Sexy Gifts

Black pencil drawing, stamp from the widow’s sale in 1894 (Lugt L. 3728), dimensions 10.5x14.2cm. This is a detail study of the hand of the peasant holding a lunge rein, represented...

Paul Cézanne Le Sentier ca. 1890 Watercolour and pencil on paper 34.6 x 51.5 cms (13 5/8 x 20 1/4 ins) PC16325 Provenance: Walther Halvorsen, Oslo Galerie Bernheim-Jeune, Paris Ju...

Test Pattern 5 (Grey study) (Abstract Drawing) Ink, gouache and acrylic on Fabriano paper - Unframed. Test Pattern series sets up a generic template as a poetic prompt to consider ...

Untitled (Ref 19008) (Abstract Painting) Ink on paper - Unframed. Martín Reyna is an Argentinian-born abstract painter living in Paris, France. His gestural abstract paintings deli...

"Kinda a Terrier" a sentimental dog painting by Robert Zakanitch a founder of the Pattern and Decoration movement of the 1970's believes in painting subjects of beauty with delicate ...

Dolphin Dance 30 (Abstract Drawing) Gouache on rag tracing vellum - Unframed. This work on paper is part of a series of collaged paintings titled “Jazz: Herbieʼs ʻDolphin Danceʼ #1...

Untitled Quarantine #1 (Abstract Painting) Watercolour and ink on paper - Unframed. This artwork is exclusive to IdeelArt. The works of San Francisco Bay Area-based abstract paint...

Cut-Up Paper I.21 (Abstract Painting) Acrylic on paper. Unframed. Pedersen works with acrylic paint. When painting a composition, she tends toward a limited color palette, often r...

Untitled (Ref 20145) (Abstract Drawing) Ink on paper - Unframed. Reyna works with ink, acrylics and oils on canvas or paper. One of his signature techniques is to dilute his mediu...

Austin (Abstract painting) Spray paint, pencil, ink, watercolor on paper. Unframed. This artwork, Austin, is a drawing made in a hotel while staying in Austin, Texas. Soriano worked from objects observed from the window, having a fine view of some complicated piping attached to a building facing him. Peter Soriano is an abstract artist who divides his time between New York City and Penobscot, Maine. Although he began his career as a sculptor, his work is now two-dimensional. He is known for his bold spray-painted wall murals...

Sekhar Baran Karmakar Untitled - Wash on Imported Hard Paper 8 x 8 inches , 2006 ( ALL IN DOOR DELIVERED FRAMED AND READY TO HANG ) Style : His work relates to an exploratio...

Sekhar Baran Karmakar Nandan Mela - Watercolour on Paper 15 x 11 inches , 2007 ( ALL IN DOOR DELIVERED FRAMED AND READY TO HANG ) Style : His work...

Conference of the birds no 40 (Abstract painting) Oil on paper. Unframed. Natural and mystical processes inspire Ostovany. Informed by a variety of different cultures, Ostovany fee...

Hand drawn one of a kind original on 100% cotton watercolor paper with gold foil Buddhist Prayer Papers :: Drawing :: Contemporary :: This piece comes ...

"Do you Quack?" watercolor by Nancy Pellatt, a charming, realistic dog painting of a Cocker Spaniel curiously looking at baby chics. Nancy Pellatt's detailed realistic paintings of...

Small Maelstrom (Ref 854) (Abstract drawing) Pigment pencil on Mylar. Unframed. The Maelstrom Series include the most iconic and known of Peerna's works. Starting from the cente...

Glance, (Abstract Painting) Acrylic on paper - Unframed Artwork exclusive to IdeelArt. Martina Nehrling is an American abstract artist whose dynamic and richly textured paintings ...

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Abstract watercolor composition bearing the influence of the earlier color-block compositions of Paul Klee. Pawel August Kontny, (Polish-German-American artist) He was born in Laurahuette, Poland, in 1923, the son of a wealthy pastry shop owner. In 1939 he began studying architecture in Breslau where he was introduced to the European masters and to the work of some of the German Expressionists, soon afterward banned as "degenerate artists" and removed from museums throughout Germany by the Nazi regime. His studies were interrupted by World War II. Drafted into the German army, traveling in many countries as a soldier, he sketched various landscapes but in 1945, he was captured and held as a prisoner of war in Italy. After the war, he studied at the Union of Nuremberg Architects to help design buildings to replace ones destroyed in the war. He recorded his impressions of the local population and the landscapes through his watercolors and drawings. Pawel Kontny thereafter moved to Nuremberg, Germany, becoming a member of the Union of Nuremberg Architects and helping to rebuild the city's historic center. He soon decided to concentrate on his professional art career. He married Irmgard Laurer, a dancer with the Nuremberg Opera. Pavel Kontny 's career as an artist was launched with his participation in an all German exhibition, held at the Dusseldorf Museum in 1952. He held one-man shows in Germany, Switzerland and the United States. During his trip to the United States in 1960, Kontny became instantly enamored with Colorado, and decided to relocate to Cherry Hills with his wife and two children. He quickly established himself in the local art community, being affiliated for a time with Denver Art Galleries and Saks Galleries. His subject matter became the Southwest. During this time he received the Prestigious Gold Medal of the Art Academy of Rome. His extensive travel provided material for the paintings he did using his hallmark marble dust technique. he also worked equally in pastel, watercolor, charcoal and pencil-and-ink. in a style which merged abstraction and realist styles, influenced by Abstract Expressionist painting and South Western American landscapes. This one bears the influence of Sam Francis. In the early 1960s he was one of only a few European-born professional artists in the state, a select group that included Herbert Bayer (1900-1985), a member of the prewar Bauhaus in Weimar and Dessau, Germany, and Roland Detre (1903-2001), a Hungarian modernist painter. As a Denver, Colorado resident, Pavel Kontny exhibited at galleries and museums throughout the United States, Germany and Japan. There, he was inspired by frequent trips to Native American pueblos in the Southwest, as well as by the study of the Plains Indians of Montana and Wyoming. Over the years Kontny had a number of students and generously helped young artist by hosting exhibitions at his Cherry Hills home. For many years he generously donated his paintings to support charitable causes in Denver. Influences during his European years included German pastelist C.O. Muller, German Informel painter Karl Dahmen and Swiss artist, Hans Erni. In the early 1950s his painting style showed the influence of the Die Brücke (The Bridge), a group of German expressionist artists formed in Dresden in 1905 who had a major impact on the evolution of modern art in the twentieth century in Germany. By the middle of the decade his style incorporated more referential abstraction and total abstraction, resulting in part from his study of Hans Hartung, a German artist based in Paris who exhibited his gestural abstract work in Germany. The American moon landing in 1969 inspired Paul Kontny...

Pierced (Abstract Painting) Acrylic on Montval paper - Unframed Martina Nehrling is an American abstract artist whose dynamic and richly textured paintings evoke kaleidoscopic worl...

Flowers at the mountains II, 2015 (Unframed) His work has been shown in Reina Sofía Museum of Madrid, Royal Academy of London, Arco Madrid, Pinta Art Fair, London, London Art Fair,...

Arietta series 2 (Abstract drawing) Charcoal ink and pastel on paper - Unframed. Margaret Neill works for a time on a group of pieces in a series, using classic almost primal mater...

Stq097, 1997 His work has been shown in Reina Sofía Museum of Madrid, Royal Academy of London, Arco Madrid, Pinta Art Fair, London, London Art Fair, The Other Art Fair, London, and...

Born and raised in New York City, Gustavo received a masters degree in architecture from Princeton University. While at first integrating murals and sculptural elements into his arch...

Born and raised in New York City, Gustavo received a masters degree in architecture from Princeton University. While at first integrating murals and sculptural elements into his arch...

One fountain at the mountains II, 2018 Pencil and ink on paper. Unframed His work has been shown in Reina Sofía Museum of Madrid, Royal Academy of London, Arco Madrid, Pinta Art Fai...

This is a great Judaica Israel landscape. The Old City of Jerusalem during the British Mandate in Palestine. 24.5 x 31 image 16 x 22.5 Isidor Ascheim (איזידור אשהיים; 1891-1968) was a German-born Israeli painter and printmaker. Isidor Ascheim was born in Margonin (present-day Poland) in 1891. He was raised in an Orthodox, Judaic, Jewish family and served during World War I. In 1919-23, Ascheim studied under the German Expressionist Otto Mueller in Breslau and was influenced by Erich Heckel of the Die Brücke (The Bridge) group. He immigrated to Mandate Palestine in 1940 and settled in Jerusalem. He was married to the Israeli painter Margot Lange-Ascheim. He taught at the Bezalel School of Art (amongst his students were David Palombo, David Rakia, Aharon Bezalel, Kopel Gurwin and more) and served as its director for several years. He also taught at the Avni Institute in Tel Aviv along with Moshe Mokadi. Marcel Janco and Aaron Giladi. Ascheim's art is based on a direct impression of nature, life and the human form. His oeuvre represents a continuous connection with nature and the human figure, usually executed with a dark palette, the legacy of his German Expressionist roots. He was a contemporary of Jacob Steinhardt, Mordecai Ardon, Josef Budko and Hermann Struck. Awards and recognition In 1953, Ascheim was a co-recipient of the Dizengoff Prize for Painting. In 1955, he received the Jerusalem Prize for Art. In 1956, he participated in the Venice Biennale, Italy Selected collections Fine Arts Museum of San Francisco Israel Museum, Jerusalem References Isidor Aschheim: Drawings & Prints [Izidor Ashhaim: rishumim ve-hedpesim] . Jerusalem: Israel Museum, 1966. Talpir, Gabriel. "100 Artists in Israel". Tel-Aviv: Gazith Art Publishing, 1971. Isidor Ascheim was born in Margonin, Germany (in what is now Poland) in 1891. His father was a prosperous merchant. In spite of his family’s devoutness, Ascheim had both religious training at home and an education in a German school. In 1903 the family moved to Breslau, where he studied in the gymnasium. When War War I broke out, he was drafted into the German army. In 1918, when the war ended, he began studying art in Breslau, and then in Cracow. In 1939 he made Aliyah to the Land of Israel under the auspices of the Aliyah Bet program. He was caught by the British government and sent to the Atlit detention camp for about seven months. After he was released he settled in Jerusalem and found employment as a lecturer at the “New Bezalel.” In 1946 he married the painter Margot Lange Ascheim. From 1960-1961 he served as director of the “New Bezalel.” Most of Ascheim’s work was in the field of prints. In the 1920s he also produced engravings. Later he specialized in stone printing (lithography), including Biblical subjects, landscapes, and expressionist subjects. In addition, he painted. Education 1919-1923 Art Academy, Breslau, Germany, (now Wroclaw, Poland) with Otto Mueller, an important expressionist painter. Art studies, Professor Pautsch, Academy of Fine Arts, Cracow, Poland Teaching 1943 Bezalel Academy of Art & Design, Jerusalem, was director for some time. 1961-1960 Director, New Bezalel, Jerusalem Collective Annual Exhibition by Palestinian Artists Art Gallery of the ''Habima'' Building, Tel Aviv1944 Artists: Hermann Struck,Moshe Ziffer...

William Gropper Original Gouache on Paper Hand signed lower right 33.5 x 27.5 image 26 x 20.5 The New-York born artist William Gropper was a painter and cartoonist who, with caricature style, focused on social concerns, and was actively engaged in support of the organized labor movement throughout his career. This original watercolor drawing is done in the iconic style of the artist's oeuvre. Born to Harry and Jenny Gropper in 1897, William was raised in New York City's Lower East Side. His parents were Jewish immigrants from Romania and Ukraine, and young William grew up in relative poverty, watching his family struggle to achieve that sought-after American dream. His father, a bright and college-educated man, was unable to find employment that worthy of his intellect. His mother, meanwhile, worked as a seamstress from home. Coupled with the devastating loss of an aunt to the infamous Triangle Factory fire of 1911, significant childhood factors created the foundation that led to Gropper’s exploration of the American experience. Early on, Gropper displayed an extraordinary, natural skill for art. By 1912, he was already studying under the instruction of George Bellows and Robert Henri at the Ferrer School in Greenwich Village. During his time at school, Gropper was also awarded a prestigious scholarship to study at the National Academy of Design. However, he refused to fit into convention and was swiftly expelled from the Academy. After his expulsion, Gropper returned home to help financially by assisting his mother and taking a shop position. However, he didn't abandon art academia and soon presented a portfolio to the New York School of Fine Art which earned him a scholarship for study. Gropper obtained his first significant job as a cartoonist for the New York Tribune in 1917. While working as a staff cartoonist for the Tribune, he also contributed drawings to publications like Vanity Fair, New Masses, The Nation, and Freiheit. His interest in the welfare of the American worker, class inequality, and social injustice was central in his work. After publishing the graphic novel Alley Oop in 1930, Gropper's illustration career extended well into the decade. However, he was never exempt from controversy, and his 1935 Vanity Fair cartoon; prompted anger from the Japanese government. As an involved labor organizer and Social Realist activist, Gropper continued to bring attention to his radical reputation with visits to the Soviet Union and Poland. However, his concern with European politics and U.S. social causes didn't slow down his artistic career, and by the late 1930s, he had produced significant murals for American cities like Washington D.C. His 1938 mural Construction of a Dam was commissioned for the Department of the Interior and represents the Social-Realism style that depicts experiences of the worker and everyday societal life. Measuring at a staggering 27ft by 87ft, the piece portrays muscular, robust American laborers scaling rocky hillsides, building infrastructure, and operating heavy machinery. The mural feels undeniably American with golden scenery, denim blues, and steely gray colors. Gropper fits perfectly into Social-Realism because the style exhibits an illustrative flair with strong lines and simple, bold hues. The inspiration for Construction of a Dam sprang from his 1937 travels to the poverty-stricken Dust Bowl area. The trip was sponsored by a Guggenheim Foundation Fellowship, and his drawings of the Grand Coulee and Boulder Dams...

Mixed media on handmade paper

This painting is about an iconic bar, restaurant, and live music venue in Tampa, Fl. Sadly, it closed in 2020 due to COVID-19. :: Painting :: Impressionist ...

Description: Xia Funing(B.1962) The passage of life 80 x 110 oil on paper , framed hand signed on the reverse side Dated 2021 Xia FuNing was born on 09/01/ 1962 in Nanjing, Jiangsu province. In 1981, he studied in the department of Fine art of Su-Zhou university. He was once a professor in the Department of Fine Arts in 1985 in Tianjin Polytechnic University. Since 2020 , he has been invited specially as postgraduate tutor in the Department of Fine-arts of Nanjing normal university, and currently lives and works in Song Zhuang Art Colony, Beijing, China. Zhuangzi et Laozi’s philosophy has exercised a great influence on Xia’s artworks. In his oriental vision, Xia realized that “Qi (the character signi es the original reality, breath of life), the major component of life, is of great signi cance in painting. Chinese people adopt the phrase “Qi-Xi (signifying breath, xi means the process of breathing) to perceive the intrinsic aspect of art in a more vivid and essential manner, displaying the origin and status of object existence. In his works, the artist arranges the daily intimate surroundings in “Qi-Xi(breathing) ”by means of his unique visual logic, surpasses the transient and restricted nature, retrieves the poetic and spiritual feature of their existence origin, thus attaining freedom and eternity. His solo shows has staged at Yushan Contemporary Art Museum, Jiang Su , China (2018); 5 Art Center, 5 Art Center, Beijing, China (2014); Gallery Elements, Suzhou, China(2014); National Art Museum of China, Beijing, China( 2013). Major group exhibitions include: “ Contemporary Burgeoning of Oriental Heritage”Reality space, Beijing, China (2016); “New Enlightenment” cross-border exhiinitionn and reading, traditional arts gallery, Nanjing, Jiangsu , China (2016); “Sublimation” contemporary oil painting sketching...

Mixed media on paper

Covers 13 Red Orange (Abstract painting) Gouache on handmade paper. Unframed. Joanne Freeman's works on paper are made with gouache on handmade Indian Khadi paper. She uses tape t...

Oil on paper Xia Fu-Ning is a Chinese artist born in 1962 in Nanjing. He was a professor in the Department of Fine Arts during the 1980s at Tianjin Polytechnic University. He curren...

Sequencing 11 (Abstract Painting) Acrylic on Montval paper - Unframed Martina Nehrling is an American abstract artist whose dynamic and richly textured paintings evoke kaleidoscopi...

Cut-Up Paper 2002 (Abstract painting) Acrylic on paper - Unframed. Pedersen works with acrylic paint. When painting a composition, she tends toward a limited color palette, often ...

Destination (Abstract drawing) Pastel on paper - Unframed. Margaret Neill works for a time on a group of pieces in a series, using classic almost primal materials such as graphite,...

"Fetish" c. 1960s Crayon on paper 11 x 8.5 inches (27.9 x 21.6 cm) Contact gallery for price.

Oil on paper Xia Fu-Ning is a Chinese artist born in 1962 in Nanjing. He was a professor in the Department of Fine Arts during the 1980s at Tianjin Polytechnic University. He curren...

Big Melt #10 (Abstract drawing) Pigment pencil and water on mylar - Unframed. This work is from a series titled Big Melt. It has been created with pigment pencils and ice. It captu...

Summer study drawing

Ofort on paper

Mixed media on paper

Watercolour on paper Paper size: 16 x 22 inches Framed size: 30 x 26 inches Signed lower left

The Surface of Things, (Abstract Painting) Acrylic on Montval paper - Unframed Artwork exclusive to IdeelArt. Martina Nehrling is an American abstract artist whose dynamic and ric...

M353 (Abstract Drawing) Digital creation, printed on Hahnemühle Photo Rag de 308 gr - Unframed. Fluctuating between illustration and expressionism, connecting the geometric and bi...

OC 19 (Abstract Painting) Acrylic on paper - Unframed. Using the geometric vocabulary found in architectural schemata, Bolt tries to create a dynamic tension between foreground and...

RV Float (Abstract drawing) Watercolor on paper . Unframed. McCagg's work is informed and influenced by formal elements such as line and space, which provide an underlying aestheti...

Advance (Abstract drawing) Charcoal on paper - Unframed. Margaret Neill works for a time on a group of pieces in a series, using classic almost primal materials such as graphite, c...

Guna TT (Abstract painting) Encaustic on Shikoku paper - Unframed. The title, Guna, is a Sanskrit word meaning ‘string, thread or strand’ and was inspired by Adams yoga practice. ...

Eckige Masse 061 (Abstract painting) Acrylic on Fabriano-pittura paper - Unframed. In her work, Lee is responding to her emotional experiences within her physical surroundings. Co...

Paris - Ober (Blue Tarp) (Abstract painting) Spray paint, pencil, ink, watercolor on paper. Unframed. Peter Soriano works on relatively large sheets of Japanese paper with a tenden...

Untitled, 2014 (Id. 383) (Abstract Drawing) Ballpoint pen and inkjet on paper. Unframed. Caldicott has always had a habit of working serially; his works on paper are rapidly produced and large in quantity. His drawings have a minimal esthetic, an architectural character, created with only one or two lines. Pastel tones, softened colors, and a formal composition generate a feeling of austerity and sophistication. Richard Caldicott is an English artist who explores abstract photography and creates abstract compositions on paper. He lives and works in London. As an interdisciplinary artist, Caldicott comes across materials and techniques, including drawing, photography, and sculpture. His works on paper, made with ballpoint pen and inkjet printing, reveal a bare sophistication whether it be with minimal drawings...

Screech of ice series 41 (Abstract drawing) Colored pencil and graphite on plastic paper. Unframed. Screech of Ice is a new series of drawings made by holding a bunch of pencils in...

Untitled 2 (Abstract painting) Acrylic and oil on paper - Unframed Claude Tétot is a French abstract artist whose work expresses harmony in disharmony by exploring the enigmatic unity that can exist between seemingly disparate elements, such as graphic patterns and gestural markings. Tétot is inspired by the search for unexpected harmonies. He could be placed in an aesthetic lineage with Hans Hofmann and Shirley Jaffe...