Manufacture Nationale de Sèvres Furniture

Paul Milet for Sevres Red Flambe Ormolu Mounted Neoclassical Vase Designed by Paul Milet (1870-1950) Executed by Sevres Porcelain A beautiful Paul Milet for Sevres red flambe ormo...

Large Sevres porcelain French urn or floor vase in mottled purple flambe glaze, dated 1985. With bronze mounts at the rim and between the body and foot. 27" high, 14" diameter. Repai...

Incredible SEVRES france Art Deco porcelain cobalt blue and gold 1930.

A gorgeous antique French Napoleon III period marquetry walnut oval bombe table jardiniere / bloom box / cachepot / planter with the original tin liner, circa 1860. This beautiful jardiniere is hand crafted with walnut inlaid with ebony and decorated with gilt bronze mounts, ormolu handles and pierced gallery, and hand painted Sevres porcelain floral...

In bisque porcelain, depicting the Imperial couple facing right, the tsar wearing military uniform, the empress, a kokoshnik (Russian headdress), inscribed NICHOLAS II and ALEXANDRA,...

A Fine Pair of Stylish and Imposing French Ormolu & Sevres Porcelain Heavy Gauge Single Light Candlesticks of outstanding quality and of generous proportions. Last half of the Ninete...

This is a fabulous, rare Sevres covered pitcher with white ground that has an elegant central gold monogram for King Louis Philippe made for his Chateau de Trianon. The gold monogram LP is surrounded by a gold foliate leaf wreath. Above the monogram is a gold crown. It was part of the Service des Bas to be used at his royal estates. It was made in the 1840s. Above the royal monogram is a leaf and arabesque gold decoration that goes around the pitcher. It has a beautiful flowing gold handle that is connected to the pitcher with graduated gold gadrooning. The cover has a beautiful gold finial that has white raised decoration in the center. This is a wonderful piece for your collection or for your table setting. Price of Sevres pitcher...

A beautiful stoneware bowl with amazing glaze. Made by Tyra Lundgren. Executed during the artist's time spent at Sèvres, between 1934-1939. Excellent condition. Impressed with artist's name and maker's marks. Tyra Lundgren (1897-1979) was one of the most multifaceted artists and modernists of the twentieth century. She was a painter, drawer, sculptor, ceramist, glass- and textile designer, as well as an author and an art critic. She was the first woman who designed glass for Paolo Venini at Murano in Venice and she also served as the artistic leader at Arabia in Helsinki at a time when men tended to hold those kinds of positions. Tyra Lundgren grew up in Djursholm, near Stockholm. Her parents were John Petter Lundgren, professor at Veterinärinstitutet (institute of veterinary sciences) in Stockholm, and Edith Lundgren née Åberg, who was a housewife and raised their six children. The bourgeois home also comprised a nanny and a female cook. The family were very socially active, travelled often, and enjoyed the outdoor lifestyle. Tyra Lundgren’s schooling began at Djursholm coeducational school, where her teachers included Natanael and Elsa Beskow and Alice Tegnér. Her school friends included Greta Knutson-Tzara, Stellan Mörner, and Ingrid Rydbeck-Zuhr. Tyra Lundgren knew from the time she was five years old that she wanted to be an artist. She first became aware of the profession through Axel Fahlcrantz, who rented a studio on the plot of land where she lived with her family. In 1913 she began to attend Högre konstindustriella skolan (HKS, now known as Konstfack, college of arts, crafts and design) where she studied decorative art as well as handicrafts in various forms until 1917. One of her fellow students and friends there was Estrid Ericson, who later founded Svenskt Tenn AB in 1924. Whilst attending HKS Tyra Lundgren also took painting lessons at the Althin school of painting. In 1917 she was accepted as a candidate at the Royal Swedish Academy of Fine Arts where, apart from breaks during which she undertook studies abroad, she remained until 1922. She spent a couple of months taking lessons from Anton Hanak in Vienna and from 1920–1923 she was a student of André Lhote in Paris. Tyra Lundgren was primarily active in four countries: Sweden, Finland, France, and Italy. She spent much of her professional life travelling and considered herself to be a European. Greece and Mexico also formed important centres in her artistic life, as did the USA. She had an extensive social network which included focal individuals within twentieth century-European and American artistic and cultural circles. Tyra Lundgren’s main artistic motifs were birds, fish, and people which she depicted through different techniques and materials. Her artistic expression involved a variety of different directions and styles. She was a pioneer of the 1920s Swedish Grace style, the name of which had been coined by the art critic Morton Shand at the Stockholm Exhibition of 1930. This was a Swedish Art Deco style, characterised by elegance and traditional art which contrasted with the current artistic ideals of functionalism. Tyra Lundgren made her debut at a group exhibition held at Kungliga Akademien för de fria konsterna in 1921. She went on to show her work at various exhibitions throughout the 1920s. After that period she only very rarely exhibited her paintings. Tyra Lundgren’s painted output can be divided into different periods or stylistic directions. The first of these, and the most extensive, was her post-Cubist period which began in 1920 on her arrival in Paris. Her paintings from this time and right up to the mid-1930s typically comprise portraits, self-portraits, live-model painting, still-lifes, interiors, and landscapes in the Cubist style. Many of the great number of self-portraits she painted were produced in the New Objective style, displaying broad variation in terms of clothes, poses and techniques. Two of these – Huvud med vit duk and Självporträtt both from 1921 – can be seen at Moderna Museet in Stockholm, although the majority of these works are at Gotlands Museum. Tyra Lundgren’s second artistic period comprises the years of 1927 to 1929 and is characterised by the New Objective style inspired by medieval techniques and materials (Giotto, Piero della Francesca). Her motifs were still-lifes and landscapes. At this point she was living in Rome and was close to the circle involved in the Valori plastici: rivista d’arte art journal. This period saw a breakthrough in her development as a painter. From the 1950s through the 1970s her work can almost be described as belonging to the Concrete style. Using light pastel colours her paintings sought light in a sometimes non-figurative expression, but often depicting abstract bird-shapes or other nature-inspired imagery. Her paintings from this period are outsized and display powerful colours, in yellows, reds, and blues. Tyra Lundgren maintained a constant production of drawings, both in terms of individual artworks and sketches for patterns and designs. She also produced the illustrations for her book Fagert i Fide. Årstiderna på en gammal gotlandsgård, published in 1961. During her early years she also produced advertising illustrations. She spent the final years of her life primarily working with lithographs which were printed at Galleri Prisma and depicted images of doves, swallows, magpies and crows. Tyra Lundgren is meanwhile best known for her work as a ceramist and in this sphere she was one of Sweden’s leading exponents. She worked in the porcelain industry as a designer and as an artisan and ceramic sculptor. Her first job was at St Eriks Lervarufabrik in Uppsala from 1922–1924, she then worked at Arabia from 1924–1937, and at Rörstrand and Lidköping Porslinsfabrik. She was the artistic leader at Arabia ahead of the 1930 Stockholm Exhibition and she exhibited her work at the World’s Fairs. During the 1934–1938 period she was connected to the Manufacture nationale de Sèvres porcelain factory in Paris. Tyra Lundgren was a pioneer when it came to giving ceramic art a public space in Sweden. She produced around 20 outsized reliefs in stoneware, so-called monumental reliefs. One of these is Märkeskvinnor, from 1947, for the former girls’ school at Bohusgatan in Stockholm. From the 1940s onwards Tyra Lundgren produced sculptural objects in Chamotte clay and stoneware, with various glazings. Her small birds are well-known and popular with many. When her ceramic efforts became too much for her during the 1970s she then produced models for sculptures in bronze. There are six of these in various places around the globe, including Solfågel in Almedalen, Visby. Tyra Lundgren began to work as a glassware designer at Moser in Karlsbad in 1922 where she designed new table services and modernised older ones. She also worked freelance for Riihimäki factory in Finland during the 1924–1929 period. From 1934 to 1938 she was employed by Kosta glass factory where she mainly designed thick-walled bowls and vases, engraved with classical motifs. She was introduced to the glassmaker Paolo Venini at Murano during the Triennale di Milano of 1936 and they began a collaboration that lasted into the 1950s. As part of this collaboration Tyra Lundgren became the first woman to design glassware and, in conjunction with the glassblower Arturo Biasutto, she developed new techniques of glass production. Her motifs at this point were birds, fish, snail-shaped designs and leaf-patterned bowls using traditional techniques as well as in new designs. It was during this time that she created the so-called tissue-shaped bowls and it remains unclear as to who specifically came up with the design but Tyra Lundgren claimed it was of her making. Tyra Lundgren was active as textile designer for Licium (now HV Licium), the sacred textiles...

A fine old or antique Sevres type porcelain vase. With rich gilding and handpainted flower baskets & ribbons throughout. Marked to the based with a blue Sevres type interlaced...

Sevres Creamware Figures Emblematic of Four Seasons, Modeled after/by Bachelier  France, 19th Century  Three are marked with the interlaced L mark, one is numbered 260, and two have ...

A 19th century Napoleon III bronze mounted marquetry jardiniere, or planter, with inlaid veneer of kingwood. Decorated with two hand-painted Se`vres porcelain medallions, one with a ...

A charming little sterling silver-lidded porcelain box, possibly used for snoring snuff, or for general trinkets. The silver top is decorated in Louis XVI style, and bears the Minerv...

Very nice early 20th century French porcelain vase from the famous Sevres manufacture in the 1900s. Beautiful flowers and golden details. The bronze part is removable. There is als...

Hand painted Sevres porcelain table lamp, with bronze structure and green glass shade, made in the 1940s Sèvres ceramics are one of the most famous ceramic manufacturers in all of...

Stunning pair of unusual hand painted glazed porcelain lidded vases of bulbous outline, of Continental origin, possibly one of the factories in the Sevres region in France. Last half...

Pair of candelabras in gilded bronze and blue Sèvres porcelain dating from the end of the 19th century. Vases adorned with branches of roses and different flowers (a few pistils miss...

Miniature Sang De Boeuf vase signed Sèvres, Circa 1900.

"Medallion of the king of France Louis XVIII, in sèvres biscuit". Beautiful Medallion of Louis XVIII in sèvres biscuit and gilded brass, restoration ...

The blue glazed vases with gilt edge. Signed on the interior and base.

An Art Deco Beautiful Paul Milet Glazed Porcelain bowl with Bronze details Manufacture by Sevres Made in France Circa: 1922

Pair of Antique French 'Sevres' porcelain lidded pot pourri and gilded bronze lidded urns, 1804-1809. The urns having a rich red ground with gilded panels, the domed lids with gilded bronze eagle...

Bronze sculpture with green and dark brown patina image of a young woman embracing a lamb, signed by Ary Bitter, on a green black marble stand. Ary Bitter (1883–1973) was a French...

Stunning and extremely rare Chamberlains Worcester Cabinet or Wall Plate of Museum quality. Second quarter of the Nineteenth Century. The central rectangular reserve depicts a superb hand painted miniature of the English National Gallery in Trafalgar Square, London. This miniature is firmly attributed to be the work of painter Humphrey Chamberlain. Researched done by us shows no other similar has survived. This exquisite piece of rectangular outline with lavish gold scrolling detail and twin handles with similar detail. Height: (entire overall as shown in image one) 9.25” (23.5cm). Width: (entire) 13.25" (33.5cm). Condition: Superb condition with no losses to porcelain and no wear to gilding. Base marks in puce “The National Gallery” and “Chamberlains Worcester” Location: Dublin City, Ireland. Affordable fixed charge Worldwide Store to door shipping. In 1783, Robert Chamberlain (c.1736–98), head of the decorating department for Dr John Wall at Warmstry House, left the company to start his own porcelain decorating business in King Street, Worcester. At first he bought blank undecorated porcelain from other factories such as Caughley in Shropshire, but by the late 1780’s he was making his own wares at a new factory...

Fine pair of 19th century Sevres boat-shaped porcelain dishes with original ormolu mounts. The serving dishes beautifully decorated with a frieze of vibrant green undulating foliate garlands interspersed with mosaic style classical romanesque cartouches and birds. The inside decorated with gilt scrollwork embellishments with a six point start...

Hand-painted ceramic egg-shaped box by SEVRES ORIGIN France PERIOD Mid twentieth century BRAND SEVRES manufacture MODEL Egg-shaped box w...

Signed and dated 1902. Charming pair Art Nouveau vases in flamed and enameled “sang-de-boeuf” porcelain, resting on a gilded bronze base decorated with flowers and lotus leaves. ...

A beautiful French Sevres porcelain and brass ormolu footed soap dish of the Rococo period, circa mid-18th century, France. Dish has center female and male scene surrounded by hand-p...

Beautiful 19th century French porcelain inkwell from the imperial manufacture of Sevres. Green and gold decor with dolphin's head. Stamped Sevres at the back. Rare item.

French Sèvres Centerpiece Art Deco Coupe with Metal Details. Unique design and very practical. Fine metalwork with stamped Art Deco medallions circling ...

A beautiful antique Sèvres swan sauce boat in biscuit porcelain with gilded detail. This smaller scale sauce boat is a whimsical addition to the table ...

A 19th century French Napoleon III bronze mounted marquetry jardinière, or plant stand with inlaid veneers of mahogany and walnut. Curved ebonized legs joined by a lower shelf. The s...

19th century Sevres biscuit group of three frolicking puttos France, Date Lettered 1884 A splendid example of 19th century Sevres biscuit porcelain...

Pair of French red ceramic Art Deco vases or urns with dark red glaze and bronze decorations. Paul Milet (1870-1950) son of Optat Milet. France 1920.

Exquisite pair of lapis blue porcelain and brass garnitures by Sevres of France, circa late 1800s. The set is in very good antique condition with no chips or cracks. Gorgeous pair! #...

Sevres porcelain Ormolu Tazza, From the hunting service of King Louis Philippe, 1838 Part of the initial order of Louis Philippe From the Hunting Ser...

A very fine and impressive French late 19th century art nouveau pottery vase overlaid with gold over silver decoration. Gold over silver has mark of E F and image of anchor in the m...

One of the most exquisitely designed and painted Art Deco pieces we have ever seen, this flaring vase by Anne Marie Fontaine for Sevres features a flaring, trumpet-form upper section...

Belle Époque signed Sevres crystal ormolu mounted tall vase France, circa early 20th century A stunning large vase with a undulating ruffled crystal rim, the tapering column wit...

A pair of small decorations, Sèvres Porcelain with love and marble decorations, Napoleon III period, 19th century.

This fine pair of circa 1850s Sevres urns is signed by the artist Baston. The covered urns are beautifully hand painted & depict romantic scenes of courtshi...

A late 19th century Sèvres style parcel-gilt porcelain jardinière Finely painted with numerous colored flowers with green and gold trim, gilt ram heads on either side. In late ...

We present you with this stunning mantel clock, designed in the Louis XVI style and originating from the Napoleon III period. It is crafted from gilded bronze and notably adorned wit...

The dark blue background of the porcelain vases stand on a gilded carved octagonal pedestal. The base is decorated with gilt scrolls of acanthus leaves and foliage. The front center ...

This is a pair of Sevres hand painted porcelain turquoise lidded urns. Both of them are depicting in the front a sea shore fishermen scenes. In one, a group of fishermen are preparing a sailboat and in the other one, they are pulling the net. The back are adorned with some gilt fishing tools and baskets with foliages. Both scenes are golden framed with scrolls of acanthus and flowers beside them. Gilt white concave long oval shaped rings alternated with gilt foliages and shamrocks decorate the necks of the urns. The same pattern are repeated in the lids, but no white color in the center. The bell shaped lids ended with pinecones finials. A mix of scrolls and Greek keys serve as handles. The round bases are also decorated with gilt foliages. The Sevres hallmark appears in the lids and below the bases. One of the urn’s painting...

" Sèvres porcelain box, Napoleon III period, 19th century. " Sèvres porcelain box, signed, gilt bronze mounting, rich decorations inside and out, Napoleon III period, 19th century. ...

A palatial french ormolu-mounted Sevres Porcelain hand-painted vase and cover, circa 1838. This monumental Sevres porcelain vase stands 56" high, and is beautifully hand-painted with classical scenes of lovers and cupids, in teal / turquoise blue ground porcelain. Made with very fine quality figural bronze handle, the vase turns to a full 360 degree angle and is mounted on a solid bronze base with fine detail. Painted with beautiful flowers throughout the entire vase, leading up to the cover, which is adorned with an acorn bronze...

A fine quality pair of 19th century French 'Sevres' porcelain vases, each having wonderful gilded ormolu mounts. The classical romantic and cherub scenes set in turquoise background.

A fine 19th Century French cast ormolu bronze mounted Sèvres porcelain centerpiece with double handles and raised on a footed base. Inset Neo-classical style hand-painted porcelain s...

A beautiful pair of late 19th century gilt bronze-mounted marble and Sèvres style pedestals Square marble tops above a columnar support with ...

These bronze-mounted Sèvres porcelain urns are monumental in both size and quality and feature the renowned manufactory’s signature deep cobalt blue glaz...

A very impressive late 19th century gilt bronze mounted cobalt blue Sèvres style porcelain three piece garniture. The impressive...

Stunning Pair of French Sevres Soft Paste Enamelled Porcelain and Ormolu Twin Handle Table or Mantle Urns of traditional urn form and of outstanding quality, and good size proportion...

A monumental palace size Sèvres Porcelain blue lapis painted vase. Beautifully hand-painted to imitate natural Lapis Lazuli stone. Hand-painted in R...

Sèvres was the royal factory of Louis XV and Louis XVI, Kings of France from 1715-1793. The Sèvres factory was known to have the best painters and gilders in 18th-century France. This stunning Sèvres 18th...

A rare and special late 19th century gilt bronze mounted Sèvres style Napoleon vase with matching pedestal The vase pictured with the Coronation of the Empress Josephine by Napole...

A beautiful pair of late 19th century gilt bronze and champlevé enamel mounted white Sèvres style vases Gilt bronze tops above a long neck with raised gold designs. The painted fr...

A rare and fantastic late 19th century gilt bronze mounted onyx and Sèvres style pedestal. Square onyx top above a columnar support painted w...

Pair of French porcelain wine coolers sevres, circa 1776. Painted by Etienne Evans and gilded by Francois Baudouin.