Abelardo Morell Art

12 Colour Screenprint with a Varnish Overlay on Somerset Tub Sized 410gsm Paper. Limited edition of 125. Hand signed and numbered verso by David Shrigley.

large format photograph of glossy cherry red vintage private airplane on airport runway tarmac Red Jet by Frank Schott 48 x 74 inches (122 x 188cm...

A still life with tulips created using paper & pastel. Three colour Risograph print. Edition of 50. Heavyweight, recycled off-white paper. Print measures 420 x 594mm (standard A2 s...

large format photograph of iconic blimp shaped zeppelin airship Zeppelin by Christian Stoll 28 x 40 inches (71 x 102cm) edition of 25 signed ...

silkscreen Two colours on Fine Art paper. Interior Photography, Romantic, Abandoned place, Nature, Window Work Title : Piscine Végétale Rose Artist : Marie Vandooren...

Screen is a Photograph realized by the Italian contemporary artist Marilù Eustachio in 1987. Titled, dated, and Hand-signed in pencil on the back. In very good conditions. Maril...

A signed, limited edition silkscreen on canvas with diamond dust. Edition of 25 Part of the Playboy collection which sees iconic magazine covers g...

In this series entitled 'Freshly Wrapped', Alice explores the relationship between fresh produce and plastic. For the city-dweller, plastic wrapping has become as much a part of the way we eat fruit and vegetables as the skin of the thing itself. Instead of pulling from the soil or plucking from a tree; we squeeze our produce from mesh bags...

Signed Limited Edition Silkscreen Print Finished with Diamond Dust Edition of 195 Beautiful black and white print piece featuring the film star Marilyn Monroe. Finished with diamond...

"IT WILL NOT DISAPPEAR IF WE JUST IGNORE IT," Al Diaz, 2022 Silkscreen on 290 gram Coventry Rag paper with hand deckled edges Dimensions: 18" x 37" An edition of 10 Signed and numbered by the Artist Note that the edition number you receive may be different than the one in the photograph. Al Díaz’s career spans five decades. Born and raised Puerto Rican in New York City, by age 15 he was an influential first-generation subway graffiti artist known as “BOMB-ONE.” His friendship and artistic collaboration with high school schoolmate Jean-Michel Basquiat on SAMO, (a late 70s Avant-garde graffiti tag project) has been noted often in contemporary art history. Díaz later contributed percussion to numerous musical recordings and performances, including Basquiat’s historic 1983 record, “Beat Bop,” (considered to be one of the earliest hip-hop albums). Díaz is sought-after as an expert of New York City counterculture art. He appears often in publications, as a highlighted speaker for a variety of panel discussions at universities and museums (including Smithsonian Institution, the Brooklyn Museum, The New School and Christie’s Education), and has been featured in several films, including Boom for Real: The Late Teenage Years of Jean-Michel Basquiat, BBC’s American Masters — Basquiat: Rage to Riches and Jean-Michel Basquiat: The Radiant Child. In 2018, Díaz authored "SAMO …SINCE 1978", an in-depth, color illustrated history of the street art legacy that he began with Basquiat in the late 70s. A notebook that Díaz made with Basquiat in his teens is currently held in the collection of the Yale University Beinecke Library.

Boss (Bruce Springsteen) 3/5 BookScape by Max Steven Grossman Individually photographed books and bookshelves. Featuring Bruce Springsteen books and albums. In his photographic s...

16x20” Limited Edition Next available edition printed upon purchase. Other sizes available. Please allow 4 weeks for production.