Martina Nehrling

The Surface of Things (Abstract Painting)

2013

Orange terre (Abstract painting) Watercolor, acrylic and graphite lead on Bréhat paper — Unframed Paper's dimensons: 74.5 x 53.5 cm / 29.3 x 21 inch Image's dimensions: 60 x 42 cm /...

Nordic waves (Abstract painting) Acrylic, charcoal, oil pastel and graphite on paper - Unframed. Artwork exclusive to IdeelArt. Adrienn Krahl’s paintings express a profound sense ...

Nordic waves (Abstract painting) Acrylic, charcoal, oil pastel and graphite on paper - Unframed. Artwork exclusive to IdeelArt. Adrienn Krahl’s paintings express a profound sense ...

Mad green 10 (Abstract Painting) Acrylic and pigments on paper — Unframed. Emma Godebska is a French abstract artist living in Nimes, France. Her use of natural pigments, reflectiv...

Odds 6 (Abstract Painting) Acrylic and pigments on paper — Unframed. Emma Godebska is a French abstract artist living in Nimes, France. Her use of natural pigments, reflective of n...

Mad green 2 (Abstract Painting) Acrylic and pigments on paper — Unframed. Emma Godebska is a French abstract artist living in Nimes, France. Her use of natural pigments, reflective...

This artwork makes part of my small collection of abstract paintings created in various soft neutral earth tones. Main colors of this collection are grey, brown, suede, black, white....

In my abstract artworks I manipulate paints without a preconceived plan as I am guided by what I want to express at the moment by embracing the quality of the materials to get unusu...

Geometric abstract painting made in 2020 by Amanda Andersen, initialed on the back. This piece is from a body of work inspired by ordinary object arrangements such as table-top still...

The discipline of creating a drawing each day is a process, like a written diary, to clear the mind, to declutter thoughts, and to observe patterns. It is a method that allows the mind a freedom to wander and drift. A visual journal becomes a safe space for personal reflection–a self-awareness fueled by the opportunity for contemplation and immersion. The painted surface for the drawings was created by dividing five large paintings into 40 separate pieces. I chose five paintings from my Perspective Series (1993-94), which relied on day-to-day imagery that narrated a story about shifting time and how time anchors our day. The brush strokes of Perspectives are fluid, with muted colors – moving from deep blacks to taupe whites. Dividing these pieces was a means for me to rethink ideas and recurring images in my older work. The very thin gold leaf applied to each piece has a wonderful amber tone. This gold leaf is from Myanmar, where it is used as decoration for Buddha or for the dome of a temple or monastery. In the drawings, the gold element relates to the sense of infinity – like the sky in an enclosed courtyard. An architectural element is a critical component in my studio work that I wanted to carry over into these pieces. I envisioned a courtyard–a safe space that opens up to the sky. Unfolding circles define the beginnings of an open interior space. The process felt open-ended. It was an opportunity to get lost in thought and to give me an opportunity to reflect, muse and declutter my thinking. Then repeat. 40 days...

Santa Barbara California Blue Yellow Green Modern Abstract Landscape Painting Margaret Francis received her Degree in Fine Art from Winchester Art Scho...

In this abstract floral artwork I experience the world of nature through the bright colors of a spring period. While painting, I sought to capture the beauty of spring flowers which...