Manufacture Nationale de Sèvres Furniture

A fine example of sevres biscuit porcelain showing an allegorical group of three classically draped young figures, two embracing; all standing beside the clock case which is surmount...

Three Sevres Gilt Heightened Porcelain Cabinet Plates, Mid 19th Century. With scalloped edges, gilt heightened and cobalt border, each with female farmers to the center and signed 'C...

A late 19th century Sèvres style parcel-gilt porcelain jardinière. It is located in Sevres, Hauts-de-Seine, France. It is the continuation of Vincennes porcelain, founded in 1740, wh...

Fantastic Art Deco vase in gilt decor over rich turquoise ground. Form designed by Emile Decoeur (1876-1953) Decoration possibly designed by Suzanne Lalique-Haviland or Emile-Jacques...

" Sèvres porcelain box, Napoleon III period, 19th century. " Sèvres porcelain box, signed, gilt bronze mounting, rich decorations inside and out, Napoleon III period, 19th century. ...

A sensational and high quality French 19th century Louis XVI st. Sévres porcelain and Ormolu annular clock. The clock is raised by a square Ormolu base with a Coeur de Rai border des...

This pair of small Sevres hand painted plates are decorated to the centre with the gilt monogram under a crown, signifying King Louis Phillippe 1 (1773-1850) who reigned as King of F...

Discover the timeless elegance and symbolism of the Sèvres biscuit group featuring Psyche and Eros. This delicate work of art captures a mythical moment of love, sacrifice, and divin...

This stunning pair of vintage Sevres porcelain wall sconces date from the early 19th century & feature fine hand painted porcelain scenes wit...

A charming pair of French 19th century Louis XVI st. Sèvres Porcelain and Ormolu lidded urns. The pair of urns are raised on square Ormolu bases supported by topie shaped feet. The e...

Sèvres Porcelain Cup and Gilt Bronze Mount, Napoleon III. 19th century Sèvres porcelain bowl and gilt bronze mounting, Napoleon III period. h: 17cm, l: 37cm, p: 30cm

An Exceedingly Rare 19th Century French Sevres Faux Bois Flower-Pot and Underplate, Signed with Sevres Marks. This stunning piece features a beautiful rounded rich handcrafted faux ...

Sèvre pedestal table, late 19th century Majestic pedestal table from Sèvre, decorated with a gilt bronze frame, on top there is a painting designed i...

A very rare Ormolu Sèvres Porcelain Gilt Bronze Candlesticks Candelabra with a hand painted scene by François Boucher. ‘P . F . Boucher’ original mark o...

A palatial french ormolu-mounted Sevres Porcelain hand-painted vase and cover, circa 1838. This monumental Sevres porcelain vase stands 56" high, and is beautifully hand-painted with classical scenes of lovers and cupids, in teal / turquoise blue ground porcelain. Made with very fine quality figural bronze handle, the vase turns to a full 360 degree angle and is mounted on a solid bronze base with fine detail. Painted with beautiful flowers throughout the entire vase, leading up to the cover, which is adorned with an acorn bronze...

A rare and decorative set of twelve Sèvres Azure blue plates in their original leather fitted case. French, circa 1840. Each plate with Sèvres mark to the reverse and Château des Tuileries. This rare set of Sèvres...

A gorgeous antique French Napoleon III period marquetry walnut oval bombe table jardiniere / bloom box / cachepot / planter with the original tin liner, circa 1860. This beautiful jardiniere is hand crafted with walnut inlaid with ebony and decorated with gilt bronze mounts, ormolu handles and pierced gallery, and hand painted Sevres porcelain floral...

Incredible SEVRES france Art Deco porcelain cobalt blue and gold 1930.

Antique 1857 Sevres Napoleon III Cobalt “N” Crowned Cup/Saucer. The cup & saucer is decorated with the Napoleon III service crowned “N” to each piece with a ...

A late 19th century Sèvres style parcel-gilt porcelain jardinière Finely painted with numerous colored flowers with green and gold trim, gilt ram heads on either side. In late ...

" Rare Pair of Sèvres Porcelain Covered Vases, 19th Century. " Pair of important covered vases in Sèvres porcelain and chased and gilded bronze, 19th century, Napoleon III period, v...

Blue Serves Pair of Jeweled Vases with Gilt Paint and Turquoise embellishments throughout. Incredibly ornate with gold painted details throughout. Both vases contain genre scenes wi...

Set of 12 Sèvres porcelain plates with hand-painted pastoral scenes French, c. 1864 Plates: Height 3cm, diameter 23cm Case: Height 10cm, width 76cm, depth 52cm Originating from the...

This fine Sèvres ceramic box is marked PM Sèvres for Paul Jean Milet. It has been glazed in the most marvellous colours reminiscent of a Monet's water lillies.

A fine 19th Century French cast ormolu bronze mounted Sèvres porcelain centerpiece with double handles and raised on a footed base. Inset Neo-classical style hand-painted porcelain s...

"Cup in 19th century Sèvres porcelain, Napoleon III period." Gilt bronze and Sèvres porcelain bowl, 19th century, Napoleon III period. h: 12.5cm, w: 32.5cm, d: 27cm

Sevres Creamware Figures Emblematic of Four Seasons, Modeled after/by Bachelier  France, 19th Century  Three are marked with the interlaced L mark, one is numbered 260, and two have ...

A set of 12 Sèvres Louis-Philippe hunting pattern dinner plates, that he had produced for Chateau de Fontainebleau. The broad border depicts hand colored hunting scenes of wild boar,...

This is a rare set of six Sevres wide rim soup bowls with white ground having an elegant central gold monogram for King Louis Philippe. The gold monogram for King Louis Phillippe is ...

A beautiful stoneware bowl with amazing glaze. Made by Tyra Lundgren. Executed during the artist's time spent at Sèvres, between 1934-1939. Excellent condition. Impressed with artist's name and maker's marks. Tyra Lundgren (1897-1979) was one of the most multifaceted artists and modernists of the twentieth century. She was a painter, drawer, sculptor, ceramist, glass- and textile designer, as well as an author and an art critic. She was the first woman who designed glass for Paolo Venini at Murano in Venice and she also served as the artistic leader at Arabia in Helsinki at a time when men tended to hold those kinds of positions. Tyra Lundgren grew up in Djursholm, near Stockholm. Her parents were John Petter Lundgren, professor at Veterinärinstitutet (institute of veterinary sciences) in Stockholm, and Edith Lundgren née Åberg, who was a housewife and raised their six children. The bourgeois home also comprised a nanny and a female cook. The family were very socially active, travelled often, and enjoyed the outdoor lifestyle. Tyra Lundgren’s schooling began at Djursholm coeducational school, where her teachers included Natanael and Elsa Beskow and Alice Tegnér. Her school friends included Greta Knutson-Tzara, Stellan Mörner, and Ingrid Rydbeck-Zuhr. Tyra Lundgren knew from the time she was five years old that she wanted to be an artist. She first became aware of the profession through Axel Fahlcrantz, who rented a studio on the plot of land where she lived with her family. In 1913 she began to attend Högre konstindustriella skolan (HKS, now known as Konstfack, college of arts, crafts and design) where she studied decorative art as well as handicrafts in various forms until 1917. One of her fellow students and friends there was Estrid Ericson, who later founded Svenskt Tenn AB in 1924. Whilst attending HKS Tyra Lundgren also took painting lessons at the Althin school of painting. In 1917 she was accepted as a candidate at the Royal Swedish Academy of Fine Arts where, apart from breaks during which she undertook studies abroad, she remained until 1922. She spent a couple of months taking lessons from Anton Hanak in Vienna and from 1920–1923 she was a student of André Lhote in Paris. Tyra Lundgren was primarily active in four countries: Sweden, Finland, France, and Italy. She spent much of her professional life travelling and considered herself to be a European. Greece and Mexico also formed important centres in her artistic life, as did the USA. She had an extensive social network which included focal individuals within twentieth century-European and American artistic and cultural circles. Tyra Lundgren’s main artistic motifs were birds, fish, and people which she depicted through different techniques and materials. Her artistic expression involved a variety of different directions and styles. She was a pioneer of the 1920s Swedish Grace style, the name of which had been coined by the art critic Morton Shand at the Stockholm Exhibition of 1930. This was a Swedish Art Deco style, characterised by elegance and traditional art which contrasted with the current artistic ideals of functionalism. Tyra Lundgren made her debut at a group exhibition held at Kungliga Akademien för de fria konsterna in 1921. She went on to show her work at various exhibitions throughout the 1920s. After that period she only very rarely exhibited her paintings. Tyra Lundgren’s painted output can be divided into different periods or stylistic directions. The first of these, and the most extensive, was her post-Cubist period which began in 1920 on her arrival in Paris. Her paintings from this time and right up to the mid-1930s typically comprise portraits, self-portraits, live-model painting, still-lifes, interiors, and landscapes in the Cubist style. Many of the great number of self-portraits she painted were produced in the New Objective style, displaying broad variation in terms of clothes, poses and techniques. Two of these – Huvud med vit duk and Självporträtt both from 1921 – can be seen at Moderna Museet in Stockholm, although the majority of these works are at Gotlands Museum. Tyra Lundgren’s second artistic period comprises the years of 1927 to 1929 and is characterised by the New Objective style inspired by medieval techniques and materials (Giotto, Piero della Francesca). Her motifs were still-lifes and landscapes. At this point she was living in Rome and was close to the circle involved in the Valori plastici: rivista d’arte art journal. This period saw a breakthrough in her development as a painter. From the 1950s through the 1970s her work can almost be described as belonging to the Concrete style. Using light pastel colours her paintings sought light in a sometimes non-figurative expression, but often depicting abstract bird-shapes or other nature-inspired imagery. Her paintings from this period are outsized and display powerful colours, in yellows, reds, and blues. Tyra Lundgren maintained a constant production of drawings, both in terms of individual artworks and sketches for patterns and designs. She also produced the illustrations for her book Fagert i Fide. Årstiderna på en gammal gotlandsgård, published in 1961. During her early years she also produced advertising illustrations. She spent the final years of her life primarily working with lithographs which were printed at Galleri Prisma and depicted images of doves, swallows, magpies and crows. Tyra Lundgren is meanwhile best known for her work as a ceramist and in this sphere she was one of Sweden’s leading exponents. She worked in the porcelain industry as a designer and as an artisan and ceramic sculptor. Her first job was at St Eriks Lervarufabrik in Uppsala from 1922–1924, she then worked at Arabia from 1924–1937, and at Rörstrand and Lidköping Porslinsfabrik. She was the artistic leader at Arabia ahead of the 1930 Stockholm Exhibition and she exhibited her work at the World’s Fairs. During the 1934–1938 period she was connected to the Manufacture nationale de Sèvres porcelain factory in Paris. Tyra Lundgren was a pioneer when it came to giving ceramic art a public space in Sweden. She produced around 20 outsized reliefs in stoneware, so-called monumental reliefs. One of these is Märkeskvinnor, from 1947, for the former girls’ school at Bohusgatan in Stockholm. From the 1940s onwards Tyra Lundgren produced sculptural objects in Chamotte clay and stoneware, with various glazings. Her small birds are well-known and popular with many. When her ceramic efforts became too much for her during the 1970s she then produced models for sculptures in bronze. There are six of these in various places around the globe, including Solfågel in Almedalen, Visby. Tyra Lundgren began to work as a glassware designer at Moser in Karlsbad in 1922 where she designed new table services and modernised older ones. She also worked freelance for Riihimäki factory in Finland during the 1924–1929 period. From 1934 to 1938 she was employed by Kosta glass factory where she mainly designed thick-walled bowls and vases, engraved with classical motifs. She was introduced to the glassmaker Paolo Venini at Murano during the Triennale di Milano of 1936 and they began a collaboration that lasted into the 1950s. As part of this collaboration Tyra Lundgren became the first woman to design glassware and, in conjunction with the glassblower Arturo Biasutto, she developed new techniques of glass production. Her motifs at this point were birds, fish, snail-shaped designs and leaf-patterned bowls using traditional techniques as well as in new designs. It was during this time that she created the so-called tissue-shaped bowls and it remains unclear as to who specifically came up with the design but Tyra Lundgren claimed it was of her making. Tyra Lundgren was active as textile designer for Licium (now HV Licium), the sacred textiles...

18th Century Sevres Ornithological Pattern Plate, 1759-60 With numerous blue underglaze date, painters, gilder marks. A exquisite piece of Se...

Very nice, large Sevres porcelain lamp signed by Boutaleb Dated 1969 This lamp is ultra rare Perfect condition Dimensions given without shade ...

18th Century Sevres Blue Celeste Putti Motif Sugar Box 1767, Special Order With an uncommon interlaced L mark in gold, Date letter O, with painter/gilder marks Its been suggested th...

Sevres amphora with Champleve enamel Material Porcelain and hand-painted enamel Origin France Circa 1900 Neoclassical style perfect condition.

This is a fabulous, rare Sevres covered pitcher with white ground that has an elegant central gold monogram for King Louis Philippe made for his Chateau de Trianon. The gold monogram LP is surrounded by a gold foliate leaf wreath. Above the monogram is a gold crown. It was part of the Service des Bas to be used at his royal estates. It was made in the 1840s. Above the royal monogram is a leaf and arabesque gold decoration that goes around the pitcher. It has a beautiful flowing gold handle that is connected to the pitcher with graduated gold gadrooning. The cover has a beautiful gold finial that has white raised decoration in the center. This is a wonderful piece for your collection or for your table setting. Price of Sevres pitcher...

A 19th century French Napoleon III bronze mounted marquetry jardinière, or plant stand with inlaid veneers of mahogany and walnut. Curved ebonized legs joined by a lower shelf. The shaped oval top has cast bronze handles...

A fine old or antique Sevres type porcelain vase. With rich gilding and handpainted flower baskets & ribbons throughout. Marked to the based with a blue Sevres type interlaced...

Sèvres Double Handled Cup, Cover and Stand, 1791 Sèvres is the most prominent name in French Porcelain, but it was not the first. Porcelain had been manufactured in France to suppl...

A SEVRES (HARD PASTE) BISCUIT FIGURE OF 'JEAN DE LA FONTAINE' FROM THE SERIES OF 'LES GRANDS HOMMES' circa 1784, INCISED L R 7 TO BASE AT FRONT Modelled by Pierre Julien (1731-180...

A 19th century Napoleon III bronze mounted marquetry jardiniere, or planter, with inlaid veneer of kingwood. Decorated with two hand-painted Se`vres porcelain medallions, one with a ...

A charming little sterling silver-lidded porcelain box, possibly used for snoring snuff, or for general trinkets. The silver top is decorated in Louis XVI style, and bears the Minerv...

Brown ceramic vase made by Sevrès. Signed Sevrès France and M.N.F. France, circa 1910.

Sevres porcelain box Origin France Circa 1900 Interior decoration (flowers) bronze mount hand painted box.

A stunning late 19th century sèvres style porcelain rectangular plaque. A landscape scene depicting two lovers in a boat surrounded by water and trees, in a giltwood and red felt ...

This service for 12 is the iconic Hunting Pattern made for Louis-Phillipe at Chateau Fontainebleau dated 1846. This museum quality set consists of 50 pieces including 12 dinner plate...

Lovely biscuit porcelain bust of a young girl, named Louise Brongniart. The bust is marked on the back with 'Houdon' and the Sevres mark. Biscuit por...

Blue vase in enameled ceramic Signed under the base "Sevres, Made in France".

Very nice early 20th century French porcelain vase from the famous Sevres manufacture in the 1900s. Beautiful flowers and golden details. The bronze part is removable. There is als...

"Pair of Sevres Porcelain Plates of Napoleon III and Eugenie" Pair of plates representing Napoleon III and Eugenie in Sèvres Porcelain, 19th ...

Stunning pair of unusual hand painted glazed porcelain lidded vases of bulbous outline, of Continental origin, possibly one of the factories in the Sevres region in France. Last half...

Stunning French sevres soft paste hand decorated Rich Celeste Blue Porcelain lidded Chocolate Cup of museum quality, complete with its original undertray and dome cover with a leafy ...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Elegant and particular coffee service in fine French porcelain...

Pair of Antique French 'Sevres' porcelain lidded pot pourri and gilded bronze lidded urns, 1804-1809. The urns having a rich red ground with gilded panels, the domed lids with gilded bronze eagle...

Hand painted Sevres porcelain table lamp, with bronze structure and green glass shade, made in the 1940s Sèvres ceramics are one of the most famous ceramic manufacturers in all of...

A vintage pair of crystal vases or ice buckets with circular and square pattern marked Sevres, France on the bottom. Good vintage condition with age appropriate wear. Some scratches.

Gaston Le Bourgeois (1880 - circa 1956) 1928, ostrich sculpture made of stoneware from "Manufacture Nationale de Sèvres" This item was produced only 5 times from 1928 to 1930! Mon...

A beautiful and most elegant pair of French 19th century Louis XVI St. Sèvres porcelain and ormolu câche pot vases. Each stunning vase is raised on an ormolu base with concave corner...

Pair of candelabras in gilded bronze and blue Sèvres porcelain dating from the end of the 19th century. Vases adorned with branches of roses and different flowers (a few pistils miss...