Sexy Gifts

Abstract

Buffaloes is a signed limited edition ( 13/75 ) aquatint etching by British artist and poet Julian Trevelyan. Several buffaloes and workers are in a field with mountains a...

Artwork unframed 24 x 19 x 0,1 cm - 9,4 x 7,4 x 0,04 in = $400

Pigments, sand glue & acrylic on wood

Julian Cardinal is from the tip of Cape Cod in Truro, Massachusetts and has showcased his vast, colorful array of feminine figures, still lifes and landscapes at prominent galleries ...

Acrylic, enamel, lacquer & solar print on canvas

"China" Acrylic Painting 59" x 59" inch by Roman Reznitsky Roman Reznitsky (1978) is a Russian contemporary artist. For six years, he studied in vario...

Ray Winstone by Kevin Westenberg- Signed Limited Edition Kevin Westenberg is famed for his creation of provocative and electrifying images of world-class musicians, artists and mov...

'Acapulco Villa' 1968 Slim Aarons Limited Estate Edition Print Las Brisas, the home of Eustaquio Escandon in Acapulco, January 1968. From 'A Wonderful Time - Slim Aarons' (Photo b...

Fun Loving Criminals By B A T I K Signed Limited Edition Archival pigment pop art print of infamous criminal arrest mugshots of Fifty Cent, Elvis Presley, David Bowie, Snoop Dogg...

Pequi Tree Miniature is a sculpture, created from the most recent work by Ai Weiwei, Pequi Tree, 2018-2020, and produced at a 1/100 scale. The sculpture is...

Oil on canvas

David Gilmour by Kevin Westenberg- Signed Limited Edition Kevin Westenberg is famed for his creation of provocative and electrifying images of world-class musicians, artists and mo...

Spiritualized by Kevin Westenberg- Signed Limited Edition Kevin Westenberg is famed for his creation of provocative and electrifying images of world-class musicians, artists and movie stars for over 25 years. His technique of lighting, colour and composition has helped to produce his own unique visual style. All prints are signed and numbered by the artist. Paper size 16x20 inches Edition size varies according to print size. Other sizes available (in inches): Luxe 16x20 (Edition of 25) Large 20x24 (Edition of 25) Longe 24x30 (Edition of 25) Grande XL 30x40 (Edition of 10 (+2 a/p)) Giant 40x60 (Edition of 3 (+1 a/p)) FRAMING: Please note that this piece is unframed – however, we offer a full framing service. If you would like this piece framed, please contact us for a quote. Jason Pierce, Doggen Foster, John Coxon, Kevin Bales, Tom Edwards...

Created in 2001 by Caio Fonseca, Seven String Etching No. 7 is a color aquatint, spitbite and sugarlift etching with chine collé, hand-signed in pencil, dated and numbered, the artwo...

Otto Kuhler, 'Cargo Carriers', etching and drypoint, c. 1932, edition 10, Kennedy 44. Signed in pencil. A superb, atmospheric impression with rich burr and selectively wiped overall plate tone, in dark brown ink, on Arches cream laid paper; wide margins (2 to 2 3/4 inches), in very good condition. Printed by the artist. Original Kennedy Galleries mat and label. Scarce. "On my trips up and down N.Y. harbor on the Weehawken Ferry, the late evening sun playing on the side of the big liners has always intrigued me... The liner shown I believe to be the Vaterland of the North German Lloyd...

Mariko’s Geisha Memories is an unique contemporary dark brown sandstone sculpture. The geishas collection of the artist expresses the various faces of the femininity. Mariko gre...

Radiohead Radiohead, Oxford, 2001 by Kevin Westenberg- Signed Limited Edition Kevin Westenberg is famed for his creation of provocative and electrifying images of world-class musicians, artists and movie stars for over 25 years. His technique of lighting, colour and composition has helped to produce his own unique visual style. All prints are signed and numbered by the artist. Paper size 16x20 inches Edition size varies according to print size. Other sizes available (in inches): Luxe 16x20 (Edition of 25) Large 20x24 (Edition of 25) Longe 24x30 (Edition of 25) Grande XL 30x40 (Edition of 10 (+2 a/p)) Giant 40x60 (Edition of 3 (+1 a/p)) FRAMING: Please note that this piece is unframed – however, we offer a full framing service. If you would like this piece framed, please contact us for a quote. Thom Yorke, Jonny Greenwood, Colin Greenwood, Ed O'Brien, Philip Selway, Nigel Godrich, Stanley Donwood...

Icons & Symbols? 2021, Cardboard Block Print on Paper, 1/2 Lok Kandjengo’s cardboard print ‘Icons and symbols?’ speaks to the contentious visual memory landscape of Windhoek. The parliament buildings in the centre of the print started as the administrative centre of German colonial...

Madonna by Kevin Westenberg- Signed Limited Edition Kevin Westenberg is famed for his creation of provocative and electrifying images of world-class musicians, artists and movie st...

Brett Anderson Brett smoking in the dressing room, Suede. by Kevin Westenberg- Signed Limited Edition Kevin Westenberg is famed for his creation of ...

Leigh Wen’s works reflect her personal and cultural histories. Having grown up on the island of Taiwan, she has a deep affinity for the elemental power of water and the forces of nat...

Color lithograph with chine collé, Edition 30. In this map Chagoya depicts a world beset with problems of man-made pollution: environmental, industrial and social. The planet nee...

His Airness 11.5 x 4.5 x 6 inches Edition of 25 White marble sculpture of Nike shoes Authenticity Certificate, acquired from artist's studio Frank Holl...

Oil on canvas

Leigh Wen’s works reflect her personal and cultural histories. Having grown up on the island of Taiwan, she has a deep affinity for the elemental power of water and the forces of nat...

watercolour of a vase of wallflowers , still life flowers by Owen Bowen. Dated and signed lower left 1911. Size of image 48 cm by 38 cm whilst overall the s...

Oil on canvas

abstract painting in soft colors with gold edge

Signed in black ink on print margin, signed, titled, dated and misc. notations in pencil on print verso by Elliott Erwitt Gelatin silver print, 14 x 11 in. Born to Russian parents i...

Acrylic on canvas. Abstract and figurative depending on how close or far you are from the piece. The word LOVE is the focus. Small amount of paint create figures. See little sha...

Subligraphy (CHROMALUX) on aluminium 100 x 100 cm - 39.4 x 39.4 in = $2800 Ed.1/15 Possibility of frame with additional costs

A large colourful, unique and vivid oil and enamel painting on canvas. Framing on request.

Juan Suarez (Spanish, b. 1946) Naturaleza Muerta, Mixed media painting on three assembled canvases, (triptych) It is either oil or acrylic paint. it seems like oil to me. A label verso has it indicated as acrylic. Dimensions: 64 1/8 W: 64 1/4 in. Provenance: The Cleveland Museum of Art (bears label verso); Galerie Juana de Aizpuru Gallery (bears label verso). Born in Puerto de Santa María (Cádiz). Studies at the ETSA and at the Superior School of Fine Arts of Santa Isabel of Hungary in Seville. Grant from the Juan March Foundation in 1976. Advanced studies in Architecture and Fine Arts, University of Seville. Although he was not born in Seville, Juan Suárez is a member of the group of painters from the city who, in the seventies, linked their artistic practice, based fundamentally on painting, to international tendencies. Rather than a set of intellectual ideas, José Ramón Sierra, Gerardo Delgado and Juan Suárez shared a life experience: they were all students at the Escuela Técnica Superior de Arquitectura in Seville and were all interested in art. Juan Suárez also studied at the Fine Arts Faculty. He held his first individual exhibition at Galería Juana de Aizpuru in 1970. (They were an important contemporary art gallery in Seville spain and showed Wolfgang Tillmans, Georg Dokoupil, Jordi Colomer, Albert Oehlen, Eduardo Chillida and Andres Serrano). In 1982 his work was shown in Diez Pintores Sevillanos, together with Manuel Salinas (1940) and Ignacio Tovar (1947), among others. At various points his worked has been shaped by American Abstract Expressionist painting, Latin American Geometric Abstraction and by Constructivist painting and sculpture. In 1976 he received a grant from Fundación March, and in 1980 another from CINFE at the Ministry of Culture. He was awarded the Drawing Prizes at the Nuremberg Biennial (1979) and ARTEDER 82, the Premio de Pintura from the Diputación Provincial de Sevilla, also in 1982, and the Premio de los Festivales de Navarra in 1985. The Geometric spirit that is ever-present in his work and his perpetual curiosity lead him to incorporate materials from a very wide range of sources; composing some pieces with superimposed planes where abstraction is a key actor. His background in architectural practice and his constant demand for excellence profoundly shape his work. In his work, the influences of Barnett Newman, Jules Olitski, Kenneth Noland and, especially, Richard Diebenkorn can be appreciated. However, Juan Suárez moves away, at the same time, from the uniform vibration of color fields and the structural rigidity of closed compositions, alternating both concepts, from an emotional and poetic perspective. The density of the color dialogues with drippings and suggestive liquidiscent stains,while reserves and sharp lines make up and hold the pictorial structure.He writes in different magazines and specialized books on art and architecture. Recently the University of Seville has published its research work, New Ways of Living. Exhibition 2008 Primavera, verano, otoño, invierno. Galería Egam. Madrid. (solo) 2006 Dibujando las distancias/Retratos. Obras reciente 99/05”. Galería Rafael Ortiz. Sevilla. (solo) 2004 Lugares Geométricos. 1968/1980. Salas Caja San Fernando. Sevilla. (solo) 2003 Lugares Geométricos. 1968/1980. Salas Caja San Fernando. El Puerto de Santa María, Cádiz. (solo) 2003 VITA I, VOL. VI. Galería Milagros Delicado. El Puerto de Santa María, Cádiz. (solo) 2001 VITA I, VOL. IV. Galería Carmen de la Calle. Jerez de la Frontera, Cádiz. (solo)VITA I, VOL. V. Colegio de Arquitectos de Cádiz. (solo) 2001 VITA I, VOL. V. Colegio de Arquitectos de Cádiz. (solo) 1999 VITA I. VOL. III Galería Senda. Barcelona. (solo) 1995 Sobre Papel. El juego de la Pasión. Galería Juana de Aizpuru. Sevilla. (solo) 1994 A Passion Play - Los libros del reposo. Galería Magda Bellotti. Algeciras, Cádiz. (solo) 1991 Pinturas. Salas Nicanor Piñolé. Diputación. Gijón. (solo) 1990 Pinturas. Galería Juana de Aizpuru. Sevilla. (solo) 1988 Pinturas. Galería Michael Dunev. San Francisco. U.S.A. (solo) 1987 Pinturas y Esculturas. Galería Juana de Aizpuru. Madrid. (solo) 1987 Mirada, Memoria, Engaño 1980 1987. Museo Arte Contemporáneo. Sevilla. (solo) 1986 Pinturas y Esculturas. Galería Juana de Aizpuru. Sevilla. (solo) 1986 Pinturas. Galería Temple. Valencia. (solo) 1986 Muestra personal. Festivales de Navarra. Castillo de la Maya. Pamplona. (solo) 1986 Pinturas. Galería Fúcares. Almagro, Ciudad Real. (solo) 1983 Pinturas. Galería Juana de Aizpuru. Madrid. (solo) 1982 ARCO ‘82. Stand Galería Juana de Aizpuru. Madrid. (solo 1981 La Suerte de Pintar. Galería Juana de Aizpuru. Sevilla. (solo) 1979 Pinturas de Barcelona. Galería Ciento. Barcelona. (solo) 1978 191 x 63. Galería Juana de Aizpuru. Sevilla. (solo) 1977 191 x 63. Galería Juana Mordó. Madrid. (solo) 1974 Sobre el Paisaje de fondo del Tránsito de la Virgen de Mantenga. Galería Juana de Aizpuru. Sevilla. (solo) 1974 Paisajes Imaginarios. Salas de Cultura CAN. Pamplona. (solo) 1970 Apócrifos-Cajas. Galería de Arte La Pasarela. Sevilla. (solo) EXHIBITIONS ONLY 1970 Apocrypha-Boxes. The Catwalk Art Gallery. Seville. Spain. 1974 On the background Landscape of the Transit of the Virgin of Maintenance. Juana de Aizpuru Gallery. Seville. Spain. Imaginary Landscapes. Halls of CAN Culture. Pamplona. Spain. 1977 191 x 63. Juana Mordó Gallery. Madrid, Spain. 191 x 63. Juana de Aizpuru Gallery. Seville. Spain. 1979 Paintings of Barcelona...

Samella Sanders Lewis, 'The House of Shango', lithograph, 1992, edition 60. Signed, dated, titled, and numbered '31/60' in pencil. A superb, richly-inked impression, on Arches cream wove paper; the full sheet with margins (1 1/4 to 3 1/2 inches), in excellent condition. Image size 24 x 18 inches (610 x 457 mm); sheet size 30 inches x 22 1/4 inches (762 x 565 mm). Archivally matted to museum standards, unframed. ABOUT THIS WORK “The title of this piece is an unmistakable harkening to African roots. Shango is a religious practice with origins in Yoruba (Nigerian) belief, deifying a god of thunder by the same name. Shango has been adopted in the Caribbean, most notably in Trinidad and Tobago, a fact that underscores the importance of transnationalism to Samella Lewis’s piece. Her work often grapples with issues of race in the U.S., and The House of Shango is no exception. Through a reliance on the gradual transformation of Shango—one that took place across continents and time—Lewis’s piece forms a powerful link between black Americans and their African and Caribbean counterparts. The figure depicted in the piece appears to emerge, quite literally, from the house of Shango. Given the roots and transformative process of the religion, The House of Shango can draw attention to the historical intersections to which black American culture is indebted.” —Laura Woods, Scripps College, Ruth Chander Williamson Gallery, Collection Highlights, 2018 ABOUT THE ARTIST Samella Lewis’ lifelong career as an artist, art historian, critic, curator, collector, and advocate of African American art has helped empower generations of artists in the United States and worldwide, earning her the designation “the Godmother of African American art.” Born and raised in Jim Crow era New Orleans, Lewis began her art education at Dillard University in 1941, transferring to Hampton University in Virginia, where she earned her B. A. and master's degrees. She completed her master's and a doctorate in art history and cultural anthropology at Ohio State University in 1951, becoming the first female African American to earn a doctorate in fine art and art history. Lewis taught art at Morgan State University while completing her doctorate. She became the first Chair of the Fine Arts Department at Florida A&M University in 1953. That same year Lewis also became the first African American to convene the National Conference of African American artists held at Florida A&M University. She was a professor at the State University of New York, California State University, Long Beach, and at Scripps College in Claremont, California. Lewis co-founded, with Bernie Casey, the Contemporary Crafts Gallery in Los Angeles in 1970. In 1973, she served on the selection committee for the exhibition BLACKS: USA: 1973 held at the New York Cultural Center. Samella Lewis's 1969 catalog 'Black Artists on Art', featured accomplished black artists typically overlooked in mainstream art galleries. She said of the book, "I wanted to make a chronology of African American artists, and artists of African descent, to document our history. The historians weren't doing it. It was really about the movement." From the 1960s through the 1970s, her work, which included lithographs, linocuts, and serigraphs, reflected her concerns with the values of human dignity, democracy, and freedom of expression. Between 1969 and 70, Lewis and E.J. Montgomery were consultants for a groundbreaking exhibition at the Oakland Public L designed to create greater awareness of African American history and art. Lewis was the founder of the International Review of African American Art in 1975. In 1976, she founded the Museum of African-American Art with a group of artistic, academic, business, and community leaders in Los Angeles, California. Lewis, the museum’s senior curator, organized exhibitions and developed new ways of educating the public about African American art. She celebrated African American art as an 'art of experience’ inspired by the artists’ lives. And she espoused the concept of African American art as an 'art of tradition', urging museums to explore the African roots of African American art. In 1984, Lewis produced an extensive monograph on Elizabeth Catlett, her beloved mentor at Dillard University. Lewis has been collecting art since 1942, focusing primarily on the WPA era and work created during the Harlem Renaissance. Pieces from her collection were acquired by the Hampton University Museum in Virginia, the world’s earliest collection of African American fine art...

Color lithograph, Edition 30. Known for paintings based on historical Chinese photographs, Hung Liu's subjects over the years have been prostitutes, refugees, street performers, s...

This charming painting by Russian painter Evgeny Grichuk features costuming related to two stock characters from commedia dell'arte, with origins in the late seventeenth-century Ital...

Surrealism Symbolism Dream & unconscious experience

Charcoal and gouache on paper Paper size: 9x 11.5 inches Framed size: 23.5 x 25.75 inches Signed lower right Provenance: Raymond Spencer Co.; Galerie Dominion, Montreal, 1982; Dr Max Stern, Montreal, 1982; Leslie Sacks Fine Art, Los Angeles; Purchased by Haynes Fine Art...

Color lithograph with metallic gold powder, Edition 25. Don Ed Hardy is a painter, printmaker and tattoo artist. Fascinated by tattoos since childhood, Hardy has become a master o...

Oil on canvas

Jack White Jack White, Nashville, 2014. by Kevin Westenberg- Signed Limited Edition Kevin Westenberg is famed for his creation of provocative and electrifying images of world-clas...

Signed lower right and dated 2002 Sight size 16.5 x 12.5 in. Overall size framed 27 x 23 in.

Oil on canvas

Ian McCulloch, Echo and the Bunnymen by Kevin Westenberg- Signed Limited Edition Kevin Westenberg is famed for his creation of provocative and ...

This is an abstract Flora based hand made, cast sculpture done by Seena Donneson an acclaimed woman artist. A textured abstract bronze with deep, rich patina; The sculpture is signed...

Pigment dye on paper. In 2017, Gökhan Deniz has decided to turn his palette into his canvas. He has given prominence to the composition that he had previously used with different t...

Acrylic on linen - artwork framed = 88 x 88 x 4 cm

Pablo Picasso A.R. 417 Pase de Cape 1959 16.5” round Edition of 100 White earthenware clay. Ramie 417 is a Madoura ceramic that one rarely sees come on the m...

Edition of 30 & hand signed by the artist Marco Santaniello is an Italian artist born in 1981 who lives & works in Cosenza, Calabria in Italy. He started his path doing Pop Portraits and in front of his “rainbow wall...

Red Hot Chili Peppers Anthony Kiedis, Red Hot Chili Peppers on stage, Vancouver, 1992 by Kevin Westenberg- Signed Limited Edition Kevin Westenberg is ...