Andre Naggar Art

NICK BRANDT (*1966, England) Elephant on Bare Earth, Amboseli 2011 Archival pigment print Sheet 177,8 x 142,24 cm (70 x 56 in.) Edition of 10, plus 2 AP; AP1 (from a sold out edition...

NICK BRANDT (*1966, England) Elephants Walking Through Grass, Amboseli 2008 Platinum print Image 58.42 x 106.68 cm (23 x 42 in.) Sheet 76 x 111.2 cm (29 7/8 x 43 3/4 in.) Edition of ...

The Gallery of Katarzyna Napiorkowska is one of the first commercial art galleries in Poland. For over 30 years, the gallery has been presenting contemporary paintings, graphics, dra...

Signed, numbered out of 10 JOANNA CHUDY Graduated from Academy of Fine Arts in Cracow in 2002, National Film School in Łódź in 2009 and Academy of Fine Arts in Warsaw where she achi...

The Ferry Boat by Alfred Stieglitz is a photogravure on tissue. The photograph depicts a ferry boat on the water with a crowd of people on the lower level o...

A camera is a window through which a photographer interacts with the world, and it's up to the operator to decide whether his camera will be a barrier or a mirror between he and his subjects. In the 1970s, Michael Abramson chose the latter path when he brought his camera to Pepper's Hideout on Chicago's South Side. Following in the footsteps of his acknowledged influence Gyula Halász, a Hungarian photographer better known as Brassaï who became the pre-eminent chronicler of the Paris nightlife he loved so much, Abramson initiated himself into the nightlife of Chicago's predominantly black neighbourhoods. He was very much a part of the scene he documented on film, drinking, laughing, and dancing with his subjects into small hours and becoming as much a part of the atmosphere as the locals who frequented the same nightspots he did. - Joe Tangari (Numero Group, 2009) This series won Abramson a grant from the National Endowment for the Arts in 1978 and launched his career as a photojournalist. Eventually the project resulted in a hardbound book, Light: On the South Side, including the Grammy and Mojo nominated album, featuring Chicago blues...

The Gallery of Katarzyna Napiorkowska is one of the first commercial art galleries in Poland. For over 30 years, the gallery has been presenting contemporary paintings, graphics, dra...

April 6, 1961 - Contemporary Black and White Photography Print 30" x 24" (HxW) Inkjet print on Epson lustre paper 1" white margins on top and bottom; 1/2" white margins on either sid...

Edition 10 in format 38x85 cm Photograph on Hahnemuhle Paper ; Digigraphie technology , Limited edition, 38x85 cm + 5 cm white margin The photo is signed on the front and will be sen...

Photogravure from the Tom Baril 'Manhattan' Portfolio. Edition of 75, signed by the artist on bottom right. Framing: acid free, archival framed, cotton rag mat. Glazing: Optium museum plexi. A graduate of New York’s School of Visual Arts, Tom Baril spent over fifteen years as Robert Mapplethorpe’s master printer. His subjects include urban architecture, seascapes and meticulously detailed botanical and nature photographs. Baril’s work demonstrates a command of technique that results from his extensive experience as a master printer. Baril developed a unique toning process that enriches the color and opulence of his photographs. Tom Baril is inspired by the nature studies of modernist photographers such as Edward Weston, Imogen Cunningham and Karl Blossfeldt. A similar attentiveness to the clarity of line, form, pattern and texture characterizes Baril’s still lifes. In composing the seascapes, Baril employs the traditional box camera obscura, better known as the pinhole camera...

ALBERT WATSON (*1942, Scotland) Monkey with Gun, New York City 1992/2015 Chromogenic print from a polaroid positive face mounted to acrylic (Diasec) Sheet 238 x 182,5 cm (93 3/4 x 71...

Edition of 5 in format 50x74 cm Photograph on Hahnemuhle Paper ; Digigraphie technology , Limited edition, 50x74 cm + 5 cm white margin The photo is signed on the front and will be s...