Alexander Calder Mixed Media

Five papiers peints 'En Grisaille' from the psyche´ series manufactured by Dufour, Paris, after designs by Merry-Joseph Blondel and Louis Lafitte. -'Psyche´ returning from hades.' -'...

Jungle fantasy Scene, Ink, Colored ink and color watercolor surreal fantasy scene, birds, giraffes, alligators, snakes, turtles, storks, unicorn and maiden in a tepee, lions and elep...

Chita Rivera BYE BYE BIRDIE Original 1960 Broadway Costume Drawing Tony Awards Miles White (1915 – 2000) ChITA RIVERA in BYE BYE BIRDIE 11 x 8 inches M...

This drawing by Nils Kreuger, a Swedish artist born on October 11, 1858, in Kalmar and who passed away on May 11, 1930, in Stockholm, showcases a quintessential theme found in his wo...

Family at the Beach WPA Modernism American Scene Social Realism Mid 20th Century William Gropper (1898 - 1977) "Family at the Beach" 27 1/2 x 19 1/2 inches Mixed media on paper, c. ...

Juana Céspedes specializes in original art that draws inspiration from the infectious exuberance of dance. Her captivating artwork features individuals gracefully suspended in ethereal white space, forming mesmerizing semi-abstract compositions of shapes, clusters, and lines. Drawing from her beloved hometown of Barcelona, Céspedes envisions the harmonious mingling of souls as city squares overflow with jubilant dancers rejoicing in the arrival of sun-drenched days. Through the medium of watercolor, the artist skillfully captures the fluidity of human movement, while her meticulously crafted handmade paper adds depth and evokes the essence of the urban landscapes that fuel Céspedes' creativity. This one-of-a-kind 12-inch square artwork is painted on handmade paper. It is unframed. Céspedes uses ink and watercolor to display the splendor of movement. Convenient local Los Angeles shipping. Affordable Continental U.S. and worldwide shipping are also available. A certificate of authenticity issued by the art gallery is included with this original work. Provenance: Artplex Gallery The artist’s journey spans 21 years during which Céspedes has developed a unique style always revolving around two major themes: urban space and human bodies. “Dance inspires me. I love its contagious joy. I’m often carried away by the image of swing dancers on an endless journey, from partner to partner—a journey that started in Harlem and found its way across the world.” As a self-taught artist, Céspedes’ work is an inspiring example of outsider art. Her life is a story of resilience. The artist was orphaned at thirteen and Céspedes was left to contend with life as the eldest of a family of seven in rural Andalucía. Her pursuit of art brought a meditative calm to her life but with no connection to the art world, Céspedes did not show her work as she developed her unique style. Céspedes decided to infiltrate the artistic circle of Barcelona after years of solo creation. She joined the Agrupacion de Acuarelistas de Catalunya where masters helped her see the liberating power of abstract watercolor, with its ebbs and flows. Céspedes’ work has been shown in more than 60 solo and collective exhibitions and awarded internationally. REPRESENTATION Artplex Gallery, Los Angeles, CA, USA EXHIBITIONS 2023 "Fluid Histories, Culture and Style", Artplex Gallery, Los Angeles, CA 2022 "The Optics of Vision", Artplex Gallery, Los Angeles, CA 2021 Artplex Gallery, Los Angeles, CA 2019 The Other Art Fair, Brooklyn, NY The Other Art Fair, Los Angeles, CA Finalist in the 8th edition of the Premio de Pintura Barcelona, Barcelona, Spain 2018 Solo exhibition at Casa Usher Llibreters, Barcelona, Spain Work selected at LV edition of the Ynglada-Guillot Prize at Fundacion Vila Casas, Museo Can Framis, Barcelona, Spain 2017 Collective exhibition as part of Mini Print Internacional, Cadaqués, Spain Selected work at 15è Premi BBVA de Pintura Ricard Camí, Terrassa Selected work at LIV edition of the Ynglada-Guillot Prize at Vila Casas Barcelona, Spain Selected work at IV Bienal Internacional de nuevas técnicas en acuarela Caudete, Spain Finalist work at VIII Premio Fundación Barcelona Olímpica, Barcelona, Spain RESIDENCIES Agrupació Aquarel.listes de Catalunya, Barcelona, Spain Cercle Artistic Sant Lluc, Barcelona, Spain Escola Massana, Barcelona, Spain Escola d'Arts i Oficis de Barcelona, Barcelona, Spain Barcelona Academy of Art, Barcelona, Spain Scuola internazionale Di Grafica, Venice, Italy...

A portait of the first Allied airship to perform a bombing raid from the sky by a celebrated artist whose work hung on the Titanic. Watercolor and ink on heavy wove watercolor paper, 10 5/8 x 15 inches (270 x 380 mm). Signed in black watercolor in the lower right image area. In very good condition with minor surface soiling on the verso. Titled "Verdun" in pencil on the verso in the artist's hand. Adhered on the verso to matboard at the extreme margins with non archival tape. Presented handsomely in a simple, period maple frame. Titled, dated, inscribed and initialed by the artist on a label on the frame back. Born in Cambridge in 1898 and educated at Southsea School of Art, Norman Wilkinson is known for his graphic art, specifically his British Railway poster images, and also for something quite incredible; Wilkinson revolutionized the art of naval camouflage. Having been assigned to submarine patrols in Dardanelles, Gallipoli, and Gibraltar during WWI as a member of the Royal Navy Volunteer Reserve, Wilkinson was deeply troubled by the unprecedented success the German submarine fleet had torpedoing British ships. He hoped to find a solution to this gaping vulnerability, and in a lightning bolt moment, he had an epiphany that would change everything. Wilkinson says in his autobiography, A Brush With Life (Seeley, 1969), that he realized a ship could be painted to hide its shape against the sea and sky. In his own words, Wilkinson states that the hull of a ship could be camouflaged "not for low visibility, but in such a way as to break up her form and thus confuse a submarine officer as to the course on which she was heading." After some preliminary testing, the theory Wilkinson called "dazzle camouflage" was accepted by British Admiralty and Wilkinson was placed in charge of the naval camouflage unit. The unit, which was headquartered in the basement of the Royal Academy of Arts, consisted of Wilkinson and about two dozen "camoufleurs;" they were artists, students, model makers and consultants, including a zoologist. The dazzle schemes were tested on models and then distributed to artists who were stationed at the docks, where the ships would be painted. At the end of the war Wilkinson was formally declared the inventor of dazzle camouflage and awarded for his contribution. Wilkinson went on to enjoy a long and celebrated career as a painter of maritime scenes, naval vessels, and warships. He served as the president of the Royal Institute of Painter in Water Colours (RI) from 1936 until 1963 (having been elected a member in 1906); he was elected Honourable Marine Painter to the Royal Yacht Squadron in 1919, and he was a member of the Royal Society of British Artists, the Royal Institute of Oil Painters, the Royal Society of Marine Artists, and the Royal Scottish Society of Painters in Watercolour. In 1918 he was appointed an Officer of the Order of the British Empire (OBE), and a Commander of the Order (CBE) in 1948. In January 1920 he was appointed knight (chevalier) of the Belgian Order of the Crown. Among the many notable points of interest regarding Wilkinson's career is that his painting Plymouth Harbour, which was commissioned by Cunard White Star Lines for the first class smoking room of the RMS Titanic, was lost at sea when it perished with the ship. Wilkinson had also created a comparable painting entitled The Approach to the New World, which hung in the same location on the Titanic's sister ship, the RMS Olympic...

CONTEMPORARY ART Expressionist composition Mixed media on paper Signed and dated 2018 D. Silva Measure:70x50 cm /28x20 in Private collection.

BYE BYE BIRDIE Original 1960 Broadway Musical Costume Drawing Tony Award Elvis. Miles White (1915 – 2000) BYE BYE BIRDIE 11 x 8 inches Mixed Media on...

On Human Relations (d’après Adolph Freiherr Knigge) - Deborah Sengl 21st Century Animal Figurative Drawing Unique Title: "About dealing with adventurers and drifters" (Original: Ueb...

Chef Pasta - Vintage Illustration in Ink and Watercolor A charming illustration, by Irene Pattinson (American, 1909-1999), shows a chef in an 1800's toque blanche, pouring oil from an ornate bottle over a bowl. His face, with spectacles, a moustache and goatee in fine line work, is painted in vibrant pink watercolor for an added splash of color. Signed in the bottom right corner, "i.p." Presented in a new white mat with foam core backing. Mat size: 8.5"H x 11"W Paper size: 6.75"H x 6.75"W Image size: 4.13"H x 3.63"W Irene Pattinson (American, 1909-1999) studied at the California School of Fine Art (now The San Francisco Art Institute), San Francisco State College and The Marion Hartwell School of Design. She was President of the San Francisco Woman Artists Association 1955-56. Provenance: The Artist, Estate of Irene Pattinson: David Carlson; Estate of Larry Miller Fine Art, Robert Azensky Fine Art. Solo Exhibitions: Lucien Labaudt Gallery 1955; San Francisco Museum of Art, 1961 (39 works). Selected Group Exhibitions: San Francisco Art Association Annual 1948, 54, 55; San Francisco Woman Artists, 1957-1960; Oakland Art Museum Annual, 1951, 58; California Palace of the Legion of Honor, 1960; Richmond Art Center, 1955, 56, 57, 58; San Francisco Art Institute 1959, 60. The Art Bank of the San Francisco Art Association, 1958, 59, 60, 62, 63; Winter Invitational, California Palace of The Legion of Honor, San Francisco, 1960; Fourth Winter Invitational, California Palace of The Legion of Honor, San Francisco, 1963. Awards: First Place, San Francisco Woman Artists Assoc., 1957, 1959; San Francisco Art Festival 1957;Literature: San Francisco Art Institute - A catalog of the Art Ban 1962/63; San Francisco and the Second Wave: The Blair Collection Exhibitions: 1963 The Art Bank of the San Francisco Art Association, San Francisco, CA 1963 California Palace of The Legion of Honor: Forth Winter Invitational, San Francisco, CA 1962 The Art Bank of the San Francisco Art Association, San Francisco, CA 1961 San Francisco Museum of Art, San Francisco, CA 1960 California...

lithograph and screenprint with pochoir collage and embossing on paper