Brussels and the BSL gallery in Paris. He has participated in prestigious events like the AD Interiors exhibition at Musée des Arts Decoratifs in Paris in 2013 and more recently, the AD collections exhibition, also in Paris.

Noé Duchaufour-Lawrance’s creative meanderings have led him to initiate a collaboration with the Neal Feay workshop in the United States and also to work with two royal factories in France: Mobilier National (National Furniture) and the Manufacture Nationale de Sèvres (ceramics). The latter two endeavors combine his contemporary vision of design with the finely honed skills of master craftsmen that were used in the 18th century.

Noé Duchaufour-Lawrance’s approach has been acclaimed by the French and international press and he has received many prizes including NeoCon Silver 2016 for his Modern Family collection for Bernhardt Design, the 2015 Via Label, the 2014 Janus business prize for the Air France Salons, the GQ Best Designer prize in 2012, the prestigious Red Dot prize for Best Product in 2011 and both the Elle Decoration International Design Prize and Wallpaper* Design Award in 2009.

With his innate fondness for Art Nouveau, Noé Duchaufour-Lawrance relies not only on the universal character of nature to impose shapes that make sense but believes that the idea of a total, multidisciplinary art is vital for contemporary creation.

(Biography provided by Galerie Philia)

With entire areas of our homes reserved for “sitting rooms,” the value of quality antique and vintage seating cannot be overstated.

Fortunately, the design of side chairs, armchairs and other lounge furniture — since what were, quite literally, the early perches of our ancestors — has evolved considerably.

Among the earliest standard seating furniture were stools. Egyptian stools, for example, designed for one person with no seat back, were x-shaped and typically folded to be tucked away. These rudimentary chairs informed the design of Greek and Roman stools, all of which were a long way from Sori Yanagi's Butterfly stool or Alvar Aalto's Stool 60. In the 18th century and earlier, seats with backs and armrests were largely reserved for high nobility.

The seating of today is more inclusive but the style and placement of chairs can still make a statement. Antique desk chairs and armchairs designed in the style of Louis XV, which eventually included painted furniture and were often made of rare woods, feature prominently curved legs as well as Chinese themes and varied ornaments. Much like the thrones of fairy tales and the regency, elegant lounges crafted in the Louis XV style convey wealth and prestige. In the kitchen, the dining chair placed at the head of the table is typically reserved for the head of the household or a revered guest.

Of course, with luxurious vintage or antique furnishings, every chair can seem like the best seat in the house. Whether your preference is stretching out on a plush sofa, such as the Serpentine, designed by Vladimir Kagan, or cozying up in a vintage wingback chair, there is likely to be a comfy classic or contemporary gem for you on 1stDibs.

With respect to the latest obsessions in design, cane seating has been cropping up everywhere, from sleek armchairs to lounge chairs, while bouclé fabric, a staple of modern furniture design, can be seen in mid-century modern, Scandinavian modern and Hollywood Regency furniture styles.

Admirers of the sophisticated craftsmanship and dark woods frequently associated with mid-century modern seating can find timeless furnishings in our expansive collection of lounge chairs, dining chairs and other items — whether they’re vintage editions or alluring official reproductions of iconic designs from the likes of Hans Wegner or from Charles and Ray Eames. Shop our inventory of Egg chairs, designed in 1958 by Arne Jacobsen, the Florence Knoll lounge chair and more.

No matter your style, the collection of unique chairs, sofas and other seating on 1stDibs is surely worthy of a standing ovation.