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Paul CézanneLe SentierCirca 1890
Circa 1890
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
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About the Item
Paul Cézanne
Le Sentier
ca. 1890
Watercolour and pencil on paper
34.6 x 51.5 cms (13 5/8 x 20 1/4 ins)
PC16325
Provenance:
Walther Halvorsen, Oslo
Galerie Bernheim-Jeune, Paris
Justin K. Thannhauser, Berlin (acquired from the above in 1929)
Captain Stanley W. Sykes, Cambridge (acquired from the above in 1936)
Alex. Reid & Lefevre, London
Oswald T. Falk, Oxford (acquired by 1946)
Thence by descent to the previous owners
Exhibited:
London, Tate Gallery; Leicester, Leicester Museum & Art Gallery & Sheffield, Graves Art Gallery, Paul Cézanne, Exhibition of Watercolours, 1946, no. 16
Essay:
'Here on the edge of the river, the motifs are very plentiful, the same subject seen from a different angle gives a subject for study of the highest interest and so varied that I think I could be occupied for months without changing my place, simply bending a little more to the right or left.'
Paul Cézanne, 1906
(John Rewald (ed.), Letters, London, 1941, Letter 193, p. 262)
Information:
This work will be included in the forthcoming online Catalogue raisonné of Paul Cézanne’s Watercolors under the direction of Walter Feilchenfeldt, David Nash and Jayne Warman.
- Creator:Paul Cézanne (1839 - 1906, French)
- Creation Year:Circa 1890
- Dimensions:Height: 13.63 in (34.6 cm)Width: 20.28 in (51.5 cm)
- More Editions & Sizes:NonePrice: $273,126
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU26229351072
Paul Cézanne
Paul Cézanne (1839–1906) was a French Post-Impressionist painter who served as a bridge between 19th-century Impressionism and early 20th-century Cubism. His work introduced new modes of representation, influencing avant-garde movements of the early 20th century. Initially inspired by Romanticism and Realism, Cézanne developed a unique pictorial language, altering conventional perspectives and emphasizing the formal qualities of art. Cézanne's distinctive brushstrokes, use of color planes, and focus on the underlying structure of objects set his work apart. Despite early ridicule from contemporary critics, artists like Camille Pissarro and gallery owner Ambroise Vollard recognized his talent, with Vollard hosting Cézanne's first solo exhibition in 1895. This exhibition led to wider appreciation, and both Henri Matisse and Pablo Picasso later hailed Cézanne as "the father of us all".
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