Arnau Alemany Batalla Art

Salvador Dali Sol y Dali Vintage lithographic poster (Mourlot workshop) Printed signature in the plate Edited in 1967 by Jean Schneider On paper 78 x 54 cm...

Peter Max United We Stand: Four Statues of Liberty with Blue Statue of Liberty, 2001 Acrylic and Mixed Media painting with collage on thin board Boldly si...

René Magritte - LE CHEF D'OEUVRE OU LES MYSTÈRES DE L'HORIZON, 1965 Date of creation: 2010 Medium: Lithograph on BFK Rives Paper Edition number: 131/275 Size: 60 x 45 cm Condition: N...

The central theme of the artwork revolves around the concept of love, partnership, and the strength that comes from sharing life's journey with someone you truly cherish. The portrayal of a woman standing behind a man is symbolic and highlights the significance of being someone's backbone, providing much-needed support and encouragement in every situation. The title, "My Backbone and I," aptly captures the essence of the artwork. It emphasizes the interconnectedness of the couple, where each person complements and supports the other, forming an unbreakable bond. This piece reminds us that true love involves more than just being there during the good times; it means standing together, hand-in-hand, through life's challenges and triumphs. In the context of the artwork, the woman's presence behind the man represents her role as a steadfast pillar of strength, constantly supporting and empowering him. This representation challenges traditional gender norms, debunking the outdated notion that women should always stand behind men. Instead, it celebrates the idea that a successful partnership is built on mutual respect, equal footing, and shared responsibilities. The artist, Michael Adetula...

RECEIVING HAND is a hand drawn original lithograph printed using hand lithography techniques on archival Arches printmaking paper 100% acid free. RECEIVING HAND a finely detailed han...

Mixed media with acrylic painting and color lithography on paper. Hand-signed in acrylic by the artist. A unique variation. Custom framed as pictured. Artwork sheet size 24 x 18 inc...

Esther Accuses Haman is an artwork realized by March Chagall, 1960s. Lithograph on brown-toned paper, no signature. Lithograph on both sheets. Edition of 6500 unsigned lithographs...

Peace from within is a state of tranquility, harmony, and serenity that originates deep within ourselves. It is a profound sense of calmness that transcends external circumstances an...

Corneille Little Clown in Red and Yellow Original lithograph Handsigned Justified EA On vellum 40 x 31.5 cm (c. 16 x 12.5 inch) Excellent condition

An intriguing 1930's Art Deco Slade School oil on canvas painting. The work depicts a mother and child bathing, surrounded by other bathers. It possibly has religious overtones. This...

The Pancake Eater, 1981 by Red Grooms (b. 1937), an Artist's Proof, 2 of 9 (apart from the edition of 31). Multi-layer lithograph and silkscreen in 31 colors with gold radiance powder. Cut out collage and vinyl window shade with pull-cord in original acrylic box frame. A wonderful & whimsical piece of Pop Art by one of America's most famous Pop Artists, please see the video attached. Signed and dated in red pencil, lower right, an Artist's Proof numbered 2 of 9 on a brass plaque affixed to the reverse of the original acrylic box frame. Co-published by Brooke Alexander, Inc. and Marlborough Gallery, Inc., New York. Condition is excellent. Born in Nashville Tennesee in 1937 Red Grooms is a; "Sculptor, painter, installation artist, filmmaker, and printmaker. An eager participant in late 1950s happenings, in the 1960s he developed high-spirited, mixed-media environmental sculpture on an enormous scale. In these “sculpto-pictoramas,” as he has called them, multiple, life-size, cartoonish figures inhabit sharply observed localities, usually areas of New York. Related to pop art, his zany work often carries a sarcastic edge but not at the expense of good-natured hilarity. It also plays on nostalgia that stems from the artist's evident affection for his acutely rendered subjects, as befits an admirer of Edward Hopper's paintings. Charles Roger Grooms left Peabody College there to enroll in the School of the Art Institute of Chicago for a year. He then decamped for New York to continue his studies at the New School for Social Research (now New School). He also attended Hans Hofmann's summer school in Provincetown. In the late 1950s, along with Allan Kaprow...

Troisemmè Dame from 1919 is a gouache painting on paper, 12 x 9.5 inches, framed in a custom, closed-corner, Art Deco frame to 20.25 x 18 inches. Signed recto 'Erté' mid lower right ...